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Egyptian Myth and Legend

Egyptian Myth and Legend (40)

EGYPTIAN MYTH AND LEGEND

eml-index

With Historical Narrative, Notes on Race Problems, Comparative Beliefs, etc.
by

Donald Mackenzie

Gresham Publishing Co., London

[1907]

This highly readable book covers Egyptian religion, history, and culture through its entire civilization. We are accustomed to history measured in decades or centuries. Egypt requires thinking in terms of millenia. There was not one monolithic Egyptian belief system; it went through profound changes over time; this book describes this evolution in great detail. Mackenzie includes many extracts from religious texts, folk tales, and historical documents.

Scanned at sacred-texts.com, April 2002, J. B. Hare, Redactor

 

Egyptian Myth and Legend Chapter 12, Triumph of the Sun God

EGYPTIAN MYTH AND LEGEND

With Historical Narrative, Notes on Race Problems, Comparative Beliefs, etc.
by

Donald Mackenzie

Gresham Publishing Co., London

[1907]

CHAPTER XII

Triumph of the Sun God

Rival Cults--Ptah as a Giant--His Mountain "Seat--Paradise of Osiris--Paradise of Sun Worshippers--Ideas of Hades--The Devil Serpent--The Great Worm of the Bible--The Nine Gods of Heliopolis--Stone and Sun Worship--The Horus Cult--Various Conceptions of the God--Union with other Deities--Legend of the Winged Disk--Ra's Enemies slain--Set as the "Roaring Serpent"----Sun Worshippers as Kings--Ptah Worshippers as Grand Viziers--Unas the Eater of Gods--The Egyptian Orion.

THE rise of the sun god had both theological and political significance. Ra was elevated as the Great Father of a group of cosmic and human deities, and his high priest, who was evidently of royal descent, sat upon the throne of united Egypt. The folk tale about the prophecy of Dedi and the birth of three children who were to become kings appears to have been invented in later times to give divine origin to the revolution which abruptly terminated the succession of Khufu's descendants.

An interesting contrast is afforded by the two great rival religions of this period of transition. While the theology of Heliopolis was based upon sun worship, that of Memphis was based upon earth worship. Ptah, the creation elf of the latter city, had been united with Tanen (or Taten), the earth giant, 1 who resembles Seb. The dwarfish deity then assumed gigantic proportions, and became a "world god" or Great Father. A hymn addressed to Ptah Tanen declares that his head is in the heavens while his feet are on the earth or in Duat, the underworld. "The wind", declared the priestly poet, "issues from thy nostrils and the waters from thy mouth. Upon thy back grows the grain. The sun and the moon are thine eyes. When thou dost sleep it is dark, and when thou dost open thine eyes it is bright again."

Ptah Tanen was lauded as "a perfect god" who came forth "perfect in all his parts". At the beginning he was all alone. He built up his body and shaped his limbs ere the sky was fashioned and the world was set in order, and ere the waters issued forth. Unlike Ra, he did not rise from the primordial deep. "Thou didst discover thyself", sang the Memphite poet, "in the circumstance of one who made for himself a seat and shaped the Two Lands" (Upper and Lower Egypt). The suggestion is that, therefore, of a mountain giant with his 'seat' or 'chair' upon some lofty peak, an idea which only a hill folk could have imported.

"No father begot thee and no mother gave thee birth," the poet declared; "thou didst fashion thyself without the aid of any other being."

The further union of Ptah with Osiris is reflected in the conception of a material Paradise) where the souls of the dead were employed in much the same manner as the workers in Egypt. Ethical beliefs pervaded this religious system, as we have seen; men were judged after death; their future happiness was the reward of right conduct and good living. Thus we find men declaring in tomb inscriptions:

"I have constructed this tomb by honest means. I have never stolen from another . . . . I have never seized by force what belonged to another . . . . I was never scourged before an official (for law breaking) since I was born. My conduct was admired by all men. . . . I gave food to those who hungered, and those who were destitute I did clothe. . . . No man ever cried out to the god complaining against me as an oppressor."

Men died believing that Osiris would justify their actions. "I shall live like Osiris. He perished not when he died, neither shall I perish when I die."

These professions continued to be recorded after the rise of the sun god. The new religion was embraced mainly by the royal and aristocratic families and the Asiatic element in the population. It was infused by magical rather than ethical beliefs; a man's future happiness depended wholly on his knowledge of magical formulae and his devotion to religious rites.

The Paradise of the sun worshippers was of more spiritual character than that believed in by the cult of Ptah-Osiris. Their great hope was to find a place in the sun bark of Ra. The chosen among the dead became shining spirits, who accompanied their god on his safe journey through the perils of darkness, and they partook of his celestial food and shared his celestial drink; they became one with Ra, and yet did not suffer loss of identity.

It was taught by the priests of Heliopolis that after death the souls of mankind travelled towards the west and entered the first hour-division of the dark underworld Duat. There, in Amenti, "the hidden region", they awaited the coming of the bark of Ra. Those who could repeat the necessary magical "passwords" were permitted to enter, and they journeyed onward in the brightness diffused by the god until they reached the eastern horizon at dawn. Then they ascended the heavens and passed through happy fields. They could even visit old friends and old haunts upon earth, but they had to return to the sun bark in the evening, because evil spirits would devour them in the darkness. So they sailed each night through the underworld. They lived in eternal light.

Less fortunate souls resided in the various hour-divisions of Duat. Some were left in the first; others were allowed to enter the sun bark until they reached the particular divisions to which the power of their magical formulextended. These remained in darkness, faintly lit up by the fire which serpents spat out and the flames of the torture pools, except for one of the four-and-twenty hours, when the sun bark appeared. Then they enjoyed the blessings of sunlight and the special benefits conferred by Ra. Assembling on the river banks they adored the passing deity, and when he departed their voices were raised in lamentation. They enjoyed the privilege of having food supplied without labour.

The supernatural enemies of Ra were slain nightly by spears, which were sun rays, and knives, which were flames of fire, as well as by powerful magic spells. When the god passed on, all the demons came to life again. Ra's human enemies were those apparently who had not worshipped him upon earth. Such were consigned to torture in lakes of everlasting fire. Later Egyptian beliefs retained the memory of this ancient conception. The Copts peopled hell with demons who had the heads of serpents, crocodiles, lions, and even bears. After death these "avengers" seized the doomed man and wrenched the soul from the body with much violence. Then they stabbed and hacked it with knives, and thrust goads into its sides, and carried it to a river of fire and plunged it in. Afterwards the tortured soul was cast into outer darkness, where it gnashed its teeth in the bitter cold. It might also be consigned to a place of horror which swarmed with poisonous reptiles. But although it could be wounded and hacked to pieces it did not perish. In time the soul passed to the first hour-division of Duat. Egypt swarmed with serpents in early times, and they were greatly dreaded by the people. Even Ra feared them. He was bitten by the serpent which Isis created, and when he left the earth and ascended to heaven, after reigning over men, he spoke of them as his enemies, and provided magical spells so that they might be overcome. Serpent charmers have not yet disappeared in the land of Egypt. They had great repute in ancient days. Symbolic reference is made to their powers in the Bible. "Their poison", declared the Psalmist, "is like the poison of a serpent; they are like the deaf adder that stopped her ear, which will not hearken to the voice of charmers" (Psalm lviii, 4-5). In Jeremiah, viii, 17, we read: "I will send serpents, cockatrices, among you which will not be charmed, and they shall bite you"; and in Ecclesiastes, xii: "Surely the serpent will bite without enchantment". Those who have watched the genuine serpent charmers at work in Egypt have testified to the efficacy of their wonderful powers. 2

In ancient Egypt serpents were believed, especially by the sun worshippers, to be incarnations of evil spirits. 3 Darkness, the enemy of light, was symbolized as the Apep serpent, which is also referred to as the Great Worm. It rose up each night in the realms of Duat to destroy the sun bark and devour Ra. Occasionally it issued forth in daylight, and appeared in darkening thunder clouds, when a dread battle was waged and lightning spears were hurled against it. At dreaded eclipse it seemed to achieve temporary triumph. In this respect the Apep serpent resembled the Chinese dragon.

When Ra was in peril the priests chanted powerful spells to assist him, and the people assembled and shouted together to scare away the monster of darkness and evil. The ordinary ritual of the sun worshippers provided magical formul which were recited to render service to the god at regular intervals. Written spells were also considered to be efficacious, and these were inscribed with green ink upon new papyrus, which was burned. Belief in sympathetic magic is reflected in the ceremony of making and destroying a green wax figure of the great serpent. At midnight, when Ra began his return journey, and the power of evil was strongest, the wax figure was placed in a fire and spat upon. As it melted, the pious worshippers of the sun god believed that the Apep serpent suffered loss of power. The ashes of the figure and of the papyrus were afterwards mixed with filth and committed to the flames a second time. It was also customary to make wax models of the serpent fiends which assisted Apep, and they were given the heads of black and white cats crocodiles, and ducks. 4 Stone knives were stuck in their backs, and they were thrown in the dust and kicked with the left foot. 5

Symbolic references are also made in the Bible to the great Egyptian serpent. In Isaiah, lxvi, 24, we read: "Their worm shall not die, neither shall their fire be quenched, and they shall be an abhorring to all flesh"; and also: "The worm shall eat them like wool" (li, 8). In Coptic literature the Apep serpent is a monster which lies in outer darkness encircling the world and clutching its tail between its jaws, like the Midgard serpent of Norse mythology. From its mouth issues forth "All ice, 6 dust, cold, disease, and sickness" (Pistis Sophia).

The idea that the sun was an incarnation of the Creator was imported from Asia, but the conception of Duat, with its lakes of fire, is of Egyptian origin. In the Babylonian Hades, to which Istar descended, eternal darkness prevailed, and doomed souls partook of filthy food and drank unclean waters; they were not tortured by flames, but by pestilent odours and by diseases.'

Ra theology developed upon Egyptian lines, and was fused with pre-existing local beliefs. The sun bark, which was called "Bark of Millions of Years", sailed upon an underworld Nile by night and a celestial Nile by day, and the seasonal changes of its course over the heavens were accounted for by the celestial inundation. Ra occupied the Maadit bark in the forenoon, and the Sekti bark in the afternoon. The change was effected at noon, when special magical formulwere chanted. 7

As the theology of the sun worshippers developed at Heliopolis, other gods, which were imported or had their origin in Egypt, were included in the divine family. The number three and its multiple had evidently magical significance. Ra, Khepera, and Tum formed the sun triad. The sun god and his children and descendants: Nut, the heavens, Shu, the air, Seb, the earth, with the lioness-headed Tefnut, "the spitter", Osiris, the deified king and corn spirit, Isis, the Delta "Great Mother", and her sister Nepthys, and the Semitic Set, formed the Ennead of Heliopolis. The group of Nine Gods varied at different periods. In one Horus displaces Set, and in another Osiris is absent and his place is occupied by Khepera, the beetle god. The inclusion of Horus probably marks the union of the Horite creed with that of Ra. Attempts were frequently made by kings and priests to absorb the Osiran cult at Heliopolis, but they were never successful. A compromise was evidently effected in time, for in Duat a "division" was allocated to Osiris, and there he judged his followers. Ultimately the two ideas of Paradise were confused rather than fused, and in the end the earlier faith achieved the victory after centuries of repression. We have already noted that Ptah was rigidly excluded from the Ennead of the sun worshippers. 8

Archaic religious beliefs also received recognition at Heliopolis. The priests of the sun were evidently prepared to recognize any god so long as Ra was acknowledged as the Great Father. They not only tolerated but perpetuated the worship of trees and wells, and of stones and sacred mounds. Reverence is still shown for the well in which Ra was wont to wash his face daily, and it is called by the Arabs "the spring of the sun". A sycamore near it is also regarded with veneration. Sacrifices were offered up on a holy sand mound, and the custom prevailed at funeral services in tombs of setting up the mummy case in erect position on a heap of sand. One of the spirits 9 of the sun god was believed to inhabit a great block of stone. Indeed On, the Egyptian name of the sacred "city of the sun", signifies "stone pillar". In the Fifth Dynasty the Ra kings erected roofless temples in which there towered great broad obelisks surmounting mastaba-like square platforms. One of these stone idols at Abusir measured 138 feet at the base, and was 111 feet high. Outside the temple was a brick sun bark over 90 feet in length.

This form of temple was discontinued after the Sixth Dynasty, when the political power of the Ra priests was undermined. The tradition of stone worship survived, however, in the custom of erecting in front of temples those shapely obelisks similar to the familiar "Cleopatra's needle" on the Thames Embankment. One still remains erect at Matarieh (Heliopolis) to mark the site of a vanished temple. It bears the name of King Senusert I of the Twelfth Dynasty.

The religion of the Horite sun worshippers, which was introduced by the Dynastic Egyptians who pressed northwards and conquered the whole land, appears to have differed from that of the Ra cult. It is not possible now to distinguish the original form of the tribal god, or to discover what particular religious rites were associated with him. There are several forms of Horus. The most familiar is the hawk, which symbolized the spirit of the sun. It protected the early kings, who were "the priests or descendants of Horus"--a royal title which continued ever afterwards in use. Like the Ra cult, the cult of Horus absorbed Egyptian beliefs, and the conception of the hawk god varied accordingly in different districts.

The two outstanding Horuses arc the elder and the younger--the Horus who was the brother of Osiris an-d the Horus child who was the son of Osiris and Isis.

Horus of Letopolis, near Memphis, was a hawk-headed man and the son of Hathor, the sky goddess. In Upper Egypt he was similarly represented, or simply as a hawk. At Edfu in particular he has the attributes of a sky god, and at Shedenu, a city in Lower Egypt, he was "Horus of the Two Eyes", the sun being one and the moon another, thus resembling the conception of Ptah Tanen. He was also Harmachis, "Horus of the Two Horizons", and in this character became one of the chief forms of Ra. As the "golden Horus" he was a dawn god, and in this character received the dead in the Judgment Hall of Osiris. The planet Saturn was "Horus the Bull", Mars was "Red Horus", and Jupiter "Horus, revealer of secrets". At Letopolis a temple was erected to "Horus of Not Seeing". In this form he is supposed to have represented the sun at solar eclipse, but he may have simply represented the firmament at night. It is possible that Hathor, as the chaos cow, was originally the Great Mother; and that the sky, sun, moon, and stars were the various forms assumed by her son Horus, or her various Horus sons.

When the child Horus became the son of Isis there may have been simply a change of mother. Isis and Hathor are similar conceptions, indeed the deities were ultimately confused. Both also resemble Nut as Great Mothers, but Nut represented Mother Heaven and Isis Mother Earth, while Hathor was the World Cow, representing fertility in that form. Nut was also represented as a cat. In her human form she gave birth to the sun daily, and the moon every month, and in another conception the sun and moon were her eyes. Ere Ra became the "Great Father" he was born of Nut.

The tribal aspect of the Osiris, Isis, and Horus myth is dealt with in a previous chapter. There is abundant evidence in Egyptian mythology that the union of deities signified the union of the tribes which worshipped them. The multiplicity of deities was due to the fact that an original conception remained in its old tribal form, and was perpetuated alongside the new conception. Two gods might be fused into one, but Egypt retained not only the new deity, but the two old deities as well, and thus instead of one god we have three. We need not be surprised, therefore, to find more than one Horus. The name alone may survive in some cases, for the process of blending varied in districts and at various periods. Egyptian religion is made up of many forms of faith.

Horus was united with Ra as Harmachis, and the sun god of Heliopolis became Ra Harmachis. The hawk god was thus symbolized as the winged sun disk. The legend which was invented to account for the change may here be summarized.

When Ra reigned as king over Egypt he sailed up the Nile towards Nubia, because his enemies were plotting against him. At Edfu Horus entered the bark of the great god and hailed him as father. Ra greeted the hawk god and entreated him to slay the rebels of Nubia. Then Horus flew up to the sun as a great winged disk, and he was afterwards called "the great god, the lord of the sky". He perceived the enemies of Ra, and went against them as a winged disk. Their eyes were blinded by his brightness, and their ears were made deaf, and in the confusion they slew one another. Not a single conspirator remained alive.

Horus returned to the bark of Ra, and from that day he became Horus, god of Edfu, in the form of a winged sun disk. Ka embraced him and said: "Thou hast made the water wine-red with blood, and my heart is glad."

Ra afterwards visited the battlefield, and, when he saw the dead bodies of his foes, he said: "Life is pleasant." The name of the place thus became Horbehti, which means "Pleasant Life".

The slain men were covered by water (at inundation) and became crocodiles and hippopotami. Then they attacked Horus as he sailed past; but his servants slew them with iron lances. Thoth rejoiced with glad heart when he beheld the enemies of Ra lying dead.

The legend continues in this strain, and relates that Horus pursued the enemies of the god Ra downstream. Apparently Egypt was full of them. We then learn that they were the followers of Set, who was driven towards the frontier. He was afterwards taken prisoner, and with manacled hands and a spear stuck in his neck he was brought before Ra. Then we find that there are two Horuses. The elder Horus is commanded by the sun god to deliver Set to Horus, son of Isis. The younger Horus cuts off the head of Set, and the slayer of Osiris becomes a roaring serpent which seeks refuge in a hole and is commanded to remain there.

Osiris is not mentioned in the legend, and Ra refers to the younger Horus as his own son. Apparently the theorists of Heliopolis desired Ra to supplant Osiris. Place names are played upon so that their origin may be ascribed to something said by the sun god, and grammatical construction is occasionally ignored with this end in view.

Horus worship never became popular in Egypt. It was absorbed by the various cults, so that, as we have indicated, its original form is confused. The religion of the sun cult at Heliopolis, which was imported by the Asiatic settlers, was the religion which received prominence at the beginning of the Fifth Dynasty. A new title was given to the Pharaoh. He became the "Son of the Sun" as well as "Priest of Horus", "Priest of Set", "lord of the north and south".

The rise of the sun god involved far-reaching political issues. Although the high priest of Ra sat upon the throne, he did not become a tyrannical dictator like a Fourth-Dynasty king. A compromise had to be effected with the powerful faction at Memphis, and the high priest of Ptah became the vizier, a post previously held by the Pharaoh's chosen successor. Nome governors were also given extended powers as administrators, as a reward probably for the share they had taken in the revolution, or at any rate to conciliate them and secure their allegiance. This decentralizing process weakened the ruling power, but Egypt appears to have prospered as a whole, and the peaceful conditions which prevailed imparted activity to its intellectual life, as we shall see. Small and roughly constructed pyramid tombs were erected by the monarchs, who could no longer command an unlimited supply of labour.

The Fifth Dynasty lasted for about a century and a quarter. It began with Userkaf, the first babe mentioned in the Dedi folk tale, and he was succeeded in turn by the other two, who were not, however, his brothers. The ninth and last king of the Dynasty was Unas. In the so-called "Pyramid Texts", in his own tomb and that of Teta, the first king of the Sixth Dynasty, the monarch was deified as a star god, and has been identified with the constellation of Orion. The conception is a remarkable one. It smacks of absolute savagery, and we seem to be confronted with a symbolic revival of pre-Dynastic cannibalistic rites which are suggested, according to Maspero, by the gnawed and disconnected bones found in certain early graves. At the original Sed festival the tribal king, as Professor Petrie suggests, appears to have been sacrificed and devoured, so that his people might derive from his flesh and blood the power and virtues which made him great. The practice was based on belief in contagious magic. Bulls and boars were eaten to give men strength and courage, deer to give fleetness of foot, and serpents to give cunning. The blood of wounded warriors was drunk so that their skill and bravery might be imparted to the drinkers. 10 King Unas similarly feasts after death on "the spirits" known at Heliopolis as "the fathers and the mothers", and on the bodies of men and gods. He swallows their spirits, souls, and names, which are contained in their hearts, livers, and entrails, and consequently becomes great and all-powerful. 11 The resemblance to the man-eating giants of Europe is very striking.

The rendering which follows of the remarkable Unas hymn is fairly close. It is cast in metrical form with endeavour to reproduce the spirit of the original.

ORION IN EGYPT 12

Now heaven rains, and trembles every star
With terror; bowmen scamper to escape;
And quakes old Aker, lion of the earth,
While all his worshippers betake to flight,
For Unas rises and in heaven appears
Like to a god who lived upon his sires
And on his mothers fed.

Unas the lord
Of wisdom is; the secret of his Name
Not e'en his mother knows. . . . His rank is high
In heaven above; his power is like to Tum's,
His sire divine. . . . Greater than Tum is he.

His shadowy doubles follow him behind
As he comes forth. The urs on his brow
Uprears; the royal serpent guides him on;
He sees his Ba 13 a flame of living fire.

The strength of Unas shields him. . . He is now
The Bull of Heaven, doing as he wills,
Feeding on what gives life unto the gods--
Their food he eats who would their bellies fill
With words of power from the pools of flame.

Against the spirits shielded by his might,
Unas arises now to take his meal--
Men he devours; he feasts upon the gods
This lord who reckons offerings: he who makes
Each one to bow his forehead, bending low.

Amkenhuu is snarer; Herthertu
Hath bound them well; and Khonsu killer is
Who cuts the throats and tears the entrails out--
'Twas he whom Unas sent to drive them in . . .
Divided by Shesemu, now behold
The portions cooking in the fiery pots.

Unas is feasting on their secret Names;
Unas devours their spirits and their souls--
At morn he eats the largest, and at eve
The ones of middle girth, the small at night:
Old bodies are the faggots for his fire.

Lo! mighty Unas makes the flames to leap
With thighs of ag ones, and into pots
Are legs of women flung that he may feast.

Unas, the Power, is the Power of Powers!
Unas, the mighty god, is god of gods!
Voraciously he feeds on what he finds,
And he is given protection more assured
Than all the mummies 'neath the western sky.

Unas is now the eldest over all--
Thousands he ate and hundreds he did burn;
He rules o'er Paradise. . . .Among the gods
His soul is rising up in highest heaven--
The Crown is he as the horizon lord.

He reckoned livers as he reckoned knots;
The hearts of gods he ate and they are his;
He swallowed up the White Crown and the Red,
And fat of entrails gulped; the secret Names
Are in his belly and he prospers well--
Lo! he devoured the mind of every god,
And so shall live for ever and endure
Eternally, to do as he desires.

The souls of gods are now in his great soul;
Their spirits in his spirit; he obtains
Food in abundance greater than the gods--
His fire has seized their bones, and lo! their souls
Are Unas's; their shades are with their forms.

Unas ascends. . . . Unas ascends with these--
Unas is hidden, is hidden 14 . . . . An One
For him hath ploughed . . . . The seat of every heart Is
Unas's among all living men.

Footnotes

1 The lion Aker was another earth god.
2 See Lane's Manners and Customs the Modern Egyptians. (Chapters xi and xx).
3 See Chapter V.
4 The duck-headed serpent recalls the fire drake of the Beowulf poem. Giants with cats' heads and dogs' heads are found in Celtic folklore.
5 King James in his Donology (Book II, Chap. v) says: "The devil teacheth how to make pictures of wax or clay, that by roasting thereof, the persons that they beat the name of may be continually melted or dried away by continual sickness."
6 In the Reign of Rameses II, Khattusil, the Hittite king, visited Egypt. An inscription at Abu Simbel expresses the hope that on his journey homeward he will not be delayed by snow and ice on the mountains. Isaiah makes symbolic reference to the serpent: "In that day the Lord with his sore and great and strong sword shall punish leviathan the piercing (or stiff) serpent, even leviathan that crooked serpent; and he shall slay the dragon that is in the sea" (Isaiah, xxvii, 1).
7 As in the Nifel-hel of Teutonic mythology.
8 The Mohammedan noonday prayer is probably a survival of the sun worshippers' custom.
9 Gods and Pharaohs had several Kas. Ra had fourteen, and he had also seven Bas (souls).
10 In the Nibelungenlied the Burgundians drink the blood of fallen heroes and are refreshed and strengthened. See Teutonic Myth and Legend.
11 Dr. Budge is of opinion that human beings were sacrificed to the sun god. The practice was "of vital importance". Referring to the Ra obelisk in the early sun temples, he says that "the size and number of conduits to carry away blood bears evidence of the magnitude of the slaughterings" (Osiris and the Egyptian Resurrection and Gods of the Egyptians).
12 Osiris, in his fusion with Ra, is addressed as "thou first great sun god", and Isis says: "There proceedeth from thee the strong Orion in heaven at evening, at the resting of every day."--The Burden of Isis ("Wisdom of the East" Series) trans. by Dennis, p. 24.
13 Soul
14 Hail, thou hidden god, Osiris in the underworld."--The Burden of Isis, p. 54.

Egyptian Myth and Legend Chapter 11, Folk Tales of Fifty Centuries

EGYPTIAN MYTH AND LEGEND

With Historical Narrative, Notes on Race Problems, Comparative Beliefs, etc.
by

Donald Mackenzie

Gresham Publishing Co., London

[1907]

CHAPTER XI

Folk Tales of Fifty Centuries

A Faithless Lady--The Wax Crocodile--Pharaoh's Decree--Story of the Green Jewel--A Sad-hearted King--Boating on the Lake--How the Waters were divided--Dedi the Magician--His Magical Feats--A Prophecy --Khufu's Line must fall--Birth of the Future Kings--Goddesses as Dancing Girls--Ghostly Music and Song--Tale of a King's Treasure--Fearless Thieves--A Brother's Bravery--Pharaoh's Soldiers are tricked--How a Robber became a Prince--King visits the Underworld.

KING KHUFU sat to hear tales told by his sons regarding the wonders of other days and the doings of magicians. The Prince Khafra stood before him and related the ancient story of the wax crocodile.

Once upon a time a Pharaoh went towards the temple of the god Ptah. His counsellers and servants accompanied him. It chanced that he paid a visit to the villa of the chief scribe, behind which there was a garden with a stately summer house and a broad artificial lake. Among those who followed Pharaoh was a handsome youth, and the scribe's wife beheld him with love. Soon afterwards she sent gifts unto him, and they had secret meetings. They spent a day in the summer house, and feasted there, and in the evening the youth bathed in the lake. The chief butler then went to his master and informed him what had come to pass.

The scribe bade the servant to bring a certain magic box, and when he received it he made a small wax crocodile, over which he muttered a spell. He placed it in the hands of the butler, saying: "Cast this image into the lake behind the youth when next he bathes himself "

On another day, when the scribe dwelt with Pharaoh, the lovers were together in the summer house, and at eventide the youth went into the lake. The butler stole through the garden, and stealthily he cast into the water the wax image, which was immediately given life. It became a great crocodile that seized the youth suddenly and took him away.

Seven days passed, and then the scribe spoke to the Pharaoh regarding the wonder which had been done, and made request that His Majesty should accompany him to his villa. The Pharaoh did so, and when they both stood beside the lake in the garden the scribe spoke magic words, bidding the crocodile to appear. As he commanded, so did it do. The great reptile came out of the water carrying the youth in its jaws.

The scribe said: "Lo! it shall do whatever I command to be done."

Said the Pharaoh: "Bid the crocodile to return at once to the lake."

Ere he did that, the scribe touched it, and immediately it became a small image of wax again. The Pharaoh was filled with wonder, and the scribe related unto him all that had happened, while the youth stood waiting.

Said His Majesty unto the crocodile: "Seize the wrongdoer." The wax image was again given life, and, clutching the youth, leaped into the lake and disappeared. Nor was it ever seen after that.

Then Pharaoh gave command that the wife of the scribe should be seized. On the north side of the house she was bound to a stake and burned alive, and what remained of her was thrown into the Nile.

Such was the tale told by Khafra. Khufu was well pleased, and caused offerings of food and refreshment to be placed in the tombs of the Pharaoh and his wise servant.

Prince Khafra stood before His Majesty, and said: "I will relate a marvel which happened in the days of King Sneferu, thy father." Then he told the story of the green jewel.

Sneferu was one day disconsolate and weary. He wandered about the palace with desire to be cheered, nor was there aught to take the gloom from his mind. He caused his chief scribe to be brought before him, and said: "I would fain have entertainment, but cannot find any in this place."

The scribe said: "Thy Majesty should go boating on the lake, and let the rowers be the prettiest girls in your harem. It will delight your heart to see them splashing the water where the birds dive and to gaze upon the green shores and the flowers and trees. I myself will go with you."

The king consented, and twenty virgins who were fair to behold went into the boat, and they rowed with oars of ebony which were decorated with gold. His Majesty took pleasure in the outing, and the gloom passed from his heart as the boat went hither and thither, and the girls sang together with sweet voices.

It chanced, as they were turning round, an oar handle brushed against the hair of the girl who was steering, and shook from it a green jewel, which fell into the water. She lifted up her oar and stopped singing, and the others grew silent and ceased rowing.

Said Sneferu: "Do not pause; let us go on still farther."

The girls said: "She who steers has lifted her oar."

Said Sneferu to her: "Why have you lifted your oar?"

"Alas, I have lost my green jewel she said it has fallen into the lake."

Sneferu said: "I will give you another; let us go on."

The girl pouted and made answer: "I would rather have my own green jewel again than any other."

His Majesty said to the chief scribe: "I am given great enjoyment by this novelty; indeed my mind is much refreshed as the girls row me up and down the lake. Now one of them has lost her green jewel, which has dropped into the water, and she wants it back again and will not have another to replace it."

The chief scribe at once muttered a spell. Then by reason of his magic words the waters of the lake were divided like a lane. He went down and found the green jewel which the girl had lost, and came back with it to her. When he did that, he again uttered words of power, and the waters came together as they were before.

The king was well pleased, and when he had full enjoyment with the rowing upon the lake he returned to the palace. He gave gifts to the chief scribe, and everyone wondered at the marvel which he had accomplished.

Such was Khafra's tale of the green jewel, and King Khufu commanded that offerings should be laid in the tombs of Sneferu and his chief scribe, who was a great magician.

Next Prince Hordadef stood before the king, and he said: "Your Majesty has heard tales regarding the wonders performed by magicians in other days, but I can bring forth a worker of marvels who now lives in the kingdom."

King Khufu said: "And who is he, my son?"

"His name is Dedi," answered Prince Hordadef. "He is a very old man, for his years are a hundred and ten. Each day he eats a joint of beef and five hundred loaves of bread, and drinks a hundred jugs of beer. He can smite off the head of a living creature and restore it again; he can make a lion follow him; and he knows the secrets of the habitation of the god Thoth, which Your Majesty has desired to know so that you may design the chambers of your pyramid."

King Khufu said: "Go now and find this man for me, Hordadef."

The prince went down to the Nile, boarded a boat, and sailed southward until he reached the town called Dedsnefru, where Dedi had his dwelling. He went ashore, and was carried in his chair of state towards the magician, who was found lying at his door. When Dedi was awakened, the king's son saluted him and bade him not to rise up because of his years. The prince said: "My royal father desires to honour you, and will provide for you a tomb among your people."

Dedi blessed the prince and the king with thankfulness, and he said to Hordadef: "Greatness be thine; may your Ka have victory over the powers of evil, and may your Khu follow the path which leads to Paradise."

Hordadef assisted Dedi to rise up, and took his arm to help him towards the ship. He sailed away with the prince, and in another ship were his assistants and his magic books.

"Health and strength and plenty be thine," said Hordadef, when he again stood before his royal father King Khufu. "I have come down stream with Dedi, the great magician."

His Majesty was well pleased, and said: "Let the man be brought into my presence."

Dedi came and saluted the king, who said: "Why have I not seen you before?"

"He that is called cometh," answered the old man; "you have sent for me and I am here."

"It is told," King Khufu said, "that you can restore the head that is taken from a live creature." 1

"I can indeed, Your Majesty," answered Dedi.

The king said: "Then let a prisoner be brought forth and decapitated."

"I would rather it were not a man," said Dedi; "I do not deal even with cattle in such a manner."

A duck was brought forth and its head was cut off, and the head was thrown to the right and the body to the left. Dedi spoke magic words. Then the head and the body came together, and the duck rose up and quacked loudly. The same was done with a goose.

King Khufu then caused a cow to be brought in, and its head was cut off. Dedi restored the animal to life again, and caused it to follow him.

His Majesty then spoke to the magician and said: "It is told that you possess the secrets of the dwelling of the god Thoth."

Dedi answered: "I do not possess them, but I know where they are concealed, and that is within a temple chamber at Heliopolis. There the plans are kept in a box, but it is no insignificant person who shall bring them to Your Majesty."

"I would fain know who will deliver them unto me," King Khufu said.

Dedi prophesied that three sons would be born to Rud-dedit, wife of the chief priest of Ra. The eldest would become chief priest at Heliopolis and would possess the plans. He and his brothers would one day sit upon the throne and rule over all the land.

King Khufu's heart was filled with gloom and alarm when he heard the prophetic words of the great magician.

Dedi then said: "What are your thoughts, O King? Behold your son will reign after you, and then his son. But next one of these children will follow."

King Khufu was silent. Then he spoke and asked: "When shall these children be born?"

Dedi informed His Majesty, who said: "I will visit the temple of Ra at that time."

Dedi was honoured by His Majesty, and thereafterwards dwelt in the house of the Prince Hordadef. He was given daily for his portion an ox, a thousand loaves of bread, a hundred jugs of beer, and a hundred bunches of onions.

The day came when the sons of the woman Rud-dedit were to be born. Then the high priest of Ra, her husband, prayed unto the goddess Isis and her sister Nepthys; to Meskhent, goddess of birth; and to the frog goddess Hekt; and to the creator god Khn who gives the breath of life. These he entreated to have care of the three babes who were to become three kings of Egypt, one after the other. 2

The deities heard him. Then came the goddesses as dancing girls, who went about the land, and the god Khnfollowed them as their burden bearer. When they reached the door of the high priest's dwelling they danced before him. He entreated them to enter, and they did according to his desire, and shut themselves in the room with the woman Rud-dedit.

Isis called the first child who was born Userkaf, and said: "Let no evil be done by him". The goddess Meskhent prophesied that he would become King of Egypt. Khn the creator god, gave the child strength.

The second babe was named Sahura by the goddess Isis. Meskhent prophesied that he also would become a king. Khngave him his strength.

The third was called Kaka. Meskhent said: "He shall also be a king", and Khn gave him strength.

Ere the dancing girls took their departure the high priest gave a measure of barley to their burden bearer, and Khncarried it away upon his shoulders.

They all went upon their way, and Isis said: "Now let us work a wonder on behalf of these children, so that their father may know who hath sent us unto his house.

Royal crowns were fashioned and concealed in the measure of barley which had been given them. Then the deities caused a great storm to arise, and in the midst of it they returned to the dwelling of the high priest, and they put the barley in a cellar, and sealed it, saying they would return again and take it away.

It came to pass that after fourteen days Rud-dedit bade her servant to bring barley from the cellar so that beer might be made.

The girl said: "There is none left save the measure which was given unto the dancing girls."

"Bring that then," said Rud-dedit, "and when the dancing girls return I will give them its value."

When the servant entered the cellar she heard the low sounds of sweet music and dancing and song. She went and told her mistress of this wonder, and Rud-dedit entered the cellar, and at first could not discover whence the mysterious sounds issued forth. At length she placed her ear against the sack which contained the barley given to the dancing girls, and found that the music was within it. She at once placed the sack in a chest and locked it, and then told her husband, and they rejoiced together.

Now it happened that one day Rud-dedit was angry with her servant, and smote her heavily. The girl vowed that she would be avenged and said: "Her three children will become kings. I will inform King Khufu of this matter."

So the servant went away and visited her uncle, who was her mother's eldest brother. Unto him she told all that had happened and all she knew regarding the children of her mistress.

He was angry with her and spoke, saying: "Why come to me with this secret? I cannot consent to make it known as you desire."

Then he struck the girl, who went afterwards to draw water from the Nile. On the bank a crocodile seized her, and she was devoured.

The man then went towards the dwelling of Rud-dedit and he found her mourning with her head upon her knees. He spoke, saying: "Why is your heart full of gloom?"

Rud-dedit answered him: "Because my servant girl went away to reveal my secret."

The man bowed and said: "Behold! she came unto me and told me all things. But I struck her, and she went towards the river and was seized by a crocodile."'

So was the danger averted. Nor did King Khufu ever discover the babes regarding whom Dedi had prophesied. In time they sat upon the throne of Egypt.

A folk tale regarding the king who reigned in Egypt before Khufu was related by a priest to Herodotus, the Greek historian.

The monarch was called Rhampsinitus. He built the western portion of the temple of Ptah. He also erected two statues--one to Summer, which faced the north, and was worshipped; and the other to Winter, which faced the south, but was never honoured. The king possessed great wealth, and he caused to be constructed beside the palace a strong stone chamber in which he kept his riches. One of the builders, however, contrived to place a stone in such a manner that it could be removed from the outside.

It chanced that, after the king had deposited his treasure in the chamber, this builder was stricken with illness and knew his end was nigh. He had two sons, and he told them his secret regarding the stone, and gave them the measurements, so that they might locate it.

After the man died the sons went forth in the darkness of night, and when they found the stone they removed it. Then they entered the chamber, and carried away much treasure, and ere they departed they closed up the wall again.

The king marvelled greatly when he discovered that his riches had been plundered, for the seals of the door were unbroken, and he knew not whom to suspect. Again and again the robbers returned, and the treasure diminished greatly. At length the king caused traps to be laid in the chamber, for his guards, who kept watch at the entrances, were unable to prevent the mysterious robberies.

Soon after the brothers returned. They removed the stone, and one of them entered stealthily. He went towards the treasure, as was his custom, but was suddenly caught in a trap. In a moment he realized that escape was impossible, and he reflected that he would be put to death on the morrow, while his brother would be seized and similarly punished. So he said to himself: "I alone will die."

When he had thus resolved to save his brother, he called to him softly in the darkness, bidding him to enter cautiously. He made known his great misfortune, and said: "I cannot escape, nor dare you tarry long lest you be discovered, When they find me here I will be recognized, and they will seize you and put you to death. Cut off my head at once, so that they may not know who I am, and thus save your own life."

With a sad heart the brother did as he was desired, and carried away the head. Ere he escaped in the darkness he replaced the stone, and no man saw him.

When morning came the king was more astounded than ever to find a headless body entrapped in the treasure chamber, for the door had not been opened, and yet two men had entered and one had escaped. He commanded that the corpse should be hung on the palace wall, and stationed guards at the place, bidding them to keep strict watch, so that they might discover if anyone came to sorrow for the dead man. But no one came nigh.

Meanwhile the mother grieved in secret. Her heart was filled with anger because the body was exposed in such a manner, and she threatened to inform the king regarding all that had happened if her other son would not contrive to carry away the corpse. The young man attempted to dissuade her, but she only repeated her threat, and that firmly. He therefore made preparations to obtain possession of the corpse.

He hired several asses, and on their backs he put many skins of wine. In the evening he drove them towards the palace. When he drew near to the guards who kept watch over his brother's body he removed the stoppers of some of the skins. The wine ran forth upon the highway, and he began to lament aloud, and beat his head as if he were in sore distress. The soldiers ran towards the asses and seized them, and caught the wine in vessels, claiming it for themselves. At first the brother pretended to be angry, and abused the men; but when they had pacified him, as they thought, he spoke to them pleasantly and began to make secure the stoppers of all the skins.

In a short time he was chatting with the guards, and pretended to be much amused when they bantered him over the accident. Then he invited them to drink, and they filled their flasks readily. So they began, and the young man poured out wine until they were all made very drunk. When they fell asleep, the cunning fellow took down his brother's body, and laid it upon the back of one of the asses. Ere he went away he shaved the right cheeks of the soldiers. His mother welcomed him on his return in the darkness and was well pleased.

The king was very angry when he discovered how the robber had tricked the guards, but he was still determined to have him taken. He sent forth his daughter in disguise, and she waited for the criminal. She spoke to several men, and at length she found him, because he came to know that he was sought and desired to deal cunningly with her. So he addressed her, and she offered to be his bride if he would tell her the most artful thing and also the most wicked thing he had ever done.

He answered readily: "The most wicked thing I ever did was to cut off my brother's head when he was caught in a trap in the royal treasure chamber, and the most artful was to deceive the king's guards and carry away the body."

The princess tried to seize him, but he thrust forth his brother's arm, which he carried under his robe, and when she clutched it he made speedy escape.

Great was then the astonishment of the king at the cunning and daring of the robber. He caused a proclamation to be made, offering him a free pardon and a generous reward if he would appear at the palace before him. The man went readily, and His Majesty was so delighted with his speeches and great ingenuity that he gave him his daughter in marriage. There is no more artful people than the Egyptians, but this man had not his equal in the land.

It was told that this same king journeyed to the land of Death, where he played dice with the goddess Isis 3 and now won and now lost. She gave to him a napkin embroidered with gold, and on his return a great festival was held, and it was repeated every year thereafter. On such occasions it was customary to blindfold a priest and lead him to the temple of Isis, where he was left alone. It was believed that two wolves met him and conducted him back to the spot where he was found. The Egyptians esteemed Isis and Osiris 4 as the greatest deities of the underworld.

Footnotes

1 This trick is still performed by Egyptian conjurors.
2 The manuscript, which is part of the "Westcar Papyrus", ends here. It was purchased in Egypt by a Miss Westcar, and is now preserved in the Berlin museum. The beginning and end had been torn off. The children referred to became the first three kings of the Fifth Dynasty, which marks the political ascendancy of the Ra cult.
3 Herodotus gives Demeter (Ceres).
4 Ceres and Bacchus.

Egyptian Myth and Legend Chapter 10, The Great Pyramid Kings

EGYPTIAN MYTH AND LEGEND

With Historical Narrative, Notes on Race Problems, Comparative Beliefs, etc.
by

Donald Mackenzie

Gresham Publishing Co., London

[1907]

CHAPTER X

The Great Pyramid Kings

Zoser and Sneferu--Their Great Tombs--Sneferu's Battles with Invaders--Mastabas of Officials--The Grand Vizier--A New Dynasty--Khufu the Tyrant King--His Great Pyramid--The World's Greatest Stone Structure--An Army of Workers--How the Pyramids were built--Rocking Machines--A Religious Revolution--The Gods of the Sun Cult--Ptah excluded--King Khafra--Menkaura the just King--The Sacred Heifer--Khufu's Line overthrown.

WHEN the great pyramids were being erected Egypt was already a land of ancient memories. Some of the royal tombs at Abydos were a thousand years old. Folk tales had gathered round the memories of notable kings; their order was confused and not a few were quite forgotten.

Zoser and Sneferu of the Third Dynasty are really the first Egyptian monarchs of whom we obtain any accurate idea. They were forceful personalities. We trace Zoser's activities in Sinai, where he continued to work the copper mines from which several of his predecessors had obtained supplies of indispensable metal. He waged war on the southern frontier, which he extended below the First Cataract, and he imposed his rule firmly over the north. That peace prevailed all over the kingdom is evident; otherwise he could not have devoted so much time to the erection of his great tomb, at which a great army of workmen were kept continuously employed.

Sneferu, whose very name suggests swiftness of decision and unswerving purpose, impressed himself on the imagination of the Egyptians for many generations. When a great national achievement was accomplished it became customary to remark that no such success had been attained "since the days of Sneferu". He battled against Asian hordes who invaded the Delta region, and erected forts, like a chain of blockhouses, across the frontier, and these were associated with his name for over ten centuries. In Sinai there was trouble regarding the copper mines. Other people had begun to work them and disputed right of possession with the Egyptians. Sneferu conducted a vigorous and successful campaign, and so firmly established his power in that region that his spirit was worshipped generations afterwards as the protecting god of the mines. His ambitions were not confined to land, for he caused great ships to be built and he traded with Crete and the Syrian coast. The cedars of Lebanon were then cut and drifted to the Nile by Egyptian mariners. In the south Nubia was dealt with firmly. We gather that thousands of prisoners were captured and taken north as slaves to be employed, apparently, at the building of temples and tombs. Two pyramids are attributed to Sneferu, the greatest of which is situated at Medum.

The power and wealth of the officials had increased greatly. Their mastabas, which surround the royal tombs, are of greater and more elaborate construction. Pharaoh was no longer hampered with the details of government. A Grand Vizier controlled the various departments of State, and he was the supreme judge to whom final appeals were made by the Courts. There were also a "Chancellor of the Exchequer" and officials who controlled the canals and secured an equitable distribution of water. There were governors of nomes and towns, and even villages had their "chief men". To secure the effective control of the frontier, always threatened by raids from Nubia, a local vizier was appointed to quell outbreaks, and troops were placed at his disposal. These high offices were usually held by princes and noblemen, but apparently it was possible for men of humble rank to attain distinction and be promoted, like Joseph, to positions of influence and responsibility. In mastaba chapels there are proud records of promotion acquired by capable and successful officials who began life as scribes and were governors ere they died.

The Fourth Dynasty begins with Khufu the Great, the Cheops of the Greeks, who erected the largest pyramid in Egypt. His relationship to Sneferu. is uncertain. He was born in the Beni Hassan district, and was probably the son of a nobleman of royal birth. Sneferu may have left no direct heir or one who was a weakling. There is no record or tradition of a revolution, and it may be that Khufu was already a prominent figure at the Court when he seized the crown. In his harem was a lady who enjoyed the confidence of his predecessor, and it is possible that matters were arranged in his interests in that quarter.

No statues of Khufu survive. These were probably destroyed when, a few centuries after his death, his tomb was raided and his mummy torn to pieces, for he was remembered as a great tyrant. So much was he hated that Herodotus was informed by the priests that he "degenerated into the extremest profligacy of conduct". He barred the avenues to every temple and forbade the Egyptians to offer sacrifices. He proceeded next to make them labour as slaves for himself. Some he compelled to hew stones n the quarries of the Arabian mountains and drag them to the banks of the Nile; others were selected to load vessels. . . . A hundred thousand men were employed." But the memory of ancient wrongs was perpetuated by the priests not merely in sympathy for the workers and those who had to bear the burdens of taxation. A religious revolution was imminent. The sun worshippers at Heliopolis were increasing in numbers and power, and even in Khufu's day their political influence was being felt. In fact, their ultimate ascendancy may have been due to the public revolt against the selfish and tyrannical policy of the pyramid-building kings.

We enjoy a privilege not shared by Greeks or Romans, who heard the Egyptian traditions regarding the masterful monarch. Petrie discovered an ivory statue of Khufu, which is a minute and beautiful piece of work. The features occupy only a quarter of an inch, and are yet animate with life and expression. Khufu's face suggests that of the Duke of Wellington. The nose is large and curved like an eagle's beak; the eyes have a hard and piercing look; the cheek bones are high, the cheeks drawn down to knotted jaws; the chin is firmly cut and the hard mouth has an uncompromising pout; the brows are lowering. The face is that of a thinker and man of action--an idealist and an iron-willed ruler of men--

whose frown
And wrinkled lip and sneer of cold command
Tell that the sculptor well those passions read
Which still survive

stamped on the statuette of the greatest of the pyramid builders. There is withal an air of self-consciousness, and we seem to hear, "My name is Khufu"--

. . . King of Kings;
Look on my works, ye mighty, and despair.

Petrie, the great Egyptian archlogist, calculates that Khufu's vast pyramid is composed of some 2,003,000 blocks of limestone averaging about 2 tons each. It occupies an area of 13 acres. Each side of the square base originally measured 768 feet, but the removal of the coating which left the sides smooth caused a shrinkage of about 18 feet. The height is now roughly 450 feet, 30 ft. less than when it was completed.

This pyramid is the greatest pile of masonry ever erected by man. Not only is it a monument to a mighty ruler and his great architects and builders, but also to the stone workers of Memphis. Many of the great stones have been cut and dressed with amazing skill and accuracy, and so closely are they placed together that the seams have to be marked with charcoal to be traced in a photograph. Blocks of limestone weighing tons are finished with almost microscopic accuracy, "equal", says Petrie, "to optician's work of the present day".

Volumes have been written to advance theories regarding the purpose of this and other pyramids. The orientation theory has especially been keenly debated. But it no longer obtains among prominent Egyptologists. A pyramid has no astronomical significance whatsoever; the Egyptians were not star worshippers. It is simply a vast burial cairn, and an architectural development of the mastaba, which had been growing higher and higher until Zoser's architect conceived the idea of superimposing one upon the other until an effect was obtained which satisfied his sense of proportion. Geometricians decided its final shape rather than theologians.

There are several chambers in the interior of Khufu's pyramid, whose mummy reposed in a granite sarcophagus in the largest, which is 19 feet high, 34 feet in length, and 17 feet in breadth. The entrance is from the north.

Herodotus was informed by the Egyptian priests that 100,000 workers were employed, and were relieved every three months. The limestone was quarried on the eastern side of the Nile, below Cairo, and drifted on rafts across the river. The low ground was flooded, so that the high ground was made an island. We are informed that ten years were spent in constructing a causeway up which the blocks were hauled. A considerable time was also spent in preparing the rocky foundations. The pyramid itself was the work of twenty years.

When the base was completed, the same writer explains, the stones were raised by the aid of "machines" made of "short pieces of wood". Models have been found in tombs of wooden "cradles"--flat on the top and rounded off so that they could be rocked--on which boulders were evidently poised and then slewed into position by haulage and leverage. The "cradles" were raised by wedges. When the block was lifted high enough, it could be tilted and made to slide down skids into position. Herodotus says that according to one account the stones were elevated by the numerous "machines" from step to step, and to another they were lifted into position by one great contrivance. This process was continued until the summit was reached. Then a granite casing was constructed downward to the base, and it was covered over with hieroglyphics which recorded the various sums of money expended for food supplied to the workers. "Cheops (Khufu) exhausted his wealth", adds Herodotus.

The royal exchequer does not appear to have been depleted, because Khufu also erected three smaller pyramids for members of his family, and his successor afterwards undertook the construction of a vast tomb also.

Apart from his pyramid work we know little or nothing regarding the events of Khufu's reign. Sneferu's military activities had secured peace on the frontiers, and neither dusky Nubian nor bearded Asiatic dared enter the land to plunder or despoil. That the administration was firm and perfectly organized under the iron-willed monarch may be taken for granted.

But a great change was impending which could not be controlled by the will of a single man. Prolonged peace had promoted culture, and the minds of men were centred on the great problems of life and death. Among the educated classes a religious revolution was imminent. Apparently Khufu was raised to power on an early wave of insurrection. It was a period of transition. The downfall of the Ptah cult as a supreme political force was in progress, and the rival cult of Ra, at Heliopolis, was coming into prominence. Already in Sneferu's reign a sun worshipper, one Ra-hotep, occupied the influential position of Superintendent of the South. It remained for the priests of the sun to secure converts among the members of the royal family, so as to obtain political and religious ascendancy, and it can be understood that those who were educated at their temple college were likely to embrace their beliefs. If they failed in that direction, the combined influence of priests and nobles was sufficient to threaten the stability of the throne. A strong ruler might delay, but he could not thwart, the progress of the new movement.

The king's name, as we have stated, was KhnKhufu, which means: "I am guarded by the god Khnquot;. That "modeller" of the universe may have closely resembled Ptah, but the doctrines of the two sects developed separately, being subjected to different racial influences. Khnwas ultimately merged with the sun god, and his ram became "the living soul of Ra". Khnwas regarded at Heliopolis as an incarnation of Osiris, whose close association with agricultural rites perpetuated his worship among the great mass of the people. In the theological system of the sun cult, Osiris became a member of the Ra family, and succeeded to the throne of the "first king" who ruled over Egypt. But Ptah, significantly enough, was never included among the sun god's companions, and the idea that he created Ra was confined to Memphis, and evolved at a later date. The rivalry between the two powerful cults must have been bitter and pronounced.

If Ptolemaic tradition is to be relied upon, Khufu constructed a temple to the goddess Hathor, who, as we have seen, was merged with the frog goddess Hekt, the spouse of Khn Indeed Hekt came to be regarded as a form of Hathor. Sati, Khn#39;s other spouse, was also a sky and cow goddess, so that she links with Nut, and with Hathor, who displaced Nut.

King Khufu's son and successor must have come under the influence of the Ra cult, for his name, Khaf-ra, signifies "Ra is my glory" or "My brightness is Ra". The sun cult had received their first great concession from the royal house. But not until the following Dynasty did the priests of Heliopolis obtain supreme power, and compel the Pharaoh to call himself "son of the sun", a title which ever afterwards remained in use. Sun worship then became the official religion of Egypt--gradually coloured every other cult. When the Osirian religion was revived, under the Libyan monarchs, the old deified king, who was an incarnation of the corn god, was also identified with the sun.

King Khafra did not, it would appear, satisfy the ambitions of the Ra worshippers, who desired more than formal recognition. A legend which survives only in fragmentary form relates that "the gods turned away from Khufu and his house".

eml10

THE GREAT PYRAMID OF KHUFU (CHEOPS)

The two insets show front and side views of the small ivory statue of Khufu, which is now in the Cairo Museum.

eml10

KING KHAFRA (IV DYNASTY)

Who built the second Great Pyramid

From the statue in Cairo Museum

The powerful cult became impatient, and "hope deferred" made them rebels. A political revolution was fostered, and Khufu's Dynasty was doomed.

Khafra, the Chephren of Herodotus, who says Khufu was his brother, erected the second great pyramid, which is only about 30 feet lower than the other. The remains of his temple still survive. It is built of granite, and although the workmanship is less exact, as if the work were more hastily performed than in Khufu's day, the architecture is austerely sublime. Immense square pillars support massive blocks; there are great open spaces, and one is impressed by the simplicity and grandeur of the scheme.

Seven statues of Khafra were discovered by Mariette, so that his "Ka" was well provided for. The great diorite statue preserved in the Cairo museum is one of the enduring triumphs of Egyptian art. The conception is at once grand and imposing. His Majesty is seated on the throne, but he wears the wig of the great ruling judge. At the back of his head is the figure of the protecting Horus hawk. His face is calmer than Khufu's--resolution is combined with dignity and patience. He seems to be imbued with the spirit of Old Kingdom greatness.

Although cut from so hard a material as diorite, there is much muscular detail in the figure, which is that of a strong and vigorous man. His throne is straight-backed, but the stately floral design of the sides, and the lions' heads and fore paws in front are in keeping with the naked majesty of the whole statue, which was originally covered with a soft material.

Again the reign is a blank. The priests informed Herodotus that Khafra's conduct was similar to that of Khufu. "The Egyptians had to endure every species of oppression and calamity, and so greatly do they hate the memories of the two monarchs that they are unwilling to mention their names. Instead they called their pyramids by the name of the shepherd Philitis, who grazed his cattle near them."

The great Sphinx was long associated with Khafra, whose name was carved upon it during the Eighteenth Dynasty, but it is believed to be of much later date. It is fashioned out of the rock, and is over 60 feet in height. The body is a lion's, and the face was a portrait of a Pharaoh, but it has been so much disfigured by Mohammedans that it cannot be identified with certainty. Nor is there complete agreement as to the significance of the Sphinx. Centuries after its construction the Egyptians regarded it as a figure of the sun god, but more probably it was simply a symbol of royal power and greatness.

There were kindlier memories of Menkaura, the Mycernius of Herodotus, who said that this king was a son of Khufu. He erected the third great pyramid, which is but 218 feet high, and three small ones for his family. He was reputed, however, to have eased the burden of the Egyptians, and especially to have allowed the temples to be reopened, so that the people might offer sacrifices to the gods. As a just monarch he excelled all his predecessors, and his memory was long revered. Not only did he deliver equitable judgments, but was ever ready to hear appeals when complaints were made against officials, and willing to remove and redress wrongs. His statue shows us a less handsome man than either Khufu or Khafra, and the expression of the face accords with his traditional character. Indeed, it is not only unaffected, but melancholy.

A story was told to Herodotus that the king was greatly stricken by the death of his daughter. He had her body enclosed in a heifer made of wood, which was covered over with gold. It was not buried, but placed in a palace hall at Sais. Incense was burned before it daily, and at night it was illuminated. The heifer reclined on its knees. A purple robe covered the body, and between the gilded horns blazed a great golden star. Once a year, in accordance with the request of the dying princess, the image was carried outside so that she might behold the sun. The occasion was an Osirian festival, and the heifer, it is believed, represented Isis.

We know definitely that a daughter of Menkaura was given in marriage to Ptah-shepses, a high official, who became the priest of three obelisks. The appointment is full of significance, because these obelisks were erected to Ra. Sun worship was evidently gaining ground.

The mummy of the king was enclosed in a great sarcophagus of basalt, but was destroyed with the others. Mention is also made of a Fourth-Dynasty monarch named Radadef, but he cannot be placed with certainty. Khufu's line flourished for about a century and a half, and then was overthrown. A new family of kings, who were definitely Ra worshippers, sat on the throne of United Egypt. In the folk tales which follow are interesting glimpses of the life and beliefs of the times.

Egyptian Myth and Legend Chapter 9, A Day in Old Memphis

EGYPTIAN MYTH AND LEGEND

With Historical Narrative, Notes on Race Problems, Comparative Beliefs, etc.
by

Donald Mackenzie

Gresham Publishing Co., London

[1907]

CHAPTER IX

A Day in Old Memphis

In the Streets--The Temple of Ptah--Glimpses of Life--A Dispute--Old Age is honoured--A Dignified Nobleman--High--born Ladies--Racial Types--Bearers of Temple Offerings--In the Slums--Artisans at Work--The Marketplace--Fresh Fish on Sale--On the Quays--Sailors from Crete--Pharaoh's Soldiers--Arrest of the Tax Collectors--A Significant Folk Tale--The Wronged Peasant--His Appeal to the judge--Eloquent Speeches--Honoured by His Majesty.

As we gaze upon the scenes depicted in tombs, read the inscriptions, and piece together fragments of papyri containing old legends, we are afforded vivid glimpses of life in the Old Kingdom. The great city of Memphis is conjured up before us; its gates lie open, and armed guards permit us to enter. We walk through the crowded streets, pausing now and again to gaze upon the people as they come and go, or, perchance, we loiter in front of a yard or workshop, watching the busy artisans plying their trades.

We pass through a main thoroughfare. Most of the houses are built of brick; the dwellings of the poor are of wattles daubed with clay. . . . Now we enter a spacious square, in the centre of which towers a sublime statue of the Pharaoh. The sun is hot, although it is yet early forenoon, and we seek the shadow of that vast dominating building round which the city has grown up. It is the stone temple of the god Ptah, grandly severe in outline and fronted by two noble pylons of massive proportions. We peer through the gateway as we pass. A procession of priests is crossing an inner court on which lie the broad shadows of great square pillars set widely apart, and supporting immense blocks of limestone. One is impressed by the air of mystery and solemnity which pervades the temple interior.

We can seat ourselves here on the stone bench and watch the crowds pouring from the streets. Memphis is a wonderfully quiet city. You hear a constant hum of voices; it murmurs like a great beehive. But there is no clatter of traffic, for the streets are devoid of vehicles, and horses are as yet unknown in the land of Egypt. Peasants from the country are leading their asses laden with salt, corded bales, rushes for basket makers, bundles of papyrus stalks, and hard stones. Great burdens are carried on the shoulders of labourers; even boys stagger under heavy loads.

Everyone is scantily clad. Men of the lower classes wear only a loincloth, while those of higher social rank have short kilts of linen which are strapped round their waists with leather belts. Women of all ranks are gowned to the ankles, and ladies have skirts so narrow that they walk with short steps, but yet not ungracefully.

Half-naked the men may be, yet it is not difficult to distinguish the various classes. There is no mistaking the labourer, even although his burden has been delivered, or the tradesman, for he carries his tools. Here is a busy merchant knitting his brows, and there a bland-faced scribe with dry, pouting lips and peering eyes set in cobwebs of wrinkles. A few merry students are walking leisurely towards the temple with papyrus rolls under their arms.

A loud clamour of voices in dispute has broken out at a street corner. Two carriers have collided, and the one who has fallen is an Egyptian; the other is a tall negro. The smaller man leaps to his feet. Insult has been added to injury, for the alien is but. a slave, and, fuming with anger, he throws himself on the black man, who is hampered by his load, and belabours him with his fists. A crowd collects, and its sympathy is evidently with the Egyptian. But suddenly a few city guards rush forward; they smite the combatants with their staves, force them apart, and cause them to hasten away. The crowd disperses speedily, and order is again restored.

Note the studied politeness of the greater number of pedestrians. Age is highly honoured, young men stand aside to allow their seniors to pass; three lads have risen from a shaded seat near to us to make room for an old man who is frail and breathless and desires to rest a little ere he enters the temple.

Now the moving crowd breaks apart, for somebody of importance is coming up the street. He is a nobleman and a royal official of high rank. In. the Court he is "Keeper of the Royal Robes" and "Sandal-bearer to the Pharaoh". He is also one of those great judges who sit in the Hall of justice. In his youth he was a college friend of the monarch's, and is now privileged at Court ceremonies to kiss the royal toe instead of the dust on which it trod. He owns a large estate, and has much wealth and influence. As he walks past, the pedestrians salute him respectfully with uplifted arms. He makes no response; he appears to be oblivious to their presence. Mark his imperious air and lordly gait. . . . His kilt is finely embroidered; the upper part of his body is bare; on his head he wears a great stiff wig which falls down behind over his shoulders, protecting his neck from the hot sun. He is square-chested and muscular; he walks erect, with tilted chin. His face is drawn and severe; he has firmly set, drooping lips, and his eyes are stern and proud. He is obviously a man accustomed to command and to be obeyed. . . . A servant shuffles after him carrying his sandals and water bottle.

He has just acknowledged with a curt bow the profound obeisance of that rich merchant. But now he meets an equal in the middle of the square--Imhotep, Chief Architect to the King. Ere they speak they both bow gravely, bending their backs, with hands reaching to their knees. Then they converse for a few moments, salute one another again, and turn gravely away.

Some high-born ladies have gathered in the shade. Two carry bunches of lotus flowers, and the others smell them with appreciation. Their faces are refined and vivacious, and one is "black but comely", for she is a Nubian by birth. How they chatter as they flicker their broad fans! Their white gowns are elaborately embroidered in colours, and they all wear sandals, for the builders have left much grit in the streets. Their wigs are drawn low on their foreheads, round which they are clasped by graven bands of silver and gold. Gems sparkle in their necklaces, which are of elaborate design, and one or two wear their wigs set well back to display heavy car-rings, which are becoming fashionable. A handsome girl is wearing a broad gold armlet which came from Crete. The others examine it with interest, and when they break into laughter, displaying gleaming white teeth, the girl looks sideways in confusion, for they tease her about her far-travelled lover who gifted her that rare ornament. Now they saunter in pairs across the square; they are going down to the quays to sail on the Nile.

There is a variety of racial types about us. The southern Egyptians are almost black, those from the centre of the kingdom are brown, and the Delta people have yellow skins. That bearded man who has just gone past is a Semite from Arabia; and here comes a soft-featured Syrian, walking with an oblique-eyed Sumerian from Babylonia. These tall negroes are Nubian mercenaries, who were taken captive in a frontier war. Of late the stone builders have been purchasing them in large numbers, for they have great muscular strength and make excellent labourers.

There is no mistaking the awkward, wide-eyed peasant who came to the market with salt, and is now surveying the great city of wonderful buildings and endless streets.

That red-haired man who is hurrying past is an Amorite; he came south to barter rugs for corn. He looks behind with an ugly scowl-a carrier has shouted something after him, because an Egyptian peasant dislikes a man who reminds him of red-haired Set, the slayer of Osiris.

Now here comes a handsome stranger who is exciting much interest. Men and women turn round to look after him. Children regard him with wonder. Not only is he taller than the majority of Memphites, but he is distinguished by his lightly coloured hair and his strange blue eyes. Some would fain know if his cheeks are a natural red or smeared with face paint. No one doubts whence he came. He is one of the fair Libyans, and he is evidently a man of some importance, for even royal officials acknowledge his salutations.

Ere we turn away, let us watch that little procession of young peasants walking past. They are bearers of offerings, and are going to the temple. One lad has shouldered a live calf, another brings a bundle of papyrus stalks, and a third has a basket of flour upon his head. The girls carry bunches of flowers, doves in pairs, and tame pelicans. One or two calves are led by boys. Little notice is taken of the peasants. Processions of similar character are seen daily in Memphis.

We had better cross over quickly, for here comes a great herd of unwilling goats driven by shouting peasants who wield their staves rather freely, nor care whether they miss a goat and strike a pedestrian. The city guards are watching them with interest, for they know their men.

Now turn down this narrow twisting street. Houses are lower here, and some are built with brick, but most of them are constructed of clay-plastered wickerwork. Why not enter this little dwelling? The door lies open, and there is nobody within. Man and wife labour in a potter's yard. The furniture consists of one or two tough stools, a low bed over which hangs a gnat-protecting net, and here and there are a few jars and pots of coarse pottery. Within the window lattice a bunch of lotus leaves is drying in the sun; a cut of salted fish hangs on the wall; a flint knife lies on the floor. The house is used mainly as a sleeping apartment, and if there is a baby it is near the mother in the potter's yard.

Outside, a few children are playing a curious game, which appears to be an imitation of a temple ceremony. Wives of artisans sit gossiping in the shade of a brick building; some are sewing, and others are cutting vegetables which they have brought from the market. Two girls go past with water pots on their heads.

We have glimpses, as they walk on, of long narrow lanes of small and low-roofed houses. There is evidently much congestion in the poorer quarters of the city. Look through that open door and you will see an industrious family. A widow and her three daughters are spinning and weaving fine linen, which might well be mistaken for silk.

Here is a brickyard. Labourers are mixing the clay; others shape the bricks with a binding of straw and lay them out to dry. Carriers come for those which are ready, and take heavy loads in two slings suspended from poles which they lift upon their shoulders. An overseer hastens them on, for the builders cannot be kept waiting.

Farther on is a stoneworker's yard. Under an awning squat several skilled artisans who are engaged making vessels of alabaster and porphyry. The process is slow and arduous. One has shaped and polished a handsome jar with fluted lip and narrow neck, and is hollowing it out with a copper-tipped drill which is fed with ground emery. He pauses for a moment to wipe the perspiration from his forehead. and remarks to a fellow: "This is certainly a handsome vessel." The other looks up and surveys it critically. "It is your masterpiece," he remarks, with a smile, and then goes on drilling a large shallow milk bowl.

Two men are cutting a block of porphyry with a copper saw, while an apprentice supplies the emery, and relieves now one and then the other. See how skilfully those labourers are levering a granite boulder into position; it is mounted on a rounded wooden cradle, and slewed this way and that. A lad is gathering wedges with which to raise it up. One or two naked boys, squatted in a shady corner, are watching the proceedings with interest. They are going to saw stone too, when they grow strong.

We enter another street and our ears are assailed by the clamour of metal workers. It is a noisy quarter. Bang, bang, go the hammers on a large sheet of copper. One would be deafened if he stayed here long. Passersby twitch their eyes and foreheads and hurry on. Look at these naked men kneeling round the blazing furnace, puffing their cheeks and blowing through long pipes. No Egyptian inventor has yet contrived a mechanical bellows. Now the glowing metal is pulled from the furnace, and a dozen exhausted workers rise, with their blowpipes in their hands, coughing and rubbing their eyes, to wait until the hammermen require them again.

Here are goldsmiths at work. A man is weighing precious metal in a balance, and a scribe sits in front of him making careful records on a sheet of papyrus. Near by are men with clever fingers and keen eyes, who engrave and pierce little pieces of gold and silver, shape ear-rings and necklaces, and hammer out sheets of gold which are to be inscribed with hieroglyphics. An overseer moves to and fro from bench to bench and artisan to artisan, surveying everything that is being done with critical eyes.

So we pass from street to street, here watching potters at work, there sculptors and carvers of wood and ivory, and anon the sandal makers and those deft leather cutters who provide gentlemen with slitted network to suspend on the back of their kilts for sitting upon.

Now we reach the principal marketplace. The scene is animated and intensely human. Merchants are squatted beside their stalls, some drowsing in the heat while they await purchasers, and others gesticulating excitedly at bargain making. There is a good deal of wrangling, and voices are often raised in dispute, while friends gather in knots and chatter and laugh or engage in lively argument. Some make purchases with ring money, but the majority engage in barter. Here a merchant has displayed a fine collection of vases and bowls. A lady surveys his wares critically and shakes her head over the prices he demands; but he waits patiently, for he knows she is tempted to purchase and notes that she always returns to a particular porphyry jar of exquisite design.

A woman of the working class leans over a basket of fish, and doubts if they are quite fresh. The vendor lifts one, presses it with his fingers, and smiles to her. "Caught this morning," he says. She decides to have it for her husband's dinner, and gives in exchange a piece of red pottery. Another woman barters a small carved box for ointment and perfume, while a man gives a fan for a bundle of onions.

A steward from a nobleman's house passes from stall to stall, accompanied by two servants, making numerous purchases, because several guests of note are coming to the evening meal. He is welcomed, although a hard bargainer, for he pays with money.

We catch, as we turn away, a soothing glimpse of the broad blue river, and turn towards it, for the streets are dusty and hot, and we know the air is cooler beside the quays. We cross an open space in which are piled up the cargoes of unloaded boats. Here come half a dozen foreign sailors who are going sightseeing. They also intend to make private purchases for their friends at home. You can tell by their pants and characteristic "wasp waists" that they are Cretans. They are short of stature and slim and have sharp features like the Delta coast dwellers, and their movements are active. Their dark hair is pleated in three long coils which fall over their shoulders, and they affect small coloured turbans. They all wear armlets, which are greatly favoured in the distant island kingdom.

A company of Pharaoh's soldiers are marching towards the great limestone fortress. They are naked, save for their loincloths, and about half of them are archers; the others are armed with long spears and carry wooden shields, square at the bottom and arching to a point at the top.

eml09

A SEATED SCRIBE

From the limestone statue in the Louvre, Paris

eml09

AN OLD KINGDOM OFFICIAL

The name "Sheikh-el Beled" (village chief) was given to the statue by the Arabs on account of its resemblance to a familiar specimen of that modern functionary

From the wooden statue in the Cairo Museum

They go past with a fine swing, although they have been drilling all forenoon on an open space two miles southward of the city.

Yonder are boatbuilders at work. The Cretan traders have brought them a fresh supply of seasoned timber as well as a raft of drifted logs from Lebanon. Wood is scarce and dear in Egypt, and watchmen are on duty in the yard day and night.

Three commodious river boats are being constructed. The work is well advanced, for the carpenters are fitting in the benches, which are being pierced and prepared for jointing on trestles by men who sit astride them. The artisans are skilled and active, and the overseers who direct operations are easily recognized; they carry long staffs in their right hands and constantly urge on the men.

But what is happening yonder in front of the Government buildings? A large crowd has assembled, and the jeers and roars of laughter indicate that something of amusing character is in progress. We press forward to find that the city guards have made several arrests, and are hauling their protesting prisoners through the doorway. The spectators are delighted to see "the tables turned", for these are their oppressors--the tax collectors--who are being taken before the Pharaoh's accountants so that their accounts may be audited. There have been several complaints of late of extortionate dealings and dishonest transactions. In a large hall within we see the stern auditors kneeling at their low desks, on which are piled the official records. Scribes record the proceedings. Each arrested man crouches on his knees, and is held firmly by a guard while he is sharply questioned and his accounts are checked. All his private papers have been seized; he must explain every entry and prove that he is a man above suspicion. It is a rough-and-ready, but effective, manner of doing business. Punishments for dishonesty or oppression are sharp and peremptory.

The Pharaoh is the protector of all his subjects great and small. A poor man may suffer a great wrong and find himself unable to have it righted even in the Hall of justice; but if the great monarch is appealed to, he will prove to be no respecter of persons, and visit the wrongdoer with punishment of great severity.

A tale has come down the ages which was often related in the dwellings of poor and great alike, to show how Pharaoh might espouse the cause of the humblest man in the kingdom. Scribes recorded it on papyri, and fragments of these still survive.

Once upon a time a peasant had his dwelling in the Fayum, and it was his custom to load his ass with nitre and reeds, salt and stones, and seeds and bundles of wood, and drive it to a town in the south, where in the marketplace he exchanged what he had brought for other things that he and his family required. He began to be prosperous.

One day, when it was nigh to harvesttime, he journeyed townwards and reached the estate of a great royal official named Meritensa. As he passed through it he came to the farm of Hamti, a feudal tenant. The farmer saw him approach, and to himself he said: "May the god permit me to rob the peasant of his ass and its burden. I have need of salt."

The path along the river bank was exceedingly narrow, for Hamti had sowed much land. Between his corn and the water there was scarcely the breadth of a man's body.

Said the farmer to one of his servants: "Bring me a rug from within." The man ran to Hamti's house and came back with a rug, which was spread out upon the path, and it reached from the corn to the river edge.

The peasant drove his ass along the narrow way, past the corn, and when he drew nigh, the farmer called to him, saying: "Observe where you are going; do not soil my rug."

"I will do according to your will," remarked the peasant, "and avoid troubling you."

So he smote his ass and turned it inland to pass round the field. But the farmer would not be satisfied with that even. He shouted with an angry voice, saying: "Would you dare to trample upon my corn? There is no path that way."

"What else can I do?" remonstrated the peasant; "you prevent me from using the path by laying a rug upon it."

As he spoke his ass began to eat the grain, and the farmer seized it and said: "I will take this animal in payment for the damage it has done."

The peasant cried indignantly: "What? first you close the path against me, and now you seize my ass because it has taken a few ears of barley. Dare not to wrong me on this estate; it belongs to the just Meritensa, the great judge, who is a terror to all evildoers in the kingdom. Well you know that I speak truly. Do not imagine that you can oppress me on the land of such a good and high nobleman."

But the farmer laughed. "Heard you not," he asked, "the maxim which says: 'A peasant is esteemed only by himself?' Know now, too, that I am even Meritensa, the judge, of whom you have spoken. I will deal with you here and now."

Having spoken thus, the farmer seized a scourge and lashed the peasant fiercely, seeking to drive him away. But the wronged man refused to depart. His body ached with many wounds. He waited about all day, but neither by threat nor tearful appeal could he prevail upon the farmer to give him back his ass and the burden it carried.

Then the peasant hastened towards the dwelling of Meritensa. He waited the coming forth of that great lord, sitting patiently beside the wall gate. Hours went past, and at length he saw Meritensa walking out to step into a boat at the river side.

"Hail to thee, my lord!" he called. "Bid one of your servants to hear the tale of my wrong."

As the man desired, so did the nobleman do. He bade a scribe to converse with the peasant, who related how he had been wronged by Hamti.

So it happened that, when sitting in the Hall of justice next morning, Meritensa repeated the accusations which the peasant had made against the farmer. The other judges heard, and then said:

"It is our rule here that these peasants should bring witnesses. We know their ways. If it is proved that the farmer stole some nitre and salt, he can be ordered to make payment, or else he can be scourged. But we must first hear evidence to confirm what is said by this peasant fellow."

Meritensa made no reply. He was indignant at the other judges, and scorned to discuss the matter with them any further. He decided to advise the wronged man what to do.

But the peasant could not find witnesses, and again he waited the coming forth of the good judge. Then he praised him with a loud voice, saying: "Thou art mighty among the mighty ones and the good friend of poor men. May fair winds waft thee on the lake of truth; may no wave smite thee or any terror come nigh. Thou art a father to the fatherless, and a husband to the widow and a brother to the girl in need. I laud thy name, for thou dost give excellent counsel without desire of reward. Thou art the enemy of the wrongdoer and the lover of justice. My cry thou didst hear, and thou hast permitted me to speak. Thou art esteemed by those who are worthy. Now show me mercy and undo my wrong; consider my prayer, enquire regarding me, and thou wilt find that I have been plundered."

Meritensa was on his way to the palace, and he repeated unto Pharaoh what the peasant had said, and related how he had been robbed by the farmer.

His Majesty said: "This man hath great eloquence. See that his wrong is not righted for a little time yet, and arrange that all his fine speeches are recorded by your scribes. I should like to hear them word by word. Meantime see that his wife and his children do not want for food."

The peasant was given a supply of bread each day, and Meritensa arranged that his wife and children should also be supplied with food in abundance.

Daily did the wronged man wait the coming forth of the noble, whom he addressed with great eloquence and poetic fervour. The scribes recorded all the words of his mouth. But Meritensa pretended not to heed him, and he even had him beaten.

Nine times did the peasant make appeal to the judge, and at length two servants went and spoke to the man, who, when he saw them approach, feared that he was about to be scourged once again. But the words which they spake for their lord were:

"You have no cause to be afraid because you addressed the judge these many times. The Pharaoh has read your speeches and has praised them, and you will be rewarded."

Meritensa then caused his scribes to take down the evidence of the peasant regarding the robbery of his ass and its burden of nitre and salt, and he laid the document before His Majesty.

Pharaoh said: "I cannot attend to this matter. Consider it yourself and see that justice is done."

Meritensa then dispatched his officers to the farm, and he caused Hamti's house and all his goods to be confiscated and given unto the peasant.

All that was done was confirmed and approved by the Pharaoh, who commanded that the eloquent peasant should be brought to the palace. His Majesty took delight in his speeches and honoured him greatly, for he caused rich dainties from the royal table to be sent unto the man and his family.

Egyptian Myth and Legend Chapter 8, The Religion of the Stone Workers

EGYPTIAN MYTH AND LEGEND

With Historical Narrative, Notes on Race Problems, Comparative Beliefs, etc.
by

Donald Mackenzie

Gresham Publishing Co., London

[1907]

CHAPTER VIII

The Religion of the Stone Workers

Memphite Religion--The Cult of Ptah--Ethical Beliefs----Pharaoh worshipped as a God--"Husband of his Mother"--Magical Incantations--"Mesmerizing the Gods"--The Earliest Mastabas--Endowment of Tomb Chapels--The Servants of the Dead--Scenes of Everyday Life--Zoser's Two Tombs--The First Pyramid--An Architect who became a God--Inspiration of Egyptian Religion--How it promoted Civilization--Mythology of the Stone Builders----Ptah and Khn-The Frog Goddess--A Prototype of Isis--A Negroid Deity--Khnassociated with Khufu (Cheops).

WHEN Old Memphis became the leading city of United Egypt the religious beliefs of the mingled peoples were in process of fusion and development. Commerce was flourishing, and ideas were being exchanged as freely as commodities. In the growing towns men of many creeds and different nationalities were brought into close personal contact, and thought was stimulated by the constant clash of opinions. It was an age of change and marked progress. Knowledge was being rapidly accumulated and more widely diffused. Society had become highly organized, and archaic tribal beliefs could no longer be given practical application under the new conditions that obtained throughout the land. A new religion became a necessity-at any rate existing beliefs had to be unified and systematized in the interests of peace and order, especially in a city like Memphis with its large and cosmopolitan population.

The cult which began to mummify the dead had evidently formulated a creed which appealed to the intellectual classes. Beliefs regarding the after-life took definite shape. The "land of shades" was organized like the land of Egypt. Ideas of right living and good government prevailed, and the growth of ethical thought was reflected in the conception of a Judge of the Dead who justified or condemned men after consideration of their actions during life. The attributes of the principal gods were defined; their powers and their places were adjusted; they were grouped in triads and families; and from the mass of divergent beliefs was evolving a complex mythology which was intended not only to instruct but to unite the rival beliefs prevailing in a community.

Egyptian religion as a whole, however, was never completely systematized at this or any subsequent period. Each locality had its own theological system. The old tribal gods remained supreme in their nomes, and when they were grouped with others; the influence at work was more political than intellectual in character. The growth of culture did not permeate all classes of society, and the common people, especially in rural districts, clung to the folk beliefs and practices of their ancestors. A provincial nobleman, supported by the priests, secured the loyalty of his followers therefore by upholding the prestige of their ancient god, who could be linked, if needs be, with the deity of another tribe with whom a union had been effected. If the doctrines of a rival creed influenced the beliefs of the people of a particular district the attributes of the rival god were then attached to their own. When Ptah, for instance, ceased to make intellectual appeal as a creation artificer he was exalted above Ra and the other gods, whom he was supposed to have called into existence by uttering magical words.

Ptah, as we have seen, was linked with Osiris. The combined deity was at once the god of the industrial and agricultural classes, and the Judge of the Dead. He was the chief deity of the new religion which controlled the everyday life of the people. He was the Revealer who made city life possible by promoting law and order as a religious necessity, and by instructing the people how to live honourably and well. He ordained the fate of all men; he rewarded the virtuous and punished the sinners. Masters were required to deal humanely with their servants, and servants to perform their duties with diligence and obedience. Children were counselled to honour their parents lest they might complain to the god and he should hear them.

The supremacy of Ptah was not yet seriously threatened by the sun god Ra, whose cult was gathering strength at Heliopolis. For a full century the ascendancy of the Memphite cult was complete and unassailable. The influence of the north was thus predominant. The Horite religion, which was a form of sun worship, had been displaced; it was overshadowed by the Ptah Osiris creed. Apparently the people of Lower Egypt had achieved an intellectual conquest of their conquerors. The Osirian Paradise was a duplicate of the Delta region, and the new creed was strongly influenced by Osirian beliefs which had prevailed before Mena's day.

Although great rivalry existed between the various cults throughout the land, the people were united in reverencing the Pharaoh. He was exalted as a god; indeed he was regarded as an incarnation of the ruling deity. Until the Fourth Dynasty the monarch was the living Osiris; then he became the earthly manifestation of Ra, the sun god. The people believed that a deity must needs take human form to associate with mankind. His Ka, therefore, entered the king's body as the king's Ka entered his statue. In temple scenes we find the people engaged in worshipping Pharaoh; in fact, the Pharaoh might worship himself--he made offerings to his Ka, which was the Ka of a god.

The idea of the divinity of kings was, no doubt, a survival of ancestor worship. Families worshipped the spirit of their dead sire, and tribes that of their departed leader. But the Pharaoh was not like other men, who became divine after death; he was divine from birth. His father had been the ruling god and his mother the god's wife. On the walls of temples elaborate scenes were carved to remind the people of the divine origin of their ruler. At the marriage ceremony the king impersonated the god, and he was accompanied by his divine attendants. As Ptah Tanen he wore "the high feathers" and two ram's horns, and carried the holy symbols; as Osiris he appeared with crook and flail.; as Ra he was crowned with the sun disk. The queen was thus married to the god within his temple. In sculptured scenes depicting royal births we see goddesses in attendance as midwives, nurses, and foster mothers. This close association with deities was supposed to continue throughout the Pharaoh's life; he was frequently shown in company of gods and goddesses.

When the king died, the spirit of the god passed to his successor. The son, therefore, according to Egyptian reasoning, became his own father, and, in the theological Sense, "husband of his mother". Horus, who was born after Osiris was slain, was "the purified image of his sire". In one of the religious chants the same idea is given expression when it is declared that "the god Seb was before his mother". The new Pharaoh, on ascending the throne, became doubly divine, because both ideas regarding the divinity of kings were perpetuated at the same time.

The worship of a particular Pharaoh did not cease when he died. Like other departed souls he required the service of the living. His priests must assist him to reach the Osirian Paradise of Aalu, or the sun bark of Ra. Even Ra had to be assisted to pass through the perilous hour-divisions of the night. Indeed all the good forces of Nature had to be continually prompted by men who desired to be benefited by them; similarly the evil forces had to be thwarted by the performance of magical ceremonies and the repetition of' magical formul Egyptian religion was based upon belief in magic.

Pharaoh's body was therefore mummified, so that his soul might continue to exist and be able to return to reanimate the bandaged form. Food offerings were given regularly for the sustenance of the Ka. Magical ceremonies, which were religious ceremonies, were performed to cause the gods to act and to speak as was desired--to imitate those who impersonated them upon earth. The priests were supposed, as it were, to mesmerize the gods when they went through their elaborate ceremonies of compulsion and their ceremonies of riddance.

It was considered necessary to afford secure protection for the Pharaoh's mummy; his enemies might seek to dismember it with purpose to terminate the life of the soul. Substantial tombs were therefore erected, and the old brick and wood erections which were constructed for the kings at Abydos went out of fashion.

A tomb chamber was hewed out of solid rock, and over it was built an oblong platform structure of limestone called a mastaba. The mummy was lowered down the shaft. which was afterwards filled up with sand and gravel and closed with masonry. This low and flat-roofed building was large enough to accommodate at least a hundred bodies) but it was made solid throughout with the exception of the secret shaft. Robbers would have to wreck it completely before the hiding place of the body could be discovered. On the east side there was a false door through which the Ka could pass when it came from) or departed towards, the western land of shades. In time a little chapel was provided, and the false door was placed at the end of it. This apartment was used for the performance of the ceremonies associated with the worship of the dead; mourners came with offerings, and met in presence of the invisible Ka.

The statue was concealed in an inner chamber, which was built up, but occasionally narrow apertures were constructed through which food and drink were given to the Ka. But only to kings and rich men could this service be rendered for a prolonged period, so the practice ultimately evolved of providing the dead with models of offerings which by a magical process gave sustenance to the hungry spirit.

Mortuary chapels were endowed as early as the First Dynasty. Priests were regularly engaged in worshipping dead kings and princes who had made provision in their wills for the necessary expenses. The son of one monarch in the Fourth Dynasty devoted the revenues of a dozen towns to maintain the priesthood attached to his tomb. This custom created grave financial problems.

In a few generations the whole land might be mortgaged to maintain mortuary chapels, with the result that a revolution involving a change of dynasty became an economic necessity.

Hearken! ye kings, while horror stalks the land,
Lo! your poor people fall a ready prey
Made weak by your oppression, even in death-
Burdened and bruised and terrorized; their lands
Tax ridden for these temples ye endowed,
That fawning priests might meek obeisance make
And render ceaseless homage to your shades.

The walls of the chapel were either sculptured in low relief or painted with scenes of daily life, and from these we gather much of what we know regarding the manners and customs of the ancient people. But such works of art were not intended merely to be decorative or to perpetuate the fame of the dead. It was desired that those scenes should be duplicated in Paradise. The figures of farm servants sowing and reaping corn, of artisans erecting houses, and cooks preparing meals, were expected to render similar services to the departed soul. Magical texts were inscribed with purpose to ensure this happy condition of affairs; others called down curses on the heads of tomb robbers.

Kings and nobles had no pleasure in the prospect that they would have to perform humble tasks in the Nether World. They desired to occupy there the exalted stations which they enjoyed upon earth. It was necessary, therefore, to have numerous employees so that their mansions might be erected, their fields cultivated, and their luxuries provided as of old.

The custom at first obtained of slaying a number of servants to accompany the great dignitary to Paradise. These poor victims were supposed to be grateful, because they were to be rewarded with assured immortality. But the shedding of blood was rendered unnecessary when the doctrine obtained that substitutes could be provided by sculptors and painters.

Another mortuary custom was to provide little figures, called Ushebtiu, "the answerers", inscribed with magical formul which would obey the dead and perform whatever duties he desired of them in Paradise.

eml08

SERVITORS BRINGING THEIR OFFERINGS

From the bas-relief in the Mastaba of Ti, Sakhara

eml08

"USHEBTIU" FIGURES OF VARIOUS PERIODS

1. Limestone: made for Ahmes I (XVIII Dynasty). 2. Limestone (XII Dynasty). 3. Painted alabaster: about 1100 B.C. 4. Porcelain, inscribed for an official (XXVI Dynasty). 5. Zoned alabaster, probably made for a king: about 1200 B.C. 6. Limestone: about 800 B.C. 7. Painted limestone: about 550 B.C.

(British Museum)

These were ultimately shaped in mummy form, and in the later Dynasties were made of glazed ware, because wooden figures suffered from the ravages of the white ant.

Many toy-like figures of servants are found in early tombs. Here we discover, perchance, the model of a nobleman's dwelling. An ox is being slain in the backyard. In the kitchen the staff is engaged cooking an elaborate repast; a little fellow devotes himself entirely to a goose which he turns on a spit before the fire. We have a glimpse of high life in another scene. The nobleman has feasted, and he sits at ease in a large apartment listening to singers and harpers. A dancing girl comes out to whirl before him, while her companions keep time to the music by clapping their hands. Meanwhile artisans are busy in their workshops. We see a potter moulding a vessel of exquisite shape, while near at hand a carpenter saws wood with which he intends to construct an elaborate article of furniture. Boats are rocking at a pier, for the soul may desire to sail down the Nile of the Nether World. Here. in fact, is a boat pursuing its way; a dozen strenuous oarsmen occupy the benches, while the steersman stands erect at the helm with the guiding rope in his hands; armed men are on guard, and the nobleman sits with a friend below an awning on a small deck in the centre of the boat, calmly engaged playing a game of draughts.

King Zoser had two tombs erected for himself. One is a great brick mastaba at Abydos, which may have been a "soul house" in the chapel of which his "double" was worshipped; the other, which is constructed of limestone, is situated on the desert behind Memphis. The latter is of particular interest to students of Egyptian history.

It is a terraced structure nearly 200 feet in height, formed by a series of mastabas of decreasing size superimposed one above another. This wonderful building has been called "the step pyramid of Sakkara"; it is not only the first pyramid which was erected in Egypt, but the earliest great stone structure in the world.

So much attention is paid to the three sublime pyramids at Gizeh that Zoser's limestone tomb is apt to be overlooked. Yet it is of marked importance in the history of the country. It was constructed nearly a hundred years before Khufu (Cheops) ascended the throne, and the experience gained in undertaking a work of such vast dimensions made possible the achievements of later times. The architect was the renowned Imhotep, one of the world's great men. His fame was perpetuated in Egypt until the Saite or Restoration period, when he was worshipped as the god called by the Greeks "Imuthes". He was an inventive and organizing genius, and a statesman who exercised much influence at the Court of King Zoser. Like Solomon, he was reputed to be the wisest man of his Age. He was the author of a medical treatise, and he left behind him a collection of proverbs which endured as long as the old Egyptian language. As a patron of learning his memory was revered by the scribes for over two thousand years, and it was their custom before beginning work to pour out from their jars a libation to his spirit.

The step pyramid was Imhotep's conception. He prepared the plans and overlooked the work of construction. No doubt, too, he was responsible for the organization of the army of labourers and artisans who were employed for a prolonged period in erecting this enduring memorial of a great monarch.

Such a vast undertaking is a sure indication of the advanced character of the civilization of the times. Much wealth must have accumulated in the royal exchequer. The country was in a settled and prosperous condition., owing to the excellent system of government and the activity of administrators. It was no small task to bring together thousands of workmen, who had to be housed and fed and kept under control. Skilled tradesmen were employed, who had been trained in quarrying and dressing stone. Evidently masonry had flourished in Memphis for a considerable period. There were hundreds of overseers experienced in the organization of labour, and large numbers of educated scribes conversant with the exact keeping of accounts.

Education was no longer confined to the ruling classes. We know that there were schools in Memphis. Boys were instructed in "the three R's", and in a papyrus of maxims it was quaintly remarked that they could "hear with their backs", an indication as to the manner in which corporal punishment was inflicted. The system of writing was the cursive style called "hieratic", which originated in pre-Dynastic times as a rough imitation in outline of hieroglyphics. A knowledge of elementary arithmetic was required in the ordinary transactions of business. Some corrected exercises have survived. Advanced pupils were instructed in geometry--which had its origin in Egypt--in mensuration, and in the simpler problems of algebra.

As the Egyptians were an intensely practical people, school studies were specialized. Boys were trained for the particular profession in which they were to be employed. If they were to become business men they attended commercial classes. The number of "trial pieces" which have been found show that young sculptors attended technical schools, as did also artists and metal workers. In the temple colleges the future officials and lawyers and doctors were made conversant with the accumulated knowledge and wisdom of the age. Education was evidently controlled by the priests.

Memphis was a hive of organized industry. The discipline of business pervaded all classes, and everywhere law and order were promoted. Pharaoh was no idler. His day was fully occupied in the transaction of public business, and to every prince was allotted a responsible post, and his duties had to be efficiently performed. The nation was in its young manhood; the foundations had been securely established of a great civilization, which was to endure for some thirty centuries.

It may be said that the royal house of the Old Kingdom was established upon a rock. When the Pharaoh's builders discarded brick, and began to quarry and hew stones, Egyptian civilization made rapid progress. It had had its beginnings in the struggle with Nature in the Nile valley. An increasing population was maintained under peaceful conditions when the problem of water distribution was solved by the construction of canals. These had to be controlled, and the responsibility of a regulated flow was imposed upon the Pharaoh. Good government, therefore, became a necessity; a failure of water caused famine and insurrection. To those who toiled and those who protected the toiler Nature gave a bountiful reward. More food was produced than was required for home consumption. The surplus yield of corn was, as we have seen, the means of promoting trade, which made Egypt a wealthy country. As capital accumulated, the progress of knowledge was assured, and men entered upon those higher pursuits which promote moral and intellectual advancement.

Egypt might have continued happily on the even tenor of its way as an agricultural and trading country, but its civilization could never have attained so high a degree of perfection if its arts and industries had not been fostered and developed. We may riot think highly of Egyptian religion, of which, after all, we have but imperfect knowledge, but we must recognize that it was the inspiration of the architects and craftsmen whose sublime achievements we regard with wonder and admiration after the lapse of thousands of years. It was undoubtedly a civilizing agency; it promoted culture and refinement, and elevated mankind to love beauty for its own sake. Egyptian art flourished because it was appreciated and was in demand.

The surplus wealth of Egypt was expended largely for religious purposes. Temple building kept those wonderful old architects and sculptors constantly engaged. an ever-increasing class of skilled workers had also to be trained, disciplined, and organized. Men of ability were brought to the front and were judged on their own merits. There is no place for pretenders in the world of Art. When the Pharaohs, therefore, undertook the erection of temples and tombs they not only ensured regularity of labour, but also stimulated intellectual effort, with results that could not have been otherwise than beneficial to society at large.

We may well regard the conquest of stone as one of the greatest conquests which the Egyptians achieved. In our Introduction we have suggested that the new industry may have been introduced by the cave-hewing pre-Semitic inhabitants of southern Palestine. The remarkable skill manifested by the earliest stone workers of Egypt with almost dramatic suddenness was evidently the result of long experience. Deft workmanship was accomplished from the outset; stones were measured and dressed with wonderful accuracy and skill. The changes which took place in the burial customs during the early Dynasties also suggest that influences from without were being felt in the ancient kingdom.

Whatever the origin of the stone workers may have been, it is evident that they were closely associated with Memphis at a very early period. As we have seen, the art of stone working and stone building on a sublime scale was first displayed by the worshippers of Ptah, the artificer god. It is of special interest to find, therefore, that Manetho has preserved those persistent Egyptian traditions which connect Memphis with the new industry. He credited Zoser, the builder of the step pyramid at Sakkara, with the introduction of stonework; he also recorded that the first temple in Egypt was erected at Memphis to Ptah by King Mena. The city's name of "White Walls" suggests that the fortress was constructed of limestone.

We know now that stone was used at Abydos before Zoser's day--not, however, until after the conquest of the north--but the traditional association of Memphis with the new industry is none the less significant. The probability that a colony of Memphite artisans settled in the vicinity of the Assouan quarries, and introduced stone working into Upper Egypt, is emphasized by the worship of Khn the god of the First Cataract, who bears so striking a resembling to Ptah. He was similarly regarded as the modeller of the world. Like Ptah, he was associated with the chaos egg, and he is depicted shaping the first man upon his potter's wheel.

Khnwas merged at an early date with the ram god Min, for he is invariably shown with ram's horns or a ram's head. He was a Great Father, and represented the male principle. His consort is Hekt, the frog-headed goddess, who is evidently of great antiquity. The Egyptians believed that frogs were generated spontaneously from Nile-fertilized mud, and they associated Hekt with the origin of life. This quaint goddess was one of the "mothers" who was supposed to preside at birth, and so persistent was the reverence shown her by the great mass of the people that she was ultimately fused with Hathor. In Coptic times Hekt was a symbol of the resurrection.

Another goddess associated with Khnwas named Sati. Her title "Lady of the Heavens" links her with Nut and Hathor. She is usually depicted as a stately woman wearing a cow's horns and the crown of Upper Egypt; she is "the queen of the gods".

An island goddess, called Anukt, belongs to the same group. She has negroid attributes and wears a crown of feathers.

It is apparent that this arbitrary grouping of deities at the First Cataract was the direct result of the mingling of peoples of different origin. Hekt represents a purely Egyptian cult, while Sati is evidently one of the forms of the Great Mother deity of the earliest civilized people in the Nile valley; she resembles closely the historic Isis. Anukt, on the other hand, was probably of Nubian origin, and may have been introduced by those dusky settlers from the south whose aggressive tendencies caused so much concern at the royal Court from time to time. The theory that Khnwas the god of the quarries, and builders especially, is supported not only by his resemblance to Ptah, but also by the fact that the Pharaoh who erected the greatest pyramid at Gizeh was called KhnKhufu; this is the monarch whom the Greeks called Cheops.

Egyptian Myth and Legend Chapter 7, Death and the Judgment

EGYPTIAN MYTH AND LEGEND

With Historical Narrative, Notes on Race Problems, Comparative Beliefs, etc.
by

Donald Mackenzie

Gresham Publishing Co., London

[1907]

CHAPTER VII

Death and the Judgment

The Human Triad--Ghosts--Spirits of the Living--Why the Dead were given Food--Souls as Birds--The Shadow and the Name--Beliefs of Divergent Origin--Burial Customs--The Crouched Burial--Secondary Interment--Extended Burials--Mummies--Life after Death--Two Conceptions--Souls in the Sun Boat--The Osirian Paradise--journey to the Other World --Perils on the Way--Conflicts with Demons--The River of Death--The judgment Hall--Weighing the Heart--The Happy Fields.

IN the maze of Egyptian beliefs there were divergent views regarding the elements which constitute the human personality. One triad was a unity of the Ka, spirit; the Khu, soul; and Khat, the body. Another grouped Khaybet, the shadow, with Ba, the soul, and Sahu, the mummy. The physical heart was called Hati; it was supposed to be the seat of the intelligence, and its "spirit" was named Ab, which signified the will and desires. The "vital spark", or controlling force, was symbolized as the Sekhem, and the Ran was the personal name.

The Ka of the first triad is the most concrete conception of all. It was probably, too, the oldest. The early people appear to have believed that the human personality combined simply the body and the spirit. In those tomb scenes which depict the birth of kings the royal babe is represented by two figures-the visible body and the invisible "double". The Ka began to be at birth; it continued to live on after death.

But a human being was not alone in possessing a Ka. Everything that existed was believed to have its "double". A fish or other animal had a Ka; so also had a tree; and there were spirits in water, in metals, in stone, and even in weapons and other articles manufactured by man. These spirits were invisible to all save the seers, who were able to exercise on occasion the "faculty" which Scottish Highlanders call "second sight".

It was conceived that the Ka could leave the human body during sleep, or while the subject lay in a trance. It then wandered forth and visited people and places, and its experience survived in memory. Dreams were accounted for in this way as actual happenings. When a man dreamt of a deceased friend, he believed that his Ka had met with the Ka of the dead, held converse with it, and engaged in the performance of some Other-World duty. Sometimes the wandering Ka could be observed at a distance from where the sleeper reposed. It had all the appearance of the individual, because it was attired in the "doubles" of his clothing and might carry the "double" of his staff. Ghosts, therefore, included "the spirits of the living", which were not recognized to be spirits until they vanished mysteriously. They might also be simply heard and not seen.

In the story of Anpu and Bata is contained the belief that the Ka could exist apart from the body. Its habitation was a blossom, and when the petals were scattered the younger brother fell dead. He revived, however., when the seed was placed n a vessel of water. This conception was associated with belief in the transmigration of souls. Bata entered a new state of existence after he left his brother.

During normal life the Ka existed in the human body. It was sustained by the "doubles" of everything that was partaken of. After death it required food and drink) and offerings were made to it at the grave. The practice of feeding the dead continues in Egypt even in our own day.

In ancient times a cult believed that the Ka could be fed by magic. Mourners or ancestor worshippers who visited the tomb simply named the articles of food required, and these were immediately given existence for the spirit. The "good wishes" were thus considered to be potent and practical.

It was essential that the dead should receive the service of the living, and those who performed the necessary ceremonies and made the offerings were called the "servants". Thus the Egyptian word for "priest" signified a "servant". But the motive which prompted the mourners to serve the departed was not necessarily sorrow or undying affection, but rather genuine fear. If the Ka or ghost were neglected, and allowed to starve, it could leave the grave and haunt the offenders. Primitive man had a genuine dread of spirits, and his chief concern was ever to propitiate them, no matter how great might be the personal sacrifice involved.

Sometimes a small "soul house" was provided by the wayside for the wandering Ka, but oftener an image of wood or stone was placed for its use in the grave. The statues of kings which have been found in their tombs were constructed so that their disembodied spirits might be given material bodies, and those which they caused to be erected in various parts of the kingdom were primarily intended for a similar purpose and not merely to perpetuate their fame, although the note of vanity is rarely absent in the inscriptions.

The Khu, or "soul", was a vague conception. It was really another form of the Ka, but it was the "double" of the intellect. will, and intentions, rather than the "double" of the physical body. The Khu was depicted as a bird, 1 and was called "the bright one" or "the glorious one".

The Ba of the second triad was a conception uniting both the Ka and the Khu. It is represented in bird form with a human head, hovering over the Sahu, or mummy, on which it gazes wistfully, always seeking to re-enter the bandaged form. Like the Ka, it required nourishment, which was provided, however, by the goddess of the consecrated burial ground.

The Khaybet, or shadow, is evidently the survival of an early belief. It is really another manifestation of the Ka. Like all primitive peoples, the archaic Egyptians believed that their shadows were their souls. Higher conceptions evolved in time, but their cultured descendants clung to the old belief, which was perpetuated by folk customs associated with magical practices. Spells were wrought by casting shadows upon a man., and he might be insulted or injured if an offence were committed against his shadow.

The Ran, or name, was also a manifestation of the Ka. Power could be exercised by uttering the name, because there was magical influence in those words which were believed to have spiritual "doubles". A personal name was the spirit identified; its service was secured when the name was uttered. The spirit was the name and the name was the spirit. If a magician desired to work evil against an individual, he made use of the name when uttering potent magical formul The dead were similarly conjured up when their names were spoken in invocations; evil spirits were cast out by those who knew their names. 2 To guard himself against wizards who uttered "words of power", or verbal spells, the Egyptian therefore considered it necessary to have two names--the big name and the little name, or the true name and the good name. He kept his "big, true name" secret, because it was the Ran; his "good little name" was his nickname, and was not a part of his living being.

The naming ceremony was conducted in secret. The child's fate was bound up in the true name and his character was influenced by it. After it was conferred, a nickname was used, but the true name was the grave name and was uttered when the welfare of the spirit was secured by the utterance of magical spells which "opened the way" in the land of the dead. The gods had Rans also. When Isis obtained the secret name of Ra, she became his equal.

The divergent conceptions regarding the soul in Egyptian religion arose from the mingling of beliefs caused by the mingling of peoples, and also the Egyptian tendency to cling to every belief, or form of belief, which evolved in the course of time in Egypt. A people who believed in the existence of "doubles" and in the transmigration of souls had many vague and complex conceptions. Incoherencies were a feature of their religious beliefs. It must be borne in mind, at the same time, that our review covers a vast period of time, during which various religious cults exercised supreme influence in moulding Egyptian thought. One cult predominated at one period; another cult arose in turn to teach its own peculiar tenets, with the result that all beliefs were ultimately accepted. This process is clearly indicated by the various burial customs and the complex religious ceremonies which prevailed in different ages.

As we have seen, the early people buried their dead crouched up in shallow graves with due provision of nourishment and implements. 3 They appear to have believed that the Ka remained beside the body until the flesh decayed. Then it either ceased to be, or it haunted the cemetery. Among primitive peoples at the present day much concern is evinced regarding the ghosts of the newly dead. When a negro, for instance, is questioned about his remote ancestors, he is unable to express an opinion as to whether or not their spirits continue to exercise any influence upon the living, but he trembles if asked about his dead father.

The Egyptian tree worshippers conceived of a tree goddess which gave food cakes and poured out drink to disembodied Kas. The influence of this ancient cult is traced in the Osiris and Bata folk tales. In late Dynastic times tree worship was revived when the persisting beliefs of the common people gained ascendancy, and it has not yet wholly disappeared in the Delta region. The sacred tree and the holy well are still regarded with reverence.

The. Horites, or Dynastic Egyptians, who pressed northward on their gradual campaign of conquest, introduced a new burial custom. Instead of digging shallow graves they erected brick-lined tombs, in which the dead were laid upon their backs, fully extended, clad in state, and adorned with articles of jewellery. In the inscriptions the Ka and Khu are referred to. But no attempt was made, even in the First and Second Dynasties, to preserve the body from decay, and sumptuous offerings were placed in the tombs,

Another burial custom involved secondary interment, as was the case in those European districts where early graves have been found to contain disconnected skeletons. In Egypt attempts were sometimes made to arrange the bones in proper position, but they were often heaped in confusion. It appears that temporary interment was a ceremony of riddance, the object being probably to hasten the departure of the Ka. Dismemberment was also practised, and many graves show that decapitation was effected after death.

In one of the sacred books of ancient Egypt the mutilation of dead bodies is referred to with horror. "I shall not be destroyed," we read, "my head will not be cut off, nor my tongue taken out, nor will the hair of my head or my eyebrows be shaved off. My body will endure for all time."

The revolt against dismemberment took place at the beginning of the Third Dynasty, about 3000 B.C. Massive stone tombs were then constructed and the bodies of the dead were mummified. The idea was either that the Ka would ultimately return and cause the dead to live again, or that the existence of the soul in the Nether World depended upon the existence of the body upon earth. The embalming of the dead ultimately became general throughout Egypt, but the belief in dismemberment survived in the practise of disjointing one of the mummy's feet. During the Middle Kingdom period the dead were laid on their left sides, as if to peer through the Osiris or Horus eyes depicted outside the mummy cases.

Herodotus, who visited Egypt in the fifth century before Christ, found the people "adhering contentedly to the customs of their ancestors, and averse to foreign manners". He related that when an influential man died, the females of the household smeared their hands and faces with dirt, and ran through the streets with their clothes in disorder, beating their bodies and lamenting aloud. The men behaved in similar manner after the corpse was removed from the house.

Embalmers were licensed to practise their profession, and they displayed much ingenuity and surgical skill. When a body was carried to them, they produced models of mummies and arranged a price. The quality of their work depended on the amount of money expended by the dead man's friends.

The costliest method of embalming was as follows. The brain was extracted through the nostrils with the aid of instruments and after the infusion of a chemical preparation. Then a stone knife was used to make an incision on one side of the body. The liver, heart, lungs, and intestines were immediately drawn out, and, after being cleansed, they were steeped in palm wine and sprinkled with rich perfume. The body was dried, and stuffed with powdered myrrh, cassia, , and sewn up. It was afterwards covered with nitre for seventy days. Then it was washed all over and carefully wrapped in bandages which had been dipped in a strong gum. As soon as it was carried back to the home it was placed in a large coffin, shaped like a human form, which was inscribed with magical charms and decorated with sacred symbols and figures of gods and goddesses. The face of the dead was carved upon the lid; in the Roman period it was painted.

A cheaper method of embalmment was to inject a chemical preparation before the body was covered with nitre. At the end of seventy days the intestines were drawn out. Nothing then remained except the skin and bones; the flesh had been eaten away by the nitre. Poor people could only afford to have a cheap preservative injected into the veins, after which the body was left in nitre for the usual period.

The intestines were placed in four canopic jars, on the lids of which were often shaped the heads of the four protecting gods, who were the sons of Horus, and represented the north, south, east, and west. These were Amset, with human face, who guarded the stomach and large intestines; Hapi, with dog's head, who guarded the small intestines; Dmef, with jackal's head, who guarded lungs and heart, and Kebeh-senuf, the hawk-headed, who guarded the liver and gall bladder. These jars were placed in a chest and deposited in the tomb. The organs they contained were those which were believed to have caused the various sins to be committed.

The funeral procession was a solemn and touching spectacle. All the family were present, and women mourners wailed aloud on the way to the cemetery on the western bank of the Nile. The mummy was drawn upon a sledge. When the tomb was reached, the coffin was set up on end, facing the south, and an elaborate ceremony was gone through. It was conducted by the chief mourner, who recited the ritual from a papyrus roll, while responses were made by the relatives. Two females represented Isis and Nepthys, for a part of the ceremony was a reproduction of the scene enacted around the body of Osiris when it was restored and prepared for burial. The dead had also to be instructed how to reach the Egyptian heaven. The journey could not be accomplished in safety without the aid of magical formul So these were spoken into the ears of the corpse, as was probably the custom in the days of crouched burials. But the danger was ever present that the dead would fail to remember all the priestly instructions which were repeated over them. The formul were therefore inscribed on the coffin and on the walls of the tomb, and as time went on it became customary to prepare rolls of papyrus, which were ultimately collected into The Book of the Dead. This papyrus might be wrapped under the mummy bandages, or else laid within the coffin. A bull was slaughtered to provide food for the sustenance of the Ka and as a sacrifice to the gods.

The coffin was afterwards lowered down the grave shaft to the secret chamber in which had been placed the image of the dead, his weapons and clothing, his ornaments and perfumes and, perhaps, several articles of furniture. Then the entrance was closed up with stonework. A funeral feast in the antechamber concluded a ceremony which grew more and more elaborate as time went on. Food offerings were afterwards brought at intervals by faithful mourners.

There were two distinct conceptions of the after-life and these became confused in the ages that followed. The sun worshippers believed that the souls of the dead passed to the first division of night, where those who were privileged to utter the magical spells, which could compel the obedience of the gods, were permitted to enter the bark of Ra. In their tombs were placed models of the sun boat.

The Other-World conception of the Osirian cult made more permanent appeal to the Egyptian mind. Heaven is pictured as the "double" of the Delta region, where apparently the conception had its origin. But, before it can be reached, the soul must needs travel a long and weary way which is beset with many perils. The Paradise of Aalu is situated in the west. Bleak and waterless deserts have to be crossed, and these are infested by fierce reptiles; boiling streams also intercept the pilgrim, who is ever in danger of being compelled to turn back.

When the soul sets forth, he takes with him his staff and his weapons, and food for nourishment. He climbs the western mountains and then enters the Kingdom of the Dead. An immense sycamore tree towers before him with great clusters of fruit amidst its luxuriant foliage. As he approaches it a goddess leans out from the trunk as from a window, displaying the upper part of her body. In her hands she holds a tray heaped with cakes and fruit; she has also a pot of clear fresh water. The soul must needs eat of the magic food and drink of the magic water, and thus become a servant of the gods, if he is to proceed farther. If he rejects the hospitality of the tree goddess, he will have to return again to the dark and narrow tomb whence he came, and lead forever there a solitary and joyless existence.

The soul of him who is faithful eats and drinks as desired, and then proceeds on the journey, facing many perils and enduring great trials. Evil spirits and fierce demons compass him about, desiring that he should die a second death and cease to be. A gigantic tortoise rises against him; he must fight against it with his lance; serpents are poised to strike, and they must be overcome. The very insects have venomous stings and must be driven away. But his most formidable enemy is the fierce god Set, the murderer of Osiris, the terror of the good gods and of men, who appears as an enormous red monster, with a head like a camel and the body of a hound, his long and forked tail erect and venomous. Fain would that wrathful demon devour the pilgrim on his way.

When the evil god is overcome and driven back, the soul goes forward until he reaches the bank of a wide river There a magic boat awaits him. The crew consist of silent divinities who give him no aid. But ere he can embark he must needs answer each question which the boat addresses to him. He must know and tell how it is constructed in every part, and if the papyrus roll which was laid beside his mummy contains the secrets of the boat. and the magical formulwhich must also be repeated, he will be ferried over the river and taken to the Osirian kingdom. The sulky "ferryman" is called "Turnface": his face is always turned away from the dead who call to him.

After entering the boat the soul's journey is not near to an end. He desires greatly to join those happy beings who have their dwellings in the blessed fields of Aalu but he must first be tried before Osiris the King of the Dead and Judge of All. The only approach to Paradise is through the Hall of justice, which rises before him stupendous and dark and full of mystery. The gate is shut fast; no man can draw the bolts or enter without permission of the king.

Alone, and trembling with fear, the pilgrim soul stands before the gate with both hands uplifted in adoration. He is beheld by the shining god who is within. Then in a clear, full voice the soul cries out in the deep silence:

Hail, unto thee, O thou great god, thou who art lord of truth!
Lo! I draw nigh to thee now, O my lord, and mine eyes behold thy beauty.
Thee I know, and I know also the two-and-forty gods assembled with thee in the Hall of justice;
They observe all the deeds of the wicked; They devour those who seek to do evil;
They drink the blood of those who are condemned before thee, O just and good king.
Hail! Lord of justice; Thee I know,
I come before thee even now to speak what is true,
I will not utter what is false, O Lord of All.

The soul then recites the ritual confession in which he claims to be guiltless of the offences which are punishable.

I have done no evil against any man.
I have never caused my kinsfolk to be put to death,
I have not caused false witnesses to speak in the Hall of justice.
I have not done that which is hated by the gods.
I am not a worker of wickedness.
I have never oppressed a servant with too much work.
I have not caused men to hunger nor to weep.
I have not been devoid of good works, nor have I acted weakly or with meanness.
I am not a murderer.
I have not conspired to have another put to death.
I have not plotted to make another grieve.
I have not taken away temple offerings.
I have not stinted the food offered to the gods.
I have not despoiled the dead.
I have never committed adultery.
I have not failed to keep myself pure as a priest.
I have not lessened the corn measure.
I have not shortened the hand measure.
I have not tampered with the balance.
I have not deprived children of milk.
I have not stolen cattle from the meadows.
I have not snared the birds consecrated to the gods.
I have not taken fish from holy lakes.
I have not prevented (Nile) water from running (in channels).
I have not turned aside the water.
I have not stolen water from a channel.
I have not put out the fire when it should burn.
I have never kept from the Nine Gods what was their due.
I have not prevented the temple cattle from grazing on my land.
I have not obstructed a god (his image) when he came forth (in a festival procession).

The soul concludes by declaring that he is sinless, and expresses the hope that no ill will befall him in the Hall of Judgment.

The jackal-headed god Anubis, "Opener of the Ways", then strides from the hall and leads the soul by the hand before Osiris, who had heard the confession in silence. No word is uttered as the dead man enters. The King of the Dead sits in his high throne within a dim pavilion. His crown is upon his head. In one hand he holds the crook and in the other the flail. He is the supreme judge of the Dead.. Before him stands the sure balance on which the heart of the dead man will be weighed. Thoth, the recording god, is beside it, and Horus and Maat, goddess of truth and justice, are there also. The guardian of the balance is a monster which is ready to fall upon sinners who are condemned before the great god. Around the dread hall crouch the two-and-forty animal gods who tear the wicked to pieces.

In the tingling silence which prevails, the pilgrim again recites the confession. Osiris makes no comment. Then, quivering with fear, the soul watches the gods deliberately weighing his heart in the balance, while Maat, the goddess of truth and justice, or her symbol, an ostrich feather, occupies the opposite scale.

The trembling soul cries out to his heart not to witness against him. "O heart that was mine," he says, "do not say 'Behold the things he hath done'. Permit me not to be wronged in presence of the great god."

If the heart is found to be neither too heavy nor too light, the dead man is acquitted. Thoth makes known the result of the weighing to Osiris, who then orders the heart to be restored to the man on trial. "He hath won the victory," the King of the Dead exclaims. "Now let him dwell with the spirits and the gods in the fields of Aalu."

eml07

THE STEP PYRAMID OF SAKKARA

(Tomb of Zoser, of which Imhotep was the architect)

eml07

JUDGEMENT SCENE: WEIGHING THE HEART

The judge is Osiris, behind whom stand Isis and Nepthys. Horus and Anubis lead in two forms of deceased. Thoth makes the record, another form of Anubis adjusts the balance, and the monster waits to destroy deceased if the verdict is unfavorable. On the upper part of the picture deceased salutes some of the two-and-forty gods who surround the Judgement Hall.

From "Book of the Dead" papyrus.

Released and rejoicing, the dead man goes forth to gaze upon the wonders of the Nether World. The divine kingdom is a greater and more glorious Egypt, in which the souls work and hunt and combat against their enemies as in other days. To each man is allotted his task. He must till the soil and reap the grain which grows in abundance and to a great height. The harvest never fails, and famine and sorrow are unknown.

When the soul desires to return to visit familiar scenes upon earth it enters the body of a bird or an animal, or perhaps it blossoms as a flower. It may also visit the tomb as the Ba, and reanimate the mummy and go forth to gaze on scenes which were familiar and dear in other days.

The souls of dead men whom Osiris condemns, because of sins committed upon earth, are subjected to terrible tortures ere they are devoured by the animal gods which crouch, waiting, in the silent and awful Hall of Judgment.

Footnotes

1 According to Celtic folk belief the dead sometimes appear as birds. This idea may be a survival of the transmigration-of-souls conception; the soul passed through many animals before re-entering a human body.
2 The "ceremony of riddance" referred to by Isocrates.
3 This burial custom survived at least as late as the Fifth Dynasty, when mummification was well established.

Egyptian Myth and Legend Chapter 6, The City of the Elf God

EGYPTIAN MYTH AND LEGEND

With Historical Narrative, Notes on Race Problems, Comparative Beliefs, etc.
by

Donald Mackenzie

Gresham Publishing Co., London

[1907]

CHAPTER VI

The City of the Elf God

The London of Ancient Egypt--Ptah Chief of Nine Earth Spirits--God of a Military Aristocracy--Palestine Cave--dwellers and Alpine "Broad Heads"--Creation Artificers of Egyptians, Europeans, Indians, and Chinese--Sun Egg and Moon Egg--The Later Ptah--Neith as a Banshee--Sokar, God of the Dead--Earliest Memphite Deity--Ptah and Osiris----Manetho's Folk Tales--A Famous Queen--The First Pyramid.

Now, when there was corn in Egypt "as the sand of the sea", traders from foreign countries crossed the parched deserts and the perilous deep, instructed, like the sons of Jacob, to "get you down thither and buy for us from thence". So wealth and commerce increased in the Nile valley. A high civilization was fostered, and the growing needs of the age caused many industries to flourish.

The business of the country was controlled by the cities which were nursed into prosperity by the wise policy of the Pharaohs. Among these Memphis looms prominently in the history of the early Dynasties. Its ruling deity was, appropriately enough, the artificer god Ptah, for it was not only a commercial but also an important industrial centre; indeed it was the home of the great architects and stone builders whose activities culminated in the erection of the Pyramids, the most sublime achievements in masonry ever accomplished by man.

To-day the ruins of Old Memphis lie buried deep in the sand. The fellah tills the soil and reaps the harvest in season above its once busy streets and stately temples, its clinking workshops and noisy markets. "I have heard the words of its teachers whose sayings are on the lips of men. But where are their dwelling places? Their walls have been cast down and their homes are not, even as though they had never been." Yet the area of this ancient city was equal to that of modern London from Bow to Chelsea and the Thames to Hampstead, and it had a teeming population.

O mighty Memphis, city of "White Walls",
The habitation of eternal Ptah,
Cradle of kings . . . on thee the awful hand
Of Vengeance hath descended. . . . Nevermore
Can bard acclaim thy glory; nevermore
Shall harp, nor flute, nor timbrel, nor the song
Of maids resound within thy ruined halls,
Nor shouts of merriment in thee be heard,
Nor hum of traffic, nor the eager cries
Of merchants in thy markets murmurous;
The silence of the tomb hath fallen on thee,
And thou art faded like a lovely queen,
Whom loveless death hath stricken in the night,
Whose robe is rent, whose beauty is decayed--
And nevermore shall princes from afar
Pay homage to thy greatness, and proclaim
Thy wonders, nor in reverence behold
Thy sanctuary glories . . .

Are thy halls
All empty, and thy streets laid bare
And silent as the soundless wilderness?
O Memphis, mighty Memphis, hath the morn
Broken to find thee not?

Memphis was named after King Pepi, 1 and is called Noph in the Old Testament. Its early Dynastic name was "White Walls", the reference being probably to the fortress erected there soon after the Conquest. Of its royal builder we know little, but his mother, Queen Shesh, enjoyed considerable repute for many centuries afterwards as the inventor of a popular hair wash which is referred to in a surviving medical papyrus.

After Egypt was united under the double crown of the Upper and the Lower Kingdoms, and the Pharaoh became "Lord of the Two Lands", the seat of government remained for a long period at Thinis, in the south. The various nomes, like the present-day states of North America, had each their centres of local administration. Pharaoh's deputies were nobles who owed him allegiance, collected the Imperial taxes, supplied workmen or warriors as desired, and carried out the orders of the Court officials regarding the construction and control of canals. The temple of the nome god adorned the provincial capital.

Ptah, the deity of Memphis, is presented in sharp contrast to the sun god Ra, who was of Asiatic origin, and the deified King Osiris, whose worship was associated with agricultural rites. He was an earth spirit, resembling closely the European elf. The conception was evidently not indigenous, because the god had also a giant form, like the hilltop deities of the mountain peoples (see Chapter XII). He was probably imported by the invaders who constituted the military aristocracy at Memphis in pre-Dynastic times. These may have been the cave-dwellers of Southern Palestine, or tall and muscular "broad heads" of Alpine or Armenoid type who prior to the Conquest appear to have pressed southward from Asia Minor through the highlands of Palestine, and, after settlement, altered somewhat the physical character of the "long heads" of the eastern Delta.

Allowance has to be made for such an infusion in accounting for the new Dynastic type as well as for the influence exercised by the displacement of a great proportion of the mingled tribes of Libyans. The Palestine cave-dwellers may have been partly of Alpine origin.

A people seldom remember their early history, but they rarely forget their tribal beliefs. That being so, the god Ptah is of special interest in dealing with the tribal aspect of mythology. Among all the gods of Egypt his individuality is perhaps the most pronounced. Others became shadowy and vague, as beliefs were fused and new and greater conceptions evolved in the process of time. But Ptah never lost his elfin character, even after he was merged with deities of divergent origin. He was the chief of nine earth spirits (that is, eight and himself added) called Khn the modellers. Statuettes of these represent them as dwarfs, with muscular bodies, bent legs, long arms, big broad heads, and faces of intelligent and even benign expression. Some wear long moustaches, 2 so unlike the shaven or glabrous Egyptians.

At the beginning, according to Memphite belief, Ptah shaped the world and the heavens, assisted by his eight workmen, the dwarfish Khn He was also the creator of mankind, and in Egyptian tombs are found numerous earthenware models of these "elves". who were believed to have had power to reconstruct the decaying bodies of the dead. As their dwellings were underground, they may have also been "artisans of vegetation", like the spirits associated with Tvashtar, the "master workman" of the Rig-Veda hymns and the "black dwarfs" of Teutonic mythology. A particular statuette of Ptah, wearing a tight-fitting cap, suggests the familiar "wonder smith" 3 of the Alpine "broad heads" who were distributed along Asiatic and European mountain ranges from Hindu Kush to Brittany and the British isles and mingled with the archaic Hittites in Asia Minor. The Phnician sailors carried figures of dwarfs in their ships, and worshipped them. They were called "pataikoi". In the Far East a creation artificer who resembles Ptah is Pan Ku, the first Chinese deity, who emerged from a cosmic egg.

Like Ra, Ptah was also believed to have first appeared as an egg, which, according to one of the many folk beliefs of Egypt, was laid by the chaos goose which came to be identified with Seb, the earth god, and afterwards with the combined deities Amon-Ra. Ptah, as the primeval "artificer god", was credited with making "the sun egg" and also "the moon egg", and a bas-relief at Philshows him actively engaged at the work, using his potter's wheel.

A higher and later conception of Ptah 4 represents him as a sublime creator god who has power to call into existence each thing he names. He is the embodiment of mind from which all things emerge, and his ideas take material shape when he gives them expression. In a philosophic poem a Memphite priest eulogizes the great deity as "the mind 5 and tongue of the gods", and even as the creator of other gods as well as of "all people, cattle, and reptiles", the sun, and the habitable world.

Thoth is also credited with similar power, and it is possible that in this connection both these deities were imparted with the attributes of Ra, the sun god.

According to the tradition perpetuated by Manetho, the first temple in Egypt was erected at Memphis, that city of great builders, to the god Ptah at the command of King Mena. It is thus suggested that the town and the god of the ruling caste existed when the Horite sun worshippers moved northward on their campaign of conquest. As has been shown, Mena also gave diplomatic recognition to Neith, the earth goddess of the Libyans, "the green lady" of Egypt, who resembles somewhat the fairy, and especially the banshee, of the Iberians and their Celtic conquerors.

The Ptah worshippers were probably not the founders of Memphis. An earlier deity associated with the city is the dreaded Sokar (Seker). He was a god of the dead, and in the complex mythology of later times his habitation was located in the fifth hour-division of night. 6 When sun worship became general in the Nile valley Sokar was identified with the small winter sun, as Horus was with the large sun of summer. But the winged and three-headed monster god, with serpent body, suffers complete loss of physical identity when merged with the elfin deity of Memphis. Ptah-Sokar is depicted as a dwarf and one of the Khn Another form of Sokar is a hawk, of different aspect to the Horus hawk, which appears perched on the Ra boat at night with a sun disk upon its head. 7

Ptah-Sokar was in time merged with the agricultural Osiris whose spirit passed from Pharaoh to Pharaoh. Ptah-Osiris was depicted as a human-sized mummy, swathed and mute, holding firmly in his hands before him the Osirian dadu (pillar) symbol. The triad, Ptah-Sokar-Osiris, gives us a combined deity who is a creator, a judge of the dead, and a traditional king of Egypt. The influence of the sun cult prevailed when Sokar and Osiris were associated with the worship of Ra.

Memphis, the city of Ptah, ultimately became the capital of United Egypt. It was then at the height of its glory; a great civilization had evolved. Unfortunately, however, we are unable to trace its progress, because the records are exceedingly scanty. Fine workmanship in stone, exquisite pottery, , indicate the advanced character of the times, but it is impossible to construct from these alone an orderly historical narrative. We have also the traditions preserved by Manetho. Much of what he tells us, however, belongs to the domain of folklore. We learn, for instance, that for nearly a fortnight the Nile ran with honey, and that one of the Pharaohs, who was a giant about 9 feet high, was "a most dangerous man". It is impossible to confirm whether a great earthquake occurred in the Delta region, where the ground is said to have yawned and swallowed many of the people, or whether a famine occurred in the reign of one pharaoh and a great plague in that of another, and if King Aha really engaged his leisure moments compiling works on anatomy. The story of a Libyan revolt at a later period may have had foundation in fact, but the explanation that the rebels broke into flight because the moon suddenly attained enormous dimensions shows how myth and history were inextricably intertwined.

Yet Manetho's history contains important material.

His list of early kings is not imaginative, as was once supposed, although there may be occasional inaccuracies. The Palermo Stone, so called because it was carried to the Sicilian town of that name by some unknown curio collector, has inscribed upon it in hieroglyphics the names of several of the early kings and references to notable events which occurred during their reigns. It is one of the little registers which were kept in temples. Many of these, no doubt, existed, and some may yet he brought to light.

Four centuries elapsed after the Conquest ere Memphis became the royal city. We know little, however, regarding the first three hundred years. Two dynasties of Thinite kings ruled over the land. There was a royal residence at Memphis, which was the commercial capital of the country--the marketplace of the northern and southern peoples. Trade flourished and brought the city into contact with foreign commercial centres. It had a growing and cosmopolitan population, and its arts and industries attained a high level of excellence.

The Third Dynasty opens with King Zoser, who reigned at Memphis. He was the monarch for whom the first pyramid was erected. It is situated at Sakkara, in the vicinity of his capital. The kings who reigned prior to him had been entombed at Abydos8 , and the new departure indicates that the supremacy of Memphis was made complete. The administrative, industrial, and religious life of the country was for the time centred there.

Zoser's preference for Memphis had, perhaps, a political bearing. His mother, the wife of Khasekhemui,' the last of the Thinite kings, was probably a daughter of the ruling noble of "White Walls". It was the custom of monarchs to marry the daughters of nome governors, and to give their sons his daughters in marriage also. The aristocracy was thus closely connected with the royal house; indeed the relations between the Pharaoh and his noblemen appear to have been intimate and cordial.

The political marriages, however, were the cause of much jealous rivalry. As the Pharaoh had more than one wife, and princes were numerous, the choice of an heir to the crown was a matter of great political importance. The king named his successor, and in the royal harem there were occasionally plots and counterplots to secure the precedence of one particular prince or another. Sometimes methods of coercion were adopted with the aid of interested noblemen whose prestige would be increased by the selection of a near relative--the son, perhaps, of the princess of their nome. In one interesting papyrus roll which survives there is a record of an abortive plot to secure the succession of a rival to the Pharaoh's favourite son. The ambitious prince was afterwards disposed of. In all probability he was executed along with those concerned in the household rebellion. Addressing his chosen heir, the monarch remarks that "he fought the one he knew, because it was unwise that he should be beside thy majesty".

It may be that these revolts explain the divisions of the lines of early kings into Dynasties. Zoser's personality stands out so strongly that it is evident he was a prince who would brook no rival to the throne. His transference of the seat of power to the city of Ptah suggests, too, that he found his chief support there.

With the political ascendancy of Memphis begins the great Pyramid Age; but ere we make acquaintance with the industrial and commercial life in the city, and survey the great achievements of its architects and builders, we shall deal with the religious conceptions of the people, so that it may be understood why the activities of the age were directed to make such elaborate provision for the protection of the bodies of dead monarchs.

Footnotes

1 The Greek rendering of "Men-nofer", the name of Pepi's pyramid. Another Egyptian name was Hiku-ptah, or, according to Budge, "Het-Ka-Ptah, 'House of the Double of Ptah', from which the Greek name of Egypt is derived".
2 The suggestion that these represented serpents is not supported by anything we know about Ptah worship. There was a winged serpent goddess in the Delta named Uazit. The Greeks called her Buto, and identified her with their Leto.
3 Ptah has been compared to the Greek Hephtos (Vulcan). He was not a fire god. His consort Sekhet symbolized fire and sun heat, but his association with her was arbitrary.
4 Eighteenth Dynasty.
5 The poet says "heart", which was believed by the Egyptians to be the seat of intelligence. At the judgment of the dead the heart is weighed in the balance.
6 See Chapter I.
7 Osiris-Sokar is "the brilliant one", "lord of great fear and trembling", "the mysterious one, he who is unknown to mankind", and "enlightener of those who are in the underworld".--The Burden of Isis, Dennis, p. 52-54 (Hymn to Osiris-Sokar).
8 This king's brick tomb at Abydos contains a limestone chamber, which suggests the employment of the Memphite artisans.

Egyptian Myth and Legend Chapter 5, Racial Myths in Egypt and Europe

EGYPTIAN MYTH AND LEGEND

With Historical Narrative, Notes on Race Problems, Comparative Beliefs, etc.
by

Donald Mackenzie

Gresham Publishing Co., London

[1907]

CHAPTER V

 

Racial Myths in Egypt and Europe

Worship of Animals--Possessed by Spirits of Good and Evil--Reptiles as Destroyers and Protectors----Pigs of Set and Osiris--The Moon Eater--Horus Solar and Storm Myth--The Devil Pig in Egypt and Scotland--Contrast with Gaulish, Irish, and Norse Beliefs--Animal Conflicts for Mastery of Herd--Love God a Pig--Why Eels were not eaten--The Sacred Bull--Irish and Egyptian Myths--Corn Spirits--The Goose Festival in Europe--The Chaos Egg--Giant's Soul Myth--Nilotic and other Versions--Wild Ass as Symbol of Good and Evil.

ONE of the most interesting phases of Nilotic religion was the worship of animals. Juvenal ridiculed the Egyptians for this particular practice in one of his satires, and the early fathers of the Church regarded it as proof of the folly of pagan religious ideas. Some modern-day apologists, on the other hand, have leapt to the other extreme by suggesting that the ancient philosophers were imbued with a religious respect for life in every form, and professed a pantheistic creed. Our task here, however, is to investigate rather than to justify or condemn ancient Egyptian beliefs. We desire to get, if possible, at the Egyptian point of view. That being so, we must recognize at the outset that we are dealing with a confused mass of religious practices and conceptions of Egyptian and non-Egyptian origin, which accumulated during a vast period of time and were perpetuated as much by custom as by conviction. The average Egyptian of the later Dynasties might have been as little able to account for his superstitious regard for the crocodile or the serpent as is the society lady of to-day to explain her dread of being one of a dinner party of thirteen, or of spilling salt at table; he worshipped animals because they had always been worshipped, and, although originally only certain representatives of a species were held to be sacred, he was not unwilling to show reverence for the species as a whole.

We obtain a clue which helps to explain the origin of animal worship in Egypt in an interesting Nineteenth-Dynasty papyrus preserved in the British Museum. This document contains a calendar in which lucky and unlucky days are detailed in accordance with the ideas of ancient seers. Good luck, we gather, comes from the beneficent deities, and bad luck is caused by the operations of evil spirits. On a particular date demons are let loose, and the peasant is warned not to lead an ox with a rope at any time during the day, lest one of them should enter the animal and cause it to gore him. An animal, therefore, was not feared or worshipped for its own sake, but because it was liable to be possessed by a good or evil spirit.

The difference between good and evil spirits was that the former could be propitiated or bargained with, so that benefits might be obtained, while the latter ever remained insatiable and unwilling to be reconciled. This primitive conception is clearly set forth by Isocrates, the Greek orator, who said: "Those of the gods who are the sources to us of good things have the title of Olympians; those whose department is that of calamities and punishments have harsher titles. To the first class both private persons and states erect altars and temples; the second is not worshipped either with prayers or burnt sacrifices, but in their case we perform ceremonies of riddance".

"Ceremonies" of riddance are, of course, magical ceremonies. It was by magic that the Egyptians warded off the attacks of evil spirits. Ra's journey in the sun bark through the perilous hour-divisions of night was accomplished by the aid of spells which thwarted the demons of evil and darkness in animal or reptile form.

In Egypt both gods and demons might possess the same species of animals or reptiles. The ox might be an incarnation of the friendly Isis, or of the demon which gored the peasant. Serpents and crocodiles were at once the protectors and the enemies of mankind. The dreaded Apep serpent symbolized everything that was evil and antagonistic to human welfare; but the beneficent mother goddess Uazit of Buto, who shielded Horus, was also a serpent, and serpents were worshipped as defenders of households; images of them were hung up for "luck" or protection, as horseshoes are in our own country even at the present day; the serpent amulet was likewise a protective agency., like the serpent stone of the Gauls and the familiar "lucky pig" which is still worn as a charm.

In certain parts of Egypt the crocodile was also worshipped, and was immune from attack; 1 in others it was ruthlessly hunted down. As late as Roman times the people of one nome waged war against those of another because their sacred animals were being slain by the rival religious organization.

Here we touch upon the tribal aspect of animal worship. Certain animals or reptiles were regarded as the protectors of certain districts. A particular animal might be looked upon by one tribe as an incarnation of their deity, and by another as the incarnation of their Satan. The black pig, for instance, was associated by the Egyptians with Set, who was the god of a people who conquered and oppressed them in pre-Dynastic times. Horus is depicted standing on the back of the pig and piercing its head with a lance; its legs and jaws are fettered with chains. But the pig was also a form of Osiris, "the good god".

Set was identified with the Apep serpent of night and storm, and in certain myths the pig takes the place of the serpent. It was the Set pig, for instance, that fed upon the waning moon, which was the left eye of Horus. How his right eye, the sun, was once blinded is related in a Heliopolitan myth. Horus sought, it appears, to equal Ra, and desired to see all things that had been created. Ra delivered him a salutory lesson by saying: "Behold the black pig". Horus looked, and immediately one of his eyes (the sun) was destroyed by a whirlwind of fire. Ra said to the other gods: "The pig will be abominable to Horus". For that reason pigs were never sacrificed to him. 2 Ra restored the injured eye, and created for Horus two horizon brethren who would guard him against thunderstorms and rain.

The Egyptians regarded the pig as an unclean animal. Herodotus relates that if they touched it casually, they at once plunged into water to purify themselves. 3 Swineherds lost caste, and were not admitted to the temples. Pork was never included among the meat offerings to the dead. In Syria the pig was also "taboo". In the Highlands, even in our own day, there survives a strong prejudice against pork, and the black pig is identified with the devil.

On the other hand, the Gauls, who regarded the pig as sacred, did not abstain from pork. Like their kinsmen, the Achns, too, they regarded swineherds as important personages; these could even become kings. The Scandinavian heroes in Valhal feast upon swine's flesh, and the boar was identified with Frey, the corn god. In the Celtic (Irish) Elysium presided over by Dagda, the corn god, as the Egyptian Paradise was presided over by Osiris, there was always "one pig alive and another ready roasted". 4 Dagda's son, Angus, the love god, the Celtic Khonsu, had a herd of swine, and their chief was the inevitable black pig.

In The Golden Bough, Professor Frazer shows that the pig was tabooed because it was at one time a sacred animal identified with Osiris. Once a year, according to Herodotus, pigs were sacrificed in Egypt to the moon and to Osiris. The moon pig was eaten, but the pigs offered to Osiris were slain in front of house doors and given back to the swineherds from whom they were purchased.

Like the serpent and the crocodile, the pig might be either the friend or the enemy of the corn god. At sowing time it rendered service by clearing the soil of obnoxious roots and weeds which retard the growth of crops. When, however, the agriculturists found the--

Snouted wild boar routing tender corn,

they apparently identified it with the enemy of Osiris--it slew the corn god. The boar hunt then ensued as a matter of course. We can understand, therefore, why the Egyptians sacrificed swine to Osiris because, as Plutarch says, "not that which is dear to the gods but that which is contrary is fit to be sacrificed". The solution of the problem may be that at sowing time the spirit of Osiris entered the boar, and that at harvest the animal was possessed by the spirit of Set.

This conclusion leads us back to the primitive conception of the Great Mother Deity. In the archaic Scottish folk tale, which is summarized in our Introduction, she is the enemy of mankind. 5 But her son, the lover of the spirit of summer--he is evidently the prototype of the later love god--is a beneficent giant; he fights against his mother, who separated him from his bride and sought to destroy all life. Ra similarly desired to slay "his enemies", because he created evil as well as good. Seb, the Egyptian earth god, was the father of Osiris, "the good god", and of Set, the devil; they were "brothers". Osiris was a boar, and Set was a boar. The original "battle of the gods" may, therefore, have been the conflict between the two boars for the mastery of the herd--a conflict which also symbolized the warfare between evil and good, winter and summer. Were not the rival forces of Nature created together at the beginning? The progeny of the Great Father, or the Great Mother, included evil demons as well as good gods.

The Greek Adonis was slain by a boar; Osiris was slain by Set, the black boar; the Celtic Diarmid was slain by a boar which was protected by a Hag who appears to be identical with the vengeful and stormy Scottish Earth Mother. The boar was "taboo" to the worshippers of Adonis and Osiris; in Celtic folklore "bonds" are put upon Diarmid not to hunt the boar. Evidently Adonis, Osiris, and Diarmid represented the "good" boars.

These three deities were love gods; the love god was identified with the moon, and the primitive moon spirit was the son of the Great Mother; the Theban Khonsu was the son of Mut; the Nubian Thoth was the son of Tefnut. Now Set, the black boar of evil, devoured the waning moon, and in doing so he devoured his brother Osiris. When the Egyptians, therefore, sacrificed a pig to the moon, and feasted upon it like Set, they ate the god. They did not eat the pig sacrificed to Osiris, because apparently it represented the enemy of the god; they simply slew it, and thus slew Set.

It would appear that there were originally two moon pigs--the "lucky pig" of the waxing moon and the black pig of the waning moon. These were the animal forms of the moon god and of the demon who devoured the moon--the animal form of the love god and the thwarted rebel god; they also symbolized growth and decay--Osiris was growth, and Set symbolized the slaughter of growth: he killed the corn god.

The primitive lunar myth is symbolized in the legend which tells that Set hunted the boar in the Delta marshes. He set out at full moon, just when the conflict between the demon and the lunar deity might be expected to begin, and he found the body of Osiris, which he broke up into fourteen parts--a suggestion of the fourteen phases of lunar decline. We know that Set was the moon-eating pig. The black boar of night therefore hunts, slays, and devours the white boar of the moon. But the generative organ of Osiris is thrown into the river, and is swallowed by a fish: similarly Set flings the wrenched-out "eye" of Horus into the Nile.

Now the fish was sacred in Egypt 6 . It had a symbolic significance; it was a phallic symbol. The Great Mother of Mendes, another form of Isis, is depicted with a fish upon her head. Priests were not permitted to eat fish, and the food which was "taboo" to the priests was originally "taboo" to all the Egyptians. In fact, certain fish were not eaten during the Eighteenth Dynasty and later, and fish were embalmed. Those fish which were included among articles of dietary were brought to the table with fins and tails removed. The pig which was eaten sacrificially once a year had similarly its tall cut off. Once a year, on the ninth day of the month of Thoth, the Egyptians ate fried fish at their house doors: the priests offered up their share by burning them. Certain fish were not eaten by the ancient Britons. The eel is still abhorred in Scotland: it was sacred and tabooed in Egypt also.'

Osiris was worshipped at Memphis in the form of the bull Apis, Egyptian Hapi, which was known to the Greeks as "Serapis", their rendering of Asar-Hapi (Osiris-Apis). This sacred animal was reputed to be of miraculous birth, like the son of the Great Mother deity. "It was begotten", Plutarch was informed, "by a ray of generative light flowing from the moon." "Apis", said Herodotus, "was a young black bull whose mother can have no other offspring." It was known by its marks; it had "on its forehead a white triangular spot, on its back an eagle, a beetle lump under its tongue, while the hair of its tail was double". Plutarch said that "on account of the great resemblance which the Egyptians imagine between Osiris and the moon, its more bright and shining parts being shadowed and obscured by those that are of darker hue, they call the Apis the living image of Osiris". The bull, Herodotus says, was "a fair and beautiful image of the soul of Osiris". Diodorus similarly states that Osiris manifested himself to men through successive ages as Apis. "The soul of Osiris migrated into this animal", he explains.

That this bull represented the animal which obtained mastery of the herd is suggested by the popularity of bull fights at the ancient sports; there are several representations on the ancient tombs of Egyptian peasants, carrying staves, urging bulls to battle one against another. Worshippers appear to have perpetuated the observance of the conflict between the male animals in the mock fights at temples. Herodotus relates that when the votaries of the deity presented themselves at the temple entrance they were armed with staves. Men with staves endeavoured to prevent their admission, and a combat ensued between the two parties, "in which many heads were broken, and, I should suppose," adds Herodotus, "many lives lost, although this the Egyptians positively deny". Apparently Set was the thwarted male animal--that is, the demon with whom the Egyptianized Set (Sutekh) was identified.

The sacred Apis bull might either be allowed to die a natural death, or it was drowned when its age was twenty-eight years--a suggestion of the twenty-eight phases of the moon and the violent death of Osiris. The whole nation mourned for the sacred animal; its body was mummified and laid in a tomb with much ceremony. Mariette, the French archlogist, discovered the Eighteenth-Dynasty tombs of the Memphite bulls in 1851. The sarcophagi which enclosed the bodies weighed about 58 tons each. One tomb which he opened had been undisturbed since the time of the burial, and the footprints of the mourners were discoverable after a lapse of 3000 years. 7

eml05

SACRED ANIMALS

top: left to right: Cat (Bast); Urs, with horns; Shrine with Sokar Hawk; Ape (Thoth); Ibis (Thoth).
bottom, left to right: Apis Bull; Fish (Lepidotus); Jackal (Anubis); Snake (form of Uazit); Cat with Kittens (Bast).

eml05

FIGURE OF THE APIS BULL, WITH A KING MAKING OFFERINGS
(British Museum)

After the burial the priests set out to search for the successor of the old bull, and there was great rejoicing when one was found; its owner was compensated with generous gifts of gold. In the Anpu-Bata story, which is evidently a version of the Osiris myth, the elder brother is honoured and becomes rich after he delivers the Bata bull to the Pharaoh. It will be noted that the Osiris soul was believed to be in the animal's liver, which was eaten--here we have again the ceremony of eating the god. Before the bull was transferred to its temple it was isolated for forty days, and was seen during that period by women only.

At Heliopolis the soul of Osiris entered the Mnevis bull. This sacred animal was evidently a rival to Apis. Ammianus Marcellinus says that Apis was dedicated to the moon and Mnevis to the sun.

In Upper Egypt the sacred bull was Bakh (Bacis) a form of Mentu; it was ultimately identified with Ra.

The worship of Apis ultimately triumphed, and in Roman times became general all over Egypt.

Like the Osiris boar, the Osiris bull was identified with the corn spirit. But its significance in this regard is not emphasized in the Egyptian texts. That may have been because different tribes regarded different animals as harvest deities. The association of Apis with Ptah is therefore of interest. We have suggested that Ptah was originally worshipped by a people of mountain origin. In the great caves of southern Palestine there survive rude scratchings of cows and bulls, suggesting that this pastoral people venerated their domesticated animals. In Europe the corn spirit was identified with the bull and cow principally by the Hungarians, the Swiss, and the Prussians, and by some of the French, for the "corn bull" was slain at Bordeaux. On the other hand, it may be that in the Irish legend regarding the conflict between the Brown Bull of Ulster and the White-horned Bull of Connaught we have a version of a very ancient myth which was connected with Osiris in Egypt. Both Irish animals were of miraculous birth; their mothers were fairy cows.

Like the Egyptian Anpu-Bata story, the Irish legend is characterized by belief in the transmigration of souls. It relates that the rival bulls were originally swineherds. One served Bodb, the fairy king of Munster, who was a son of Dagda, the Danann corn god; the other served Ochall Ochne, the fairy king of Connaught, the province occupied by the enemies of the beneficent Danann deities. The two herds fought one against another. "Then, the better to carry on their quarrel, they changed themselves into two ravens and fought for a year; next they turned into water monsters, which tore one another for a year in the Suir and a year in the Shannon; then they became human again, and fought as champions; and ended by changing into eels. One of these eels went into the River Cruind in Cualgne in Ulster, where it was swallowed by a cow belonging to Daire of Cualgne; and the other into the spring of Uaran Garad, in Connaught, where it passed into the belly of a cow of Queen Medb's. Thus were born those two famous beasts, the Brown Bull of Ulster and the White-horned Bull of Connaught." 8 The brown bull was victorious in the final conflict; it afterwards went mad, burst its heart with bellowing, and fell dead. In this myth we have the conflict between rival males, suggested in the Osiris-Set boar legend and the mock fights at the Egyptian bull temple.

The sacred cow was identified with Isis, Nepthys, Hathor, and Nut. Isis was also fused with Taurt, the female hippopotamus, who was goddess of maternity and was reputed to be the mother of Osiris. Even the crocodile was associated with the worship of the corn god; in one of the myths this reptile recovers the body of Osiris from the Nile.

Bast, another Great Mother who was regarded as a form of Isis, was identified with the cat, an animal which was extremely popular as a household pet in Egypt. Herodotus relates that when a house went on fire the Egyptians appeared to be occupied with no thought but that of preserving their cats. These animals were prone to leap into the flames, and when a family lost a cat in such circumstances there was universal sorrow. A Roman soldier was once mobbed and slain because he killed a household cat. 9 The cat was identified in France with the corn spirit: the last portion of grain which was reaped was called "the cat's tail". 10

We have referred in the Introduction to the goose which laid the sun egg. Apparently this bird was at one time sacred. Although it was a popular article of diet in ancient Egypt, and was favoured especially by the priests, it was probably eaten chiefly in the winter season. The goose and the duck were sacred in Abyssinia, where the Mediterranean type has been identified in fusion with Semitic, Negroid, and other types. In the Highlands of Scotland the goose was eaten, until recently, on Christmas Day only. Throughout England it was associated with Michaelmas. "If you eat goose at Michaelmas", runs an old saying, "you will never want money all the year round." The bird was evidently identified with the corn spirit. In Shropshire the shearing of the last portion of grain was referred to as "cutting the gander's neck". When all the corn was gathered into a stackyard in Yorkshire an entertainment was given which was called "The Inning Goose". During the reign of Henry IV the French subjects of the English king called the harvest festival the "Harvest Gosling". The Danes had also a goose for supper after harvest.

The sun god Ra, of Egypt, was supposed to have been hatched from the egg which rose from the primordial deep. This belief is reminiscent of the folk tale of the European giant who hid his soul in an egg, as Anpu hid his soul in the blossom of the acacia.

In one Scottish version of the ancient mythical story the giant's soul is in a stump of a tree, a hare, a salmon, a duck, and an egg; in another it is in a bull, a ram, a goose, and an egg. Ptah was credited with making the sun egg which concealed his own soul, or the soul of Ra. So was Khn These artisan gods appear to be of common origin (see Chapter XIV); they became giants in their fusion with the primitive earth god, who was symbolized as a gander, while they were also identified with the ram and the bull. Khnreceived offerings of fish, so that a sacred fish may be added. Anpu's soul passed from the blossom to a bull, and then to a tree. It may be that in these folk tales we have renderings of the primitive myth of a pastoral people which gave origin to the Egyptian belief in the egg associated with Ra, Ptah, and Khn In the Book of the Dead reference is made to the enemies of Ra, "who have cursed that which is in the egg". The pious were wont to declare: "I keep watch over the egg of the Great Cackler" (the chaos goose), or, according to another reading: "I am the egg which is in the Great Cackler" (Budge). Set, the earth deity, was believed to have flown through the air at the beginning in the form of the chaos goose. The Celtic deities likewise appeared to mankind as birds.

The hare was identified with a god of the underworld. Doves and pigeons were sacred; the ibis was an incarnation of Thoth, the hawk of Horus, and the swallow of Isis. The mythical phnix, with wings partly of gold and partly of crimson, was supposed to fly from Arabia to Heliopolis once every five hundred years. It was reputed to spring from the ashes of the parent bird, which thus renewed its youth.

The frog was sacred, and the frog goddess Hekt was a goddess of maternity. Among the gods identified with the ram were Amon and Min and the group of deities resembling Ptah. Anubis was the jackal. Mut, the Theban Great Mother, and the primitive goddess Nekhebat were represented by the vulture. The shrew mouse was sacred to Uazit, who escaped from Set in this form when she was the protector of Horus, son of Isis. The dog-faced ape was a form of Thoth; the lion was a form of Aker, an old, or imported, earth god.

There were two wild asses in Egyptian mythology, and they represented the good and evil principles. One was Set, and the other the sun ass, which was chased by the night serpent. Although the souls of the departed, according to the Book of the Dead, boasted that they drove back the "Eater of the Ass" (the serpent which devoured the sun); they also prayed that they would "smite the ass" (the devil ass) "and crush the serpent". When Set was driven out of Egypt he took flight on the back of the night ass, which was another form of the night serpent. Set was also the Apep serpent and the "roaring serpent", which symbolized the tempest.

Herodotus has recorded that although the number of beasts in ancient Egypt was comparatively small, both those which were wild and those which were tame were regarded as sacred. They were fed upon fish, and ministered to by hereditary lay priests and priestesses. "In the presence of the animals", the Greek historian wrote, "the inhabitants of the cities perform their vows. They address themselves as supplicants to the deity who is believed to be manifested by the animal in whose presence they are. . . . It is a capital offence to kill one of these animals."

Footnotes

1 Snake worshippers in India are careful not to injure or offend a serpent, and believe that "the faithful" are never stung.
2 Evidently because the sun cult was opposed to lunar rites which included the sacrifice of pigs.
3 Before the Greeks sacrificed a young pig, in connection with the mysteries of Demeter and Dionysos, they washed it and themselves in the sea. Plutarch: Vit. Phoc. xxviii.
4 Celtic Myth and Legend, p. 136. This is a tribal phase of pig worship, apparently, of different character to that which obtained in Egypt. It may be that the reverence for the good pig was greater than the hatred of the black and evil pig.
5 Ghosts also were enemies. A dead wife might cause her husband to be stricken with disease. Budge's Osiris and the Egyptian Resurrection, vol. ii, p. 211.
6 The Egyptian sacred fish were the Oxyrhinchus, Lepidotus, Latus, and Phagrus.
7 Apis worship was of great antiquity. Reference is made to the Apis priests in the Fourth Dynasty.
8 Celtic Myth and Legend, pp. 164-5.
9 Similarly British soldiers got into trouble recently for shooting sacred pigeons.
10 In Ireland the cat deity was the god Cairbre cinn cait, "of the cat's head". He was a god of the Fir Bolg, the enemies of the Gaulish Danann people.

Egyptian Myth and Legend Chapter 4, The Peasant who became King

EGYPTIAN MYTH AND LEGEND

With Historical Narrative, Notes on Race Problems, Comparative Beliefs, etc.
by

Donald Mackenzie

Gresham Publishing Co., London

[1907]

CHAPTER IV

The Peasant who became King

The Two Brothers--Peasant Life--The Temptress--Wrath of Anpu--Attempt to slay his Brother--Flight of Bata--Elder Brother undeceived--Kills his Wife--Bata hides his Soul--His Wife--Sought by the King--Bata's Soul Blossom destroyed--Wife becomes a Queen--Recovery of Lost Soul--Bata as a Bull--Slaughtered for the Queen--Bata a Tree--Bata reborn as Son of his Wife--The King who slew his Wife--mother--Belief in Transmigration of Souls.

THERE were once two brothers, and they were sons of the same father and of the same mother. Anpu was the name of the elder, and the younger was called Bata. Now Anpu had a house of his own, and he had a wife. His brother lived with him as if he were his son, and made garments for him. It was Bata who drove the oxen to the field, it was he who ploughed the land, and it was he who harvested the grain. He laboured continually upon his brother's farm, and his equal was not to be found in the land of Egypt; he was imbued with the spirit of a god.

In this manner the brothers lived together, and many days went past. Each morning the younger brother went forth with the oxen, and when evening came on he drove them again to the byre, carrying upon his back a heavy burden of fodder which he gave to the animals to eat, and he brought with him also milk and herbs for Anpu and his wife. While these two ate and drank together in the house, Bata rested in the byre with the cattle and he slept beside them.

When day dawned, and the land grew bright again, the younger brother was first to rise up, and he baked bread for Anpu and carried his own portion to the field and ate it there. As he followed the oxen he heard and he understood their speech. They would say: "Yonder is sweet herbage", and he would drive them to the place of their choice, whereat they were well pleased. They were indeed noble animals, and they increased greatly.

The time of ploughing came on, and Anpu spake unto Bata, saying: "Now get ready the team of oxen, for the Nile flood is past and the land may be broken up. We shall begin to plough on the morrow; so carry seed to the field that we may sow it."

As Anpu desired, so did Bata do. When the next day dawned, and the land grew bright, the two brothers laboured in the field together, and they were well pleased with the work which they accomplished. Several days went past in this manner, and it chanced that on an afternoon the seed was finished ere they had completed their day's task.

Anpu thereupon spake to his younger brother saying: "Hasten to the granary and procure more seed."

Bata ran towards the house, and entered it. He beheld his brother's wife sitting upon a mat, languidly pleating her hair.

"Arise," he said, "and procure corn for me, so that I may hasten back to the field with it. Delay me not."

The woman sat still and said: "Go thou thyself and open the storeroom. Take whatsoever thou dost desire. If I were to rise for thee, my hair would fall in disorder."

Bata opened the storeroom and went within. He took a large basket and poured into it a great quantity of seed. Then he came forth carrying the, basket through the house.

The woman looked up and said: "What is the weight of that great burden of thine?"

Bata answered: "There are two measures of barley and three of wheat. I carry in all upon my shoulders five measures of seed."

"Great indeed is thy strength," sighed the woman. "Ah, thee do I contemplate and admire each day!"

Her heart was moved towards him, and she stood up saying: "Tarry here with me. I will clothe thee in fine raiment."

The lad was made angry as the panther, and said: "I regard thee as a mother, and my brother is like a father unto me. Thou hast spoken evil words and I desire not to hear them again, nor will I repeat unto any man what thou hast just spoken."

He departed abruptly with his burden and hastened to the field, where he resumed his labour.

At eventide Anpu returned home and Bata prepared to follow after him. The elder brother entered his house and found his wife lying there, and it seemed as if she had suffered violence from an evildoer. She did not give him water to wash his hands, as was her custom. Nor did she light the lamp. The house was in darkness. She moaned where she lay, as if she were in sickness, and her garment was beside her.

"Who hath been here?" asked Anpu, her husband.

The woman answered him: "No one came nigh me save thy younger brother. He spoke evil words unto me, and I said: 'Am I not as a mother, and is not thine elder brother as a father unto thee?' Then was he angry, and he struck me until I promised that I would not inform thee. . . . Oh I if thou wilt allow him to live now, I shall surely die."

The elder brother became like an angry panther. He sharpened his dagger and went out and stood behind the door of the byre with purpose to slay young Bata when he came nigh.

The sun had gone down when the lad drove the oxen into the byre, carrying on his back fodder and herbs, and in one hand a vessel of milk, as was his custom each evening.

The first ox entered the byre, and then it spoke to Bata, saying: "Beware I for thine elder brother is standing behind the door. In his hand is a dagger, and he desires to slay thee. Draw not nigh unto him."

The lad heard with understanding what the animal had said. Then the second ox entered and went to its stall, and spake likewise words of warning, saying: "Take speedy flight."

Bata peered below the byre door, and he saw the legs of his brother, who stood there with a dagger in his hand. He at once threw down his burden and made hurried escape. Anpu rushed after him furiously with the sharp dagger.

In his sore distress the younger brother cried unto the sun god Ra-Harmachis, saying: "O blessed lord! thou art he who distinguisheth between falsehood and truth."

The god heard his cry with compassion, and turned round. 1 He caused a wide stream to flow between the two brothers, and, behold! it was full of crocodiles. Then it came that Anpu and Bata stood confronting one another, one upon the right bank and the other upon the left. The elder brother twice smote his hands with anguish because that he could not slay the youth.

Bata called out to Anpu, saying: "Tarry where thou art until the earth is made bright once again. Lo! when Ra, the sun god, riseth up, I shall reveal in his presence all that I know, and he shall judge between us, discerning what is false and what is true. . . . Know thou that I may not dwell with thee any longer, for I must depart unto the fair region of the flowering acacia."

When day dawned, and the sun god Ra appeared in his glory, the two brothers stood gazing one upon the other across the stream of crocodiles. Then the lad spake to his elder brother, saying: "Why didst thou come against me, desiring to slay me with treachery ere yet I had spoken for myself? Am I not thy younger brother, and hast thou not been as a father and thy wife as a mother unto me? Hear and know now that when I hastened to procure seed thy wife spoke, saying: 'Tarry thou with me.' But this happening hath been related unto thee in another manner."

So spake Bata, and he told his brother what was true regarding the woman. Then he called to witness the sun god, and said: "Great was thy wickedness in desiring to murder me by treachery." As he spoke he cut off a piece of his flesh and flung it into the stream, where it was devoured by a fish. 2 He sank fainting upon the bank.

Anpu was stricken with anguish; tears ran from his eyes. He desired greatly to be beside his brother on the opposite bank of the stream of crocodiles.

Bata spake again, saying: "Verily, thou didst desire an evil thing, but if thy desire now is to do good, I shall instruct thee what thou shouldst do. Return unto thy home and tend thine oxen, for know now that I may not dwell with thee any longer, but must depart unto the fair region of the flowering acacia. What thou shalt do is to come to seek for me when I need thine aid, for my soul shall leave my body and have its dwelling in the highest blossom of the acacia. When the tree is cut down, my soul will fall upon the ground. There thou mayest seek it, even if thy quest be for seven years, for, verily, thou shalt find it if such is thy desire. Thou must then place it in a vessel of water, and I shall come to life again and reveal all that hath befallen and what shall happen thereafter. When the hour cometh to set forth on the quest, behold! the beer given to thee will bubble, and the wine will have a foul smell. These shall be as signs unto thee."

Then Bata took his departure, and he went into the valley of the flowering acacia, which was across the ocean. 3 His elder brother returned home. He lamented, throwing dust upon his head. He slew his wife and cast her to the dogs, and abandoned himself to mourning for his younger brother.

Many days went past, and Bata reached at length the valley of the flowering acacia. He dwelt there alone and hunted wild beasts. At eventide he lay down to rest below the acacia, in whose highest blossom his soul was concealed. In time he built a dwelling place and he filled it with everything that he desired.

Now it chanced that on a day when he went forth he met the nine gods, who were surveying the whole land. They spoke one to another and then asked of Bata why he had forsaken his home because of his brother's wife, for she had since been slain. "Return again," they said, "for thou didst reveal unto thine elder brother the truth of what happened unto thee."

They took pity on the youth, and Ra spoke, saying: "Fashion now a bride for Bata, so that he may not be alone."

Then the god Khnumu 4 fashioned a wife whose body was more beautiful than any other woman's in the land, because that she was imbued with divinity.

Then came the seven Hathors 5 and gazed upon her. In one voice they spoke, saying: "She shall surely die a speedy death."

Bata loved her dearly. Each day she remained in his house while he hunted wild beasts, and he carried them home and laid them at her feet. He warned her each day, saying: "Walk not outside, lest the sea may come up and carry thee away. I could not rescue thee from the sea spirit, 6 against whom I am as weak as thou art, because my soul is concealed in the highest blossom of the flowering acacia. If another should find my soul I must needs fight for it."

Thus he opened unto her his whole heart and revealed its secrets.

Many days went past. Then on a morning when Bata had gone forth to hunt, as was his custom, his girl wife went out to walk below the acacia) which was nigh to the house.

Lo! the sea spirit beheld her in all her beauty and caused his billows to pursue her. Hastily she fled away and returned to the house, whereat the sea spirit sang to the acacia: "Oh, would she were mine!"

The acacia heard and cast to the sea spirit a lock of the girl wife's hair. The sea bore it away towards the land of Egypt and unto the place where the washers of the king cleansed the royal garments.

Sweet was the fragrance of the lock of hair, and it perfumed the linen of the king. There were disputes among the washers because that the royal garments smelt of ointment, nor could anyone discover the secret thereof. The king rebuked them.

Then was the heart of the chief washer in sore distress, because of the words which were spoken daily to him regarding this matter. He went down to the seashore; he stood at the place which was opposite the floating lock of hair, and he beheld it at length and caused it to be carried unto him. Sweet was its fragrance, and he hastened with it to the king.

Then the king summoned before him his scribes, and they spake, saying: "Lo! this is a lock from the hair of the divine daughter of Ra, and it is gifted unto thee from a distant land. Command now that messengers be sent abroad to seek for her. Let many men go with the one who is sent to the valley of the flowering acacia so that they may bring the woman unto thee". 7

The king answered and said: "Wise are your words, and they are pleasant unto me."

So messengers were sent abroad unto all lands. But those who journeyed to the valley of the flowering acacia returned not, because that Bata slew them all; the king had no knowledge of what befel them.

Then the king sent forth more messengers and many soldiers also, so that the girl might be brought unto him. He sent also a woman, and she was laden with rare ornaments . . . and the wife of Bata came back with her.

Then was there great rejoicing in the land of Egypt. Dearly did the king love the divine girl, and he exalted her because of her beauty. He prevailed upon her to reveal the secrets of her husband, and the king then said: "Let the acacia be cut down and splintered in pieces."

Workmen and warriors were sent abroad, and they reached the acacia. They severed from it the highest blossom, in which the soul of Bata was concealed. The petals were scattered, and Bata dropped down dead. 8

A new day dawned, and the land grew bright. The acacia was then cut down.

Meanwhile Anpu, the elder brother of Bata., went into his house, and he sat down and washed his hands. 9 He was given beer to drink, and it bubbled, and the wine had a foul smell.

He seized his staff, put on his shoes and his garment, and armed himself for his journey, and departed unto the valley of the flowering acacia.

When he reached the house of Bata he found the young man lying dead upon a mat. Bitterly he wept because of that. But he went out to search for the soul of his brother at the place where, below the flowering acacia) Bata was wont to lie down to rest at eventide. For three years he continued his search, and when the fourth year came his heart yearned greatly to return to the land of Egypt. At length he said: "I shall depart at dawn to-morrow."

A new day came, and the land grew bright. He looked over the ground again at the place of the acacia for his brother's soul. The time was spent thus. In the evening he continued his quest also, and he found a seed, which he carried to the house, and, lo! the soul of his brother was in it. He dropped the seed into a vessel filled with cold water, and sat down as was his custom at evening.

Night came on, and then the soul absorbed the water.

The limbs of Bata quivered and his eyes opened and gazed upon his elder brother, but his heart was without feeling. Then Anpu raised the vessel which contained the soul to the lips of Bata, and he drank the water. Thus did his soul return to its place, and Bata was as he had been before.

The brothers embraced and spoke one to the other. Bata said: "Now I must become a mighty bull with every sacred mark. None will know my secret. Ride thou upon my back, and when the day breaks I shall be at the place where my wife is. Unto her must I speak. Lead me before the king, and thou shalt find favour in his eyes. The people will wonder when they behold me, and shout welcome. But thou must return unto thine own home."

A new day dawned, and the land grew bright. Bata was a bull, and Anpu sat upon his back and they drew nigh to the royal dwelling. The king was made glad, and he said: "This is indeed a miracle." There was much rejoicing throughout the land. Silver and gold were given to the elder brother, and he went away to his own home and waited there.

In time the sacred bull stood in a holy place, and the beautiful girl wife was there. Bata spoke unto her, saying: "Look thou upon me where I stand, for, lo! I am still alive."

Then said the woman: "And who art thou?"

The bull made answer: "Verily, I am Bata. It was thou who didst cause the acacia to be cut down; it was thou who didst reveal unto Pharaoh that my soul had dwelling in the highest blossom, so that it might be destroyed and I might cease to be. But, lo! I live on, and I am become a sacred bull."

The woman trembled; fear possessed her heart when Bata spoke unto her in this manner. She at once went out of the holy place.

It chanced that the king sat by her side at the feast, and made merry, for he loved her dearly. She spoke, saying: "Promise before the god that thou wilt do what I ask of thee."

His Majesty took a vow to grant her the wish of her heart, and she said: "It is my desire to eat of the liver of the sacred bull, for he is naught to thee." 10

Sorrowful was the king then, and his heart was troubled, because of the words which she spake. . . .

A new day dawned, and the land grew bright. Then the king commanded that the bull should be offered in sacrifice.

One of the king's chief servants went out, and when the bull was held high upon the shoulders of the people he smote its neck and it cast two drops of blood 11 towards the gate of the palace, and one drop fell upon the right side and one upon the left. There grew up in the night two stately Persea trees 12 from where the drops of blood fell down.

This great miracle was told unto the king, and the people rejoiced and made offerings of water and fruit to the sacred trees.

A day came when his majesty rode forth in his golden chariot. He wore his collar of lapis lazuli, and round his neck was a garland of flowers. The girl wife was with him, and he caused her to stand below one of the trees, and it whispered unto her:

"Thou false woman, I am still alive. Lo! I am even Bata, whom thou didst wrong. It was thou who didst cause the acacia to be cut down. It was thou who didst cause the sacred bull to be slain, so that I might cease to be."

Many days went past, and the woman sat with the king at the feast, and he loved her dearly. She spake, saying: "Promise now before the god that thou wilt do what I ask of thee."

His Majesty made a vow of promise, and she said: "It is my desire that the Persea trees be cut down so that two fair seats may be made of them."

As she desired, so was it done. The king commanded that the trees should be cut down by skilled workmen, and the fair woman went out to watch them. As she stood there, a small chip of wood entered her mouth, and she swallowed it.

After many days a son was born to her, and he was brought before the king, and one said: "Unto thee a son is given."

A nurse and servants were appointed to watch over the babe.

There was great rejoicing throughout the land when the time came to name the girl wife's son. The king made merry, and from that hour he loved the child, and he appointed him Prince of Ethiopia.

Many days went past, and then the king chose him to be heir to the kingdom.

In time His Majesty fulfilled his years, and he died, and his soul flew to the heavens.

The new king (Bata) then said: "Summon before me the great men of my Court, so that I may now reveal unto them all that hath befallen me and the truth concerning the queen."

His wife 13 was then brought before him. He revealed himself unto her, and she was judged before the great men, and they confirmed the sentence. 14

Then Anpu was summoned before His Majesty, and he was chosen to be the royal heir.

When Bata had reigned for thirty years, 15 he came to his death, and on the day of his burial his elder brother stood in his place.

Egyptian Love Songs

(Collected by Scribes over 3000 years ago, and laid in tombs so that they might be sung by departed souls in Paradise.)

THE WINE OF LOVE

Oh! when my lady cometh,
And I with love behold her,
I take her to my beating heart
And in mine arms enfold her;
My heart is filled with joy divine
For I am hers and she is mine.

Oh! when her soft embraces
Do give my love completeness,
The perfumes of Arabia
Anoint me with their sweetness;
And when her lips are pressed to mine
I am made drunk and need not wine.

THE SNARE OF LOVE

(Sung by a girl snarer to one she loves.)

With snare in hand I hide me,
I wait and will not stir;
The beauteous birds of Araby
Are perfumed all with myrrh--
Oh, all the birds of Araby,
That down to Egypt come,
Have wings that waft the fragrance
Of sweetly smelling gum!

I would that, when I snare them, Together we could be,
I would that when I hear them
Alone I were with thee.
If thou wilt come, my dear one,
When birds are snared above,
I'll take thee and I'll keep thee
Within the snare of love.

THE SYCAMORE SONG

A sycamore sang to a lady fair,
And its words were dropping like honey dew.
"Now ruby red is the fruit I bear
All in my bower for you.

"Papyri green are my leaves arrayed,
And branch and stem like to opal gleam;
Now come and rest in my cooling shade
The dream of your heart to dream.

"A letter of love will my lady fair
Send to the one who will happy be,
Saying: 'Oh, come to my garden rare
And sit in the shade with me!

"'Fruit I will gather for your delight,
Bread I will break and pour out wine,
I'll bring you the perfumed flow'rs and bright
On this festal day divine.'

"My lady alone with her lover will be,
His voice is sweet and his words are dear-
Oh, I am silent of all I see,
Nor tell of the things I hear!"

THE DOVE SONG

I hear thy voice, O turtle dove--
The dawn is all aglow--
Weary am I with love, with love,
Oh, whither shall I go?

Not so, O beauteous bird above,
Is joy to me denied. . . .
For I have found my dear, my love,
And I am by his side.

We wander forth, and hand in hand
Through flow'ry ways we go--
I am the fairest in the land,
For he hath called me so.

JEALOUSY

My face towards the door I'll keep
Till I my love behold,
With watching eyes and list'ning ears
I wait . . . and I turn cold,
I sigh and sigh;
He comes not nigh.

My sole possession is his love
All sweet and dear to me;
And ever may my lips confess
My heart, nor silent be.
I sigh and sigh;
He comes not nigh.

But now . . . a messenger in haste
My watching eyes behold . . .
He went as swiftly as he came.
"I am delayed", he told.
I sigh and sigh;
He comes not nigh.

Alas! confess that thou hast found
One fairer far than me.
O thou so false, why break my heart
With infidelity?
I sigh and sigh;
He'll ne'er come nigh.

THE GARDEN OF LOVE

Oh! fair are the flowers, my beloved,
And fairest of any I wait.
A garden art thou, all fragrant and dear,
Thy heart, O mine own, is the gate.

The canal of my love I have fashioned,
And through thee, my garden, it flows--
Dip in its waters refreshing and sweet,
When cool from the north the wind blows.

In our beauteous haunt we will linger,
Thy strong hand reposing in mine--
Then deep be my thoughts and deeper my joy,
Because, O my love, I am thine.

Oh! thy voice is bewitching, beloved,
This wound of my heart it makes whole--
Ah! when thou art coming, and thee I behold,
Thou'rt bread and thou'rt wine to my soul.

LOVE'S PRETENCE

With sickness faint and weary
All day in bed I'll lie;
My friends will gather near me
And she'll with them come nigh.
She'll put to shame the doctors
Who'll ponder over me,
For she alone, my loved one,
Knows well my malady.

Footnotes

1 Ra is here in his human form, walking through Egypt.
2 He was thus mutilated like Osiris, Attis, Adonis, and other gods.
3 Probably in Syria.
4 A creative god who resembles Ptah.
5 The seven Fates.
6 A non-Egyptian conception apparently.
7 An early version of the Cinderella story.
8 Like the typical giant of European folklore, who conceals his soul and is betrayed by his wife.
9 The Egyptians always washed their hands before and after meals.
10 It was believed that the soul was in the liver.
11 The belief that the soul was in the blood.
12 Out tree for the spirit and one for the soul.
13 Who was also his mother. Bata was reborn as the son of his wife. The tale is based upon belief in the transmigration of souls.
14 The sentence is not given, but is indicated by the prophecy of the seven Hathors, who said she would die "a speedy death" (a death by violence).
15 This suggests that he was sacrificed at the Sed festival.

Egyptian Myth and Legend Chapter 3, Dawn of Civilization

EGYPTIAN MYTH AND LEGEND

With Historical Narrative, Notes on Race Problems, Comparative Beliefs, etc.
by

Donald Mackenzie

Gresham Publishing Co., London

[1907]

CHAPTER III

Dawn of Civilization

Early Peoples--The Mediterranean Race--Blonde Peoples of Morocco and Southern Palestine--Fair Types in Egypt--Migrations of Mediterraneans --They reach Britain--Early Nilotic Civilizations--Burial Customs--Osiris Invasion--The Set Conquest--Sun Worshippers from Babylonia--Settlement in North--Coming of Dynastic Egyptians--The Two Kingdoms--United by Mena--The Mathematicians of the Delta--Introduction of Calendar--Progressive Pharaohs--Early Irrigation Schemes.

IN the remote ages, ere the ice cap had melted in northern Europe, the Nile valley was a swamp, with growth of jungle like the Delta. Rain fell in season, so that streams flowed from the hills, and slopes which are now barren wastes were green and pleasant grassland. Tribes of Early Stone Age savages hunted and herded there, and the flints they chipped and splintered so rudely are still found in mountain caves, on the surface of the desert, and embedded in mud washed down from the hills.

Other peoples of higher development appeared in time 1 and after many centuries elapsed they divided the valley between them, increasing in numbers and breaking off in tribes. Several small independent kingdoms were thus formed. When government was ultimately centralized after conquest, these kingdoms became provinces, called nomes, 2 and each had its capital, with its ruling god and local theological system. The fusion of peoples which resulted caused a fusion of religious beliefs, and one god acquired the attributes of another without complete loss of identity.

The early settlers came from North Africa, which was possessed by tribes of the Mediterranean race. They were light-skinned "long heads" of short stature, with slender bodies, aquiline noses, and black hair and eyes. In the eastern Delta they were the Archaic Egyptians; in the western Delta and along the coast, which suffered from great subsidences in later times, they were known as the Libyans. Tribes of the latter appear to have mingled with a blonde and taller stock. 3 On the northern slopes of the Atlas Mountains this type has still survival; a similar people occupied southern Palestine in pre-Semitic times. Blue-eyed and light-haired individuals thus made appearance in the Nile valley at an early period. They were depicted in tomb paintings, and, although never numerous, were occasionally influential. There are fair types among modern-day Berbers. The idea that these are descendants of Celts or Goths no longer obtains.

As they multiplied and prospered, the Mediterranean peoples spread far from their North African area of characterization. Their migration southward was arrested in Nubia, where the exploring tribes met in conflict hordes of dusky Bushmen, with whom they ultimately blended. Fusion with taller negroes followed in later times. Thus had origin the virile Nubian people, who were ever a menace to the Dynastic Pharaohs.

But the drift of surplus Mediterranean stock appears to have been greater towards the north than the south. Branching eastward, they poured into Palestine and Asia Minor. They were the primitive Phnicians who ultimately fused with Semites, and they were the Hittites who blended with Mongols and Alpine (or Armenoid) "broad heads". Possessing themselves of large tracts of Italy and Greece, they became known to history as the Italici, Ligurians, Pelasgians, and they founded a great civilization in Crete, where evidences have been forthcoming of their settlement as early as 10,000 B.C. 4

The western migration towards Morocco probably resulted in periodic fusions with blonde mountain tribes, so that the stock which entered Spain across the Straits of Gibraltar may have been more akin in physical type to the Libyans than to the Archaic Egyptians. The early settlers spread through western Europe, and are known to history as the Iberians. They also met and mingled with the tribes branching along the seacoast from Greece. Moving northward through the river valleys of France, the Iberians crossed over to Britain, absorbing everywhere, it would appear, the earlier inhabitants who survived the clash of conflict. These were the men of the Late Stone Age, which continued through vast intervals of time.

A glimpse of the early Mediterranean civilization is obtained in the Delta region. The dwellings of the Archaic Egyptians were of mud-plastered wickerwork, and were grouped in villages, round which they constructed strong stockades to ward off the attacks of desert lions and leopards, and afford protection for their herds of antelopes, goats, and ostriches. The cat and the dog were already domesticated. Men tattooed their bodies and painted their faces; they wore slight garments of goatskin, and adorned their heads with ostrich feathers. The women) who affected similar habits, but had fuller attire, set decorated combs in their hair., and they wore armlets and necklets of shells, painted pebbles, and animals' teeth which were probably charms against witchcraft.

These early settlers were herdsmen and hunters and fishermen, and among them were artisans of great skill, who chipped from splintered flint sharp lances and knives and keen arrowheads, while they also fashioned artistic pottery and hollowed out shapely stone jars. In their small boats they sailed and rowed upon the Nile; they caught fish with bone hooks, and snared birds in the Delta swamps. Their traders bartered goods constantly among the tribes who dwelt on the river banks. They were withal fierce and brave warriors, as fearless in the chase as in battle, for they not only slew the wild ox, but made attack with lance and bow upon the crocodile and hippopotamus, and hunted the wild boar and desert lion in moonlight.

As day followed night, so they believed that life came after death. They buried their dead in shallow graves, clad in goatskin, crouched up as if taking rest before setting forth on a journey, while beside them were placed their little palettes of slate for grinding face paint, their staffs and flint weapons and vessels of pottery filled with food for sustenance and drink for refreshment.

Long centuries went past, and a new civilization appeared in Lower Egypt. Tribes from the east settled there and effected conquests, introducing new arts and manners of life and new beliefs. The people began to till the soil after the Nile flood subsided, and they raised harvests of barley and wheat. It was the age of Osiris and Isis.

Each king was an Osiris, and his symbols of power were the shepherd's staff and the flail. The people worshipped their king as a god, and, after thirty years' reign, devoured him at their Sed festival 5 with cannibalistic ceremonial, so that his spirit might enter his successor and the land and the people have prosperity. The gnawed bones of monarchs have been found in tombs.'

Laws, which were stern and inexorable as those of Nature, disciplined the people and promoted their welfare. Social life was organized under a strict system of government. Industries were fostered and commerce flourished. Traders went farther afield as the needs of the age increased, and procured ivory from Nubia, silver from Asia, and from Araby its sweet perfumes and precious stones, and for these they bartered corn and linen and oil; there was also constant exchange of pottery and weapons and ornaments. Centuries went past, and this civilization at length suffered gradual decline, owing, probably, to the weakening of the central power.

Then followed a period of anarchy, when the kingdom, attracting plunderers, sustained the shock of invasion. Hordes of Semites, mingled probably with northern mountaineers, poured in from Syria and the Arabian steppes, and overthrew the power of the Osirian ruler. They were worshippers of Set (Sutekh), and they plundered and oppressed the people. Their sway, however, was but slight in the region of the western Delta, where frequent risings occurred and rebellion was ever fostered. Warfare disorganized commerce and impoverished the land. Art declined and an obscure period ensued.

But the needs of a country prevail in the end, and the north flourished once again with growing commerce and revived industries. On their pottery the skilled artisans painted scenes of daily life. Men and women were, it appears, clad in garments of white linen, and the rich had belts and pouches of decorated leather and ornaments of silver and gold set with precious stones. Tools and weapons of copper had come into use, but flint was also worked with consummate skill unsurpassed by an), other people.

The land was a veritable hive of industry. Food was plentiful, for the harvests yielded corn, and huntsmen found wild animals more numerous as beasts of prey were driven from their lairs and lessened in number. Great galleys were built to trade in the Mediterranean, and each was propelled by sixty oarsmen. The ships of other peoples also visited the ports of Egypt, probably from Crete and the Syrian coast, and caravans crossed the frontier going eastward and north, while alien traders entered the land and abode in it. Battle conflicts with men of various races were also depicted on the pottery, for there was much warfare from time to time.

Growing communities with Babylonian beliefs effected settlements in the north. These were the sun worshippers whose religion ultimately gained ascendancy all over Egypt. From primitive Pithom (house of Tum) they may have passed to On (Heliopolis), which became sacred to Ra-Tum and was the capital of a province and probably, for a period, of the kingdom of Lower Egypt.

A. masterful people also appeared in Upper Egypt. They came from or through Arabia, and had absorbed a culture from a remote civilization, which cannot be located, in common with the early Babylonians. Crossing the lower end of the Red Sea, they entered the verdurous valley of the Nile over a direct desert route, or through the highlands of Abyssinia. They were armed with weapons of copper, and effected their earliest settlement, it would appear, at Edfu. Then by gradual conquest they welded together the various tribes, extending their sway over an ever-increasing area. New and improved methods of agriculture were introduced. Canals were constructed for purposes of irrigation. The people increased in number and prosperity, and law and order was firmly established in the land.

These invaders were sun worshippers of the Horus-hawk cult, but they also embraced the religious beliefs of the people with whom they mingled, including the worship of the corn god Osiris. From Edfu and Hierakonpolis they pressed northward to sacred Abydos, the burial place of kings, and to Thinis, the capital of four united provinces. Several monarchs, who wore with dignity the white crown of Upper Egypt, reigned and "abode their destined hour". Then arose a great conqueror who was named Zaru, "The Scorpion". He led his victorious army down the Nile valley, extending his kingdom as he went, until he reached the frontier of the Fayum province, which was then a great swamp. There his progress was arrested. But a new era had dawned in Egypt, for there then remained but two kingdoms--the Upper and the Lower.

King Zaru was not slain at the Sed festival in accordance with the suggested ancient custom. He impersonated Osiris, throned in solitary dignity and wearing his crown, within a small curtained enclosure which opened at the front, and he held the crook in one hand and the flail in the other. The people made obeisance before him. It is not possible to follow the details of the ceremony, but from pictorial records it appears that large numbers of captives and oxen and cattle were offered up in sacrifice, so that slaughter might be averted by slaughter. The monarch was believed to have died a ceremonial death and to have come to life again with renewed energy which prolonged his years. An Abydos inscription declares of an Osiris ruler in this connection: "Thou dost begin thy days anew; like the holy moon child thou art permitted to prosper . . . thou hast grown young and thou art born to life again." 6 An important event at the festival was the appearance before the Pharaoh of his chosen successor, who performed a religious dance; and he was afterwards given for wife a princess of the royal line, so that his right to the throne might be secured.

The closing years of Zaru's reign were apparently occupied in organizing and improving the conquered territory. As befitted an Osirian king, he de-voted much attention to agriculture, and land was reclaimed by irrigation. An artist depicted him in the act of digging on the river bank with a hoe, as if performing the ceremony of "cutting the first sod" of a new canal. The people are shown to have had circular dwellings, with fruit trees protected by enclosures. Their square fields were surrounded by irrigating ditches.

When the king died he was buried at Abydos, like other rulers of his line, in one of the brick tombs of the time. The investigation of these by Flinders Petrie has made possible the reconstruction in outline of the history of Egypt immediately prior to the founding of the First Dynasty. It is significant to note that the dead were buried at full length instead of in contracted posture as in Lower Egypt.

The next great monarch was Narmer, who is believed by certain authorities to have been Mena. Petrie, however, holds that they were separate personalities. Another view is that the deeds of two or three monarchs were attributed to Mena, as in the case of the Sesostris of the Greeks. Evidently many myths attached to the memory of the heroic figure who accomplished the conquest of the northern kingdom and founded the First Dynasty of united Egypt. Mena was represented, for instance) as the monarch who taught the people how to gorge luxuriously while he lay upon a couch and slaves massaged his stomach, and tradition asserted that he met his death, apparently while intoxicated, by falling into the Nile, in which he was devoured by a hippopotamus. But these folk tales hardly accord with the character of a conqueror of tireless energy, who must have been kept fully occupied in organizing his new territory and stamping out the smouldering fires of rebellion.

The initial triumph of the traditional Mena, in his Narmer character, was achieved in the swampy Fayum, the buffer state between Upper and Lower Egypt. It had long resisted invasion, but in the end the southern forces achieved a great victory. The broad Delta region then lay open before them, and their ultimate success was assured. King Narmer is shown on a slate palette clutching with one hand the headlocks of the Fayum chief-who kneels in helpless posture-while with the other he swings high a mace to smite the final blow. A composed body servant waits upon the conquering monarch, carrying the royal sandals and a water jar. The ha-wk symbol is also depicted to signify that victory was attributed to Horus, the tribal god. Two enemies take flight beneath, and above the combatants are two cow heads of the pastoral and sky goddess Hathor.

This great scene was imitated, in the true conservative spirit of the ancient Egyptians, on the occasion of similar acts of conquest in after time. Indeed, for a period of 3000 years each succeeding Pharaoh who achieved victory in battle was depicted, like Narmer, smiting his humbled foeman, and his importance was ever emphasized by his gigantic stature. It was an artistic convention in those ancient days to represent an Egyptian monarch among his enemies or subjects like a Gulliver surrounded by Lilliputians.

After the conquest of the Fayum, the Libyans appear to have been the dominating people in Lower Egypt. Their capital was at Sais, the seat of their goddess Neith. The attributes of this deity reflect the character of the civilization of her worshippers. Her symbol was a shield and two arrows. She was depicted with green hands and face, for she was an earth spirit who provided verdure for the flocks of a pastoral people. A weaver's shuttle was tattooed upon her body, to indicate apparently that she imparted to women their skill at the loom.

Mena conquered the Libyans in battle, and many thousands were slain, and he extended his kingdom to the shores of the Mediterranean. Then he assumed, in presence of his assembled army, the red crown of Lower Egypt. He appears also to have legitimatized the succession by taking for wife Neithhotep, "Neith rests", a princess of the royal house of Sais.

So was the Horus tribe united with the Libyans who worshipped a goddess. In aftertime the triad of Sais was composed of Osiris, Neith, and Horus. Neith was identified with Isis.

The race memory of the conquest of Lower Egypt is believed to be reflected in the mythical tale of Horus overcoming Set. The turning-point in the campaign was the Fayum conflict where the animal gods of Set were slain. Petrie urges with much circumstantial detail the striking view that the expulsion of Set from Egypt signifies the defeat of the military aristocracy of "Semites " 7 by the Horus people, who, having espoused the religion of Osiris, also espoused the cause of the tribe which introduced his worship into the land. It is evident, from an inscription on a temple of southern Edfu, that many conquests were effected in the Delta region ere the union was accomplished. One version of the great folk tale states that when Horus overcame Set he handed him over to Isis bound in chains. She failed, however, to avenge her husband's death, and set her oppressor at liberty again. In his great wrath Horus then tore the crown from her head. This may refer particularly to the circumstances which led to the Libyan conquest. "We can hardly avoid", says Petrie, "reading the history of the animosities of the gods as being the struggles of their worshippers."

The Libyans were ever a troublesome people to the Pharaohs, whose hold on the western district of the Delta was never certain. Mena apparently endeavoured to break their power by taking captive no fewer than 120,000 prisoners. His spoils included also 100,000 oxen and 1,420,000 goats.

This displacement of so large a proportion of the inhabitants of the north was not without its effect in the physical character of the Nile-valley peoples. The differences of blend between north and south were well marked prior to the conquest. After the union of the two kingdoms the ruling classes of Upper Egypt approximated closely to the Delta type. It is evident that the great native civilization which flourished in the Nile valley for over forty centuries owed much to the virility and genius of the Mediterranean race, which promoted culture where ver its people effected settlements. One is struck, indeed) to note in this connection that the facial characteristics of not a few Pharaohs resemble those of certain great leaders of men who have achieved distinction among the nations of Europe.

The culture of the Horite conquerors was evidently well adapted for the Nile valley. It developed there rapidly during the three centuries which elapsed before the Delta was invaded, and assumed a purely Egyptian character. Hieroglyphics were in use from the beginning, copper was worked by "the smiths", and superior wheel-turned pottery made its appearance. But the greatest service rendered to ancient Egypt by the Horites was the ultimate establishment of settled conditions over the entire land in the interests of individual welfare and national progress.

The contribution of the north to Dynastic culture was not inconsiderable. In fact, it cannot really be overestimated. The Delta civilization was already well developed prior to the conquest. There was in use among the people a linear script which resembled closely the systems of Crete and the ean and those also that appeared later in Karia and Spain. Its early beginnings may be traced, perhaps, in those rude signs which the pioneers of the Late Stone Age in western Europe scratched upon the French dolmens. Archaic Phnician letters show that the great sea traders in after time simplified the system and diffused it far and wide.' Our alphabet is thus remotely North African in origin. 8

It was in the Delta also that the Calendar was invented by great mathematicians of the Late Stone Age, over sixty centuries ago, who recognized that an artificial division of time was necessary for purposes of accurate record and calculation. They began their year with the rising of the star Sirius (Sothos) at the height of the Nile inundation. and it was divided into twelve months of thirty days each, five extra days being added for religious festivals associated with agricultural rites. This Calendar was ultimately imported and adjusted by the Romans, and it continues in use, with subsequent refinements, all over the world until the present day. Under Mena's rule there are evidences of the progress which is ever fostered when ideas are freely exchanged and a stimulating rivalry is promoted among the people. The inventive mind was busily at work. Pottery improved in texture and construction, and was glazed in colours. Jewellery of great beauty was also produced, and weapons and tools were fashioned with artistic design. Draughtboards and sets of "ninepins" were evidently in demand among all classes for recreation in moments of leisure.

Meanwhile the administration of the united kingdom was thoroughly organized. Officials were numerous and their duties were strictly defined. Various strategic centres were garrisoned so as to prevent outbreaks and to secure protection for every industrious and law-abiding citizen. Memphis became an important city. According to tradition it was built by Mena, but the local theological system suggests that it existed prior to his day. It is probable that he erected buildings there, including a fortification, and made it a centre of administration for the northern part of his kingdom.

When Mena died he was buried at Abydos, and he was succeeded by his son Aha, "the fighter". Under the new monarch a vigorous military campaign was conducted in the south, and another province was placed under the sway of the central government. The peaceful condition of the north is emphasized by his recorded visit to Sais, where he made offerings at the shrine of Neith, the goddess of his mother's people.

Meanwhile the natural resources of the Nile valley were systematically developed. Irrigation works were undertaken everywhere, jungle was cleared away, and large tracts of land were reclaimed by industrious toilers. These activities were promoted and controlled by royal officials. King Den, a wise and progressive monarch, inaugurated the great scheme of clearing and draining the Fayum, which was to become in after time a fertile and populous province. The surveyors set to work and planned the construction of a canal, and the scheme was developed and continued by the monarchs who followed. It was as shrewdly recognized in the time of the First Dynasty as it is in our own day, that the progress and welfare of the Nile-valley people must ever depend upon the development of the agricultural resources of the country. The wealth of Egypt is drawn from the soil. All the glory and achievements of the Dynasties were made possible by the systems of government which afforded facilities and protection for the men who "cast their bread upon the waters" so that abundant return might be secured "after many days". When we are afforded, therefore, a glimpse of daily life on the land, as is given in the ancient and treasured folk tale which follows, 9 we are brought into closer touch with the people who toiled in contentment many thousands of years ago in the land of Egypt than is possible when we contemplate with wonder their exquisite works of art or great architectural triumphs. The spirit which pervaded the ancient peasantry of the Nile valley is reflected in the faithful and gentle service and the winning qualities of poor Bata, the younger brother. It gives us pause to reflect that the story of his injured honour and tragic fate moved to tears those high-born dames whose swaddled mummies now lie in our museums to be stared at by holidaymakers who wonder how they lived and what scenes surrounded their daily lives.

Footnotes

1 The early Pallithic men were probably of Bushman type and the later of Mediterranean. Evidences of development from the Pallithic to the Neolithic Age have been forthcoming
2 The Greek name; the old Egyptian name was "hesp".
3 There were Libyans in the western Delta; on its borders were the "Tehenu", and beyond these the "Lebu", and still farther west were the "Meshwesh", the Maxyes of the Greeks. All were referred to as Libyans.
4 Petrie's view. See Researches in Sinai, p. 185.
5 Maspero. This opinion, however, has been sharply challenged.
6 The Horus worshippers had evidently absorbed the beliefs of the Nilotic moon cult. Some authorities credit the Dynastic Egyptians with the introduction of Osiris worship. The close resemblance of Osiris to similar deities in Asia Minor and Europe favours the view that Osiris first entered Lower Egypt. See Golden Bough--Adonis, Attis, Osiris volume. The Osiran heaven was of Delta character.
7 It is possible that Set (Sutekh) was the god of a pre-Semitic people whose beliefs were embraced by certain Semitic tribes.
8 Professor Macalister is inclined to credit the Philistines instead of the Phoenicians with the work of systematizing the script.
9 It assumed its final form in the Empire period, and is evidently of remote antiquity.
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