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The Book of the Bee

The Book of the Bee (19)

THE BOOK OF THE BEE

THE SYRIAC TEXT

EDITED FROM THE MANUSCRIPTS IN LONDON, OXFORD, AND MUNICH

WITH AN ENGLISH TRANSLATION

BY ERNEST A. WALLIS BUDGE, M.A.

LATE SCHOLAR OF CHRIST'S COLLEGE, CAMBRIDGE, AND TYRWHITT SCHOLAR ASSISTANT IN THE DEPARTMENT OF EGYPTIAN AND ASSYRIAN ANTIQUITIES, BRITISH MUSEUM

OXFORD AT THE CLARENDON PRESS 1886.


 

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The Book of the Cave of Treasures

The Book of the Cave of Treasures (32)

THE BOOK OF THE CAVE OF TREASURES

A HISTORY OF THE PATRIARCHS AND THE KINGS
THEIR SUCCESSORS FROM THE CREATION
TO THE CRUCIFIXION OF CHRIST

TRANSLATED FROM THE SYRIAC TEXT OF THE
BRITISH MUSEUM MS. ADD. 25875

BY

SIR E. A. WALLIS BUDGE, KT.

M.A., LITT.D. (CAMBRIDGE), M.A., D.LITT. (OXFORD),
D.LIT. (DURHAM), F.S.A.
SOMETIME KEEPER OF EGYPTIAN AND ASSYIRIAN ANTIQUITIES, BRITISH MUSEUM;
CORRESPONDING MEMBER OF THE ACADEMY OF SCIENCES, LISBON; AND
CORRESPONDING MEMBER OF THE PHILOSOPHICAL SOCIETY OF AMERICA
With 16 plates and 8 illustrations in the text

LONDON
THE RELIGIOUS TRACT SOCIETY

MANCHESTER, MADRID, LISBON, BUDAPEST

1927


Front piece

Imdugud, in Imgig, the lion-headed eagle of Ningirsu, the great god of Lagash

cave-00-front

Sumerian relief in copper on wood representing Imdugud, or Imgig, the lion-headed eagle of Ningirsu, the great god of Lagash, grasping two stags by their tails. It is probable that it was originally placed over the door of the temple of Nin-khursag or Damgalnun at the head of the stairway leading on to the temple platform. This remarkable monument was made about 3100 B.C., and was discovered by Dr. H. R. Hall in 1919 at Tall al-`Ub, a sanctuary at "Ur of the Chaldees" in Lower Babylonia. It is now in the British Museum (No. 114308).


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The Book of Enoch

The Book of Enoch (6)

The Book of Enoch

 A page of the Book of Enoch

enoch-index

A page of the Ethiopic text of the "Book of Enoch" (British Museum MS. Orient. No. 485, Fol. 83b) containing a description of one of Enoch's visits to heaven, and how the archangel Michael took him by the hand and showed him the mysteries of heaven.


From The Apocrypha and Pseudepigrapha of the Old Testament R.H. Charles Oxford: The Clarendon Press


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The Forgotten Books of Eden

The Forgotten Books of Eden (34)

THE FORGOTTEN BOOKS OF EDEN

 Translated in the late 1800's

by

Dr. S. C. Malan and Dr. E. Trumpp.

Translated into King James English from both the Arabic version and the Ethiopic version which was then published in The Forgotten Books of Eden in 1927 by The World Publishing Company.

In 1995, the text was extracted from a copy of The Forgotten Books of Eden and converted to electronic form by Dennis Hawkins.


 

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The Book of Jasher

The Book of Jasher (93)

The Book of Jasher

Referred to in Joshua and Second Samuel

Faithfully Translated

FROM THE ORIGINAL HEBREW INTO ENGLISH

SALT LAKE CITY: PUBLISHED BY J.H. PARRY & COMPANY 1887.


NOTE : According to some sources, this book was once the original start of the Bible. Originally translated from Hebrew in A.D. 800, "The Book of Jasher" was suppressed, then rediscovered in 1829 when it was once again suppressed. Reemerged again, in his preface Alcuin writes the reference to Jasher in 2 Samuel authenticates this book .

The root of the first book of Jasher must be written BEFORE the time of Joshua and Samuel in the Bible because both books refers to the book of Jasher.

"Is not this written in the Book of Jasher?"--Joshua, 10,13.

"Behold it is written in the Book of Jasher."--II. Samuel, 1,18


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The Book of Jubilees

The Book of Jubilees (1030)

The Book of Jubilees

From The Apocrypha and Pseudepigrapha of the Old Testament

by R.H. Charles, Oxford: Clarendon Press,

1913.

Scanned and Edited by Joshua Williams, Northwest Nazarene College.


A page of the Book of Jubilees

jubilees-main

A page of the Ethiopic version of the apocryphal work known to ecclesiastical writers as the "Lesser Genesis," and the "Apocalypse of Moses" (British Museum MS. Orient. No. 485, Fol. 83b). Because each of the periods of time described in the book contains forty-nine to fifty years, the Ethiopians called it MAZHAFA K i.e. the "Book of Jubilees." The passage here reproducted describes the tale of Joseph in the 17th year of his age, his going down to Egypt, and his life in that country.


 See the video about Jubilees in 20 parts:

{youtube}Kq_0-D5UnxM{/youtube}
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The Kebra Nagast

The Kebra Nagast (25)

The QUEEN of SHEBA
AND HER ONLY SON
MENYELEK

being

THE 'BOOK OF THE GLORY OF KINGS'

(KEBRA NAGAST)

A WORK WHICH IS ALIKE THE TRADITIONAL HISTORY OF THE ESTABLISH- MENT OF THE RELIGION OF THE HEBREWS IN ETHIOPIA, AND THE PATENT OF SOVEREIGNTY WHICH IS NOW UNIVERSALLY ACCEPTED IN ABYSSINIA AS THE SYMBOL OF THE DIVINE AUTHORITY TO RULE WHICH THE KINGS OF THE SOLOMONIC LINE CLAIMED TO HAVE RECEIVED THROUGH THEIR DESCENT FROM THE HOUSE OF DAVID

Translated from the Ethiopic

by SIR E. A. WALLIS BUDGE M.A., LITT.D., D.LITT., LIT.D. F.S.A.

Sometime Scholar of Christ's College, Cambridge Tyrwhitt Hebrew Scholar, and Keeper of the Department of Egyptian and Assyrian Antiqui- ties in the British Museum.

WITH THIRTY-TWO PLATES

MCMXXXII

OXFORD UNIVERSITY PRESS LONDON : HUMPHREY MILFORD

{Reduced to HTML by Christopher M. Weimer, September 2002}

 
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The Book of Abraham

The Book of Abraham (10)

THE BOOK OF ABRAHAM

ITS AUTHENTICITY ESTABLISHED AS A DIVINE AND ANCIENT RECORD

WITH COPIOUS REFERENCES TO ANCIENT AND MODERN AUTHORITIES

BY ELDER GEO. REYNOLDS.

1879 SALT LAKE CITY, UTAH

DESERET NEWS PRINTING AND PUBLISHING ESTABLISHMENT.


 

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The Writings of Abraham

The Writings of Abraham (2)

The Writings of Abraham

from the papyri found in Egypt 1831


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Myths of Babylon and Assyria: Chapter XIII. Astrology and Astronomy

CHAPTER XIII

Astrology and Astronomy

Culture and Superstition--Primitive Star Myths--Naturalism, Totemism, and Animism--Stars as Ghosts of Men, Giants, and Wild Animals--Gods as Constellations and Planets--Babylonian and Egyptian Mysticism--Osiris, Tammuz, and Merodach--Ishtar and Isis as Bisexual Deities--The Babylonian Planetary Deities--Planets as Forms of Tammuz and Ghosts of Gods--The Signs of the Zodiac--The "Four Quarters"--Cosmic Periods in Babylonia, India, Greece, and Ireland--Babylonian System of Calculation--Traced in Indian Yuga System--Astrology--Beliefs of the Masses--Rise of Astronomy--Conflicting Views of Authorities--Greece and Babylonia--Eclipses Foretold--The Dial of Ahaz--Omens of Heaven and Air--Biblical References to Constellations--The Past in the Present.

THE empire builders of old who enriched themselves with the spoils of war and the tribute of subject States, not only satisfied personal ambition and afforded protection for industrious traders and workers, but also incidentally promoted culture and endowed research. When a conqueror returned to his capital laden with treasure, he made generous gifts to the temples. He believed that his successes were rewards for his piety, that his battles were won for him by his god or goddess of war. It was necessary, therefore, that he should continue to find favour in the eyes of the deity who had been proved to be more powerful than the god of his enemies. Besides, he had to make provision during his absence on long campaigns, or while absorbed in administrative work, for the constant performance of religious rites, so that the various deities of water, earth, weather, and corn might be sustained or propitiated with sacrificial offerings, or held in magical control by the performance of ceremonial rites. Consequently an endowed priesthood became a necessity in all powerful and well-organized states.

Thus came into existence in Babylonia, as elsewhere, as a result of the accumulation of wealth, a leisured official class, whose duties tended to promote intellectual activity, although they were primarily directed to perpetuate gross superstitious practices. Culture was really a by-product of temple activities; it flowed forth like pure gold from furnaces of thought which were walled up by the crude ores of magic and immemorial tradition.

No doubt in ancient Babylonia, as in Europe during the Middle Ages, the men of refinement and intellect among the upper classes were attracted to the temples, while the more robust types preferred the outdoor life, and especially the life of the soldier.1 The permanent triumphs of Babylonian civilization were achieved either by the priests, or in consequence of the influence they exercised. They were the grammarians and the scribes, the mathematicians and the philosophers of that ancient country, the teachers of the young, and the patrons of the arts and crafts. It was because the temples were centres of intellectual activity that the Sumerian language remained the language of culture for long centuries after it ceased to be the everyday speech of the people.

Reference has already been made to the growth of art, and the probability that all the arts had their origin in magical practices, and to the growth of popular education necessitated by the centralization of business in the temples. It remains with us to deal now with priestly contributions to the more abstruse sciences. In India the ritualists among the Brahmans, who concerned themselves greatly regarding the exact construction and measurements of altars, gave the world algebra; the pyramid builders of Egypt, who erected vast tombs to protect royal mummies, had perforce to lay the groundwork of the science of geometry; and the Babylonian priests who elaborated the study of astrology became great astronomers because they found it necessary to observe and record accurately the movements of the heavenly bodies.

From the earliest times of which we have knowledge, the religious beliefs of the Sumerians had vague stellar associations. But it does not follow that their myths were star myths to begin with. A people who called constellations "the ram", "the bull", "the lion", or "the scorpion", did not do so because astral groups suggested the forms of animals, but rather because the animals had an earlier connection with their religious life.

At the same time it should be recognized that the mystery of the stars must ever have haunted the minds of primitive men. Night with all its terrors appealed more strongly to their imaginations than refulgent day when they felt more secure; they were concerned most regarding what they feared most. Brooding in darkness regarding their fate, they evidently associated the stars with the forces which influenced their lives--the ghosts of ancestors, of totems, the spirits that brought food or famine and controlled the seasons. As children see images in a fire, so they saw human life reflected in the starry sky. To the simple minds of early folks the great moon seemed to be the parent of the numerous twinkling and moving orbs. In Babylon, indeed, the moon was regarded as the father not only of the stars but of the sun also; there, as elsewhere, lunar worship was older than solar worship.

Primitive beliefs regarding the stars were of similar character in various parts of the world. But the importance which they assumed in local mythologies depended in the first place on local phenomena. On the northern Eur-Asian steppes, for instance, where stars vanished during summer's blue nights, and were often obscured by clouds in winter, they did not impress men's minds so persistently and deeply as in Babylonia, where for the greater part of the year they gleamed in darkness through a dry transparent atmosphere with awesome intensity. The development of an elaborate system of astral myths, besides, was only possible in a country where the people had attained to a high degree of civilization, and men enjoyed leisure and security to make observations and compile records. It is not surprising, therefore, to find that Babylonia was the cradle of astronomy. But before this science had destroyed the theory which it was fostered to prove, it lay smothered for long ages in the debris of immemorial beliefs. It is necessary, therefore, in dealing with Babylonian astral myths to endeavour to approach within reasonable distance of the point of view, or points of view, of the people who framed them.

Babylonian religious thought was of highly complex character. Its progress was ever hampered by blended traditions. The earliest settlers in the Tigro-Euphrates valley no doubt imported many crude beliefs which they had inherited from their Pallithic ancestors--the modes of thought which were the moulds of new theories arising from new experiences. When consideration is given to the existing religious beliefs of various peoples throughout the world, in low stages of culture, it is found that the highly developed creeds of Babylonia, Egypt, and other countries where civilization flourished were never divested wholly of their primitive traits.

Among savage peoples two grades of religious ideas have been identified, and classified as Naturalism and Animism. In the plane of Naturalism the belief obtains that a vague impersonal force, which may have more than one manifestation and is yet manifested in everything, controls the world and the lives of human beings. An illustration of this stage of religious consciousness is afforded by Mr. Risley, who, in dealing with the religion of the jungle dwellers of Chota Nagpur, India, says that "in most cases the indefinite something which they fear and attempt to propitiate is not a person at all in any sense of the word; if one must state the case in positive terms, I should say that the idea which lies at the root of their religion is that of a power rather than many powers".1

Traces of Naturalism appear to have survived in Sumeria in the belief that "the spiritual, the Zi, was that which manifested life. . . . The test of the manifestation of life was movement."2 All things that moved, it was conceived in the plane of Naturalism, possessed "self power"; the river was a living thing, as was also the fountain; a stone that fell from a hill fell of its own accord; a tree groaned because the wind caused it to suffer pain. This idea that inanimate objects had conscious existence survived in the religion of the Aryo-Indians. In the Nala story of the Indian epic, the Mahhata, the disconsolate wife Damayanti addresses a mountain when searching for her lost husband:
This, the monarch of all mountains, ask I of the king of men;
"O all-honoured Prince of Mountains, with thy heavenward soaring peaks . . .
Hast thou seen the kingly Nala in this dark and awful wood?. . .
Why repliest thou not, O Mountain?"

She similarly addresses the Asoka tree:
"Hast thou seen Nishadha's monarch, hast thou seen my only love? . . .
That I may depart ungrieving, fair Asoka, answer me. . . ."
Many a tree she stood and gazed on. . . .1

It will be recognized that when primitive men gave names to mountains, rivers, or the ocean, these possessed for them a deeper significance than they do for us at the present day. The earliest peoples of Indo-European speech who called the sky "dyeus", and those of Sumerian speech who called it "ana", regarded it not as the sky "and nothing more", but as something which had conscious existence and "self power". Our remote ancestors resembled, in this respect, those imaginative children who hold conversations with articles of furniture, and administer punishment to stones which, they believe, have tripped them up voluntarily and with desire to commit an offence.

In this early stage of development the widespread totemic beliefs appear to have had origin. Families or tribes believed that they were descended from mountains, trees, or wild animals.

op's fable about the mountain which gave birth to a mouse may be a relic of Totemism; so also may be the mountain symbols on the standards of Egyptian ships which appear on pre-dynastic pottery; the black dwarfs of Teutonic mythology were earth children.2

Adonis sprang from a tree; his mother may have, according to primitive belief, been simply a tree; Dagda, the patriarchal Irish corn god, was an oak; indeed, the idea of a "world tree", which occurs in Sumerian, Vedic-Indian, Teutonic, and other mythologies, was probably a product of Totemism.

Wild animals were considered to be other forms of human beings who could marry princes and princesses as they do in so many fairy tales. Damayanti addressed the tiger, as well as the mountain and tree, saying:
I approach him without fear.
"Of the beasts art thou the monarch, all this forest thy domain; . . .
Thou, O king of beasts, console me, if my Nala thou hast seen."1

A tribal totem exercised sway over a tribal district. In Egypt, as Herodotus recorded, the crocodile was worshipped in one district and hunted down in another. Tribes fought against tribes when totemic animals were slain. The Babylonian and Indian myths about the conflicts between eagles and serpents may have originated as records of battles between eagle clans and serpent clans. Totemic animals were tabooed. The Set pig of Egypt and the devil pig of Ireland, Scotland, and Wales were not eaten except sacrificially. Families were supposed to be descended from swans and were named Swans, or from seals and were named Seals, like the Gaelic "Mac Codrums", whose surname signifies "son of the seal"; the nickname of the Campbells, "sons of the pig", may refer to their totemic boar's head crest, which commemorated the slaying, perhaps the sacrificial slaying, of the boar by their ancestor Diarmid. Mr. Garstang, in The Syrian Goddess, thinks it possible that the boar which killed Adonis was of totemic origin. So may have been the fish form of the Sumerian god Ea. When an animal totem was sacrificed once a year, and eaten sacrificially so that the strength of the clan might be maintained, the priest who wrapped himself in its skin was supposed to have transmitted to him certain magical powers; he became identified with the totem and prophesied and gave instruction as the totem. Ea was depicted clad in the fish's skin.

Animism, the other early stage of human development, also produced distinctive modes of thought. Men conceived that the world swarmed with spirits, that a spirit groaned in the wind-shaken tree, that the howling wind was an invisible spirit, that there were spirits in fountains, rivers, valleys, hills, and in ocean, and in all animals; and that a hostile spirit might possess an individual and change his nature. The sun and the moon were the abodes of spirits, or the vessels in which great spirits sailed over the sea of the sky; the stars were all spirits, the "host of heaven". These spirits existed in groups of seven, or groups of three, and the multiple of three, or in pairs, or operated as single individuals.

Although certain spirits might confer gifts upon mankind, they were at certain seasons and in certain localities hostile and vengeful, like the grass-green fairies in winter, or the earth-black elves when their gold was sought for in forbidden and secret places. These spirits were the artisans of creation and vegetation, like the Egyptian Khnumu and the Indian Rhibus; they fashioned the grass blades and the stalks of corn, but at times of seasonal change they might ride on their tempest steeds, or issue forth from flooding rivers and lakes. Man was greatly concerned about striking bargains with them to secure their services, and about propitiating them, or warding off their attacks with protective charms, and by performing "ceremonies of riddance". The ghosts of the dead, being spirits, were similarly propitious or harmful on occasion; as emissaries of Fate they could injure the living.

Ancestor worship, the worship of ghosts, had origin in the stage of Animism. But ancestor worship was not developed in Babylonia as in China, for instance, although traces of it survived in the worship of stars as ghosts, in the deification of kings, and the worship of patriarchs, who might be exalted as gods or identified with a supreme god. The Egyptian Pharaoh Unas became the sun god and the constellation of Orion by devouring his predecessors.1 He ate his god as a tribe ate its animal totem; he became the "bull of heaven".

There were star totems as well as mountain totems. A St. Andrew's cross sign, on one of the Egyptian ship standards referred to, may represent a star. The Babylonian goddess Ishtar was symbolized as a star, and she was the "world mother". Many primitive currents of thought shaped the fretted rocks of ancient mythologies.

In various countries all round the globe the belief prevailed that the stars were ghosts of the mighty dead--of giants, kings, or princes, or princesses, or of pious people whom the gods loved, or of animals which were worshipped. A few instances may be selected at random. When the Teutonic gods slew the giant Thjasse, he appeared in the heavens as Sirius. In India the ghosts of the "seven Rishis", who were semi-divine Patriarchs, formed the constellation of the Great Bear, which in Vedic times was called the "seven bears". The wives of the seven Rishis were the stars of the Pleiades. In Greece the Pleiades were the ghosts of the seven daughters of Atlas and Pleione, and in Australia they were and are a queen and six handmaidens. In these countries, as elsewhere, stories were told to account for the "lost Pleiad", a fact which suggests that primitive men were more constant observers of the heavenly bodies than might otherwise be supposed. The Arcadians believed that they were descended, as Hesiod recorded, from a princess who was transformed by Zeus into a bear; in this form Artemis slew her and she became the "Great Bear" of the sky. The Egyptian Isis was the star Sirius, whose rising coincided with the beginning of the Nile inundation. Her first tear for the dead Osiris fell into the river on "the night of the drop". The flood which ensued brought the food supply. Thus the star was not only the Great Mother of all, but the sustainer of all.

The brightest stars were regarded as being the greatest and most influential. In Babylonia all the planets were identified with great deities. Jupiter, for instance, was Merodach, and one of the astral forms of Ishtar was Venus. Merodach was also connected with "the fish of Ea" (Pisces), so that it is not improbable that Ea worship had stellar associations. Constellations were given recognition before the planets were identified.

A strange blending of primitive beliefs occurred when the deities were given astral forms. As has been shown (Chapter III ) gods were supposed to die annually. The Egyptian priests pointed out to Herodotus the grave of Osiris and also his star. There are "giants' graves" also in those countries in which the gods were simply ferocious giants. A god might assume various forms; he might take the form of an insect, like Indra, and hide in a plant, or become a mouse, or a serpent, like the gods of Erech in the Gilgamesh epic. The further theory that a god could exist in various forms at one and the same time suggests that it had its origin among a people who accepted the idea of a personal god while yet in the stage of Naturalism. In Egypt Osiris, for instance, was the moon, which came as a beautiful child each month and was devoured as the wasting "old moon" by the demon Set; he was the young god who was slain in his prime each year; he was at once the father, husband, and son of Isis; he was the Patriarch who reigned over men and became the Judge of the Dead; he was the earth spirit, he was the bisexual Nile spirit, he was the spring sun; he was the Apis bull of Memphis, and the ram of Mendes; he was the reigning Pharaoh. In his fusion with Ra, who was threefold--Khepera, Ra, and Tum--he died each day as an old man; he appeared in heaven at night as the constellation Orion, which was his ghost, or was, perhaps, rather the Sumerian Zi, the spiritual essence of life. Osiris, who resembled Tammuz, a god of many forms also, was addressed as follows in one of the Isis chants:
There proceedeth from thee the strong Orion in heaven at evening, at the resting of every day!
Lo it is I (Isis), at the approach of the Sothis (Sirius) period, who doth watch for him (the child Osiris),
Nor will I leave off watching for him; for that which proceedeth from thee (the living Osiris) is revered.
An emanation from thee causeth life to gods and men, reptiles and animals, and they live by means thereof.
Come thou to us from thy chamber, in the day when thy soul begetteth emanations,--
The day when offerings upon offerings are made to thy spirit, which causeth the gods and men likewise to live.1

This extract emphasizes how unsafe it is to confine certain deities within narrow limits by terming them simply "solar gods", "lunar gods", "astral gods", or "earth gods". One deity may have been simultaneously a sun god and moon god, an air god and an earth god, one who was dead and also alive, unborn and also old. The priests of Babylonia and Egypt were less accustomed to concrete and logical definitions than their critics and expositors of the twentieth century. Simple explanations of ancient beliefs are often by reason of their very simplicity highly improbable. Recognition must ever be given to the puzzling complexity of religious thought in Babylonia and Egypt, and to the possibility that even to the priests the doctrines of a particular cult, which embraced the accumulated ideas of centuries, were invariably confusing and vague, and full of inconsistencies; they were mystical in the sense that the understanding could not grasp them although it permitted their acceptance. A god, for instance, might be addressed at once in the singular and plural, perhaps because he had developed from an animistic group of spirits, or, perhaps, for reasons we cannot discover. This is shown clearly by the following pregnant extract from a Babylonian tablet: "Powerful, O Sevenfold, one are ye". Mr. L. W. King, the translator, comments upon it as follows: "There is no doubt that the name was applied to a group of gods who were so closely connected that, though addressed in the plural, they could in the same sentence be regarded as forming a single personality".1

Like the Egyptian Osiris, the Babylonian Merodach was a highly complex deity. He was the son of Ea, god of the deep; he died to give origin to human life when he commanded that his head should be cut off so that the first human beings might be fashioned by mixing his blood with the earth; he was the wind god, who gave "the air of life"; he was the deity of thunder and the sky; he was the sun of spring in his Tammuz character; he was the daily sun, and the planets Jupiter and Mercury as well as Sharru (Regulus); he had various astral associations at various seasons. Ishtar, the goddess, was Iku (Capella), the water channel star, in January--February, and Merodach was Iku in May--June. This strange system of identifying the chief deity with different stars at different periods, or simultaneously, must not be confused with the monotheistic identification of him with other gods. Merodach changed his forms with Ishtar, and had similarly many forms. This goddess, for instance, was, even when connected with one particular heavenly body, liable to change. According to a tablet fragment she was, as the planet Venus, "a female at sunset and a male at sunrise"1 --that is, a bisexual deity like Nannar of Ur, the father and mother deity combined, and Isis of Egypt. Nannar is addressed in a famous hymn:
Father Nannar, Lord, God Sin, ruler among the gods. . . .
Mother body which produceth all things. . . .
Merciful, gracious Father, in whose hand the life of the whole land is contained.

One of the Isis chants of Egypt sets forth, addressing Osiris:
There cometh unto thee Isis, lady of the horizon, who hath begotten herself alone in the image of the gods . . .
She hath taken vengeance before Horus, the woman who was made a male by her father Osiris.2

Merodach, like Osiris-Sokar, was a "lord of many existences", and likewise "the mysterious one, he who is unknown to mankind".3 It was impossible for the human mind "a greater than itself to know".

Evidence has not yet been forthcoming to enable us to determine the period at which the chief Babylonian deities were identified with the planets, but it is clear that Merodach's ascendancy in astral form could not have occurred prior to the rise of that city god of Babylon as chief of the pantheon by displacing Enlil. At the same time it must be recognized that long before the Hammurabi age the star-gazers of the Tigro-Euphrates valley must have been acquainted with the movements of the chief planets and stars, and, no doubt, they connected them with seasonal changes as in Egypt, where Isis was identified with Sirius long before the Ptolemaic age, when Babylonian astronomy was imported. Horus was identified not only with the sun but also with Saturn, Jupiter, and Mars.1 Even the primitive Australians, as has been indicated, have their star myths; they refer to the stars Castor and Pollux as two young men, like the ancient Greeks, while the African Bushmen assert that these stars are two girls. It would be a mistake, however, to assume that the prehistoric Sumerians were exact astronomers. Probably they were, like the Aryo-Indians of the Vedic period, "not very accurate observers".2

It is of special interest to find that the stars were grouped by the Babylonians at the earliest period in companies of seven. The importance of this magical number is emphasized by the group of seven demons which rose from the deep to rage over the land (p. 71 ). Perhaps the sanctity of Seven was suggested by Orion, the Bears, and the Pleiad, one of which constellations may have been the "Sevenfold" deity addressed as "one". At any rate arbitrary groupings of other stars into companies of seven took place, for references are made to the seven Tikshi, the seven Lumashi, and the seven Mashi, which are older than the signs of the Zodiac; so far as can be ascertained these groups were selected from various constellations. When the five planets were identified, they were associated with the sun and moon and connected with the chief gods of the Hammurabi pantheon. A bilingual list in the British Museum arranges the sevenfold planetary group in the following order:--


The moon, Sin.
The sun, Shamash.
Jupiter, Merodach.
Venus, Ishtar.
Saturn, Ninip (Nirig).
Mercury, Nebo.
Mars, Nergal.

An ancient name of the moon was Aa, or Ai, which recalls the Egyptian A or Ah. The Sumerian moon was Aku, "the measurer", like Thoth of Egypt, who in his lunar character as a Fate measured out the lives of men, and was a god of architects, mathematicians, and scribes. The moon was the parent of the sun or its spouse; and might be male, or female, or both as a bi-sexual deity.

As the "bull of light" Jupiter had solar associations; he was also the shepherd of the stars, a title shared by Tammuz as Orion; Nin-Girsu, a developed form of Tammuz, was identified with both Orion and Jupiter.

Ishtar's identification with Venus is of special interest. When that planet was at its brightest phase, its rays were referred to as "the beard" of the goddess; she was the "bearded Aphrodite"--a bisexual deity evidently. The astrologers regarded the bright Venus as lucky and the rayless Venus as unlucky.

Saturn was Nirig, who is best known as Ninip, a deity who was displaced by Enlil, the elder Bel, and afterwards regarded as his son. His story has not been recovered, but from the references made to it there is little doubt that it was a version of the widespread myth about the elder deity who was slain by his son, as Saturn was by Jupiter and Dyaus by Indra. It may have resembled the lost Egyptian myth which explained the existence of the two Horuses--Horus the elder, and Horus, the posthumous son of Osiris. At any rate, it is of interest to find in this connection that in Egypt the planet Saturn was Her-Ka, "Horus the Bull". Ninip was also identified with the bull. Both deities were also connected with the spring sun, like Tammuz, and were terrible slayers of their enemies. Ninip raged through Babylonia like a storm flood, and Horus swept down the Nile, slaying the followers of Set. As the divine sower of seed, Ninip may have developed from Tammuz as Horus did from Osiris. Each were at once the father and the son, different forms of the same deity at various seasons of the year. The elder god was displaced by the son (spring), and when the son grew old his son slew him in turn. As the planet Saturn, Ninip was the ghost of the elder god, and as the son of Bel he was the solar war god of spring, the great wild bull, the god of fertility. He was also as Ber "lord of the wild boar", an animal associated with Rimmon.1

Nebo (Nabu), who was identified with Mercury, was a god of Borsippa. He was a messenger and "announcer" of the gods, as the Egyptian Horus in his connection with Jupiter was Her-ap-sheta, "Horus the opener of that which is secret".2 Nebo's original character is obscure.

THE GOD NINIP AND ANOTHER DEITY<br> <i>Marble slab from Kenyan jib (Nineveh): now in the British Museum</i>.<br> Photo Mansell

THE GOD NINIP AND ANOTHER DEITY
Marble slab from Kenyan jib (Nineveh): now in the British Museum.
Photo Mansell

He appears to have been a highly developed deity of a people well advanced in civilization when he was exalted as the divine patron of Borsippa. Although Hammurabi ignored him, he was subsequently invoked with Merodach, and had probably much in common with Merodach. Indeed, Merodach was also identified with the planet Mercury. Like the Greek Hermes, Nebo was a messenger of the gods and an instructor of mankind. Jastrow regards him as "a counterpart of Ea", and says: "Like Ea, he is the embodiment and source of wisdom. The art of writing--and therefore of all literature--is more particularly associated with him. A common form of his name designates him as the 'god of the stylus'."1 He appears also to have been a developed form of Tammuz, who was an incarnation of Ea. Professor Pinches shows that one of his names, Mermer, was also a non-Semitic name of Ramman.2 Tammuz resembled Ramman in his character as a spring god of war. It would seem that Merodach as Jupiter displaced at Babylon Nebo as Saturn, the elder god, as Bel Enlil displaced the elder Ninip at Nippur.

The god of Mars was Nergal, the patron deity of Cuthah,3 who descended into the Underworld and forced into submission Eresh-ki-gal (Persephone), with whom he was afterwards associated. His "name", says Professor Pinches, "is supposed to mean 'lord of the great habitation', which would be a parallel to that of his spouse, Eresh-ki-gal".4 At Erech he symbolized the destroying influence of the sun, and was accompanied by the demons of pestilence. Mars was a planet of evil, plague, and death; its animal form was the wolf. In Egypt it was called Herdesher, "the Red Horus", and in Greece it was associated with Ares (the Roman Mars), the war god, who assumed his boar form to slay Adonis (Tammuz).

Nergal was also a fire god like the Aryo-Indian Agni, who, as has been shown, links with Tammuz as a demon slayer and a god of fertility. It may be that Nergal was a specialized form of Tammuz, who, in a version of the myth, was reputed to have entered the Underworld as a conqueror when claimed by Eresh-ki-gal, and to have become, like Osiris, the lord of the dead. If so, Nergal was at once the slayer and the slain.

The various Babylonian deities who were identified with the planets had their characters sharply defined as members of an organized pantheon. But before this development took place certain of the prominent heavenly bodies, perhaps all the planets, were evidently regarded as manifestations of one deity, the primeval Tammuz, who was a form of Ea, or of the twin deities Ea and Anu. Tammuz may have been the "sevenfold one" of the hymns. At a still earlier period the stars were manifestations of the Power whom the jungle dwellers of Chota Nagpur attempt to propitiate--the "world soul" of the cultured Brahmans of the post-Vedic Indian Age. As much is suggested by the resemblances which the conventionalized planetary deities bear to Tammuz, whose attributes they symbolized, and by the Egyptian conception that the sun, Jupiter, Saturn, and Mars were manifestations of Horus. Tammuz and Horus may have been personifications of the Power or World Soul vaguely recognized in the stage of Naturalism.

The influence of animistic modes of thought may be traced in the idea that the planets and stars were the ghosts of gods who were superseded by their sons. These sons were identical with their fathers; they became, as in Egypt, "husbands of their mothers". This idea was perpetuated in the Aryo-Indian Laws of Manu, in which it is set forth that "the husband, after conception by his wife, becomes an embryo and is born again of her".1 The deities died every year, but death was simply change. Yet they remained in the separate forms they assumed in their progress round "the wide circle of necessity". Horus was remembered as various planets--as the falcon, as the elder sun god, and as the son of Osiris; and Tammuz was the spring sun, the child, youth, warrior, the deity of fertility, and the lord of death (Orion-Nergal), and, as has been suggested, all the planets.

The stars were also the ghosts of deities who died daily. When the sun perished as an old man at evening, it rose in the heavens as Orion, or went out and in among the stars as the shepherd of the flock, Jupiter, the planet of Merodach in Babylonia, and Attis in Asia Minor. The flock was the group of heavenly spirits invisible by day, the "host of heaven"--manifestations or ghosts of the emissaries of the controlling power or powers.

The planets presided over various months of the year. Sin (the moon) was associated with the third month; it also controlled the calendar; Ninip (Saturn) was associated with the fourth month, Ishtar (Venus) with the sixth, Shamash (the sun) with the seventh, Merodach (Jupiter) with the eighth, Nergal (Mars) with the ninth, and a messenger of the gods, probably Nebo (Mercury), with the tenth.

Each month was also controlled by a zodiacal constellation. In the Creation myth of Babylon it is stated that when Merodach engaged in the work of setting the Universe in order he "set all the great gods in their several stations", and "also created their images, the stars of the Zodiac,1 and fixed them all".

Our signs of the Zodiac are of Babylonian origin. They were passed on to the Greeks by the Phnicians and Hittites. "There was a time", says Professor Sayce, "when the Hittites were profoundly affected by Babylonian civilization, religion, and art. . . ." They "carried the time-worn civilizations of Babylonia and Egypt to the furthest boundary of Egypt, and there handed them over to the West in the grey dawn of European history. . . . Greek traditions affirmed that the rulers of Mykenhad come from Lydia, bringing with them the civilization and treasures of Asia Minor. The tradition has been confirmed by modern research. While certain elements belonging to the prehistoric culture of Greece, as revealed at Mykenand elsewhere, were derived from Egypt and Phoenicia, there are others which point to Asia Minor as their source. And the culture of Asia Minor was Hittite."2

The early Babylonian astronomers did not know, of course, that the earth revolved round the sun. They believed that the sun travelled across the heavens flying like a bird or sailing like a boat.3 In studying its movements they observed that it always travelled from west to east along a broad path, swinging from side to side of it in the course of the year. This path is the Zodiac--the celestial "circle of necessity".

SYMBOLS OF DEITIES AS ASTRONOMICAL SIGNS<br> Sculptured on a stone recording privileges granted to Ritti-Marduk by Nebuchadnezzar I<br> (<i>British Museum</i>)

SYMBOLS OF DEITIES AS ASTRONOMICAL SIGNS
Sculptured on a stone recording privileges granted to Ritti-Marduk by Nebuchadnezzar I
(British Museum)

The middle line of the sun's path is the Ecliptic. The Babylonian scientists divided the Ecliptic into twelve equal parts, and grouped in each part the stars which formed their constellations; these are also called "Signs of the Zodiac". Each month had thus its sign or constellation.

The names borne at the present day by the signs of the Zodiac are easily remembered even by children, who are encouraged to repeat the following familiar lines:
The Ram, the Bull, the heavenly Twins,
And next the Crab, the Lionshines.
The Virginand the Scales;
The Scorpion, Archer, and Sea goat,
The man that holds the water pot,
And Fishwith glittring1 tails.

The table shows that our signs are derived from ancient Babylonia.

The celestial regions were also divided into three or more parts. Three "fields" were allotted to the ancient triad formed by Ea, Anu, and Bel. The zodiacal "path" ran through these "fields". Ea's field was in the west, and was associated with Amurru, the land of the Amorites; Anu's field was in the south, and was associated with Elam; and Bel's central "field" was associated with the land of Akkad. When the rulers of Akkad called themselves "kings of the four quarters", the reference was to the countries associated with the three divine fields and to Gutium2 (east = our north-east). Was Gutium associated with demons, as in Scandinavia the north-east was associated with the giants against whom Thor waged war?

The Babylonian Creation myth states that Merodach, having fixed the stars of the Zodiac, made three stars for each month.

Constellations.

Date of Sun's Entry (Babylonian Month in brackets).

Babylonian Equivalent.

Aries (the Ram).

20th March (Nisan = March-April).

The Labourer or Messenger.

Taurus (the Bull).

20th April (Iyyar = April-May).

A divine figure and the "bull of heaven".

Gemini (the Twins).

21st May (Sivan = May-June).

The Faithful Shepherd and Twins side by side, or head to head and feet to feet.

Cancer (the Crab).

21st June (Tammuz = June-July).

Crab or Scorpion.

Leo (the Lion).

22nd July (Ab = July-August).

The big dog (Lion).

Virgo (the Virgin).

23rd August (Elul = August-Sept.).

Ishtar, the Virgin's ear of corn.

Libra (the Balance).

23rd September (Tisri = Sept.-Oct.).

The Balance.

Scorpio (the Scorpion).

23rd October (Marcheswan = Oct.-Nov.).

Scorpion of darkness.

Sagittarius (the Archer).

22nd November (Chisleu = Nov.-Dec.).

Man or man-horse with bow, or an arrow symbol.

Capricornus (the Goat).

21st December (Tebet = Dec.-Jan.).

Ea's goat-fish.

Aquarius (the Water Carrier).

19th January (Sebat = Jan.-Feb.).

God with water urn.

Pisces (the Fishes).

18th February (Adar = Feb.-March).

Fish tails in canal.

Mr. Robert Brown, jun., who has dealt as exhaustively with the astronomical problems of Babylonia as the available data permitted him, is of opinion that the leading stars of three constellations are referred to, viz.: (1) the central or zodiacal constellations, (2) the northern constellations, and (3) the southern constellations. We have thus a scheme of thirty-six constellations. The "twelve zodiacal stars were flanked on either side by twelve non-zodiacal stars". Mr. Brown quotes Diodorus, who gave a rumof Babylonian astronomico-astrology, in this connection. He said that "the five planets were called 'Interpreters'; and in subjection to these were marshalled 'Thirty Stars', which were styled 'Divinities of the Council'. . . The chiefs of the Divinities are twelve in number, to each of whom they assign a month and one of the twelve signs of the Zodiac." Through these twelve signs sun, moon, and planets run their courses. "And with the zodiacal circle they mark out twenty-four stars, half of which they say are arranged in the north and half in the south."1 Mr. Brown shows that the thirty stars referred to "constituted the original Euphratean Lunar Zodiac, the parent of the seven ancient lunar zodiacs which have come down to us, namely, the Persian, Sogdian, Khorasmian, Chinese, Indian, Arab, and Coptic schemes".

The three constellations associated with each month had each a symbolic significance: they reflected the characters of their months. At the height of the rainy season, for instance, the month of Ramman, the thunder god, was presided over by the zodiacal constellation of the water urn, the northern constellation "Fish of the Canal", and the southern "the Horse". In India the black horse was sacrificed at rain-getting and fertility ceremonies. The months of growth, pestilence, and scorching sun heat were in turn symbolized. The "Great Bear" was the "chariot" = "Charles's Wain", and the "Milky Way" the "river of the high cloud", the Celestial Euphrates, as in Egypt it was the Celestial Nile.

Of special interest among the many problems presented by Babylonian astronomical lore is the theory of Cosmic periods or Ages of the Universe. In the Indian, Greek, and Irish mythologies there are four Ages--the Silvern (white), Golden (yellow), the Bronze (red), and the Iron (black). As has been already indicated, Mr. R. Brown, jun., shows that "the Indian system of Yugas, or ages of the world, presents many features which forcibly remind us of the Euphratean scheme". The Babylonians had ten antediluvian kings, who were reputed to have reigned for vast periods, the total of which amounted to 120 saroi, or 432,000 years. These figures at once recall the Indian Maha-yuga of 4,320,000 years = 432,000 X 10. Apparently the Babylonian and Indian systems of calculation were of common origin. In both countries the measurements of time and space were arrived at by utilizing the numerals 10 and 6.

When primitive man began to count he adopted a method which comes naturally to every schoolboy; he utilized his fingers. Twice five gave him ten, and from ten he progressed to twenty, and then on to a hundred and beyond. In making measurements his hands, arms, and feet were at his service. We are still measuring by feet and yards (standardized strides) in this country, while those who engage in the immemorial art of knitting, and, in doing so, repeat designs found on neolithic pottery, continue to measure in finger breadths, finger lengths, and hand breadths as did the ancient folks who called an arm length a cubit. Nor has the span been forgotten, especially by boys in their games with marbles; the space from the end of the thumb to the end of the little finger when the hand is extended must have been an important measurement from the earliest times.

As he made progress in calculations, the primitive Babylonian appears to have been struck by other details in his anatomy besides his sets of five fingers and five toes. He observed, for instance, that his fingers were divided into three parts and his thumb into two parts only;1 four fingers multiplied by three gave him twelve, and multiplying 12 by 3 he reached 36. Apparently the figure 6 attracted him. His body was divided into 6 parts--2 arms, 2 legs, the head, and the trunk; his 2 ears, 2 eyes, and mouth, and nose also gave him 6. The basal 6, multiplied by his la fingers, gave him 60, and 60 x 2 (for his 2 hands) gave him 120. In Babylonian arithmetic 6 and 60 are important numbers, and it is not surprising to find that in the system of numerals the signs for 1 and 10 combined represent 60.

In fixing the length of a mythical period his first great calculation of 120 came naturally to the Babylonian, and when he undertook to measure the Zodiac he equated time and space by fixing on 120 degrees. His first zodiac was the Sumerian lunar zodiac, which contained thirty moon chambers associated with the "Thirty Stars" of the tablets, and referred to by Diodorus as "Divinities of the Council". The chiefs of the Thirty numbered twelve. In this system the year began in the winter solstice. Mr. Hewitt has shown that the chief annual festival of the Indian Dravidians begins with the first full moon after the winter festival, and Mr. Brown emphasizes the fact that the list of Tamil (Dravidian) lunar and solar months are named like the Babylonian constellations.1 "Lunar chronology", wrote Professor Max Mler, "seems everywhere to have preceded solar chronology."2 The later Semitic Babylonian system had twelve solar chambers and the thirty-six constellations.

Each degree was divided into sixty minutes, and each minute into sixty seconds. The hours of the day and night each numbered twelve.

Multiplying 6 by 10 (pur), the Babylonian arrived at 60 (soss); 60 x 10 gave him 600 (ner), and 600 x 6, 3600 (sar), while 3600 x 10 gave him 36,000, and 36,000 x 12, 432,000 years, or 120 saroi, which is equal to the "sar" multiplied by the "soss" x 2. "Pur" signifies "heap"--the ten fingers closed after being counted; and "ner" signifies "foot". Mr. George Bertin suggests that when 6 x 10 fingers gave 60 this number was multiplied by the ten toes, with the result that 600 was afterwards associated with the feet (ner). The Babylonian sign for 10 resembles the impression of two feet with heels closed and toes apart. This suggests a primitive record of the first round of finger counting.

In India this Babylonian system of calculation was developed during the Brahmanical period. The four Yugas or Ages, representing the four fingers used by the primitive mathematicians, totalled 12,000 divine years, a period which was called a Maha-yuga; it equalled the Babylonian 120 saroi, multiplied by 100. Ten times a hundred of these periods gave a "Day of Brahma". Each day of the gods, it was explained by the Brahmans, was a year to mortals. Multiplied by 360 days, 12,000 divine years equalled 4,320,000 human years. This Maha-yuga, multiplied by 1000, gave the "Day of Brahma" as 4,320,000,000 human years.

The shortest Indian Yuga is the Babylonian 120 saroi multiplied by 10 = 1200 divine years for the Kali Yuga; twice that number gives the Dvapara Yuga of 2400 divine years; then the Treta Yuga is 2400 + 1200 = 3600 divine years, and Krita Yuga 3600 + 1200=4800 divine years.

The influence of Babylonia is apparent in these calculations. During the Vedic period "Yuga" usually signified a "generation", and there are no certain references to the four Ages as such. The names "Kali", "Dvapara", "Treta", and "Krita" "occur as the designations of throws of dice".1 It was after the arrival of the "late corners", the post-Vedic Aryans, that the Yuga system was developed in India.2

In Indian Myth and Legend3 it is shown that the Indian and Irish Ages have the same colour sequence: (1) White or Silvern, (2) Red or Bronze, (3) Yellow or Golden, and (4) Black or Iron. The Greek order is: (1) Golden, (2) Silvern, (3) Bronze, and (4) Iron.

The Babylonians coloured the seven planets as follows: the moon, silvern; the sun, golden; Mars, red; Saturn, black; Jupiter, orange; Venus, yellow; and Mercury, blue.

As the ten antediluvian kings who reigned for 120 saroi had an astral significance, their long reigns corresponding "with the distances separating certain of the principal stars in or near the ecliptic",4 it seems highly probable that the planets were similarly connected with mythical ages which were equated with the "four quarters" of the celestial regions and the four regions of the earth, which in Gaelic story are called "the four red divisions of the world".

Three of the planets may have been heralds of change. Venus, as "Dilbat", was the "Proclaimer", and both Jupiter and Mercury were called "Face voices of light", and "Heroes of the rising sun" among other names. Jupiter may have been the herald of the "Golden Age" as a morning star. This planet was also associated with bronze, as "Kakkub Urud", "the star of bronze", while Mars was "Kakkub Aban Kha-urud", "the star of the bronze fish stone". Mercury, the lapis lazuli planet, may have been connected with the black Saturn, the ghost of the dead sun, the demoniac elder god; in Egypt lapis lazuli was the hair colour of Ra when he grew old, and Egyptologists translate it as black.1 The rare and regular appearances of Mercury may have suggested the planet's connection with a recurring Age. Venus as an evening star might be regarded as the herald of the lunar or silver age; she was propitious as a bearded deity and interchanged with Merodach as a seasonal herald.

Connecting Jupiter with the sun as a propitious planet, and with Mars as a destroying planet, Venus with the moon, and Mercury with Saturn, we have left four colour schemes which suggest the Golden, Silvern, Bronze, and Iron Ages. The Greek order of mythical ages may have had a solar significance, beginning as it does with the "golden" period. On the other hand the Indian and Irish systems begin with the Silvern or white lunar period.

In India the White Age (Treta Yuga) was the age of perfect men, and in Greece the Golden Age was the age of men who lived like gods. Thus the first ages in both cases were "Perfect" Ages. The Bronze Age of Greece was the age of notorious fighters and takers of life; in Babylonia the bronze planet Mars was the symbol of the destroying Nergal, god of war and pestilence, while Jupiter was also a destroyer as Merodach, the slayer of Tiamat. In India the Black Age is the age of wickedness. The Babylonian Saturn, as we have seen, is black, and its god, Ninip, was the destroying boar, which recalls the black boar of the Egyptian demon (or elder god) Set. The Greek Cronos was a destroyer even of his own children. All the elder gods had demoniac traits like the ghosts of human beings.

As the Babylonian lunar zodiac was imported into India before solar worship and the solar zodiac were developed, so too may have been the germs of the Yuga doctrine, which appears to have a long history. Greece, on the other hand, came under the influence of Babylon at a much later period. In Egypt Ra, the sun god, was an antediluvian king, and he was followed by Osiris. Osiris was slain by Set, who was depicted sometimes red and sometimes black. There was also a Horus Age.

The Irish system of ages suggests an early cultural drift into Europe, through Asia Minor, and along the uplands occupied by the representatives of the Alpine or Armenoid peoples who have been traced from Hindu Kush to Brittany. The culture of Gaul resembles that of India in certain particulars; both the Gauls and the post-Vedic Aryans, for instance, believed in the doctrine of Transmigration of Souls, and practised "suttee". After the Roman occupation of Gaul, Ireland appears to have been the refuge of Gaulish scholars, who imported their beliefs and traditions and laid the foundations of that brilliant culture which shed lustre on the Green Isle in late Pagan and early Christian times.

The part played by the Mitanni people of Aryan speech in distributing Asiatic culture throughout Europe may have been considerable, but we know little or nothing regarding their movements and influence, nor has sufficient evidence been forthcoming to connect them with the cremating invaders of the Bronze Age, who penetrated as far as northern Scotland and Scandinavia. On the other hand it is certain that the Hittites adopted the planetary system of Babylonia and passed it on to Europeans, including the Greeks. The five planets Ninip, Merodach, Nergal, Ishtar, and Nebo were called by the Greeks after their gods Kronos, Zeus, Ares, Aphrodite, and Hermes, and by the Romans Saturnus, Jupiter, Mars, Venus, and Mercurius. It must be recognized, however, that these equations were somewhat arbitrary. Ninip resembled Kronos and Saturnus as a father, but he was also at the same time a son; he was the Egyptian Horus the elder and Horus the younger in one. Merodach was similarly of complex character--a combination of Ea, Aim, Enlil, and Tammuz, who acquired, when exalted by the Amoritic Dynasty of Babylon, the attributes of the thunder god Adad-Ramman in the form of Amurru, "lord of the mountains". During the Hammurabi Age Amurru was significantly popular in personal names. It is as Amurru-Ramman that Merodach bears comparison with Zeus. He also links with Hercules. Too much must not be made, therefore, of the Greek and Roman identifications of alien deities with their own. Mulla, the Gaulish mule god, may have resembled Mars somewhat, but it is a "far cry" from Mars-Mulla to Mars-Nergal, as it is also from the Gaulish Moccus, the boar, called "Mercury", to Nebo, the god of culture, who was the "Mercury" of the Tigro-Euphrates valley. Similarly the differences between "Jupiter-Amon" of Egypt and "Jupiter-Merodach" of Babylon were more pronounced than the resemblances.

The basal idea in Babylonian astrology appears to be the recognition of the astral bodies as spirits or fates, who exercised an influence over the gods, the world, and mankind. These were worshipped in groups when they were yet nameless. The group addressed, "Powerful, O sevenfold, one are ye", may have been a constellation consisting of seven stars.1 The worship of stars and planets, which were identified and named, "seems never to have spread", says Professor Sayce, "beyond the learned classes, and to have remained to the last an artificial system. The mass of the people worshipped the stars as a whole, but it was only as a whole and not individually."2 The masses perpetuated ancient animistic beliefs, like the pre-Hellenic inhabitants of Greece. "The Pelasgians, as I was informed at Dodona," wrote Herodotus, "formerly offered all things indiscriminately to the gods. They distinguished them by no name or surname, for they were hitherto unacquainted with either; but they called them gods, which by its etymology means disposers, from observing the orderly disposition and distribution of the various parts of the universe."3 The oldest deities are those which bore no individual names. They were simply "Fates" or groups called "Sevenfold". The crude giant gods of Scotland are "Fomhairean" (Fomorians), and do not have individual names as in Ireland. Families and tribes were controlled by the Fates or nameless gods, which might appear as beasts or birds, or be heard knocking or screaming.

In the Babylonian astral hymns, the star spirits are associated with the gods, and are revealers of the decrees of Fate. "Ye brilliant stars . . . ye bright ones . . . to destroy evil did Anu create you. . . . At thy command mankind was named (created)! Give thou the Word, and with thee let the great gods stand! Give thou my judgment, make my decision!"1

The Indian evidence shows that the constellations, and especially the bright stars, were identified before the planets. Indeed, in Vedic literature there is no certain reference to a single planet, although constellations are named. It seems highly probable that before the Babylonian gods were associated with the astral bodies, the belief obtained that the stars exercised an influence over human lives. In one of the Indian "Forest Books", for instance, reference is made to a man who was "born under the Nakshatra Rohini".2 "Nakshatras" are stars in the Rigvedaand later, and "lunar mansions" in Brahmanical compositions.3 "Rohini, 'ruddy', is the name of a conspicuously reddish star, α Tauri or Aldebaran, and denotes the group of the Hyades."4 This reference may be dated before 600 B.C., perhaps 800 B.C.

From Greece comes the evidence of Plutarch regarding the principles of Babylonian astrology. "Respecting the planets, which they call the birth-ruling divinities, the Chaldeans", he wrote, "lay down that two (Venus and Jupiter) are propitious, and two (Mars and Saturn) malign, and three (Sun, Moon, and Mercury) of a middle nature, and one common." "That is," Mr. Brown comments, "an astrologer would say, these three are propitious with the good, and may be malign with the bad."1

Jastrow's views in this connection seem highly controversial. He holds that Babylonian astrology dealt simply with national affairs, and had no concern with "the conditions under which the individual was born"; it did not predict "the fate in store for him". He believes that the Greeks transformed Babylonian astrology and infused it with the spirit of individualism which is a characteristic of their religion, and that they were the first to give astrology a personal significance.

Jastrow also perpetuates the idea that astronomy began with the Greeks. "Several centuries before the days of Alexander the Great," he says, "the Greeks had begun to cultivate the study of the heavens, not for purposes of divination, but prompted by a scientific spirit as an intellectual discipline that might help them to solve the mysteries of the universe." It is possible, however, to overrate the "scientific spirit" of the Greeks, who, like the Japanese in our own day, were accomplished borrowers from other civilizations. That astronomy had humble beginnings in Greece as elsewhere is highly probable. The late Mr. Andrew Lang wrote in this connection: "The very oddest example of the survival of the notion that the stars are men and women is found in the Paxof Aristophanes. Trygs in that comedy has just made an expedition to heaven. A slave meets him, and asks him: 'Is not the story true, then, that we become stars when we die?' The answer is, 'Certainly'; and Trygs points out the star into which Ion of Chios has just been metamorphosed." Mr. Lang added: "Aristophanes is making fun of some popular Greek superstition". The Eskimos, Persians, Aryo-Indians, Germans, New Zealanders, and others had a similar superstition.1

Jastrow goes on to say that the Greeks "imparted their scientific view of the Universe to the East. They became the teachers of the East in astronomy as in medicine and other sciences, and the credit of having discovered the law of the precession of the equinoxes belongs to Hipparchus, the Greek astronomer, who announced this important theory about the year 130 B.C."2 Undoubtedly the Greeks contributed to the advancement of the science of astronomy, with which, as other authorities believe, they became acquainted after it had become well developed as a science by the Assyrians and Babylonians.

"In return for improved methods of astronomical calculation which," Jastrow says, "it may be assumed(the italics are ours), contact with Greek science gave to the Babylonian astronomers, the Greeks accepted from the Babylonians the names of the constellations of the ecliptic."3 This is a grudging admission; they evidently accepted more than the mere names.

Jastrow's hypothesis is certainly interesting, especially as he is an Oriental linguist of high repute. But it is not generally accepted. The sudden advance made by the Tigro-Euphratean astronomers when Assyria was at the height of its glory, may have been due to the discoveries made by great native scientists, the Newtons and the Herschels of past ages, who had studied the data accumulated by generations of astrologers, the earliest recorders of the movements of the heavenly bodies. It is hard to believe that the Greeks made much progress as scientists before they had identified the planets, and become familiar with the Babylonian constellations through the medium of the Hittites or the Phnicians. What is known for certain is that long centuries before the Greek science was heard of, there were scientists in Babylonia. During the Sumerian period "the forms and relations of geometry", says Professor Goodspeed, "were employed for purposes of augury. The heavens were mapped out, and the courses of the heavenly bodies traced to determine the bearing of their movements upon human destinies."1

Several centuries before Hipparchus was born, the Assyrian kings had in their palaces official astronomers who were able to foretell, with varying degrees of accuracy, when eclipses would take place. Instructions were sent to various observatories, in the king's name, to send in reports of forthcoming eclipses. A translation of one of these official documents sent from the observatory of Babylon to Nineveh, has been published by Professor Harper. The following are extracts from it: "As for the eclipse of the moon about which the king my lord has written to me, a watch was kept for it in the cities of Akkad, Borsippa, and Nippur. We observed it ourselves in the city of Akkad. . . . And whereas the king my lord ordered me to observe also the eclipse of the sun, I watched to see whether it took place or not, and what passed before my eyes I now report to the king my lord. It was an eclipse of the moon that took place. . . . It was total over Syria, and the shadow fell on the land of the Amorites, the land of the Hittites, and in part on the land of the Chaldees." Professor Sayce comments: "We gather from this letter that there were no less than three observatories in Northern Babylonia: one at Akkad, near Sippara; one at Nippur, now Niffer; and one at Borsippa, within sight of Babylon. As Borsippa possessed a university, it was natural that one of the three observatories should be established there."1

It is evident that before the astronomers at Nineveh could foretell eclipses, they had achieved considerable progress as scientists. The data at their disposal probably covered nearly two thousand years. Mr. Brown, junior, calculates that the signs of the Zodiac were fixed in the year 2084 B.C.2 These star groups do not now occupy the positions in which they were observed by the early astronomers, because the revolving earth is rocking like a top, with the result that the pole does not always keep pointing at the same spot in the heavens. Each year the meeting-place of the imaginary lines of the ecliptic and equator is moving westward at the rate of about fifty seconds. In time--ages hence--the pole will circle round to the point it spun at when the constellations were named by the Babylonians. It is by calculating the period occupied by this world-curve that the date 2084 B.C. has been arrived at.

As a result of the world-rocking process, the present-day "signs of the Zodiac" do not correspond with the constellations. In March, for instance, when the sun crosses the equator it enters the sign of the Ram (Aries), but does not reach the constellation till the 20th.

When "the ecliptic was marked off into the twelve regions" and the signs of the Zodiac were designated, "the year of three hundred sixty-five and one-fourth days was known", says Goodspeed, "though the common year was reckoned according to twelve months of thirty days each,1 and equated with the solar year by intercalating a month at the proper times. . . . The month was divided into weeks of seven days. . . . The clepsydra and the sundial were Babylonian inventions for measuring time."2

The sundial of Ahaz was probably of Babylonian design. When the shadow went "ten degrees backward" (2 Kings, xx, 11) ambassadors were sent from Babylon "to enquire of the wonder that was done in the land" (2 Chron., xxxii, 31). It was believed that the king's illness was connected with the incident. According to astronomical calculation there was a partial eclipse of the sun which was visible at Jerusalem on 11th January, 689 B.C., about 11.30 a.m. When the upper part of the solar disc was obscured, the shadow on the dial was strangely affected.

The Babylonian astrologers in their official documents were more concerned regarding international omens than those which affected individuals. They made observations not only of the stars, but also the moon, which, as has been shown, was one of their planets, and took note of the clouds and the wind likewise.

As portions of the heavens were assigned to various countries, so was the moon divided into four quarters for the same purpose--the upper part for the north, Gutium, the lower for the south, Akkad or Babylonia, the eastern part for Elam, and the western for Amurru. The crescent was also divided in like manner; looking southward the astrologers assigned the right horn to the west and the left to the east. In addition, certain days and certain months were connected with the different regions. Lunar astrology was therefore of complicated character. When the moon was dim at the particular phase which was connected with Amurru, it was believed that the fortunes of that region were in decline, and if it happened to shine brightly in the Babylonian phase the time was considered auspicious to wage war in the west. Great importance was attached to eclipses, which were fortunately recorded, with the result that the ancient astronomers were ultimately enabled to forecast them.

The destinies of the various states in the four quarters were similarly influenced by the planets. When Venus, for instance, rose brightly in the field of Anu, it was a "prosperor" for Elam; if it were dim it foretold misfortune. Much importance was also attached to the positions occupied by the constellations when the planets were propitious or otherwise; no king would venture forth on an expedition under a "yoke of inauspicious stars".

Biblical references to the stars make mention of well-known Babylonian constellations:

Canst thou bind the sweet influences of Pleiades, or loose the bands of Orion? Canst thou bring forth Mazzaroth (?the Zodiac) in his season? or canst thou guide Arcturus with his sons? Knowest thou the ordinances of heaven? canst thou set the dominion thereof in the earth? Job, xxxviii, 31-33.

Which maketh Arcturus, Orion, and Pleiades, and the chambers of the south. Job, ix, 9.

Seek him that maketh the seven stars and Orion, and turneth the shadow of death into the morning, and maketh the day dark with night. Amos, v, 8.

The so-called science of astrology, which had origin in ancient Babylonia and spread eastward and west, is not yet extinct, and has its believers even in our own country at the present day, although they are not nearly so numerous as when Shakespeare made Malvolio read:

In my stars I am above thee; but be not afraid of greatness: some are born great, some achieve greatness, and some have greatness thrust upon em. Thy Fates open their hands. . . .1

or when Byron wrote:
Ye stars! which are the poetry of heaven!
If in your bright leaves we would read the fate
Of men and empires--'t is to be forgiven
That in our aspirations to be great,
Our destinies oerleap their mortal state
And claim a kindred with you. . . .2

Our grave astronomers are no longer astrologers, but they still call certain constellations by the names given them in Babylonia. Every time we look at our watches we are reminded of the ancient mathematicians who counted on their fingers and multiplied 10 by 6, to give us minutes and seconds, and divided the day and the night into twelve hours by multiplying six by the two leaden feet of Time. The past lives in the present.

Footnotes

288:1 "It may be worth while to note again", says Beddoe, "how often finely developed skulls are discovered in the graveyards of old monasteries, and how likely seems Galton's conjecture, that progress was arrested in the Middle Ages, because the celibacy of the clergy brought about the extinction of the best strains of blood." The Anthropological History of Europe, p. 161 (1912).
291:1 Census of India, vol. i, part i, pp. 352 et seq.
291:2 Hibbert Lectures, Professor Sayce, p. 328.
292:1 The Story of Nala, Monier Williams, pp. 68-9 and 77.
292:2 "In Ymer's flesh (the earth) the dwarfs were engendered and began to move and live. . . . The dwarfs had been bred in the mould of the earth, just as worms are in a dead body." The Prose Edda.

"The gods . . . took counsel whom they should make the lord of dwarfs out of Ymer's blood (the sea) and his swarthy limbs (the earth)." The Elder Edda(Voluspa, stanza 9).
293:1 The Story of Nala, Monier Williams, p. 67.
295:1 Egyptian Myth and Legend, pp. 168 et seq.
297:1 The Burden of Isis, Dennis, p. 24.
298:1 Babylonian Magic and Sorcery, p. 117.
299:1 Babylonian and Assyrian Religion, T. G. Pinches, p. 100.
299:2 The Burden of Isis, J. T. Dennis, p. 49.
299:3 Ibid., p. 52.
300:1 Religion of the Ancient Egyptians, A. Wiedemann, p. 30.
300:2 Vedic Index, Macdonell & Keith, vol. i, pp. 423 et seq.
302:1 Religion of the Ancient Babylonians, Sayce, p. 153, n. 6.
302:2 Religion of the Ancient Egyptians, A. Wiedemann, p. 30.
303:1 Aspects of Religious Belief and Practice in Babylonia and Assyria, p. 95.
303:2 Babylonian and Assyrian Religion, pp. 63 and 83.
303:3 When the King of Assyria transported the Babylonians, &c., to Samaria "the men of Cuth made Nergal", 2 Kings, xvii, 30.
303:4 Babylonian and Assyrian Religion, p. 80.
305:1 Indian Myth and Legend, p. 13.
306:1 Derived from the Greek zōon, an animal.
306:2 The Hittites, pp. 116, 119, 120, 272.
306:3 "The sun . . . is as a bridegroom coming out of his chamber, and rejoiceth as a strong man to run a race." (Psalmxix, . et seq.) The marriage of the sun bridegroom with the moon bride appears to occur in Hittite mythology. In Aryo-Indian Vedic mythology the bride of the sun (Surya) is Ushas, the Dawn. The sun maiden also married the moon god. The Vedic gods ran a race and Indra and Agni were the winners. The sun was "of the nature of Agni". Indian Myth and Legend, pp. 14, 36, 37.
307:1 Or golden.
307:2 The later reference is to Assyria. There was no Assyrian kingdom when these early beliefs were developed.
309:1 Primitive Constellations, R. Brown, jun., vol. ii, p. 1 et seq.
311:1 In India "finger counting" (Kaur guna) is associated with prayer or the repeating of mantras. The counting is performed by the thumb, which, when the hand is drawn up, touches the upper part of the third finger. The two upper "chambers" of the third finger are counted, then the two upper "chambers" of the little finger; the thumb then touches the tip of each finger from the little finger to the first; when it comes down into the upper chamber of the first finger 9 is counted. By a similar process each round of 9 on the right hand is recorded by the left up to 12; 12 X 9 = 108 repetitions of a mantra. The upper "chambers" of the fingers are the "best" or "highest" (uttama), the lower (adhama) chambers are not utilized in the prayer-counting process. When Hindus sit cross-legged at prayers, with closed eyes, the right hand is raised from the elbow in front of the body, and the thumb moves each time a mantra is repeated; the left hand lies palm upward on the left knee, and the thumb moves each time nine mantras have been counted.
312:1 Primitive Constellations, R. Brown, jun., vol. ii, p. 61; and Early History of Northern India, J. F. Hewitt, pp. 551-2.
312:2 Rigveda-Samhita, vol. iv (1892), p. 67.
313:1 Vedic Index, Macdonell & Keith, vol. ii, pp. 192 et seq.
313:2 Indian Myth and Legend.
313:3 Pp. 107 et seq.
313:4 Primitive Constellations, R. Brown, jun., vol. i, 1. 333. A table is given showing how 120 saroi equals 360 degrees, each king being identified with a star.
314:1 "Behold, his majesty the god Ra is grown old; his bones are become silver, his limbs gold, and his hair pure lapis lazuli." Religion of the Ancient Egyptians, A. Wiedemann, p. 58. Ra became a destroyer after completing his reign as an earthly king.
317:1 As Nin-Girsu, Tammuz was associated with "sevenfold" Orion.
317:2 Babylonian and Assyrian Life, pp. 61, 62.
317:3 Herodotus(ii, 52) as quoted in Egypt and Scythia(London, 1886), p. 49.
318:1 Babylonian Magic and Sorcery, L. W. King (London, 1896), pp. 43 and 115.
318:2 Vedic Index, Macdonell & Keith, vol. ii, p. 229.
318:3 Ibid., vol. i, pp. 409, 410.
318:4 Ibid., vol. i, p. 415.
319:1 Primitive Constellations, vol. i, p. 343.
320:1 Custom and Myth, pp. 133 et seq.
320:2 Dr. Alfred Jeremias gives very forcible reasons for believing that the ancient Babylonians were acquainted with the precession of the equinoxes. Das Alter der Babylonischen Astronomie(Hinrichs, Leipzig, 1908), pp. 47 et seq.
320:3 Aspects of Religious Belief and Practice in Babylonia and Assyria, pp. 207 et seq.
321:1 A History of the Babylonians and Assyrians, p. 93.
322:1 Babylonians and Assyrians: Life and Customs, pp. 219, 220.
322:2 Primitive Constellations, vol. ii, pp. 147 et seq.
323:1 The Aryo-Indians had a lunar year of 360 days (Vedic Index, ii, 158).
323:2 A History of the Babylonians and Assyrians, p. 94.
325:1 Twelfth Night, act ii, scene 5.
325:2 Childe Harold, canto iii, v, 88.

Next: Chapter XIV. Ashur the National God of Assyria

Myths of Babylon and Assyria: Chapter XIV. Ashur the National God of Assyria

CHAPTER XIV

Ashur the National God of Assyria

Derivation of Ashur--Ashur as Anshar and Anu--Animal forms of Sky God--Anshar as Star God on the Celestial Mount--Isaiah's Parable--Symbols of World God and World Hill--Dance of the Constellations and Dance of Satyrs--Goat Gods and Bull Gods--Symbols of Gods as "High Heads"--The Winged Disc--Human Figure as Soul of the Sun--Ashur as Hercules and Gilgamesh--Gods differentiated by Cults--Fertility Gods as War Gods--Ashur's Tree and Animal forms--Ashur as Nisroch--Lightning Symbol in Disc--Ezekiel's Reference to Life Wheel--Indian Wheel and Discus--Wheels of Shamash and Ahura-Mazda--Hittite Winged Disc--Solar Wheel causes Seasonal Changes--Bonfires to stimulate Solar Deity--Burning of Gods and Kings--Magical Ring and other Symbols of Scotland--Ashur's Wheel of Life and Eagle Wings--King and Ashur--Ashur associated with Lunar, Fire, and Star Gods--The Osirian Clue--Hittite and Persian Influences.

THE rise of Assyria brings into prominence the national god Ashur, who had been the city god of Asshur, the ancient capital. When first met with, he is found to be a complex and mystical deity, and the problem of his origin is consequently rendered exceedingly difficult. Philologists are not agreed as to the derivation of his name, and present as varied views as they do when dealing with the name of Osiris. Some give Ashur a geographical significance, urging that its original form was Aushar, "water field"; others prefer the renderings "Holy", "the Beneficent One", or "the Merciful One"; while not a few regard Ashur as simply a dialectic form of the name of Anshar, the god who, in the Assyrian version, or copy, of the Babylonian Creation myth, is chief of the "host of heaven", and the father of Anu, Ea, and Enlil.

If Ashur is to be regarded as an abstract solar deity, who was developed from a descriptive place name, it follows that he had a history, like Anu or Ea, rooted in Naturalism or Animism. We cannot assume that his strictly local character was produced by modes of thought which did not obtain elsewhere. The colonists who settled at Asshur no doubt imported beliefs from some cultural area; they must have either given recognition to a god, or group of gods, or regarded the trees, hills, rivers, sun, moon, and stars, and the animals as manifestations of the "self power" of the Universe, before they undertook the work of draining and cultivating the "water field" and erecting permanent homes. Those who settled at Nineveh, for instance, believed that they were protected by the goddess Nina, the patron deity of the Sumerian city of Nina. As this goddess was also worshipped at Lagash, and was one of the many forms of the Great Mother, it would appear that in ancient times deities had a tribal rather than a geographical significance.

If the view is accepted that Ashur is Anshar, it can be urged that he was imported from Sumeria. "Out of that land (Shinar)", according to the Biblical reference, "went forth Asshur, and builded Nineveh."1 Asshur, or Ashur (identical, Delitzsch and Jastrow believe, with Ashir),2 may have been an eponymous hero--a deified king like Etana, or Gilgamesh, who was regarded as an incarnation of an ancient god. As Anshar was an astral or early form of Anu, the Sumerian city of origin may have been Erech, where the worship of the mother goddess was also given prominence.

Damascius rendered Anshar's name as "Assōros", a fact usually cited to establish Ashur's connection with that deity. This writer stated that the Babylonians passed over "Sige,1 the mother, that has begotten heaven and earth", and made two--Apason (Apsu), the husband, and Tauthe (Tiawath or Tiamat), whose son was Moymis (Mummu). From these another progeny came forth--Lache and Lachos (Lachmu and Lachamu). These were followed by the progeny Kissare and Assōros (Kishar and Anshar), "from which were produced Anos (Anu), Illillos (Enlil) and Aos (Ea). And of Aos and Dauke (Dawkina or Damkina) was born Belos (Bel Merodach), whom they say is the Demiurge"2 (the world artisan who carried out the decrees of a higher being).

Lachmu and Lachamu, like the second pair of the ancient group of Egyptian deities, probably symbolized darkness as a reproducing and sustaining power. Anshar was apparently an impersonation of the night sky, as his son Anu was of the day sky. It may have been believed that the soul of Anshar was in the moon as Nannar (Sin), or in a star, or that the moon and the stars were manifestations of him, and that the soul of Anu was in the sun or the firmament, or that the sun, firmament, and the wind were forms of this "self power".

If Ashur combined the attributes of Anshar and Anu, his early mystical character may be accounted for. Like the Indian Brahma, he may have been in his highest form an impersonation, or symbol, of the "self power" or "world soul" of developed Naturalism--the "creator", "preserver", and "destroyer" in one, a god of water, earth, air, and sky, of sun, moon, and stars, fire and lightning, a god of the grove, whose essence was in the fig, or the fir cone, as it was in all animals. The Egyptian god Amon of Thebes, who was associated with water, earth, air, sky, sun and moon, had a ram form, and was "the hidden one", was developed from one of the elder eight gods; in the Pyramid Texts he and his consort are the fourth pair. When Amon was fused with the specialized sun god Ra, he was placed at the head of the Ennead as the Creator. "We have traces", says Jastrow, "of an Assyrian myth of Creation in which the sphere of creator is given to Ashur."1

Before a single act of creation was conceived of, however, the early peoples recognized the eternity of matter, which was permeated by the "self power" of which the elder deities were vague phases. These were too vague, indeed, to be worshipped individually. The forms of the "self power" which were propitiated were trees, rivers, hills, or animals. As indicated in the previous chapter, a tribe worshipped an animal or natural object which dominated its environment. The animal might be the source of the food supply, or might have to be propitiated to ensure the food supply. Consequently they identified the self power of the Universe with the particular animal with which they were most concerned. One section identified the spirit of the heavens with the bull and another with the goat. In India Dyaus was a bull, and his spouse, the earth mother, Prithivi, was a cow. The Egyptian sky goddess Hathor was a cow, and other goddesses were identified with the hippopotamus, the serpent, the cat, or the vulture. Ra, the sun god, was identified in turn with the cat, the ass, the bull, the ram, and the crocodile, the various animal forms of the local deities he had absorbed. The eagle in Babylonia and India, and the vulture, falcon, and mysterious Phoenix in Egypt, were identified with the sun, fire, wind, and lightning. The animals associated with the god Ashur were the bull, the eagle, and the lion. He either absorbed the attributes of other gods, or symbolized the "Self Power" of which the animals were manifestations.

The earliest germ of the Creation myth was the idea that night was the parent of day, and water of the earth. Out of darkness and death came light and life. Life was also motion. When the primordial waters became troubled, life began to be. Out of the confusion came order and organization. This process involved the idea of a stable and controlling power, and the succession of i a group of deities--passive deities and active deities. When the Babylonian astrologers assisted in developing the Creation myth, they appear to have identified with the stable and controlling spirit of the night heaven that steadfast orb the Polar Star. Anshar, like Shakespeare's Car, seemed to say:
I am constant as the northern star,
Of whose true-fixed and resting quality
There is no fellow in the firmament.
The skies are painted with unnumbered sparks;
They are all fire, and every one doth shine;
But there's but one in all doth hold his place.1

Associated with the Polar Star was the constellation Ursa Minor, "the Little Bear", called by the Babylonian astronomers, "the Lesser Chariot". There were chariots before horses were introduced. A patesi of Lagash had a chariot which was drawn by asses.

The seemingly steadfast Polar Star was called "Ilu Sar", "the god Shar", or Anshar, "star of the height ", or "Shar the most high". It seemed to be situated at the summit of the vault of heaven. The god Shar, therefore, stood upon the Celestial mountain, the Babylonian Olympus. He was the ghost of the elder god, who in Babylonia was displaced by the younger god, Merodach, as Mercury, the morning star, or as the sun, the planet of day; and in Assyria by Ashur, as the sun, or Regulus, or Arcturus, or Orion. Yet father and son were identical. They were phases of the One, the "self power".

A deified reigning king was an incarnation of the god; after death he merged in the god, as did the Egyptian Unas. The eponymous hero Asshur may have similarly merged in the universal Ashur, who, like Horus, an incarnation of Osiris, had many phases or forms.

Isaiah appears to have been familiar with the Tigro-Euphratean myths about the divinity of kings and the displacement of the elder god by the younger god, of whom the ruling monarch was an incarnation, and with the idea that the summit of the Celestial mountain was crowned by the "north star", the symbol of Anshar. "Thou shalt take up this parable", he exclaimed, making use of Babylonian symbolism, "against the king of Babylon and say, How hath the oppressor ceased! the golden city ceased! . . . How art thou fallen from heaven, O Lucifer, son of the morning! how art thou cut down to the ground, which didst weaken the nations! For thou hast said in thine heart, I will ascend unto heaven, I will exalt my throne above the stars of God; I will sit also upon the mount of the congregation, in the sides of the north; I will ascend above the heights of the clouds; I will be like the most High."1 The king is identified with Lucifer as the deity of fire and the morning star; he is the younger god who aspired to occupy the mountain throne of his father, the god Shar--the Polar or North Star.

It is possible that the Babylonian idea of a Celestial mountain gave origin to the belief that the earth was a mountain surrounded by the outer ocean, beheld by Etana when he flew towards heaven on the eagle's back. In India this hill is Mount Meru, the "world spine", which "sustains the earth"; it is surmounted by Indra's Valhal, or "the great city of Brahma". In Teutonic mythology the heavens revolve round the Polar Star, which is called "Veraldar nagli",1 the "world spike"; while the earth is sustained by the "world tree". The "ded" amulet of Egypt symbolized the backbone of Osiris as a world god: "ded" means "firm", "established";2 while at burial ceremonies the coffin was set up on end, inside the tomb, "on a small sandhill intended to represent the Mountain of the West--the realm of the dead".3 The Babylonian temple towers were apparently symbols of the "world hill". At Babylon, the Du-azaga, "holy mound", was Merodach's temple E-sagila, "the Temple of the High Head". E-kur, rendered "the house or temple of the Mountain", was the temple of Bel Enlil at Nippur. At Erech, the temple of the goddess Ishtar was E-anna, which connects her, as Nina or Ninni, with Anu, derived from "ana", "heaven". Ishtar was "Queen of heaven".

Now Polaris, situated at the summit of the celestial mountain, was identified with the sacred goat, "the highest of the flock of night".4 Ursa Minor (the "Little Bear" constellation) may have been "the goat with six heads", referred to by Professor Sayce.1 The six astral goats or goat-men were supposed to be dancing round the chief goat-man or Satyr (Anshar). Even in the dialogues of Plato the immemorial belief was perpetuated that the constellations were "moving as in a dance". Dancing began as a magical or religious practice, and the earliest astronomers saw their dancing customs reflected in the heavens by the constellations, whose movements were rhythmical. No doubt, Isaiah had in mind the belief of the Babylonians regarding the dance of their goat-gods when he foretold: "Their houses shall be full of doleful creatures; and owls (ghosts) shall dwell there, and satyrs shall dance there".2 In other words, there would be no people left to perform religious dances beside the "desolate houses"; the stars only would be seen dancing round Polaris.

Tammuz, like Anshar, as sentinel of the night heaven, was a goat, as was also Nin-Girsu of Lagash. A Sumerian reference to "a white kid of En Mersi (Nin-Girsu)" was translated into Semitic, "a white kid of Tammuz". The goat was also associated with Merodach. Babylonians, having prayed to that god to take away their diseases or their sins, released a goat, which was driven into the desert. The present Polar Star, which was not, of course, the Polar star of the earliest astronomers, the world having rocked westward, is called in Arabic Al-Jedy, "the kid". In India, the goat was connected with Agni and Varuna; it was slain at funeral ceremonies to inform the gods that a soul was about to enter heaven. Ea, the Sumerian lord of water, earth, and heaven, was symbolized as a "goat fish". Thor, the Teutonic fertility and thunder god, had a chariot drawn by goats. It is of interest to note that the sacred Sumerian goat bore on its forehead the same triangular symbol as the Apis bull of Egypt.

Ashur was not a "goat of heaven", but a "bull of heaven", like the Sumerian Nannar (Sin), the moon god of Ur, Ninip of Saturn, and Bel Enlil. As the bull, however, he was, like Anshar, the ruling animal of the heavens; and like Anshar he had associated with him "six divinities of council".

Other deities who were similarly exalted as "high heads" at various centres and at various periods, included Anu, Bel Enlil, and Ea, Merodach, Nergal, and Shamash. A symbol of the first three was a turban on a seat, or altar, which may have represented the "world mountain". Ea, as "the world spine", was symbolized as a column, with ram's head, standing on a throne, beside which crouched a "goat fish". Merodach's column terminated in a lance head, and the head of a lion crowned that of Nergal. These columns were probably connected with pillar worship, and therefore with tree worship, the pillar being the trunk of the "world tree". The symbol of the sun god Shamash was a disc, from which flowed streams of water; his rays apparently were "fertilizing tears", like the rays of the Egyptian sun god Ra. Horus, the Egyptian falcon god, was symbolized as the winged solar disc.

It is necessary to accumulate these details regarding other deities and their symbols before dealing with Ashur. The symbols of Ashur must be studied, because they are one of the sources of our knowledge regarding the god's origin and character. These include (1) a winged disc with horns, enclosing four circles revolving round a middle circle; rippling rays fall down from either side of the disc; (2) a circle or wheel, suspended from wings, and enclosing a warrior drawing his bow to discharge an arrow; and (3) the same circle; the warrior's bow, however, is carried in his left hand, while the right hand is uplifted as if to bless his worshippers. These symbols are taken from seal cylinders.

ASHUR SYMBOLS
Click to enlarge

ASHUR SYMBOLS
The winged disk on the right appears on a Babylonian "boundary stone" which dates from the reign of Marduk-balatsu-ikbi.
Photos. Mansell

An Assyrian standard, which probably represented the "world column", has the disc mounted on a bull's head with horns. The upper part of the disc is occupied by a warrior, whose head, part of his bow, and the point of his arrow protrude from the circle. The rippling water rays are V-shaped, and two bulls, treading river-like rays, occupy the divisions thus formed. There are also two heads--a lion's and a man's--with gaping mouths, which may symbolize tempests, the destroying power of the sun, or the sources of the Tigris and Euphrates.

Jastrow regards the winged disc as "the purer and more genuine symbol of Ashur as a solar deity". He calls it "a sun disc with protruding rays", and says: "To this symbol the warrior with the bow and arrow was added--a despiritualization that reflects the martial spirit of the Assyrian empire".1

The sun symbol on the sun boat of Ra encloses similarly a human figure, which was apparently regarded as the soul of the sun: the life of the god was in the "sun egg". In an Indian prose treatise it is set forth: "Now that man in yonder orb (the sun) and that man in the right eye truly are no other than Death (the soul). His feet have stuck fast in the heart, and having pulled them out he comes forth; and when he comes forth then that man dies; whence they say of him who has passed away, 'he has been cut off (his life or life string has been severed)'."1 The human figure did not indicate a process of "despiritualization" either in Egypt or in India. The Horus "winged disc" was besides a symbol of destruction and battle, as well as of light and fertility. Horus assumed that form in one legend to destroy Set and his followers.2 But, of course, the same symbols may not have conveyed the same ideas to all peoples. As Blake put it:
What to others a trifle appears
Fills me full of smiles and tears. . . .
With my inward Eye, t is an old Man grey,
With my outward, a Thistle across my way.

Indeed, it is possible that the winged disc meant one thing to an Assyrian priest, and another thing to a man not gifted with what Blake called "double vision".

What seems certain, however, is that the archer was as truly solar as the "wings" or "rays". In Babylonia and Assyria the sun was, among other things, a destroyer from the earliest times. It is not surprising, therefore, to find that Ashur, like Merodach, resembled, in one of his phases, Hercules, or rather his prototype Gilgamesh. One of Gilgamesh's mythical feats was the slaying of three demon birds. These may be identical with the birds of prey which Hercules, in performing his sixth labour, hunted out of Stymphalus.3 In the Greek Hipparcho-Ptolemy star list Hercules was the constellation of the "Kneeler", and in Babylonian-Assyrian astronomy he was (as Gilgamesh or Merodach) "Sarru", "the king". The astral "Arrow" (constellation of Sagitta) was pointed against the constellations of the "Eagle", "Vulture", and "Swan". In Phnician astronomy the Vulture was "Zither" (Lyra), a weapon with which Hercules (identified with Melkarth) slew Linos, the musician. Hercules used a solar arrow, which he received from Apollo. In various mythologies the arrow is associated with the sun, the moon, and the atmospheric deities, and is a symbol of lightning, rain, and fertility, as well as of famine, disease, war, and death. The green-faced goddess Neith of Libya, compared by the Greeks to Minerva, carries in one hand two arrows and a bow.1 If we knew as little of Athena (Minerva), who was armed with a lance, a breastplate made of the skin of a goat, a shield, and helmet, as we do of Ashur, it might be held that she was simply a goddess of war. The archer in the sun disc of the Assyrian standard probably represented Ashur as the god of the people--a deity closely akin to Merodach, with pronounced Tammuz traits, and therefore linking with other local deities like Ninip, Nergal, and Shamash, and partaking also like these of the attributes of the elder gods Anu, Bel Enlil, and Ea.

All the other deities worshipped by the Assyrians were of Babylonian origin. Ashur appears to have differed from them just as one local Babylonian deity differed from another. He reflected Assyrian experiences and aspirations, but it is difficult to decide whether the sublime spiritual aspect of his character was due to the beliefs of alien peoples, by whom the early Assyrians were influenced, or to the teachings of advanced Babylonian thinkers, whose doctrines found readier acceptance in a "new country" than among the conservative ritualists of ancient Sumerian and Akkadian cities. New cults were formed from time to time in Babylonia, and when they achieved political power they gave a distinctive character to the religion of their city states. Others which did not find political support and remained in obscurity at home, may have yet extended their influence far and wide. Buddhism, for instance, originated in India, but now flourishes in other countries, to which it was introduced by missionaries. In the homeland it was submerged by the revival of Brahmanism, from which it sprung, and which it was intended permanently to displace. An instance of an advanced cult suddenly achieving prominence as a result of political influence is afforded by Egypt, where the fully developed Aton religion was embraced and established as a national religion by Akhenaton, the so-called "dreamer". That migrations were sometimes propelled by cults, which sought new areas in which to exercise religious freedom and propagate their beliefs, is suggested by the invasion of India at the close of the Vedic period by the "later comers", who laid the foundations of Brahmanism. They established themselves in Madhyadesa, "the Middle Country", "the land where the Brahmanas and the later Samhitas were produced". From this centre went forth missionaries, who accomplished the Brahmanization of the rest of India.1

It may be, therefore, that the cult of Ashur was influenced in its development by the doctrines of advanced teachers from Babylonia, and that Persian Mithraism was also the product of missionary efforts extended from that great and ancient cultural area. Mitra, as has been stated, was one of the names of the Babylonian sun god, who was also a god of fertility. But Ashur could not have been to begin with merely a battle and solar deity. As the god of a city state he must have been worshipped by agriculturists, artisans, and traders; he must have been recognized as a deity of fertility, culture, commerce, and law. Even as a national god he must have made wider appeal than to the cultured and ruling classes. Bel Enlil of Nippur was a "world god" and war god, but still remained a local corn god.

Assyria's greatness was reflected by Ashur, but he also reflected the origin and growth of that greatness. The civilization of which he was a product had an agricultural basis. It began with the development of the natural resources of Assyria, as was recognized by the Hebrew prophet, who said: "Behold, the Assyrian was a cedar in Lebanon with fair branches. . . . The waters made him great, the deep set him up on high with her rivers running round about his plants, and sent out her little rivers unto all the trees of the field. Therefore his height was exalted above all the trees of the field, and his boughs were multiplied, and his branches became long because of the multitude of waters when he shot forth. All the fowls of heaven made their nests in his boughs, and under his branches did all the beasts of the field bring forth their young, and under his shadow dwelt all great nations. Thus was he fair in his greatness, in the length of his branches; for his root was by great waters. The cedars in the garden of God could not hide him: the fir trees were not like his boughs, and the chestnut trees were not like his branches; nor any tree in the garden of God was like unto him in his beauty."1

Asshur, the ancient capital, was famous for its merchants. It is referred to in the Bible as one of the cities which traded with Tyre "in all sorts of things, in blue clothes, and broidered work, and in chests of rich apparel, bound with cords, and made of cedar".1

As a military power, Assyria's name was dreaded. "Behold," Isaiah said, addressing King Hezekiah, "thou hast heard what the kings of Assyria have done to all lands by destroying them utterly."2 The same prophet, when foretelling how Israel would suffer, exclaimed: "O Assyrian, the rod of mine anger, and the staff in their hand is mine indignation. I will send him against an hypocritical nation, and against the people of my wrath will I give him a charge, to take the spoil, and to take the prey, and to tread them down like the mire of the streets."3

We expect to find Ashur reflected in these three phases of Assyrian civilization. If we recognize him in the first place as a god of fertility, his other attributes are at once included. A god of fertility is a corn god and a water god. The river as a river was a "creator", and Ashur was therefore closely associated with the "watery place", with the canals or "rivers running round about his plants". The rippling water-rays, or fertilizing tears, appear on the solar discs. As a corn god, he was a god of war. Tammuz's first act was to slay the demons of winter and storm, as Indra's in India was to slay the demons of drought, and Thor's in Scandinavia was to exterminate the frost giants. The corn god had to be fed with human sacrifices, and the people therefore waged war against foreigners to obtain victims. As the god made a contract with his people, he was a deity of commerce; he provided them with food and they in turn fed him with offerings.

In Ezekiel's comparison of Assyria to a mighty tree, there is no doubt a mythological reference. The Hebrew

WINGED DEITIES KNEELING BESIDE A SACRED TREE<br> <i>Marble Slab from N.W. Palace of Nimrod: now in British Museum</i>.<br> Photo. Manell
Click to enlarge

WINGED DEITIES KNEELING BESIDE A SACRED TREE
Marble Slab from N.W. Palace of Nimrod: now in British Museum.
Photo. Manell

prophets invariably utilized for their poetic imagery the characteristic beliefs of the peoples to whom they made direct reference. The "owls", "satyrs", and "dragons" of Babylon, mentioned by Isaiah, were taken from Babylonian mythology, as has been indicated. When, therefore, Assyria is compared to a cedar, which is greater than fir or chestnut, and it is stated that there are nesting birds in the branches, and under them reproducing beasts of the field, and that the greatness of the tree is due to "the multitude of waters", the conclusion is suggested that Assyrian religion, which Ashur's symbols reflect, included the worship of trees, birds, beasts, and water. The symbol of the Assyrian tree--probably the "world tree" of its religion--appears to be "the rod of mine anger . . . the staff in their hand"; that is, the battle standard which was a symbol of Ashur. Tammuz and Osiris were tree gods as well as corn gods.

Now, as Ashur was evidently a complex deity, it is futile to attempt to read his symbols without giving consideration to the remnants of Assyrian mythology which are found in the ruins of the ancient cities. These either reflect the attributes of Ashur, or constitute the material from which he evolved.

As Layard pointed out many years ago, the Assyrians had a sacred tree which became conventionalized. It was "an elegant device, in which curved branches, springing from a kind of scroll work, terminated in flowers of graceful form. As one of the figures last described1 was turned, as if in act of adoration, towards this device, it was evidently a sacred emblem; and I recognized in it the holy tree, or tree of life, so universally adored at the remotest period in the East, and which was preserved in the religious systems of the Persians to the final overthrow of their Empire. . . . The flowers were formed by seven petals."1

This tree looks like a pillar, and is thrice crossed by conventionalized bull's horns tipped with ring symbols which may be stars, the highest pair of horns having a larger ring between them, but only partly shown as if it were a crescent. The tree with its many "sevenfold" designs may have been a symbol of the "Sevenfold-one-are-ye" deity. This is evidently the Assyrian tree which was called "the rod" or "staff".

What mythical animals did this tree shelter? Layard found that "the four creatures continually introduced on the sculptured walls", were "a man, a lion, an ox, and an eagle".2

In Sumeria the gods were given human form, but before this stage was reached the bull symbolized Nannar (Sin), the moon god, Ninip (Saturn, the old sun), and Enlil, while Nergal was a lion, as a tribal sun god. The eagle is represented by the Zu bird, which symbolized the storm and a phase of the sun, and was also a deity of fertility. On the silver vase of Lagash the lion and eagle were combined as the lion-headed eagle, a form of Nin-Girsu (Tammuz), and it was associated with wild goats, stags, lions, and bulls. On a mace head dedicated to Nin-Girsu, a lion slays a bull as the Zu bird slays serpents in the folk tale, suggesting the wars of totemic deities, according to one "school", and the battle of the sun with the storm clouds according to another. Whatever the explanation may be of one animal deity of fertility slaying another, it seems certain that the conflict was associated with the idea of sacrifice to procure the food supply.

In Assyria the various primitive gods were combined as a winged bull, a winged bull with human head (the king's), a winged lion with human head, a winged man, a deity with lion's head, human body, and eagle's legs with claws, and also as a deity with eagle's head and feather headdress, a human body, wings, and feather-fringed robe, carrying in one hand a metal basket on which two winged men adored the holy tree, and in the other a fir cone.1

Layard suggested that the latter deity, with eagle's head, was Nisroch, "the word Nisr signifying, in all Semitic languages, an eagle".2 This deity is referred to in the Bible: "Sennacherib, king of Assyria, . . . was worshipping in the house of Nisroch, his god".3 Professor Pinches is certain that Nisroch is Ashur, but considers that the "ni" was attached to "Ashur" (Ashuraku or Ashurachu), as it was to "Marad" (Merodach) to give the reading Ni-Marad = Nimrod. The names of heathen deities were thus made "unrecognizable, and in all probability ridiculous as well. . . . Pious and orthodox lips could pronounce them without fear of defilement."4 At the same time the "Nisr" theory is probable: it may represent another phase of this process. The names of heathen gods were not all treated in like manner by the Hebrew teachers. Abed-nebo, for instance, became Abed-nego(Daniel, i, 7), as Professor Pinches shows.

Seeing that the eagle received prominence in the mythologies of Sumeria and Assyria, as a deity of fertility with solar and atmospheric attributes, it is highly probable that the Ashur symbol, like the Egyptian Horus solar disk, is a winged symbol of life, fertility, and destruction. The idea that it represents the sun in eclipse, with protruding rays, seems rather far-fetched, because eclipses were disasters and indications of divine wrath;1 it certainly does not explain why the "rays" should only stretch out sideways, like wings, and downward like a tail, why the "rays" should be double, like the double wings of cherubs, bulls, &c., and divided into sections suggesting feathers, or why the disk is surmounted by conventionalized horns, tipped with star-like ring symbols, identical with those depicted in the holy tree. What particular connection the five small rings within the disk were supposed to have with the eclipse of the sun is difficult to discover.

In one of the other symbols in which appears a feather-robed archer, it is significant to find that the arrow he is about to discharge has a head shaped like a trident; it is evidently a lightning symbol.

When Ezekiel prophesied to the Israelitish captives at Tel-abib, "by the river of Chebar" in Chaldea (Kheber, near Nippur), he appears to have utilized Assyrian symbolism. Probably he came into contact in Babylonia with fugitive priests from Assyrian cities.

This great prophet makes interesting references to "four living creatures", with "four faces"--the face of a man, the face of a lion, the face of an ox, and the face of an eagle; "they had the hands of a man under their wings, . . . their wings were joined one to another; . . . their wings were stretched upward: two wings of every one were joined one to another. . . . Their appearance was like burning coals of fire and like the appearance of lamps. . . . The living creatures ran and returned as the appearance of a flash of lightning."2

EAGLE-HEADED WINGED DEITY (ASHUR)<br> <i>Marble Slab, British Museum</i>.<br> Photo. Mansell

EAGLE-HEADED WINGED DEITY (ASHUR)
Marble Slab, British Museum.
Photo. Mansell

Elsewhere, referring to the sisters, Aholah and Aholibah, who had been in Egypt and had adopted unmoral ways of life, Ezekiel tells that when Aholibah "doted upon the Assyrians" she "saw men pourtrayed upon the wall, the images of the Chaldeans pourtrayed with vermilion, girded with girdles upon their loins".1 Traces of the red colour on the walls of Assyrian temples and palaces have been observed by excavators. The winged gods "like burning coals" were probably painted in vermilion.

Ezekiel makes reference to "ring" and "wheel" symbols. In his vision he saw "one wheel upon the earth by the living creatures, with his four faces. The appearance of the wheels and their work was like unto the colour of beryl; and they four had one likeness; and their appearance and their work was as it were a wheel in the middle of a wheel. . . . As for their rings, they were so high that they were dreadful; and their rings were full of eyes round about them four. And when the living creatures went, the wheels went by them; and when the living creatures were lifted up from the earth, the wheels were lifted up. Whithersoever the spirit was to go, they went, thither was their spirit to go; and the wheels were lifted up over against them; for the spirit of the living creature was in the wheels.2 . . . And the likeness of the firmament upon the heads of the living creature was as the colour of terrible crystal, stretched forth over their heads above. . . . And when they went I heard the noise of their wings, like the noise of great waters, as the voice of the Almighty, the voice of speech, as the noise of an host; when they stood they let down their wings. . . ."3

Another description of the cherubs states: "Their whole body, and their backs, and their hands, and their wings, and the wheels, were full of eyes (? stars) round about, even the wheels that they four had. As for the wheels, it was cried unto them in my hearing, O wheel!"--or, according to a marginal rendering, "they were called in my hearing, wheel, or Gilgal," i.e. move round. . . . "And the cherubims were lifted up."1

It would appear that the wheel (or hoop, a variant rendering) was a symbol of life, and that the Assyrian feather-robed figure which it enclosed was a god, not of war only, but also of fertility. His trident-headed arrow resembles, as has been suggested, a lightning symbol. Ezekiel's references are suggestive in this connection. When the cherubs "ran and returned" they had "the appearance of a flash of lightning", and "the noise of their wings" resembled "the noise of great waters". Their bodies were "like burning coals of fire". Fertility gods were associated with fire, lightning, and water. Agni of India, Sandan of Asia Minor, and Melkarth of Phoenicia were highly developed fire gods of fertility. The fire cult was also represented in Sumeria.

In the Indian epic, the Mahhata, the revolving ring or wheel protects the Soma2 (ambrosia) of the gods, on which their existence depends. The eagle giant Garuda sets forth to steal it. The gods, fully armed, gather round to protect the life-giving drink. Garuda approaches "darkening the worlds by the dust raised by the hurricane of his wings". The celestials, "overwhelmed by that dust", swoon away. Garuda afterwards assumes a fiery shape, then looks "like masses of black clouds", and in the end its body becomes golden and bright "as the rays of the sun". The Soma is protected by fire, which the bird quenches after "drinking in many rivers" with the numerous mouths it has assumed. Then Garuda finds that right above the Soma is "a wheel of steel, keen edged, and sharp as a razor, revolving incessantly. That fierce instrument, of the lustre of the blazing sun and of terrible form, was devised by the gods for cutting to pieces all robbers of the Soma." Garuda passes "through the spokes of the wheel", and has then to contend against "two great snakes of the lustre of blazing fire, of tongues bright as the lightning flash, of great energy, of mouth emitting fire, of blazing eyes". He slays the snakes. . . . The gods afterwards recover the stolen Soma.

Garuda becomes the vehicle of the god Vishnu, who carries the discus, another fiery wheel which revolves and returns to the thrower like lightning. "And he (Vishnu) made the bird sit on the flagstaff of his car, saying: 'Even thus thou shalt stay above me'."1

The Persian god Ahura Mazda hovers above the king in sculptured representations of that high dignitary, enclosed in a winged wheel, or disk, like Ashur, grasping a ring in one hand, the other being lifted up as if blessing those who adore him.

Shamash, the Babylonian sun god; Ishtar, the goddess of heaven; and other Babylonian deities carried rings as the Egyptian gods carried the ankh, the symbol of life. Shamash was also depicted sitting on his throne in a pillar-supported pavilion, in front of which is a sun wheel. The spokes of the wheel are formed by a star symbol and threefold rippling "water rays".

In Hittite inscriptions there are interesting winged emblems; "the central portion" of one "seems to be composed of two crescents underneath a disk (which is also divided like a crescent). Above the emblem there appear the symbol of sanctity (the divided oval) and the hieroglyph which Professor Sayce interprets as the name of the god Sandes." In another instance "the centre of the winged emblem may be seen to be a rosette, with a curious spreading object below. Above, two dots follow the name of Sandes, and a human arm bent 'in adoration' is by the side. . . ." Professor Garstang is here dealing with sacred places "on rocky points or hilltops, bearing out the suggestion of the sculptures near Boghaz-Keui1 , in which there may be reasonably suspected the surviving traces of mountain cults, or cults of mountain deities, underlying the newer religious symbolism". Who the deity is it is impossible to say, but "he was identified at some time or other with Sandes".2 It would appear, too, that the god may have been "called by a name which was that used also by the priest". Perhaps the priest king was believed to be an incarnation of the deity.

Sandes or Sandan was identical with Sandon of Tarsus, "the prototype of Attis",3 who links with the Babylonian Tammuz. Sandon's animal symbol was the lion, and he carried the "double axe" symbol of the god of fertility and thunder. As Professor Frazer has shown in The Golden Bough, he links with Hercules and Melkarth.4

All the younger gods, who displaced the elder gods as one year displaces another, were deities of fertility, battle, lightning, fire, and the sun; it is possible, therefore, that Ashur was like Merodach, son of Ea, god of the deep, a form of Tammuz in origin. His spirit was in the solar wheel which revolved at times of seasonal change. In Scotland it was believed that on the morning of May Day (Beltaine) the rising sun revolved three times. The younger god was a spring sun god and fire god. Great bonfires were lit to strengthen him, or as a ceremony of riddance; the old year was burned out. Indeed the god himself might be burned (that is, the old god), so that he might renew his youth. Melkarth was burned at Tyre. Hercules burned himself on a mountain top, and his soul ascended to heaven as an eagle.

These fiery rites were evidently not unknown in Babylonia and Assyria. When, according to Biblical narrative, Nebuchadnezzar "made an image of gold" which he set up "in the plain of Dura, in the province of Babylon", he commanded: "O people, nations, and languages . . . at the time ye hear the sound of the cornet, flute, harp, sackbut, psaltery, dulcimer, and all kinds of musick . . . fall down and worship the golden image". Certain Jews who had been "set over the affairs of the province of Babylonia", namely, "Shadrach, Meshach, and Abed-nego", refused to adore the idol. They were punished by being thrown into "a burning fiery furnace", which was heated "seven times more than it was wont to be heated". They came forth uninjured.1

In the Koran it is related that Abraham destroyed the images of Chaldean gods; he "brake them all in pieces except the biggest of them; that they might lay the blame on that".2 According to the commentators the Chaldns were at the time "abroad in the fields, celebrating a great festival". To punish the offender Nimrod had a great pyre erected at Cuthah. "Then they bound Abraham, and putting him into an engine, shot him into the midst of the fire, from which he was preserved by the angel Gabriel, who was sent to his assistance." Eastern Christians were wont to set apart in the Syrian calendar the 25th of January to commemorate Abraham's escape from Nimrod's pyre.1

It is evident that the Babylonian fire ceremony was observed in the spring season, and that human beings were sacrificed to the sun god. A mock king may have been burned to perpetuate the ancient sacrifice of real kings, who were incarnations of the god.

Isaiah makes reference to the sacrificial burning of kings in Assyria: "For through the voice of the Lord shall the Assyrian be beaten down, which smote with a rod. And in every place where the grounded staff shall pass, which the Lord shall lay upon him, it shall be with tabrets and harps: and in battles of shaking will he fight with it. For Tophet is ordained of old; yea, for the king it is prepared: he hath made it deep and large: the pile thereof is fire and much wood: the breath of the Lord, like a stream of brimstone, doth kindle it."2 When Nineveh was about to fall, and with it the Assyrian Empire, the legendary king, Sardanapalus, who was reputed to have founded Tarsus, burned himself, with his wives, concubines, and eunuchs, on a pyre in his palace. Zimri, who reigned over Israel for seven days, "burnt the king's house over him with fire"3 . Saul, another fallen king, was burned after death, and his bones were buried "under the oak in Jabesh".4 In Europe the oak was associated with gods of fertility and lightning, including Jupiter and Thor. The ceremony of burning Saul is of special interest. Asa, the orthodox king of Judah, was, after death, "laid in the bed which was filled with sweet odours and divers kinds of spices prepared by the apothecaries' art: and they made a very great burning for him" (2 Chronicles, xvi, 14). Jehoram, the heretic king of Judah, who "walked in the way of the kings of Israel", died of "an incurable disease. And his people made no burning for him, like the burning of his fathers" (2 Chronicles, xxi, 18, 19).

The conclusion suggested by the comparative study of the beliefs of neighbouring peoples, and the evidence afforded by Assyrian sculptures, is that Ashur was a highly developed form of the god of fertility, who was sustained, or aided in his conflicts with demons, by the fires and sacrifices of his worshippers.

It is possible to read too much into his symbols. These are not more complicated and vague than are the symbols on the standing stones of Scotland--the crescent with the "broken" arrow; the trident with the double rings, or wheels, connected by two crescents; the circle with the dot in its centre; the triangle with the dot; the large disk with two small rings on either side crossed by double straight lines; the so-called "mirror", and so on. Highly developed symbolism may not indicate a process of spiritualization so much, perhaps, as the persistence of magical beliefs and practices. There is really no direct evidence to support the theory that the Assyrian winged disk, or disk "with protruding rays", was of more spiritual character than the wheel which encloses the feather-robed archer with his trident-shaped arrow.

The various symbols may have represented phases of the god. When the spring fires were lit, and the god "renewed his life like the eagle", his symbol was possibly the solar wheel or disk with eagle's wings, which became regarded as a symbol of life. The god brought life and light to the world; he caused the crops to grow; he gave increase; he sustained his worshippers. But he was also the god who slew the demons of darkness and storm.

The Hittite winged disk was Sandes or Sandon, the god of lightning, who stood on the back of a bull. As the lightning god was a war god, it was in keeping with his character to find him represented in Assyria as "Ashur the archer" with the bow and lightning arrow. On the disk of the Assyrian standard the lion and the bull appear with "the archer" as symbols of the war god Ashur, but they were also symbols of Ashur the god of fertility.

The life or spirit of the god was in the ring or wheel, as the life of the Egyptian and Indian gods, and of the giants of folk tales, was in "the egg". The "dot within the circle", a widespread symbol, may have represented the seed within "the egg" of more than one mythology, or the thorn within the egg of more than one legendary story. It may be that in Assyria, as in India, the crude beliefs and symbols of the masses were spiritualized by the speculative thinkers in the priesthood, but no literary evidence has survived to justify us in placing the Assyrian teachers on the same level as the Brahmans who composed the Upanishads.

Temples were erected to Ashur, but he might be worshipped anywhere, like the Queen of Heaven, who received offerings in the streets of Jerusalem, for "he needed no temple", as Professor Pinches says. Whether this was because he was a highly developed deity or a product of folk religion it is difficult to decide. One important fact is that the ruling king of Assyria was more closely connected with the worship of Ashur than the king of Babylonia was with the worship of Merodach. This may be because the Assyrian king was regarded as an incarnation of his god, like the Egyptian Pharaoh. Ashur accompanied the monarch on his campaigns: he was their conquering war god. Where the king was, there was Ashur also. No images were made of him, but his symbols were carried aloft, as were the symbols of Indian gods in the great war of the Mahhataepic.

It would appear that Ashur was sometimes worshipped in the temples of other gods. In an interesting inscription he is associated with the moon god Nannar (Sin) of Haran. Esarhaddon, the Assyrian king, is believed to have been crowned in that city. "The writer", says Professor Pinches, "is apparently addressing Assur-bani-apli, 'the great and noble Asnapper':

"When the father of my king my lord went to Egypt, he was crowned (?) in the ganniof Harrah, the temple (lit. 'Bethel') of cedar. The god Sin remained over the (sacred) standard, two crowns upon his head, (and) the god Nusku stood beside him. The father of the king my lord entered, (and) he (the priest of Sin) placed (the crown?) upon his head, (saying) thus: 'Thou shalt go and capture the lands in the midst'. (He we)nt, he captured the land of Egypt. The rest of the lands not submitting (?) to Assur (Ashur) and Sin, the king, the lord of kings, shall capture (them)."1

Ashur and Sin are here linked as equals. Associated with them is Nusku, the messenger of the gods, who was given prominence in Assyria. The kings frequently invoked him. As the son of Ea he acted as the messenger between Merodach and the god of the deep. He was also a son of Bel Enlil, and like Anu was guardian or chief of the Igigi, the "host of heaven". Professor Pinches suggests that he may have been either identical with the Sumerian fire god Gibil, or a brother of the fire god, and an impersonation of the light of fire and sun. In Haran he accompanied the moon god, and may, therefore, have symbolized the light of the moon also. Professor Pinches adds that in one inscription "he is identified with Nirig or En-reshtu" (Nin-Girsu = Tammuz).1 The Babylonians and Assyrians associated fire and light with moisture and fertility.

The astral phase of the character of Ashur is highly probable. As has been indicated, the Greek rendering of Anshar as "Assoros", is suggestive in this connection. Jastrow, however, points out that the use of the characters Anshar for Ashur did not obtain until the eighth century B.C. "Linguistically", he says, "the change of Ashir to Ashur can be accounted for, but not the transformation of An-shar to Ashur or Ashir; so that we must assume the 'etymology' of Ashur, proposed by some learned scribe, to be the nature of a play upon the name."2 On the other hand, it is possible that what appears arbitrary to us may have been justified in ancient Assyria on perfectly reasonable, or at any rate traditional, grounds. Professor Pinches points out that as a sun god, and "at the same time not Shamash", Ashur resembled Merodach. "His identification with Merodach, if that was ever accepted, may have been due to the likeness of the word to Asari, one of the deities' names."3 As Asari, Merodach has been compared to the Egyptian Osiris, who, as the Nile god, was Asar-Hapi. Osiris resembles Tammuz and was similarly a corn deity and a ruler of the living and the dead, associated with sun, moon, stars, water, and vegetation. We may consistently connect Ashur with Aushar, "water field", Anshar, "god of the height", or "most high", and with the eponymous King Asshur who went out on the land of Nimrod and "builded Nineveh", if we regard him as of common origin with Tammuz, Osiris, and Attis--a developed and localized form of the ancient deity of fertility and corn.

Ashur had a spouse who is referred to as Ashuritu, or Beltu, "the lady". Her name, however, is not given, but it is possible that she was identified with the Ishtar of Nineveh. In the historical texts Ashur, as the royal god, stands alone. Like the Hittite Great Father, he was perhaps regarded as the origin of life. Indeed, it may have been due to the influence of the northern hillmen in the early Assyrian period, that Ashur was developed as a father god--a Baal. When the Hittite inscriptions are read, more light may be thrown on the Ashur problem. Another possible source of cultural influence is Persia. The supreme god Ahura-Mazda (Ormuzd) was, as has been indicated, represented, like Ashur, hovering over the king's head, enclosed in a winged disk or wheel, and the sacred tree figured in Persian mythology. The early Assyrian kings had non-Semitic and non-Sumerian names. It seems reasonable to assume that the religious culture of the ethnic elements they represented must have contributed to the development of the city god of Asshur.

Footnotes

327:1 Genesis, x, 11.
327:2 "A number of tablets have been found in Cappadocia of the time of the Second Dynasty of Ur which show marked affinities with Assyria. The divine name Ashir, as in early Assyrian texts, the institution of eponyms and many personal names which occur in Assyria, are so characteristic that we must assume kinship of peoples. But whether they witness to a settlement in Cappadocia from Assyria, or vice versa, is not yet clear." Ancient Assyria, C. H. W. Johns (Cambridge, 1912), pp. 12-13.
328:1 Sumerian Ziku, apparently derived from Zi, the spiritual essence of life, the "self power" of the Universe.
328:2 Peri Archon, cxxv.
329:1 Religion of Babylonia and Assyria, p. 197 et seq.
330:1 Julius Car, act iii, scene 1.
331:1 Isaiah, xiv, 4-14.
332:1 Eddubrott, ii.
332:2 Religion of the Ancient Egyptians, A. Wiedemann, pp. 289-90.
332:3 Ibid., p. 236. Atlas was also believed to be in the west.
332:4 Primitive Constellations, vol. ii, p. 184.
333:1 Cuneiform Inscriptions of Western Asia, xxx, 11.
333:2 Isaiah, xiii, 21. For "Satyrs" the Revised Version gives the alternative translation, "or he-goats".
335:1 Aspects of Religious Belief and Practice in Babylonia and Assyria, p. 120, plate 18 and note.
336:1 Satapatha Brahmana, translated by Professor Eggeling, part iv, 1897, p. 371. (Sacred Books of the East.)
336:2 Egyptian Myth and Legend, pp. 165 et seq.
336:3 Classic Myth and Legend, p. 105. The birds were called "Stymphalides".
337:1 The so-called "shuttle" of Neith may be a thunderbolt. Scotland's archaic thunder deity is a goddess. The bow and arrows suggest a lightning goddess who was a deity of war because she was a deity of fertility.
338:1 Vedic Index, Macdonell & Keith, vol. ii, pp. 125-6, and vol. i, 168-9.
339:1 Ezekiel, xxxi, 3-8.
340:1 Ezekiel, xxvii, 23, 24.
340:2 Isaiah, xxxvii, 11.
340:3 Ibid., x, 5, 6.
341:1 A winged human figure, carrying in one hand a basket and in another a fir cone.
342:1 Layard's Nineveh(1856), p. 44.
342:2 Ibid., p. 309.
343:1 The fir cone was offered to Attis and Mithra. Its association with Ashur suggests that the great Assyrian deity resembled the gods of corn and trees and fertility.
343:2 Nineveh, p. 47.
343:3 Isaiah, xxxvii, 37-8.
343:4 The Old Testament in the Light of the Historical Records and Legends of Assyria and Babylonia, pp. 129-30.
344:1 An eclipse of the sun in Assyria on June 15, 763 B.C., was followed by an outbreak of civil war.
344:2 Ezekiel, i, 4-14
345:1 Ezekiel, xxiii, 1-15.
345:2 As the soul of the Egyptian god was in the sun disk or sun egg.
345:3 Ezekiel, i, 15-28.
346:1 Ezekiel, x, 11-5.
346:2 Also called "Amrita".
347:1 The Mahhata(Adi Parva), Sections xxxiii-iv.
348:1 Another way of spelling the Turkish name which signifies "village of the pass". The deep "gh" guttural is not usually attempted by English speakers. A common rendering is "Bog-haz Kay-ee", a slight "oo" sound being given to the "a" in "Kay"; the "z" sound is hard and hissing.
348:2 The Land of the Hittites, J. Garstang, pp. 178 et seq.
348:3 Ibid., p. 173.
348:4 Adonis, Attis, Osiris, chaps. v and vi.
349:1 Daniel, iii, 1-26.
349:2 The story that Abraham hung an axe round the neck of Baal after destroying the other idols is of Jewish origin.
350:1 The Koran, George Sale, pp. 245-6.
350:2 Isaiah, xxx, 31-3. See also for Tophet customs 2 Kings, xxiii, 10; Jeremiah, vii, 31, 32 and xix, 5-12.
350:3 2 Kings, xvi, 18.
350:4 1 Samuel, xxxi, 12, 13 and 1 Chronicles, x, 11, 12.
353:1 The Old Testament in the Light of the Historical Records and Legends of Assyria and Babylonia, pp. 201-2.
354:1 Babylonian and Assyrian Religion, pp. 57-8,
354:2 Aspects of Religious Belief and Practice in Babylonia and Assyria, p.121.
354:3 Babylonian and Assyrian Religion, p. 86.
Next: Chapter XV. Conflicts for Trade and Supremacy

Myths of Babylon and Assyria: Chapter XII. Rise of the Hittites, Mitannians, Kassites, Hyksos, and Assyrians

CHAPTER XII

Rise of the Hittites, Mitannians, Kassites, Hyksos, and Assyrians

The War God of Mountaineers--Antiquity of Hittite Civilization--Prehistoric Movements of "Broad Heads"--Evidence of Babylon and Egypt--Hittites and Mongolians--Biblical References to Hittites in Canaan--Jacob's Mother and her Daughters-in-law--Great Father and Great Mother Cults--History in Mythology--The Kingdom of Mitanni--Its Aryan Aristocracy--The Hyksos Problem--The Horse in Warfare--Hittites and Mitannians--Kassites and Mitannians--Hyksos Empire in Asia--Kassites overthrow Sealand Dynasty--Egyptian Campaigns in Syria--Assyria in the Making--Ethnics of Genesis--Nimrod as Merodach--Early Conquerors of Assyria--Mitannian Overlords--Tell-el-Amarna Letters--Fall of Mitanni--Rise of Hittite and Assyrian Empires--Egypt in Eclipse--Assyrian and Babylonian Rivalries.

WHEN the Hammurabi Dynasty, like the Twelfth Dynasty of Egypt, is found to be suffering languid decline, the gaps in the dulled historical records are filled with the echoes of the thunder god, whose hammer beating resounds among the northern mountains. As this deity comes each year in Western Asia when vegetation has withered and after fruits have dropped from trees, bringing tempests and black rainclouds to issue in a new season of growth and fresh activity, so he descended from the hills in the second millennium before the Christian era as the battle lord of invaders and the stormy herald of a new age which was to dawn upon the ancient world.

He was the war god of the Hittites as well as of the northern Amorites, the Mitannians, and the Kassites; and he led the Aryans from the Iranian steppes towards the verdurous valley of the Punjab. His worshippers engraved his image with grateful hands on the beetling cliffs of Cappadocian chasms in Asia Minor, where his sway was steadfast and pre-eminent for long centuries. In one locality he appears mounted on a bull wearing a fringed and belted tunic with short sleeves, a conical helmet, and upturned shoes, while he grasps in one hand the lightning symbol, and in the other a triangular bow resting on his right shoulder. In another locality he is the bringer of grapes and barley sheaves. But his most familiar form is the bearded and thick-set mountaineer, armed with a ponderous thunder hammer, a flashing trident, and a long two-edged sword with a hemispherical knob on the hilt, which dangles from his belt, while an antelope or goat wearing a pointed tiara prances beside him. This deity is identical with bluff, impetuous Thor of northern Europe, Indra of the Himalayas, Tarku of Phrygia, and Teshup or Teshub of Armenia and northern Mesopotamia, Sandan, the Hercules of Cilicia, Adad or Hadad of Amurru and Assyria, and Ramman, who at an early period penetrated Akkad and Sumer in various forms. His Hittite name is uncertain, but in the time of Rameses II he was identified with Sutekh (Set). He passed into southern Europe as Zeus, and became "the lord" of the deities of the ean and Crete.

The Hittites who entered Babylon about 1800 B.C., and overthrew the last king of the Hammurabi Dynasty, may have been plundering raiders, like the European Gauls of a later age, or a well-organized force of a strong, consolidated power, which endured for a period of uncertain duration. They were probably the latter, for although they carried off Merodach and Zerpanitu, these idols were not thrust into the melting pot, but retained apparently for political reasons.

These early Hittites are "a people of the mist". More than once in ancient history casual reference is made to them; but on most of these occasions they soon vanish suddenly behind their northern mountains. The explanation appears to be that at various periods great leaders arose who were able to weld together the various tribes, and make their presence felt in Western Asia. But when once the organization broke down, either on account of internal rivalries or the influence of an outside power, they lapsed back again into a state of political insignificance in the affairs of the ancient world. It is possible that about 1800 B.C. the Hittite confederacy was controlled by an ambitious king who had dreams of a great empire, and was accordingly pursuing a career of conquest.

Judging from what we know of the northern worshippers of the hammer god in later times, it would appear that when they were referred to as the Hatti or Khatti, the tribe of that name was the dominating power in Asia Minor and north Syria. The Hatti are usually identified with the broad-headed mountaineers of Alpine or Armenoid type--the ancestors of the modern Armenians. Their ancient capital was at Boghaz-Kai, the site of Pteria, which was destroyed, according to the Greeks, by Crsus, the last King of Lydia, in the sixth century B.C. It was strongly situated in an excellent pastoral district on the high, breezy plateau of Cappadocia, surrounded by high mountains, and approached through narrow river gorges, which in winter were blocked with snow.

Hittite civilization was of great antiquity. Excavations which have been conducted at an undisturbed artificial mound at Sakje-Geuzi have revealed evidences of a continuous culture which began to flourish before 3000 B.C.1 In one of the lower layers occurred that particular type of Neolithic yellow-painted pottery, with black geometric designs, which resembles other specimens of painted fabrics found in Turkestan by the Pumpelly expedition; in Susa, the capital of Elam, and its vicinity, by De Morgan; in the Balkan peninsula by Schliemann; in a First Dynasty tomb at Abydos in Egypt by Petrie; and in the late Neolithic and early Bronze Age (Minoan) strata of Crete by Evans. It may be that these interesting relics were connected with the prehistoric drift westward of the broad-headed pastoral peoples who ultimately formed the Hittite military aristocracy.

According to Professor Elliot Smith, broad-headed aliens from Asia Minor first reached Egypt at the dawn of history. There they blended with the indigenous tribes of the Mediterranean or Brown Race. A mesocephalic skull then became common. It is referred to as the Giza type, and has been traced by Professor Elliot Smith from Egypt to the Punjab, but not farther into India.2

During the early dynasties this skull with alien traits was confined chiefly to the Delta region and the vicinity of Memphis, the city of the pyramid builders. It is not improbable that the Memphite god Ptah may have been introduced into Egypt by the invading broad heads. This deity is a world artisan like Indra, and is similarly associated with dwarfish artisans; he hammers out the copper sky, and therefore links with the various thunder gods--Tarku, Teshup, Adad, Ramman, &c., of the Asian mountaineers. Thunderstorms were of too rare occurrence in Egypt to be connected with the food supply, which has always depended on the river Nile. Ptah's purely Egyptian characteristics appear to have been acquired after fusion with Osiris-Seb, the Nilotic gods of inundation, earth, and vegetation. The ancient god Set (Sutekh), who became a demon, and was ultimately re-exalted as a great deity during the Nineteenth Dynasty, may also have had some connection with the prehistoric Hatti.

Professor Elliot Smith, who has found alien traits in the mummies of the Rameses kings, is convinced that the broad-headed folks who entered Europe by way of Asia Minor, and Egypt through the Delta, at the close of the Neolithic Age, represent "two streams of the same Asiatic folk".1 The opinion of such an authority cannot be lightly set aside.

The earliest Egyptian reference to the Kheta, as the Hittites were called, was made in the reign of the first Amenemhet of the Twelfth Dynasty, who began to reign about 2000 B.C. Some authorities, including Maspero,2 are of opinion that the allusion to the Hatti which is found in the Babylonian Book of Omensbelongs to the earlier age of Sargon of Akkad and Naram-Sin, but Sayce favours the age of Hammurabi. Others would connect the Gutium, or men of Kutu, with the Kheta or Hatti. Sayce has expressed the opinion that the Biblical Tidal, identified with Tudkhul or Tudhula, "king of nations", the ally of Arioch, Amraphel, and Chedor-laomer, was a Hittite king, the "nations" being the confederacy of Asia Minor tribes controlled by the Hatti. "In the fragments of the Babylonian story of Chedor-laomer published by Dr. Pinches", says Professor Sayce, "the name of Tidcal is written Tudkhul, and he is described as King of the Umman Manda, or Nations of the North, of which the Hebrew Goyyimis a literal translation. Now the name is Hittite. In the account of the campaign of Rameses II against the Hittites it appears as Tidcal, and one of the Hittite kings of Boghaz-K bears the same name, which is written as Dud-khaliya in cuneiform.1

One of the racial types among the Hittites wore pigtails. These head adornments appear on figures in certain Cappadocian sculptures and on Hittite warriors in the pictorial records of a north Syrian campaign of Rameses II at Thebes. It is suggestive, therefore, to find that on the stele of Naram-Sin of Akkad, the mountaineers who are conquered by that battle lord wear pig-tails also. Their split robes are unlike the short fringed tunics of the Hittite gods, but resemble the long split mantles worn over their tunics by high dignitaries like King Tarku-dimme, who figures on a famous silver boss of an ancient Hittite dagger. Naram-Sin inherited the Empire of Sargon of Akkad, which extended to the Mediterranean Sea. If his enemies were not natives of Cappadocia, they may have been the congeners of the Hittite pigtailed type in another wooded and mountainous country.

It has been suggested that these wearers of pigtails were Mongolians. But although high cheek bones and oblique eyes occurred in ancient times, and still occur, in parts of Asia Minor, suggesting occasional Mongolian admixture with Ural-Altaic broad heads, the Hittite pig-tailed warriors must not be confused with the true small-nosed Mongols of north-eastern Asia. The Egyptian sculptors depicted them with long and prominent noses, which emphasize their strong Armenoid affinities.

Other tribes in the Hittite confederacy included the representatives of the earliest settlers from North Africa of Mediterranean racial stock. These have been identified with the Canaanites, and especially the agriculturists among them, for the Palestinian Hittites are also referred to as Canaanites in the Bible, and in one particular connection under circumstances which afford an interesting glimpse of domestic life in those far-off times. When Esau, Isaac's eldest son, was forty years of age, "he took to wife Judith the daughter of Beeri the Hittite, and Bashemath the daughter of Elon the Hittite"1 . Apparently the Hittite ladies considered themselves to be of higher caste than the indigenous peoples and the settlers from other countries, for when Ezekiel declared that the mother of Jerusalem was a Hittite he said: "Thou art thy mother's daughter, that lotheth her husband and her children."2 Esau's marriage was "a grief of mind unto Isaac and to Rebekah".1 The Hebrew mother seems to have entertained fears that her favourite son Jacob would fall a victim to the allurements of other representatives of the same stock as her superior and troublesome daughters-in-law, for she said to Isaac: "I am weary of my life because of the daughters of Heth; if Jacob take a wife of the daughters of Heth, such as these which are of the daughters of the land, what good shall my life do me?"3 Isaac sent for Jacob, "and charged him, and said unto him, Thou shalt not take a wife of the daughters of Canaan. Arise, go to Padan-aram, to the house of Bethuel, thy mother's father; and take thee a wife from thence of the daughters of Laban, thy mother's brother."4 From these quotations two obvious deductions may be drawn: the Hebrews regarded the Hittites "of the land" as one with the Canaanites, the stocks having probably been so well fused, and the worried Rebekah had the choosing of Jacob's wife or wives from among her own relations in Mesopotamia who were of Sumerian stock and kindred of Abraham.1 It is not surprising to find traces of Sumerian pride among the descendants of the evicted citizens of ancient Ur, especially when brought into association with the pretentious Hittites.

Evidence of racial blending in Asia Minor is also afforded by Hittite mythology. In the fertile agricultural valleys and round the shores of that great Eur-Asian "land bridge" the indigenous stock was also of the Mediterranean race, as Sergi and other ethnologists have demonstrated. The Great Mother goddess was worshipped from the earliest times, and she bore various local names. At Comana in Pontus she was known to the Greeks as Ma, a name which may have been as old as that of the Sumerian Mama (the creatrix), or Mamitu (goddess of destiny); in Armenia she was Anaitis; in Cilicia she was Ate (Atheh of Tarsus); while in Phrygia she was best known as Cybele, mother of Attis, who links with Ishtar as mother and wife of Tammuz, Aphrodite as mother and wife of Adonis, and Isis as mother and wife of Osiris. The Great Mother was in Phoenicia called Astarte; she was a form of Ishtar, and identical with the Biblical Ashtoreth. In the Syrian city of Hierapolis she bore the name of Atargatis, which Meyer, with whom Frazer agrees, considers to be the Greek rendering of the Aramaic Athar-Atheh--the god Athar and the goddess Atheh. Like the "bearded Aphrodite", Atargatis may have been regarded as a bisexual deity. Some of the specialized mother goddesses, whose outstanding attributes reflected the history and politics of the states they represented, were imported into Egypt--the land of ancient mother deities--during the Empire period, by the half-foreign Rameses kings; these included the voluptuous Kadesh and the warlike Anthat. In every district colonized by the early representatives of the Mediterranean race, the goddess cult came into prominence, and the gods and the people were reputed to be descendants of the great Creatrix. This rule obtained as far distant as Ireland, where the Danann folk and the Danann gods were the children of the goddess Danu.

Among the Hatti proper--that is, the broad-headed military aristocracy--the chief deity of the pantheon was the Great Father, the creator, "the lord of Heaven", the Baal. As Sutekh, Tarku, Adad, or Ramman, he was the god of thunder, rain, fertility, and war, and he ultimately acquired solar attributes. A famous rock sculpture at Boghaz-K depicts a mythological scene which is believed to represent the Spring marriage of the Great Father and the Great Mother, suggesting a local fusion of beliefs which resulted from the union of tribes of the god cult with tribes of the goddess cult. So long as the Hatti tribe remained the predominant partner in the Hittite confederacy, the supremacy was assured of the Great Father who symbolized their sway. But when, in the process of time, the power of the Hatti declined, their chief god "fell . . . from his predominant place in the religion of the interior", writes Dr. Garstang. "But the Great Mother lived on, being the goddess of the land."1

In addition to the Hittite confederacy of Asia Minor and North Syria, another great power arose in northern Mesopotamia. This was the Mitanni Kingdom. Little is known regarding it, except what is derived from indirect sources. Winckler believes that it was first established by early "waves" of Hatti people who migrated from the east.

The Hittite connection is based chiefly on the following evidence. One of the gods of the Mitanni rulers was Teshup, who is identical with Tarku, the Thor of Asia Minor. The raiders who in 1800 B.C. entered Babylon, set fire to E-sagila, and carried off Merodach and his consort Zerpanitum, were called the Hatti. The images of these deities were afterwards obtained from Khani (Mitanni).

At a later period, when we come to know more about Mitanni from the letters of one of its kings to two Egyptian Pharaohs, and the Winckler tablets from Boghaz-K, it is found that its military aristocracy spoke an Indo-European language, as is shown by the names of their kings--Saushatar, Artatama, Sutarna, Artashshumara, Tushratta, and Mattiuza. They worshipped the following deities:
Mi-it-ra, Uru-w-na, In-da-ra, and Na-sa-at-ti-ia--

Mitra, Varuna, Indra, and Nasatyau (the "Twin Aswins" = Castor and Pollux)--whose names have been deciphered by Winckler. These gods were also imported into India by the Vedic Aryans. The Mitanni tribe (the military aristocracy probably) was called "Kharri", and some philologists are of opinion that it is identical with "Arya", which was "the normal designation in Vedic literature from the Rigveda onwards of an Aryan of the three upper classes".1 Mitanni signifies "the river lands", and the descendants of its inhabitants, who lived in Cappadocia, were called by the Greeks "Mattienoi". "They are possibly", says Dr. Haddon, "the ancestors of the modern Kurds",1 a conspicuously long-headed people, proverbial, like the ancient Aryo-Indians and the Gauls, for their hospitality and their raiding propensities.

It would appear that the Mitannian invasion of northern Mesopotamia and the Aryan invasion of India represented two streams of diverging migrations from a common cultural centre, and that the separate groups of wanderers mingled with other stocks with whom they came into contact. Tribes of Aryan speech were associated with the Kassite invaders of Babylon, who took possession of northern Babylonia soon after the disastrous Hittite raid. It is believed that they came from the east through the highlands of Elam.

For a period, the dating of which is uncertain, the Mitannians were overlords of part of Assyria, including Nineveh and even Asshur, as well as the district called "Musri" by the Assyrians, and part of Cappadocia. They also occupied the cities of Harran and Kadesh. Probably they owed their great military successes to their cavalry. The horse became common in Babylon during the Kassite Dynasty, which followed the Hammurabi, and was there called "the ass of the east", a name which suggests whence the Kassites and Mitannians came.

The westward movement of the Mitannians in the second millennium B.C. may have been in progress prior to the Kassite conquest of Babylon and the Hyksos invasion of Egypt. Their relations in Mesopotamia and Syria with the Hittites and the Amorites are obscure. Perhaps they were for a time the overlords of the Hittites. At any rate it is of interest to note that when Thothmes III struck at the last Hyksos stronghold during his long Syrian campaign of about twenty years' duration, his operations were directly against Kadesh on the Orontes, which was then held by his fierce enemies the Mitannians of Naharina.1

THE HORSE IN WARFARE<br> Marble slab showing Ashur-natsir-pal and army advancing against a besieged tow. A battering ram is being drawn on a six-wheeled carriage.<br> <i>From N.W. Palace of Nimroud: now in the British Museum</i>.<br> Photo. Mansell
click to enlarge

THE HORSE IN WARFARE
Marble slab showing Ashur-natsir-pal and army advancing against a besieged tow. A battering ram is being drawn on a six-wheeled carriage.
From N.W. Palace of Nimroud: now in the British Museum.
Photo. Mansell

During the Hyksos Age the horse was introduced into Egypt. Indeed the Hyksos conquest was probably due to the use of the horse, which was domesticated, as the Pumpelly expedition has ascertained, at a remote period in Turkestan, whence it may have been obtained by the horse-sacrificing Aryo-Indians and the horse-sacrificing ancestors of the Siberian Buriats.

If the Mitanni rulers were not overlords of the Hittites about 1800 B.C., the two peoples may have been military allies of the Kassites. Some writers suggest, indeed, that the Kassites came from Mitanni. Another view is that the Mitannians were the Aryan allies of the Kassites who entered Babylon from the Elamite highlands, and that they afterwards conquered Mesopotamia and part of Cappadocia prior to the Hyksos conquest of Egypt. A third solution of the problem is that the Aryan rulers of the Mitannian Hittites were the overlords of northern Babylonia, which they included in their Mesopotamian empire for a century before the Kassites achieved political supremacy in the Tigro-Euphrates valley, and that they were also the leaders of the Hyksos invasion of Egypt, which they accomplished with the assistance of their Hittite and Amoritic allies.

The first Kassite king of Babylonia of whom we have knowledge was Gandash. He adopted the old Akkadian title, "king of the four quarters", as well as the title "king of Sumer and Akkad", first used by the rulers of the Dynasty of Ur. Nippur appears to have been selected by Gandash as his capital, which suggests that his war and storm god, Shuqamuna, was identified with Bel Enlil, who as a "world giant" has much in common with the northern hammer gods. After reigning for sixteen years, Gandash was succeeded by his son, Agum the Great, who sat on the throne for twenty-two years. The great-grandson of Agum the Great was Agum II, and not until his reign were the statues of Merodach and his consort Zerpanitumbrought back to the city of Babylon. This monarch recorded that, in response to the oracle of Shamash, the sun god, he sent to the distant land of Khani (Mitanni) for the great deity and his consort. Babylon would therefore appear to have been deprived of Merodach for about two centuries. The Hittite-Mitanni raid is dated about 1800 B.C., and the rise of Gandash, the Kassite, about 1700 B.C. At least a century elapsed between the reigns of Gandash and Agum II. These calculations do not coincide, it will be noted, with the statement in a Babylonian hymn, that Merodach remained in the land of the Hatti for twenty-four years, which, however, may be either a priestly fiction or a reference to a later conquest. The period which followed the fall of the Hammurabi Dynasty of Babylonia is as obscure as the Hyksos Age of Egypt.

Agum II, the Kassite king, does not state whether or not he waged war against Mitanni to recover Babylon's god Merodach. If, however, he was an ally of the Mitanni ruler, the transference of the deity may have been an ordinary diplomatic transaction. The possibility may also be suggested that the Hittites of Mitanni were not displaced by the Aryan military aristocracy until after the Kassites were firmly established in northern Babylonia between 1700 B.C. and i 600 B.C. This may account for the statements that Merodach was carried off by the Hatti and returned from the land of Khani.

The evidence afforded by Egypt is suggestive in this connection. There was a second Hyksos Dynasty in that country. The later rulers became "Egyptianized" as the Kassites became "Babylonianized", but they were all referred to by the exclusive and sullen Egyptians as "barbarians" and "Asiatics". They recognized the sun god of Heliopolis, but were also concerned in promoting the worship of Sutekh, a deity of sky and thunder, with solar attributes, whom Rameses II identified with the "Baal" of the Hittites. The Mitannians, as has been stated, recognized a Baal called Teshup, who was identical with Tarku of the Western Hittites and with their own tribal Indra also. One of the Hyksos kings, named Ian or Khian, the Ianias of Manetho, was either an overlord or the ally of an overlord, who swayed a great empire in Asia. His name has been deciphered on relics found as far apart as Knossos in Crete and Baghdad on the Tigris, which at the time was situated within the area of Kassite control. Apparently peaceful conditions prevailed during his reign over a wide extent of Asia and trade was brisk between far-distant centres of civilization. The very term Hyksos is suggestive in this connection. According to Breasted it signifies "rulers of countries", which compares with the Biblical "Tidal king of nations", whom Sayce, as has been indicated, regards as a Hittite monarch. When the Hittite hieroglyphics have been read and Mesopotamia thoroughly explored, light may be thrown on the relations of the Mitannians, the Hittites, the Hyksos, and the Kassites between 1800 B.C. and 1500 B.C. It is evident that a fascinating volume of ancient history has yet to be written.

The Kassites formed the military aristocracy of Babylonia, which was called Karduniash, for nearly six centuries. Agum II was the first of their kings who became thoroughly Babylonianized, and although he still gave recognition to Shuqamuna, the Kassite god of battle, he re-exalted Merodach, whose statue he had taken back from "Khani", and decorated E-sagila with gifts of gold, jewels, rare woods, frescoes, and pictorial tiles; he also re-endowed the priesthood. During the reign of his successor, Burnaburiash I, the Dynasty of Sealand came to an end.

Little is known regarding the relations between Elam and Babylonia during the Kassite period. If the Kassite invaders crossed the Tigris soon after the raid of the Mitannian Hittites they must have previously overrun a great part of Elam, but strongly situated Susa may have for a time withstood their attacks. At first the Kassites held northern Babylonia only, while the ancient Sumerian area was dominated by the Sealand power, which had gradually regained strength during the closing years of the Hammurabi Dynasty. No doubt many northern Babylonian refugees reinforced its army.

The Elamites, or perhaps the Kassites of Elam, appear to have made frequent attacks on southern Babylonia. At length Ea-gamil, king of Sealand, invaded Elam with purpose, no doubt, to shatter the power of his restless enemies. He was either met there, however, by an army from Babylon, or his country was invaded during his absence. Prince Ulamburiash, son of Burnaburiash I, defeated Ea-gamil and brought to an end the Sealand Dynasty which had been founded by Ilu-ma-ilu, the contemporary and enemy of Samsu-la-ilu, son of Hammurabi. Ulamburiash is referred to on a mace-head which was discovered at Babylon as "king of Sealand", and he probably succeeded his father at the capital. The whole of Babylonia thus came under Kassite sway.

Agum III, a grandson of Ulamburiash, found it necessary, however, to invade Sealand, which must therefore have revolted. It was probably a centre of discontent during the whole period of Kassite ascendancy.

After a long obscure interval we reach the period when the Hyksos power was broken in Egypt, that is, after 1580 B.C. The great Western Asiatic kingdoms at the time were the Hittite, the Mitannian, the Assyrian, and the Babylonian (Kassite). Between 1557 B.C. and 1501 B.C. Thothmes I of Egypt was asserting his sway over part of Syria. Many years elapsed, however, before Thothmes III, who died in 1447 B.C., established firmly, after waging a long war of conquest, the supremacy of Egypt between the Euphrates and the Mediterranean coast as far north as the borders of Asia Minor.

"At this period", as Professor Flinders Petrie emphasizes, "the civilization of Syria was equal or superior to that of Egypt." Not only was there in the cities "luxury beyond that of the Egyptians", but also "technical work which could teach them". The Syrian soldiers had suits of scale armour, which afterwards were manufactured in Egypt, and they had chariots adorned with gold and silver and highly decorated, which were greatly prized by the Egyptians when they captured them, and reserved for royalty. "In the rich wealth of gold and silver vases", obtained from captured cities by the Nilotic warriors, "we see also", adds Petrie, "the sign of a people who were their (the Egyptians) equals, if not their superiors in taste and skill."1 It is not to be wondered at, therefore, when the Pharaohs received tribute from Syria that they preferred it to be carried into Egypt by skilled workmen. "The keenness with which the Egyptians record all the beautiful and luxurious products of the Syrians shows that the workmen would probably be more in demand than other kinds of slave tribute."1

One of the monarchs with whom Thothmes III corresponded was the king of Assyria. The enemies of Egypt in northern Mesopotamia were the Hittites and Mitannians, and their allies, and these were also the enemies of Assyria. But to enable us to deal with the new situation which was created by Egypt in Mesopotamia, it is necessary in the first place to trace the rise of Assyria, which was destined to become for a period the dominating power in Western Asia, and ultimately in the Nile valley also.

The Assyrian group of cities grew up on the banks of the Tigris to the north of Babylonia, the mother country. The following Biblical references regarding the origins of the two states are of special interest:--

Now these are the generations of the sons of Noah: Shem, Ham, and Japheth. . . . The sons of Ham: Cush, and Mizraim, and Phut, and Canaan. . . . And Cush begat Nimrod; he began to be a mighty one in the earth. He was a mighty hunter before the Lord; wherefore it is said, Even as Nimrod the mighty hunter before the Lord. And the beginning of his kingdom was Babel, and Erech, and Accad, and Calneh, in the land of Shinar. Out of that land went forth Asshur and builded Nineveh, and the city Rehoboth, and Calah, and Resen between Nineveh and Calah: the same is a great city.

The children of Shem: Elam and Asshur . . . (Genesis, x, 1-22).

The land of Assyria . . . and the land of Nimrod in the entrances thereof (Micah, v, 6).

It will be observed that the Sumero-Babylonians are Cushites or Hamites, and therefore regarded as racially akin to the proto-Egyptians of the Mediterranean race--an interesting confirmation of recent ethnological conclusions.

Nimrod, the king of Babel (Babylon), in Shinar (Sumer), was, it would appear, a deified monarch who became ultimately identified with the national god of Babylonia. Professor Pinches has shown1 that his name is a rendering of that of Merodach. In Sumerian Merodach was called Amaruduk or Amarudu, and in the Assyro-Babylonian language Marduk. By a process familiar to philologists the suffix "uk" was dropped and the rendering became Marad. The Hebrews added "ni" ="ni-marad", assimilating the name "to a certain extent to the 'niphal forms' of the Hebrew verbs and making a change", says Pinches, "in conformity with the genius of the Hebrew language".

Asshur, who went out of Nimrod's country to build Nineveh, was a son of Shem--a Semite, and so far as is known it was after the Semites achieved political supremacy in Akkad that the Assyrian colonies were formed. Asshur may have been a subject ruler who was deified and became the god of the city of Asshur, which probably gave its name to Assyria.

According to Herodotus, Nineveh was founded by King Ninus and Queen Semiramis. This lady was reputed to be the daughter of Derceto, the fish goddess, whom Pliny identified with Atargatis. Semiramis was actually an Assyrian queen of revered memory. She was deified and took the place of a goddess, apparently Nina, the prototype of Derceto. This Nina, perhaps a form of Damkina, wife of Ea, was the great mother of the Sumerian city of Nina, and there, and also at Lagash, received offerings of fish. She was one of the many goddesses of maternity absorbed by Ishtar. The Greek Ninus is regarded as a male form of her name; like Atargatis, she may have become a bisexual deity, if she was not always accompanied by a shadowy male form. Nineveh (Ninua) was probably founded or conquered by colonists from Nina or Lagash, and called after the fish goddess.

All the deities of Assyria were imported from Babylonia except, as some hold, Ashur, the national god.1 The theory that Ashur was identical with the Aryo-Indian Asura and the Persian Ahura is not generally accepted. One theory is that he was an eponymous hero who became the city god of Asshur, although the early form of his name, Ashir, presents a difficulty in this connection. Asshur was the first capital of Assyria. Its city god may have become the national god on that account.

At an early period, perhaps a thousand years before Thothmes III battled with the Mitannians in northern Syria, an early wave of one of the peoples of Aryan speech may have occupied the Assyrian cities. Mr. Johns points out in this connection that the names of Ushpia, Kikia, and Adasi, who, according to Assyrian records, were early rulers in Asshur, "are neither Semitic nor Sumerian". An ancient name of the goddess of Nineveh was Shaushka, which compares with Shaushkash, the consort of Teshup, the Hittite-Mitanni hammer god. As many of the Mitannian names "are", according to Mr. Johns, "really Elamitic", he suggests an ethnic connection between the early conquerors of Assyria and the people of Elam.2 Were the pre-Semitic Elamites originally speakers of an agglutinative language, like the Sumerians and present-day Basques, who were conquered in prehistoric times by a people of Aryan speech?

The possibility is urged by Mr. Johns's suggestion that Assyria may have been dominated in pre-Semitic times by the congeners of the Aryan military aristocracy of Mitanni. As has been shown, it was Semitized by the Amoritic migration which, about 2000 B.C., brought into prominence the Hammurabi Dynasty of Babylon.

A long list of kings with Semitic names held sway in the Assyrian cities during and after the Hammurabi Age. But not until well on in the Kassite period did any of them attain prominence in Western Asia. Then Ashur-bel-nish-eshu, King of Asshur, was strong enough to deal on equal terms with the Kassite ruler Kara-indash I, with whom he arranged a boundary treaty. He was a contemporary of Thothmes III of Egypt.

After Thothmes III had secured the predominance of Egypt in Syria and Palestine he recognized Assyria as an independent power, and supplied its king with Egyptian gold to assist him, no doubt, in strengthening his territory against their common enemy. Gifts were also sent from Assyria to Egypt to fan the flame of cordial relations.

The situation was full of peril for Saushatar, king of Mitanni. Deprived by Egypt of tribute-paying cities in Syria, his exchequer must have been sadly depleted. A standing army had to be maintained, for although Egypt made no attempt to encroach further on his territory, the Hittites were ever hovering on his north-western frontier, ready when opportunity offered to win back Cappadocia. Eastward, Assyria was threatening to become a dangerous rival. He had himself to pay tribute to Egypt, and Egypt was subsidizing his enemy. It was imperative on his part, therefore, to take action without delay. The power of Assyria had to be crippled; its revenues were required for the Mitannian exchequer. So Saushatar raided Assyria during the closing years of the reign of Thothmes III, or soon after his successor, Amenhotep II, ascended the Egyptian throne.

Nothing is known from contemporary records regarding this campaign; but it can be gathered from the references of a later period that the city of Asshur was captured and plundered; its king, Ashur-nadin-akhe, ceased corresponding and exchanging gifts with Egypt. That Nineveh also fell is made clear by the fact that a descendant of Saushatar (Tushratta) was able to send to a descendant of Thothmes III at Thebes (Amenhotep III) the image of Ishtar (Shaushka) of Nineveh. Apparently five successive Mitannian kings were overlords of Assyria during a period which cannot be estimated at much less than a hundred years.

Our knowledge regarding these events is derived chiefly from the Tell-el-Amarna letters, and the tablets found by Professor Hugo Winckler at Boghaz-K in Cappadocia, Asia Minor.

The Tell-el-Amarna letters were discovered among the ruins of the palace of the famous Egyptian Pharaoh, Akhenaton, of the Eighteenth Dynasty, who died about 1358 B.C. During the winter of 1887-8 an Egyptian woman was excavating soil for her garden, when she happened upon the cellar of Akhenaton's foreign office in which the official correspondence had been stored. The "letters" were baked clay tablets inscribed with cuneiform alphabetical signs in the Babylonian-Assyrian language, which, like French in modern times, was the language of international diplomacy for many centuries in Western Asia after the Hyksos period.

LETTER FROM TUSHRATTA, KING OF MITANNI, TO AMENHOTEP III, KING OF EGYPT

LETTER FROM TUSHRATTA, KING OF MITANNI, TO AMENHOTEP III, KING OF EGYPT
One of the Tell-el-Amarna tablets, now in the British Museum.
Photo. Mansell

The Egyptian natives, ever so eager to sell antiquities so as to make a fortune and retire for life, offered some specimens of the tablets for sale. One or two were sent to Paris, where they were promptly declared to be forgeries, with the result that for a time the inscribed bricks were not a marketable commodity. Ere their value was discovered, the natives had packed them into sacks, with the result that many were damaged and some completely destroyed. At length, however, the majority of them reached the British Museum and the Berlin Museum, while others drifted into the museums at Cairo, St. Petersburg, and Paris. When they were deciphered, Mitanni was discovered, and a flood of light thrown on the internal affairs of Egypt and its relations with various kingdoms in Asia, while glimpses were also afforded of the life and manners of the times.

The letters covered the reigns of Amenhotep III, the great-grandson of Thothmes III, and of his son Akhenaton, "the dreamer king", and included communications from the kings of Babylonia, Assyria, Mitanni, Cyprus, the Hittites, and the princes of Phoenicia and Canaan. The copies of two letters from Amenhotep III to Kallima-Sin, King of Babylonia, had also been preserved. One deals with statements made by Babylonian ambassadors, whom the Pharaoh stigmatizes as liars. Kallima-Sin had sent his daughter to the royal harem of Egypt, and desired to know if she was alive and well. He also asked for "much gold" to enable him to carry on the work of extending his temple. When twenty minas of gold was sent to him, he complained in due course that the quantity received was not only short but that the gold was not pure; it had been melted in the furnace, and less than five minas came out. In return he sent to Akhenaton two minas of enamel, and some jewels for his daughter, who was in the Egyptian royal harem.

Ashur-uballit, king of Ashur, once wrote intimating to Akhenaton that he was gifting him horses and chariots and a jewel seal. He asked for gold to assist in building his palace. "In your country", he added, "gold is as plentiful as dust." He also made an illuminating statement to the effect that no ambassador had gone from Assyria to Egypt since the days of his ancestor Ashur-nadin-akhe. It would therefore appear that Ashur-uballit had freed part of Assyria from the yoke of Mitanni.

The contemporary king of Mitanni was Tushratta. He corresponded both with his cousin Amenhotep III and his son-in-law Akhenaton. In his correspondence with Amenhotep III Tushratta tells that his kingdom had been invaded by the Hittites, but his god Teshup had delivered them into his hand, and he destroyed them; "not one of them", he declared, "returned to his own country". Out of the booty captured he sent Amenhotep several chariots and horses, and a boy and a girl. To his sister Gilu-khipa, who was one of the Egyptian Pharaoh's wives, he gifted golden ornaments and a jar of oil. In another letter Tushratta asked for a large quantity of gold "without measure". He complained that he did not receive enough on previous occasions, and hinted that some of the Egyptian gold looked as if it were alloyed with copper. Like the Assyrian king, he hinted that gold was as plentiful as dust in Egypt. His own presents to the Pharaoh included precious stones, gold ornaments, chariots and horses, and women (probably slaves). This may have been tribute. It was during the third Amenhotep's illness that Tushratta forwarded the Nineveh image of Ishtar to Egypt, and he made reference to its having been previously sent thither by his father, Sutarna.

When Akhenaton came to the throne Tushratta wrote to him, desiring to continue the friendship which had existed for two or three generations between the kings of Mitanni and Egypt, and made complimentary references to "the distinguished Queen Tiy", Akhenaton's mother, who evidently exercised considerable influence in shaping Egypt's foreign policy. In the course of his long correspondence with the Pharaohs, Tushratta made those statements regarding his ancestors which have provided so much important data for modern historians of his kingdom.

During the early part of the Tell-el-Amarna period, Mitanni was the most powerful kingdom in Western Asia. It was chiefly on that account that the daughters of its rulers were selected to be the wives and mothers of great Egyptian Pharaohs. But its numerous enemies were ever plotting to accomplish its downfall. Among these the foremost and most dangerous were the Hittites and the Assyrians.

The ascendancy of the Hittites was achieved in northern Syria with dramatic suddenness. There arose in Asia Minor a great conqueror, named Subbi-luliuma, the successor of Hattusil I, who established a strong Hittite empire which endured for about two centuries. His capital was at Boghaz-K. Sweeping through Cappadocia, at the head of a finely organized army, remarkable for its mobility, he attacked the buffer states which owed allegiance to Mitanni and Egypt. City after city fell before him, until at length he invaded Mitanni; but it is uncertain whether or not Tushratta met him in battle. Large numbers of the Mitannians were, however, evicted and transferred to the land of the Hittites, where the Greeks subsequently found them, and where they are believed to be represented by the modern Kurds, the hereditary enemies of the Armenians.

In the confusion which ensued, Tushratta was murdered by Sutarna II, who was recognized by Subbi-luliuma. The crown prince, Mattiuza, fled to Babylon, where he found protection, but was unable to receive any assistance. Ultimately, when the Hittite emperor had secured his sway over northern Syria, he deposed Sutarna II and set Mattiuza as his vassal on the throne of the shrunken Mitanni kingdom.

Meanwhile the Egyptian empire in Asia had gone to pieces. When Akhenaton, the dreamer king, died in his palace at Tell-el-Amarna, the Khabiri were conquering the Canaanite cities which had paid him tribute, and the Hittite ruler was the acknowledged overlord of the Amorites.

The star of Assyria was also in the ascendant. Its king, Ashur-uballit, who had corresponded with Akhenaton, was, like the Hittite king, Subbi-luliuma, a distinguished statesman and general, and similarly laid the foundations of a great empire. Before or after Subbi-luliuma invaded Tushratta's domains, he drove the Mitannians out of Nineveh, and afterwards overcame the Shubari tribes of Mitanni on the north-west, with the result that he added a wide extent of territory to his growing empire.

He had previously thrust southward the Assyro-Babylonian frontier. In fact, he had become so formidable an opponent of Babylonia that his daughter had been accepted as the wife of Karakhardash, the Kassite king of that country. In time his grandson, Kadashman-Kharbe, ascended the Babylonian throne. This young monarch co-operated with his grandfather in suppressing the Suti, who infested the trade routes towards the west, and plundered the caravans of merchants and the messengers of great monarchs with persistent impunity.

A reference to these bandits appears in one of the Tell-el-Amarna letters. Writing to Akhenaton, Ashur-uballit said: "The lands (of Assyria and Egypt) are remote, therefore let our messengers come and go. That your messengers were late in reaching you, (the reason is that) if the Suti had waylaid them, they would have been dead men. For if I had sent them, the Suti would have sent bands to waylay them; therefore I have retained them. My messengers (however), may they not (for this reason) be delayed."1

Ashur-uballit's grandson extended his Babylonian frontier into Amurru, where he dug wells and erected forts to protect traders. The Kassite aristocracy, however, appear to have entertained towards him a strong dislike, perhaps because he was so closely associated with their hereditary enemies the Assyrians. He had not reigned for long when the embers of rebellion burst into flame and he was murdered in his palace. The Kassites then selected as their king a man of humble origin, named Nazibugash, who was afterwards referred to as "the son of nobody". Ashur-uballit deemed the occasion a fitting one to interfere in the affairs of Babylonia. He suddenly appeared at the capital with a strong army, overawed the Kassites, and seized and slew Nazibugash. Then he set on the throne his great grandson the infant Kurigalzu II, who lived to reign for fifty-five years.

Ashur-uballit appears to have died soon after this event. He was succeeded by his son Bel-nirari, who carried on the policy of strengthening and extending the Assyrian empire. For many years he maintained excellent relations with his kinsman Kurigalzu II, but ultimately they came into conflict apparently over disputed territory. A sanguinary battle was fought, in which the Babylonians suffered heavily and were put to rout. A treaty of peace was afterwards arranged, which secured for the Assyrians a further extension of their frontier "from the borders of Mitanni as far as Babylonia". The struggle of the future was to be for the possession of Mesopotamia, so as to secure control over the trade routes.

Thus Assyria rose from a petty state in a comparatively brief period to become the rival of Babylonia, at a time when Egypt at the beginning of its Nineteenth Dynasty was endeavouring to win back its lost empire in Syria, and the Hittite empire was being consolidated in the north.

Footnotes

263:1 The Land of the Hittites, John Garstang, pp. 312 et seq. and 315 et seq.
263:2 The Ancient Egyptians, pp. 106 et seq.
264:1 The Ancient Egyptians, p. 130.
264:2 Struggle of the Nations(1896), p. 19.
265:1 Note contributed to The Land of the Hittites, J. Garstang, p. 324.
266:1 Genesis, xxvi, 34, 35.
266:2 Ezekiel, xvi, 45.
266:3 Genesis, xxvii, 46.
266:4 Genesis, xxviii, 1, 2.
267:1 Genesis, xxiv.
268:1 The Syrian Goddess, John Garstang (London, 1913), pp. 17-8.
269:1 Vedic Index of Names and Subjects, Macdonald & Keith, vol. i, pp. 64-5 (London, 1912).
270:1 The Wanderings of Peoples, p. 21.
271:1 Breasted's History of Egypt, pp. 219-20.
275:1 A History of Egypt, W. M. Flinders Petrie, vol. ii, p. 146 et seq. (1904 ed.).
276:1 A History of Egypt, W. M. Flinders Petrie, vol. ii, p. 147 (1904 ed.).
277:1 The Old Testament in the Light of the Historical Records and Legends of Assyria and Babylonia, pp. 126 et seq.
278:1 His connection with Anu is discussed in chapter xiv .
278:2 Ancient Assyria, C. H. W. Johns, p. 11 (London, 1912).
285:1 The Tell-el-Amarna Letters, Hugo Winckler, p. 31.
Next: Chapter XIII. Astrology and Astronomy

Myths of Babylon and Assyria: Chapter XI. The Golden Age of Babylonia

CHAPTER XI

The Golden Age of Babylonia

Rise of the Sun God--Amorites and Elamites struggle for Ascendancy--The Conquering Ancestors of Hammurabi--Sumerian Cities Destroyed--Widespread Race Movements--Phnician Migration from Persian Gulf--Wanderings of Abraham and Lot--Biblical References to Hittites and Amorites--Battles of Four Kings with Five--Amraphel, Arioch, and Tidal--Hammurabi's Brilliant Reign--Elamite Power Stamped Out--Babylon's Great General and Statesman--The Growth of Commerce, Agriculture, and Education--An Ancient School--Business and Private Correspondence--A Love Letter--Postal System--Hammurabi's Successors--The Earliest Kassites--The Sealand Dynasty--Hittite Raid on Babylon and Hyksos Invasion of Egypt.

SUN worship came into prominence in its most fully developed form during the obscure period which followed the decline of the Dynasty of Isin. This was probably due to the changed political conditions which brought about the ascendancy for a time of Larsa, the seat of the Sumerian sun cult, and of Sippar, the seat of the Akkadian sun cult. Larsa was selected as the capital of the Elamite conquerors, while their rivals, the Amorites, appear to have first established their power at Sippar.

Babbar, the sun god of Sippar, whose Semitic name was Shamash, must have been credited with the early successes of the Amorites, who became domiciled under his care, and it was possibly on that account that the ruling family subsequently devoted so much attention to his worship in Merodach's city of Babylon, where a sun temple was erected, and Shamash received devout recognition as an abstract deity of righteousness and law, who reflected the ideals of well organized and firmly governed communities.

The first Amoritic king was Sumu-abum, but little is known regarding him except that he reigned at Sippar. He was succeeded by Sumu-la-ilu, a deified monarch, who moved from Sippar to Babylon, the great wall of which he either repaired or entirely reconstructed in his fifth year. With these two monarchs began the brilliant Hammurabi, or First Dynasty of Babylonia, which endured for three centuries. Except Sumu-abum, who seems to stand alone, all its kings belonged to the same family, and son succeeded father in unbroken succession.

Sumu-la-ilu was evidently a great general and conqueror of the type of Thothmes III of Egypt. His empire, it is believed, included the rising city states of Assyria, and extended southward as far as ancient Lagash.

Of special interest on religious as well as political grounds was his association with Kish. That city had become the stronghold of a rival family of Amoritic kings, some of whom were powerful enough to assert their independence. They formed the Third Dynasty of Kish. The local god was Zamama, the Tammuz-like deity, who, like Nin-Girsu of Lagash, was subsequently identified with Merodach of Babylon. But prominence was also given to the moon god Nannar, to whom a temple had been erected, a fact which suggests that sun worship was not more pronounced among the Semites than the Arabians, and may not, indeed, have been of Semitic origin at all. Perhaps the lunar temple was a relic of the influential Dynasty of Ur.

Sumu-la-ilu attacked and captured Kish, but did not slay Bunutakhtunila, its king, who became his vassal. Under the overlordship of Sumu-la-ilu, the next ruler of Kish, whose name was Immerum, gave prominence to the public worship of Shamash. Politics and religion went evidently hand in hand.

Sumu-la-ilu strengthened the defences of Sippar, restored the wall and temple of Cuthah, and promoted the worship of Merodach and his consort Zerpanitumat Babylon. He was undoubtedly one of the forceful personalities of his dynasty. His son, Zabium, had a short but successful reign, and appears to have continued the policy of his father in consolidating the power of Babylon and securing the allegiance of subject cities. He enlarged Merodach's temple, E-sagila, restored the Kish temple of Zamama, and placed a golden image of himself in the temple of the sun god at Sippar. Apil-Sin, his son, surrounded Babylon with a new wall, erected a temple to Ishtar, and presented a throne of gold and silver to Shamash in that city, while he also strengthened Borsippa, renewed Nergal's temple at Cuthah, and dug canals.

The next monarch was Sin-muballit, son of Apil-Sin and father of Hammurabi. He engaged himself in extending and strengthening the area controlled by Babylon by building city fortifications and improving the irrigation system. It is recorded that he honoured Shamash with the gift of a shrine and a golden altar adorned with jewels. Like Sumu-la-ilu, he was a great battle lord, and was specially concerned in challenging the supremacy of Elam in Sumeria and in the western land of the Amorites.

For a brief period a great conqueror, named Rim-Anum, had established an empire which extended from Kish to Larsa, but little is known regarding him. Then several kings flourished at Larsa who claimed to have ruled over Ur. The first monarch with an Elamite name who became connected with Larsa was Kudur-Mabug, son of Shimti-Shilkhak, the father of Warad-Sin and Rim-Sin.

It was from one of these Elamite monarchs that Sin-muballit captured Isin, and probably the Elamites were also the leaders of the army of Ur which he had routed before that event took place. He was not successful, however, in driving the Elamites from the land, and possibly he arranged with them a treaty of peace or perhaps of alliance.

Much controversy has been waged over the historical problems connected with this disturbed age. The records are exceedingly scanty, because the kings were not in the habit of commemorating battles which proved disastrous to them, and their fragmentary references to successes are not sufficient to indicate what permanent results accrued from their various campaigns. All we know for certain is that for a considerable period, extending perhaps over a century, a tremendous and disastrous struggle was waged at intervals, which desolated middle Babylonia. At least five great cities were destroyed by fire, as is testified by the evidence accumulated by excavators. These were Lagash, Umma, Shurruppak, Kisurra, and Adab. The ancient metropolis of Lagash, whose glory had been revived by Gudea and his kinsmen, fell soon after the rise of Larsa, and lay in ruins until the second century B.C., when, during the Seleucid Period, it was again occupied for a time. From its mound at Tello, and the buried ruins of the other cities, most of the relics of ancient Sumerian civilization have been recovered.

It was probably during one of the intervals of this stormy period that the rival kings in Babylonia joined forces against a common enemy and invaded the Western Land. Probably there was much unrest there. Great ethnic disturbances were in progress which were changing the political complexion of Western Asia. In addition to the outpourings of Arabian peoples into Palestine and Syria, which propelled other tribes to invade Mesopotamia, northern Babylonia, and Assyria, there was also much unrest all over the wide area to north and west of Elam. Indeed, the Elamite migration into southern Babylonia may not have been unconnected with the southward drift of roving bands from Media and the Iranian plateau.

It is believed that these migrations were primarily due to changing climatic conditions, a prolonged "Dry Cycle" having caused a shortage of herbage, with the result that pastoral peoples were compelled to go farther and farther afield in quest of "fresh woods and pastures new". Innumerable currents and cross currents were set in motion once these race movements swept towards settled districts either to flood them with human waves, or surround them like islands in the midst of tempest-lashed seas, fretting the frontiers with restless fury, and ever groping for an inlet through which to flow with irresistible force.

The Elamite occupation of Southern Babylonia appears to have propelled migrations of not inconsiderable numbers of its inhabitants. No doubt the various sections moved towards districts which were suitable for their habits of life. Agriculturists, for instance, must have shown preference for those areas which were capable of agricultural development, while pastoral folks sought grassy steppes and valleys, and seafarers the shores of alien seas.

Northern Babylonia and Assyria probably attracted the tillers of the soil. But the movements of seafarers must have followed a different route. It is possible that about this time the Phnicians began to migrate towards the "Upper Sea". According to their own traditions their racial cradle was on the northern shore of the Persian Gulf. So far as we know, they first made their appearance on the Mediterranean coast about 2000 B.C., where they subsequently entered into competition as sea traders with the mariners of ancient Crete. Apparently the pastoral nomads pressed northward through Mesopotamia and towards Canaan. As much is suggested by the Biblical narrative which deals with the wanderings of Terah, Abraham, and Lot. Taking with them their "flocks and herds and tents", and accompanied by wives, and families, and servants, they migrated, it is stated, from the Sumerian city of Ur northwards to Haran "and dwelt there". After Terah's death the tribe wandered through Canaan and kept moving southward, unable, it would seem, to settle permanently in any particular district. At length "there was a famine in the land"--an interesting reference to the "Dry Cycle"--and the wanderers found it necessary to take refuge for a time in Egypt. There they appear to have prospered. Indeed, so greatly did their flocks and herds increase that when they returned to Canaan they found that "the land was not able to bear them", although the conditions had improved somewhat during the interval. "There was", as a result, "strife between the herdmen of Abram's cattle and the herdmen of Lot's cattle."

It is evident that the area which these pastoral flocks were allowed to occupy must have been strictly circumscribed, for more than once it is stated significantly that "the Canaanite and the Perizzite dwelled in the land". The two kinsmen found it necessary, therefore, to part company. Lot elected to go towards Sodom in the plain of Jordan, and Abraham then moved towards the plain of Mamre, the Amorite, in the Hebron district.1 With Mamre, and his brothers, Eshcol and Aner, the Hebrew patriarch formed a confederacy for mutual protection.1

Other tribes which were in Palestine at this period included the Horites, the Rephaims, the Zuzims, the Zamzummims, and the Emims. These were probably representatives of the older stocks. Like the Amorites, the Hittites or "children of Heth" were evidently "late corners", and conquerors. When Abraham purchased the burial cave at Hebron, the landowner with whom he had to deal was one Ephron, son of Zohar, the Hittite.2 This illuminating statement agrees with what we know regarding Hittite expansion about 2000 B.C. The "Hatti" or "Khatti" had constituted military aristocracies throughout Syria and extended their influence by forming alliances. Many of their settlers were owners of estates, and traders who intermarried with the indigenous peoples and the Arabian invaders. As has been indicated (Chapter 1 ), the large-nosed Armenoid section of the Hittite confederacy appear to have contributed to the racial blend known vaguely as the Semitic. Probably the particular group of Amorites with whom Abraham became associated had those pronounced Armenoid traits which can still be traced in representatives of the Hebrew people. Of special interest in this connection is Ezekiel's declaration regarding the ethnics of Jerusalem: "Thy birth and thy nativity", he said, "is of the land of Canaan; thy father was an Amorite, and thy mother an Hittite."3

It was during Abraham's residence in Hebron that the Western Land was raided by a confederacy of Babylonian and Elamite battle lords. The Biblical narrative which deals with this episode is of particular interest and has long engaged the attention of European scholars:

"And it came to pass in the days of Amraphel (Hammurabi) king of Shinar (Sumer), Arioch (Eri-aku or Warad-Sin) king of Ellasar (Larsa), Chedor-laomer (Kudur-Mabug) king of Elam, and Tidal (Tudhula) king of nations; that these made war with Bera king of Sodom, and with Birsha king of Gomorrah, Shinab king of Admah, and Shemeber king of Zeboiim, and the king of Bela, which is Zoar. All these joined together in the vale of Siddim, which is the salt sea. Twelve years they served Chedor-laomer, and in the thirteenth year they rebelled."1 Apparently the Elamites had conquered part of Syria after entering southern Babylonia.

Chedor-laomer and his allies routed the Rephaims, the Zuzims, the Emims, the Horites and others, and having sacked Sodom and Gomorrah, carried away Lot and "his goods". On hearing of this disaster, Abraham collected a force of three hundred and eighteen men, all of whom were no doubt accustomed to guerrilla warfare, and delivered a night attack on the tail of the victorious army which was withdrawing through the area afterwards allotted to the Hebrew tribe of Dan. The surprise was complete; Abraham "smote" the enemy and "pursued them unto Hobah, which is on the left hand of Damascus. And he brought back all the goods, and also brought again his brother Lot, and his goods, and the women also, and the people."2

The identification of Hammurabi with Amraphel is now generally accepted. At first the guttural "h", which gives the English rendering "Khammurabi", presented a serious difficulty, but in time the form "Ammurapi" which appears on a tablet became known, and the conclusion was reached that the softer "h" sound was used and not the guttural. The "l" in the Biblical Amraphel has suggested "Ammurapi-ilu", "Hammurabi, the god", but it has been argued, on the other hand, that the change may have been due to western habitual phonetic conditions, or perhaps the slight alteration of an alphabetical sign. Chedor-laomer, identified with Kudur-Mabug, may have had several local names. One of his sons, either Warad-Sin or Rim-Sin, but probably the former, had his name Semitized as Eri-Aku, and this variant appears in inscriptions. "Tidal, king of nations", has not been identified. The suggestion that he was "King of the Gutium" remains in the realm of suggestion. Two late tablets have fragmentary inscriptions which read like legends with some historical basis. One mentions Kudur-lahmal (?Chedor-laomer) and the other gives the form "Kudur-lahgumal", and calls him "King of the land of Elam". Eri-Eaku (?Eri-aku) and Tudhula (?Tidal) are also mentioned. Attacks had been delivered on Babylon, and the city and its great temple E-sagila were flooded. It is asserted that the Elamites "exercised sovereignty in Babylon" for a period. These interesting tablets have been published by Professor Pinches.

The fact that the four leaders of the expedition to Canaan are all referred to as "kings" in the Biblical narrative need not present any difficulty. Princes and other subject rulers who governed under an overlord might be and, as a matter of fact, were referred to as kings. "I am a king, son of a king", an unidentified monarch recorded on one of the two tablets just referred to. Kudur-Mabug, King of Elam, during his lifetime called his son Warad-Sin (Eri-Aku = Arioch) "King of Larsa". It is of interest to note, too, in connection with the Biblical narrative regarding the invasion of Syria and Palestine, that he styled himself "overseer of the Amurru (Amorites)".

HAMMURABI RECEIVING THE ''CODE OF LAWS'' FROM THE SUN GOD<br> (<i>Louvre, Paris</i>)<br> Photo. Giraudon

HAMMURABI RECEIVING THE ''CODE OF LAWS'' FROM THE SUN GOD
(Louvre, Paris)
Photo. Giraudon

No traces have yet been found in Palestine of its conquest by the Elamites, nor have the excavators been able to substantiate the claim of Lugal-zaggizi of a previous age to have extended his empire to the shores of the Mediterranean. Any relics which these and other eastern conquerors may have left were possibly destroyed by the Egyptians and Hittites.

When Hammurabi came to the throne he had apparently to recognize the overlordship of the Elamite king or his royal son at Larsa. Although Sin-muballit had captured Isin, it was retaken, probably after the death of the Babylonian war-lord, by Rim-Sin, who succeeded his brother Warad-Sin, and for a time held sway in Lagash, Nippur, and Erech, as well as Larsa.

It was not until the thirty-first year of his reign that Hammurabi achieved ascendancy over his powerful rival. Having repulsed an Elamite raid, which was probably intended to destroy the growing power of Babylon, he "smote down Rim-Sin", whose power he reduced almost to vanishing point. For about twenty years afterwards that subdued monarch lived in comparative obscurity; then he led a force of allies against Hammurabi's son and successor, Samsu-iluna, who defeated him and put him to death, capturing, in the course of his campaign, the revolting cities of Emutbalum, Erech, and Isin. So was the last smouldering ember of Elamite power stamped out in Babylonia.

Hammurabi, statesman and general, is one of the great personalities of the ancient world. No more celebrated monarch ever held sway in Western Asia. He was proud of his military achievements, but preferred to be remembered as a servant of the gods, a just ruler, a father of his people, and "the shepherd that gives peace". In the epilogue to his code of laws he refers to "the burden of royalty", and declares that he "cut off the enemy" and "lorded it over the conquered" so that his subjects might have security. Indeed, his anxiety for their welfare was the most pronounced feature of his character. "I carried all the people of Sumer and Akkad in my bosom", he declared in his epilogue. "By my protection, I guided in peace its brothers. By my wisdom I provided for them." He set up his stele, on which the legal code was inscribed, so "that the great should not oppress the weak" and "to counsel the widow and orphan", and "to succour the injured . . . The king that is gentle, king of the city, exalted am I."1

Hammurabi was no mere framer of laws but a practical administrator as well. He acted as supreme judge, and his subjects could appeal to him as the Romans could to Car. Nor was any case too trivial for his attention. The humblest man was assured that justice would be done if his grievance were laid before the king. Hammurabi was no respecter of persons, and treated alike all his subjects high and low. He punished corrupt judges, protected citizens against unjust governors, reviewed the transactions of moneylenders with determination to curb extortionate demands, and kept a watchful eye on the operations of taxgatherers.

There can be little doubt but that he won the hearts of his subjects, who enjoyed the blessings of just administration under a well-ordained political system. He must also have endeared himself to them as an exemplary exponent of religious tolerance. He respected the various deities in whom the various groups of people reposed their faith, restored despoiled temples, and reendowed them with characteristic generosity. By so doing he not only afforded the pious full freedom and opportunity to perform their religious ordinances, but also promoted the material welfare of his subjects, for the temples were centres of culture and the priests were the teachers of the young. Excavators have discovered at Sippar traces of a school which dates from the Hammurabi Dynasty. Pupils learned to read and write, and received instruction in arithmetic and mensuration. They copied historical tablets, practised the art of composition, and studied geography.

Although there were many professional scribes, a not inconsiderable proportion of the people of both sexes were able to write private and business letters. Sons wrote from a distance to their fathers when in need of money then as now, and with the same air of undeserved martyrdom and subdued but confident appeal. One son indited a long complaint regarding the quality of the food he was given in his lodgings. Lovers appealed to forgetful ladies, showing great concern regarding their health. "Inform me how it fares with thee," one wrote four thousand years ago. "I went up to Babylon so that I might meet thee, but did not, and was much depressed. Let me know why thou didst go away so that I may be made glad. And do come hither. Ever have care of thy health, remembering me." Even begging-letter writers were not unknown. An ancient representative of this class once wrote to his employer from prison. He expressed astonishment that he had been arrested, and, having protested his innocence, he made touching appeal for little luxuries which were denied to him, adding that the last consignment which had been forwarded had never reached him.

Letters were often sent by messengers who were named, but there also appears to have been some sort of postal system. Letter carriers, however, could not have performed their duties without the assistance of beasts of burden. Papyri were not used as in Egypt. Nor was ink required. Babylonian letters were shapely little bricks resembling cushions. The angular alphabetical characters, bristling with thorn-like projections, were impressed with a wedge-shaped stylus on tablets of soft clay which were afterwards carefully baked in an oven. Then the letters were placed in baked clay envelopes, sealed and addressed, or wrapped in pieces of sacking transfixed by seals. If the ancient people had a festive season which was regarded, like the European Yuletide or the Indian Durga fortnight, as an occasion suitable for the general exchange of expressions of good-will, the Babylonian streets and highways must have been greatly congested by the postal traffic, while muscular postmen worked overtime distributing the contents of heavy and bulky letter sacks. Door to door deliveries would certainly have presented difficulties. Wood being dear, everyone could not afford doors, and some houses were entered by stairways leading to the flat and partly open roofs.

King Hammurabi had to deal daily with a voluminous correspondence. He received reports from governors in all parts of his realm, legal documents containing appeals, and private communications from relatives and others. He paid minute attention to details, and was probably one of the busiest men in Babylonia. Every day while at home, after worshipping Merodach at E-sagila, he dictated letters to his scribes, gave audiences to officials, heard legal appeals and issued interlocutors, and dealt with the reports regarding his private estates. He looks a typical man of affairs in sculptured representations--shrewd, resolute, and unassuming, feeling "the burden of royalty", but ever ready and well qualified to discharge his duties with thoroughness and insight. His grasp of detail was equalled only by his power to conceive of great enterprises which appealed to his imagination. It was a work of genius on his part to weld together that great empire of miscellaneous states extending from southern Babylonia to Assyria, and from the borders of Elam to the Mediterranean coast, by a universal legal Code which secured tranquillity and equal rights to all, promoted business, and set before his subjects the ideals of right thinking and right living.

Hammurabi recognized that conquest was of little avail unless followed by the establishment of a just and well-arranged political system, and the inauguration of practical measures to secure the domestic, industrial, and commercial welfare of the people as a whole. He engaged himself greatly, therefore, in developing the natural resources of each particular district. The network of irrigating canals was extended in the homeland so that agriculture might prosper: these canals also promoted trade, for they were utilized for travelling by boat and for the distribution of commodities. As a result of his activities Babylon became not only the administrative, but also the commercial centre of his Empire--the London of Western Asia--and it enjoyed a spell of prosperity which was never surpassed in subsequent times. Yet it never lost its pre-eminent position despite the attempts of rival states, jealous of its glory and influence, to suspend its activities. It had been too firmly established during the Hammurabi Age, which was the Golden Age of Babylonia, as the heartlike distributor and controller of business life through a vast network of veins and arteries, to be displaced by any other Mesopotamian city to pleasure even a mighty monarch. For two thousand years, from the time of Hammurabi until the dawn of the Christian era, the city of Babylon remained amidst many political changes the metropolis of Western Asiatic commerce and culture, and none was more eloquent in its praises than the scholarly pilgrim from Greece who wondered at its magnificence and reverenced its antiquities.

Hammurabi's reign was long as it was prosperous. There is no general agreement as to when he ascended the throne--some say in 2123 B.C., others hold that it was after 2000 B.C.--but it is certain that he presided over the destinies of Babylon for the long period of forty-three years.

There are interesting references to the military successes of his reign in the prologue to the legal Code. It is related that when he "avenged Larsa", the seat of Rim-Sin, he restored there the temple of the sun god. Other temples were built up at various ancient centres, so that these cultural organizations might contribute to the welfare of the localities over which they held sway. At Nippur he thus honoured Enlil, at Eridu the god Ea, at Ur the god Sin, at Erech the god Anu and the goddess Nana (Ishtar), at Kish the god Zamama and the goddess Ma-ma, at Cuthah the god Nergal, at Lagash the god Nin-Girsu, while at Adab and Akkad, "celebrated for its wide squares", and other centres he carried out religious and public works. In Assyria he restored the colossus of Ashur, which had evidently been carried away by a conqueror, and he developed the canal system of Nineveh.

Apparently Lagash and Adab had not been completely deserted during his reign, although their ruins have not yielded evidence that they flourished after their fall during the long struggle with the aggressive and plundering Elamites.

Hammurabi referred to himself in the Prologue as "a king who commanded obedience in all the four quarters". He was the sort of benevolent despot whom Carlyle on one occasion clamoured vainly for--not an Oriental despot in the commonly accepted sense of the term. As a German writer puts it, his despotism was a form of Patriarchal Absolutism. "When Marduk (Merodach)", as the great king recorded, "brought me to direct all people, and commissioned me to give judgment, I laid down justice and right in the provinces, I made all flesh to prosper."1 That was the keynote of his long life; he regarded himself as the earthly representative of the Ruler of all--Merodach, "the lord god of right", who carried out the decrees of Anu, the sky god of Destiny.

The next king, Samsu-iluna, reigned nearly as long as his illustrious father, and similarly lived a strenuous and pious life. Soon after he came to the throne the forces of disorder were let loose, but, as has been stated, he crushed and slew his most formidable opponent, Rim-Sin, the Elamite king, who had gathered together an army of allies. During his reign a Kassite invasion was repulsed. The earliest Kassites, a people of uncertain racial affinities, began to settle in the land during Hammurabi's lifetime. Some writers connect them with the Hittites, and others with the Iranians, vaguely termed as Indo-European or Indo-Germanic folk. Ethnologists as a rule regard them as identical with the Coss, whom the Greeks found settled between Babylon and Media, east of the Tigris and north of Elam. The Hittites came south as raiders about a century later. It is possible that the invading Kassites had overrun Elam and composed part of Rim-Sin's army. After settled conditions were secured many of them remained in Babylonia, where they engaged like their pioneers in agricultural pursuits. No doubt they were welcomed in that capacity, for owing to the continuous spread of culture and the development of commerce, rural labour had become scarce and dear. Farmers had a long-standing complaint, "The harvest truly is plenteous, but the labourers are few".1 "Despite the existence of slaves, who were for the most part domestic servants, there was", writes Mr. Johns, "considerable demand for free labour in ancient Babylonia. This is clear from the large number of contracts relating to hire which have come down to us. . . . As a rule, the man was hired for the harvest and was free directly after. But there are many examples in which the term of service was different--one month, half a year, or a whole year. . . . Harvest labour was probably far dearer than any other, because of its importance, the skill and exertion demanded, and the fact that so many were seeking for it at once." When a farm worker was engaged he received a shekel for "earnest money" or arles, and was penalized for non-appearance or late arrival.2

So great was the political upheaval caused by Rim-Sin and his allies and imitators in southern Babylonia, that it was not until the seventeenth year of his reign that Samsu-iluna had recaptured Erech and Ur and restored their walls. Among other cities which had to be chastised was ancient Akkad, where a rival monarch endeavoured to establish himself. Several years were afterwards spent in building new fortifications, setting up memorials in temples, and cutting and clearing canals. On more than one occasion during the latter part of his reign he had to deal with aggressive bands of Amorites.

The greatest danger to the Empire, however, was threatened by a new kingdom which had been formed in Bit-Jakin, a part of Sealand which was afterwards controlled by the mysterious Chaldeans. Here may have collected evicted and rebel bands of Elamites and Sumerians and various "gentlemen of fortune" who were opposed to the Hammurabi regime. After the fall of Rim-Sin it became powerful under a king called Ilu-ma-ilu. Samsu-iluna conducted at least two campaigns against his rival, but without much success. Indeed, he was in the end compelled to retreat with considerable loss owing to the difficult character of that marshy country.

Abeshu, the next Babylonian king, endeavoured to shatter the cause of the Sealanders, and made it possible for himself to strike at them by damming up the Tigris canal. He achieved a victory, but the wily Ilu-ma-ilu eluded him, and after a reign of sixty years was succeeded by his son, Kiannib. The Sealand Dynasty, of which little is known, lasted for over three and a half centuries, and certain of its later monarchs were able to extend their sway over part of Babylonia, but its power was strictly circumscribed so long as Hammurabi's descendants held sway.

During Abeshu's reign of twenty-eight years, of which but scanty records survive, he appears to have proved an able statesman and general. He founded a new city called Lukhaia, and appears to have repulsed a Kassite raid.

His son, Ammiditana, who succeeded him, apparently inherited a prosperous and well-organized Empire, for during the first fifteen years of his reign he attended chiefly to the adornment of temples and other pious undertakings. He was a patron of the arts with archlogical leanings, and displayed traits which suggest that he inclined, like Sumu-la-ilu, to ancestor worship. Entemena, the pious patesi of Lagash, whose memory is associated with the famous silver vase decorated with the lion-headed eagle form of Nin-Girsu, had been raised to the dignity of a god, and Ammiditana caused his statue to be erected so that offerings might be made to it. He set up several images of himself also, and celebrated the centenary of the accession to the throne of his grandfather, Samsu-iluna, "the warrior lord", by unveiling his statue with much ceremony at Kish. About the middle of his reign he put down a Sumerian rising, and towards its close had to capture a city which is believed to be Isin, but the reference is too obscure to indicate what political significance attached to this incident. His son, Ammizaduga, reigned for over twenty years quite peacefully so far as is known, and was succeeded by Samsuditana, whose rule extended over a quarter of a century. Like Ammiditana, these two monarchs set up images of themselves as well as of the gods, so that they might be worshipped, no doubt. They also promoted the interests of agriculture and commerce, and incidentally increased the revenue from taxation by paying much attention to the canals and extending the cultivatable areas.

But the days of the brilliant Hammurabi Dynasty were drawing to a close. It endured for about a century longer than the Twelfth Dynasty of Egypt, which came to an end, according to the Berlin calculations, in 1788 B.C. Apparently some of the Hammurabi and Amenemhet kings were contemporaries, but there is no evidence that they came into direct touch with one another. It was not until at about two centuries after Hammurabi's day that Egypt first invaded Syria, with which, however, it had for a long period previously conducted a brisk trade. Evidently the influence of the Hittites and their Amoritic allies predominated between Mesopotamia and the Delta frontier of Egypt, and it is significant to find in this connection that the "Khatti" or "Hatti" were referred to for the first time in Egypt during the Twelfth Dynasty, and in Babylonia during the Hammurabi Dynasty, sometime shortly before or after 2000 B.C. About 1800 B.C. a Hittite raid resulted in overthrow of the last king of the Hammurabi family at Babylon. The Hyksos invasion of Egypt took place after 1788 B.C.

Footnotes

245:1 Genesis, xii and xiii.
246:1 Genesis, xiv, 13.
246:2 Ibid., xxiii.
246:3 Ezekiel, xvi, 3.
247:1 Genesis, xiv, 1-4.
247:2 Ibid., 5-24.
250:1 Babylonian and Assyrian Laws, Contracts, and Letters, C. H. W. Johns, pp. 392 et seq.
255:1 Translation by Johns in Babylonian and Assyrian Laws, Contracts, and Letters, pp. 390 et seq.
256:1 Matthew, ix, 37.
256:2 Johns's Babylonian and Assyrian Laws, &c., pp. 371-2.
Next: Chapter XII. Rise of the Hittites, Mitannians, Kassites, Hyksos, and Assyrians

Myths of Babylon and Assyria: Chapter IX. Deluge Legend, the Island of the Blessed, and Hades

CHAPTER IX

Deluge Legend, the Island of the Blessed, and Hades

Babylonian Story of the Flood--The Two Immortals on the Island of the Blessed--Deluge Legends in the Old and New Worlds--How Babylonian Culture reached India--Theory of Cosmic Periods--Gilgamesh resembles the Indian Yama and Persian Yimeh--Links with Varuna and Mitra--The Great Winter in Persian and Teutonic Mythologies--Babylonian Hades compared with the Egyptian, Greek, Indian, Teutonic, and Celtic Otherworlds--Legend of Nergal and the Queen of Death--Underworld originally the Grave--Why Weapons, &c., were Buried with the Dead--Japanese and Roman Beliefs--Pallithic Burial Customs--"Our Graves are our Houses"--Importance of Babylonian Funerary Ceremonies--Doctrine of Eternal Bliss in Egypt and India--Why Suppressed in Babylonia--Heavy Burial Fees--Various Burial Customs.

THE story of the Deluge which was related to Gilgamesh by Pir-napishtim runs as follows:

"Hear me, O Gilgamesh, and I will make revelation regarding the hidden doings of the high gods. As thou knowest, the city of Shurippak is situated upon the bank of the Euphrates. The gods were within it: there they assembled together in council. Anu, the father, was there, and Bel the counsellor and warrior, Ninip the messenger, and Ennugi the governor. Ea, the wise lord, sat also with them. In their hearts the gods agreed together to send a great deluge.

"Thereafter Ea made known the purpose of the divine rulers in the hut of reeds, saying:1 'O hut of reeds, hear; O wall, understand . . . O man of Shurippak, son of Umbara Tutu, tear down thy house and build a ship; leave all thou dost possess and save thy life, and preserve in the ship the living seed of every kind. The ship that thou wilt build must be of goodly proportions in length and height. It must be floated on the great deep.'

"I heard the command of Ea and understood, and I made answer, saying, 'O wise lord, as thou hast said so will I do, for thy counsel is most excellent. But how shall I give reason for my doings to the young men and the elders?'

"Ea opened his mouth and said unto me, his servant: 'What thou shalt say unto them is this . . It hath been revealed unto me that Bel doth hate me, therefore I cannot remain any longer in his domain, this city of Shurippak, so I must depart unto the domain of Ea and dwell with him . . . Unto you will Bel send abundance of rain, so that you may obtain birds and fishes in plenty and have a rich harvest. But Shamash hath appointed a time for Ramman to pour down destruction from the heavens.'"1

Ea then gave instructions to Pir-napishtim how to build the ship in which he should find refuge. So far as can be gathered from the fragmentary text, it appears that this vessel was to have a deck house six stories high, with nine apartments in each story. According to another account, Ea drew a plan of the great ship upon the sand.

Pir-napishtim set to work and made a flat-bottomed vessel, which was 120 cubits wide and 120 cubits in height. He smeared it with bitumen inside and pitch outside; and on the seventh day it was ready. Then he carried out Ea's further instructions. Continuing his narrative to Gilgamesh, he said:

"I gathered together all that I possessed, my silver and gold and seeds of every kind, and my goods also. These I placed in the ship. Then I caused to go aboard all my family and house servants, the animals of the field and the beasts of the field and the workers--every one of them I sent up.

"The god Shamash appointed the time, saying: 'I will cause the Night Lord to send much rain and bring destruction. Then enter thou the ship and shut thy door.'

"At the appointed time the Night Lord sent at eventime much rain. I saw the beginning of the deluge and I was afraid to look up. I entered the ship and shut the door. I appointed Buzur-Kurgala, the sailor, to be captain, and put under his command the great vessel and all that it contained.

"At the dawn of day I saw rising athwart the heavens a dark cloud, and in the midst of it Ramman thundered. Nebo and Merodach went in front, speeding like emissaries over hills and plains. The cables of the ship were let loose.

"Then Ninip, the tempest god, came nigh, and the storm broke in fury before him. All the earth spirits leapt up with flaming torches and the whole land was aflare. The thunder god swept over the heavens, blotting out the sunlight and bringing thick darkness. Rain poured down the whole day long, and the earth was covered with water; the rivers were swollen; the land was in confusion; men stumbled about in the darkness, battling with the elements. Brothers were unable to see brothers; no man could recognize his friends. . . . The spirits above looked down and beheld the rising flood and were afraid: they fled away, and in the heaven of Anu they crouched like to hounds in the protecting enclosures.

THE BABYLONIAN DELUGE<br> <i>From the Painting by E. Wallcousins</i>.

THE BABYLONIAN DELUGE
From the Painting by E. Wallcousins.

"In time Ishtar, the lady of the gods, cried out distressfully, saying: 'The elder race hath perished and turned to clay because that I have consented to evil counsel in the assembly of the gods. Alas! I have allowed my people to be destroyed. I gave being to man, but where is he? Like the offspring of fish he cumbers the deep.'

"The earth spirits were weeping with Ishtar: they sat down cowering with tightened lips and spake not; they mourned in silence.

"Six days and six nights went past, and the tempest raged over the waters which gradually covered the land. But when the seventh day came, the wind fell, the whirling waters grew peaceful, and the sea retreated. The storm was over and the rain of destruction had ceased. I looked forth. I called aloud over the waters. But all mankind had perished and turned to clay. Where fields had been I saw marshes only.

"Then I opened wide the window of the ship, and the sunlight suffused my countenance. I was dazzled and sank down weeping and the tears streamed over my face. Everywhere I looked I saw water.

"At length, land began to appear. The ship drifted towards the country of Nitsir, and then it was held fast by the mountain of Nitsir. Six days went past and the ship remained stedfast. On the seventh day I sent forth a dove, and she flew away and searched this way and that, but found no resting place, so she returned. I then sent forth a swallow, and she returned likewise. Next I sent forth a raven, and she flew away. She saw that the waters were shrinking, and gorged and croaked and waded, but did not come back. Then I brought forth all the animals into the air of heaven.

"An offering I made on the mountain. I poured out a libation. I set up incense vessels seven by seven on heaped-up reeds and used cedar wood with incense. The gods smelt the sweet savour, and they clustered like flies about the sacrificer.

"Thereafter Ishtar (Sirtu) drew nigh. Lifting up the jewels, which the god Anu had fashioned for her according to her desire, she spake, saying: 'Oh! these gods! I vow by the lapis lazuli gems upon my neck that I will never forget! I will remember these days for ever and ever. Let all the gods come hither to the offering, save Bel (Enlil) alone, because that he ignored my counsel, and sent a great deluge which destroyed my people.'

"But Bel Enlil came also, and when he beheld the ship he paused. His heart was filled with wrath against the gods and the spirits of heaven. Angrily he spake and said: 'Hath one escaped? It was decreed that no human being should survive the deluge.'

"Ninip, son of Bel, spoke, saying: 'Who hath done this save Ea alone? He knoweth all things.'

"Ea, god of the deep, opened his mouth and said unto the warrior Bel: 'Thou art the lord of the gods, O warrior. But thou wouldst not hearken to my counsel and caused the deluge to be. Now punish the sinner for his sins and the evil doer for his evil deed, but be merciful and do not destroy all mankind. May there never again be a flood. Let the lion come and men will decrease. May there never again be a flood. Let the leopard come and men will decrease. May there never again be a flood. Let famine come upon the land; let Ura, god of pestilence, come and snatch off mankind. . . . I did not reveal the secret purpose of the mighty gods, but I caused Atra-chasis (Pir-napishtim) to dream a dream in which he had knowledge of what the gods had decreed.'

"Having pondered a time over these words, Bel entered the ship alone. He grasped my hand land led me forth, even me, and he led forth my wife also, and caused her to kneel down beside me. Then he stood between us and gave his blessing. He spoke, saying: 'In time past Pir-napishtim was a man. Henceforth Pir-napishtim and his wife will be like unto deities, even us. Let them dwell apart beyond the river mouths.'

"Thereafter Bel carried me hither beyond the mouths of rivers."

......

Flood myths are found in many mythologies both in the Old World and the New.

The violent and deceitful men of the mythical Bronze Age of Greece were destroyed by a flood. It is related that Zeus said on one occasion to Hermes: "I will send a great rain, such as hath not been since the making of the world, and the whole race of men shall perish. I am weary of their iniquity."

For receiving with hospitable warmth these two gods in human guise, Deucalion, an old man, and his wife Pyrrha were spared, however. Zeus instructed his host to build an ark of oak, and store it well with food. When this was done, the couple entered the vessel and shut the door. Then Zeus "broke up all the fountains of the deep, and opened the well springs of heaven, and it rained for forty days and forty nights continually". The Bronze folk perished: not even those who fled to the hilltops could escape. The ark rested on Parnassus, and when the waters ebbed the old couple descended the mountain and took up their abode in a cave.1

In Indian mythology the world is destroyed by a flood at the end of each Age of the Universe. There are four ages: the Krita or Perfect Age, the Treta Age, the Dwapara Age, and the Kali or Wicked Age. These correspond closely to the Greek and Celtic ages.1 There are also references in Sanskrit literature to the destruction of the world because too many human beings lived upon it. "When the increase of population had been so frightful," a sage related, "the Earth, oppressed with the excessive burden, sank down for a hundred Yojanas. Suffering pain in all her limbs, and being deprived of her senses by excessive pressure, the Earth in distress sought the protection of Narayana, the foremost of the gods."2

Manu's account of the flood has been already referred to (Chapter II ). The god in fish shape informed him: "The time is ripe for purging the world. . . . Build a strong and massive ark, and furnish it with a long rope. . . ." When the waters rose the horned fish towed the ark over the roaring sea, until it grounded on the highest peak of the Himavat, which is still called Naubandha (the harbour). Manu was accompanied by seven rishis.3

In the Celtic (Irish) account of the flood, Cessair, granddaughter of Noah, was refused a chamber for herself in the ark, and fled to the western borders of the world as advised by her idol.4 Her fleet consisted of three ships, but two foundered before Ireland was reached. The survivors in addition to Cessair were, her father Bith, two other men, Fintan and Ladru, and fifty women. All of these perished on the hills except Fintan, who slept on the crest of a great billow, and lived to see Partholon, the giant, arriving from Greece.

There is a deluge also in Egyptian mythology. When Ra, the sun god, grew old as an earthly king, men began to mutter words against him. He called the gods together and said: "I will not slay them (his subjects) until I have heard what ye say concerning them." Nu, his father, who was the god of primeval waters, advised the wholesale destruction of mankind.

Said Ra: "Behold men flee unto the hills; their heart is full of fear because of that which they said."

The goddess Hathor-Sekhet, the Eye of Ra, then went forth and slew mankind on the hills. Thereafter Ra, desiring to protect the remnant of humanity, caused a great offering to be made to the goddess, consisting of corn beer mixed with herbs and human blood. This drink was poured out during the night. "And the goddess came in the morning; she found the fields inundated, she rejoiced thereat, she drank thereof; her heart was rejoiced, she went about drunken and took no more cognizance of men."1

It is obvious that the Egyptian myth refers to the annual inundation of the Nile, the "human blood" in the "beer" being the blood of the slain corn god, or of his earthly representative. It is probable that the flood legends of North and South America similarly reflected local phenomena, although the possibility that they were of Asiatic origin, like the American Mongoloid tribes, cannot be overlooked. Whether or not Mexican civilization, which was flourishing about the time of the battle of Hastings, received any cultural stimulus from Asia is a question regarding which it would be unsafe to dogmatize, owing to the meagre character of the available data.

The Mexican deluge was caused by the "water sun", which suddenly discharged the moisture it had been drawing from the earth in the form of vapour through long ages. All life was destroyed.

A flood legend among the Nahua tribes resembles closely the Babylonian story as told by Pir-napishtim. The god Titlacahuan instructed a man named Nata to make a boat by hollowing out a cypress tree, so as to escape the coming deluge with his wife Nena. This pair escaped destruction. They offered up a fish sacrifice in the boat and enraged the deity who visited them, displaying as much indignation as did Bel when he discovered that Pir-napishtim had survived the great disaster. Nata and Nena had been instructed to take with them one ear of maize only, which suggests that they were harvest spirits.

In Brazil, Monan, the chief god, sent a great fire to burn up the world and its wicked inhabitants. To extinguish the flames a magician caused so much rain to fall that the earth was flooded.

The Californian Indians had a flood legend, and believed that the early race was diminutive; and the Athapascan Indians of the north-west professed to be descendants of a family who escaped the deluge. Indeed, deluge myths were widespread in the "New World".

The American belief that the first beings who were created were unable to live on earth was shared by the Babylonians. According to Berosus the first creation was a failure, because the animals could not bear the light and they all died.1 Here we meet with the germs of the Doctrine of the World's Ages, which reached its highest development in Indian, Greek, and Celtic (Irish) mythologies.

The Biblical account of the flood is familiar to readers. "It forms", says Professor Pinches, "a good subject for comparison with the Babylonian account, with which it agrees so closely in all the main points, and from which it differs so much in many essential details."1

The drift of Babylonian culture was not only directed westward towards the coast of Palestine, and from thence to Greece during the Phnician period, but also eastward through Elam to the Iranian plateau and India. Reference has already been made to the resemblances between early Vedic and Sumerian mythologies. When the "new songs" of the Aryan invaders of India were being composed, the sky and ocean god, Varuna, who resembles Ea-Oannes, and Mitra, who links with Shamash, were already declining in splendour. Other cultural influences were at work. Certain of the Aryan tribes, for instance, buried their dead in Varuna's "house of clay", while a growing proportion cremated their dead and worshipped Agni, the fire god. At the close of the Vedic period there were fresh invasions into middle India, and the "late comers" introduced new beliefs, including the doctrines of the Transmigration of Souls and of the Ages of the Universe. Goddesses also rose into prominence, and the Vedic gods became minor deities, and subject to Brahma, Vishnu, and Shiva. These "late comers" had undoubtedly been influenced by Babylonian ideas before they entered India. In their Doctrine of the World's Ages or Yugas, for instance, we are forcibly reminded of the Euphratean ideas regarding space and time. Mr. Robert Brown, junr., who is an authority in this connection, shows that the system by which the "Day of Brahma" was calculated in India resembles closely an astronomical system which obtained in Babylonia, where apparently the theory of cosmic periods had origin.1

The various alien peoples, however, who came under the spell of Babylonian modes of thought did not remain in a state of intellectual bondage. Thought was stimulated rather than arrested by religious borrowing, and the development of ideas regarding the mysteries of life and death proceeded apace in areas over which the ritualistic and restraining priesthood of Babylonia exercised no sway. As much may be inferred from the contrasting conceptions of the Patriarchs of Vedic and Sumerian mythologies. Pir-napishtim, the Babylonian Noah, and the semi-divine Gilgamesh appear to be represented in Vedic mythology by Yama, god of the dead. Yama was "the first man", and, like Gilgamesh, he set out on a journey over mountains and across water to discover Paradise. He is lauded in the Vedic hymns as the explorer of "the path" or "way" to the "Land of the Pitris" (Fathers), the Paradise to which the Indian uncremated dead walked on foot. Yama never lost his original character. He is a traveller in the Epics as in the Vedas.2
Him who along the mighty heights departed,
Him who searched and spied the path for many,
Son of Vivasvat, gatherer of the people,
Yama, the King, with sacrifices worship.
Rigveda, x, 14, 1.3

To Yama, mighty King, be gifts and homage paid,
He was the first of men that died, the first to brave
Death's rapid rushing stream, the first to point the road
To heaven, and welcome others to that bright abode.
Sir M. Monier Williams' Translation.4

Yama and his sister Yamwere the first human pair.

They are identical with the Persian Celestial twins, Yima and Yimeh. Yima resembles Mitra (Mithra); Varuna, the twin brother of Mitra, in fact, carries the noose associated with the god of death.1

The Indian Yama, who was also called Pitripati, "lord of the fathers", takes Mitra's place in the Paradise of Ancestors beside Varuna, god of the sky and the deep. He sits below a tree, playing on a flute and drinking the Soma drink which gives immortality. When the descendants of Yama reached Paradise they assumed shining forms "refined and from all taint set free".2

In Persian mythology "Yima", says Professor Moulton, "reigns over a community which may well have been composed of his own descendants, for he lived yet longer than Adam. To render them immortal, he gives them to eat forbidden food, being deceived by the Daevas (demons). What was this forbidden food? May we connect it with another legend whereby, at the Regeneration, Mithra is to make men immortal by giving them to eat the fat of the Ur-Kuh, the primeval cow from whose slain body, according to the Aryan legends adopted by Mithraism, mankind was first created?"

Yima is punished for "presumptuously grasping at immortality for himself and mankind, on the suggestion of an evil power, instead of waiting Ahura's good time". Professor Moulton wonders if this story, which he endeavours to reconstruct, "owed anything to Babylon?"

Yima, like the Babylonian Pir-napishtim, is also a revealer of the secrets of creation. He was appointed to be "Guardian, Overseer, Watcher over my Creation" by Ahura, the supreme god. Three hundred years went past
Then the earth became abounding,
Full of flocks and full of cattle,
Full of men, of birds, dogs likewise,
Full of fires all bright and blazing,
Nor did men, flocks, herds of cattle,
Longer find them places in it.
Jackson's Translation.

The earth was thereafter cloven with a golden arrow. Yima then built a refuge in which mankind and the domesticated animals might find shelter during a terrible winter. "The picture", says Professor Moulton, "strongly tempts us to recognize the influence of the Babylonian Flood Legend."1 The "Fimbul winter" of Germanic mythology is also recalled. Odin asks in one of the Icelandic Eddic poems:
What beings shall live when the long dread winter
Comes oer the people of earth?2

In another Eddic poem, the Voluspa, the Vala tells of a Sword Age, an Axe Age, a Wind Age, and a Wolf Age which is to come "ere the world sinks". After the battle of the gods and demons,
The sun is darkened, earth sinks in the sea.

In time, however, a new world appears.
I see uprising a second time
Earth from the Ocean, green anew;
The waters fall, on high the eagle
Flies o'er the fell and catches fish.

When the surviving gods return, they will talk, according to the Vala (prophetess), of "the great world serpent" (Tiamat). The fields will be sown and "Balder will come"1 --apparently as Tammuz came. The association of Balder with corn suggests that, like Nata of the Nahua tribes, he was a harvest spirit, among other things.

Leaving, meantime, the many problems which arise from consideration of the Deluge legends and their connection with primitive agricultural myths, the attention of readers may be directed to the Babylonian conception of the Otherworld.

Pir-napishtim, who escaped destruction at the Flood, resides in an Island Paradise, which resembles the Greek "Islands of the Blessed", and the Irish "Tir nan og" or "Land of the Young", situated in the western ocean, and identical with the British2
island-valley of Avilion,
Where falls not hail, or rain, or any snow,
Nor ever wind blows loudly, but it lies
Deep meadowd, happy, fair with orchard lawns
And bowery hollows crowned with summer sea.3

Only two human beings were permitted to reside on the Babylonian island paradise, however. These were Pir-napishtim and his wife. Apparently Gilgamesh could not join them there. His gods did not transport heroes and other favoured individuals to a happy isle or isles like those of the Greeks and Celts and Aryo-Indians. There was no Heaven for the Babylonian dead. All mankind were doomed to enter the gloomy Hades of the Underworld, "the land of darkness and the shadow of death; a land of darkness, as darkness itself; and of the shadow of death, without any order, and where the light is darkness", as Job exclaimed in the hour of despair, lamenting his fate.4

This gloomy habitation of the dead resembles the Greek Hades, the Teutonic Nifelhel, and the Indian "Put". No detailed description of it has been found. The references, however, in the "Descent of Ishtar" and the Gilgamesh epic suggest that it resembled the hidden regions of the Egyptians, in which souls were tortured by demons who stabbed them, plunged them in pools of fire, and thrust them into cold outer darkness where they gnashed their teeth, or into places of horror swarming with poisonous reptiles.

Ishtar was similarly tortured by the plague demon, Namtar, when she boldly entered the Babylonian Underworld to search for Tammuz. Other sufferings were, no doubt, in store for her, resembling those, perhaps, with which the giant maid in the Eddic poem "Skirnismal" was threatened when she refused to marry Frey, the god of fertility and harvest:
Trolls shall torment thee from morn till eve
In the realms of the Jotun race,
Each day to the dwellings of Frost giants must thou
Creep helpless, creep hopeless of love;
Thou shalt weeping have in the stead of joy,
And sore burden bear with tears. . . .
May madness and shrieking, bondage and yearning
Burden thee with bondage and tears.1

In like manner, too, the inhabitants of the Indian Hell suffered endless and complicated tortures.2

The Persephone of the Babylonian Underworld was Eresh-ki-gal, who was also called Allatu. A myth, which was found among the Egyptian Tel-el-Amarna "Letters", sets forth that on one occasion the Babylonian gods held a feast. All the deities attended it, except Eresh-ki-gal.

She was unable to leave her gloomy Underworld, and sent her messenger, the plague demon Namtar, to obtain her share. The various deities honoured Namtar, except Nergal, by standing up to receive him. When Eresh-ki-gal was informed of this slight she became very angry, and demanded that Nergal should be delivered up to her so that he might be put to death. The storm god at once hastened to the Underworld, accompanied by his own group of fierce demons, whom he placed as guardians at the various doors so as to prevent the escape of Eresh-ki-gal. Then he went boldly towards the goddess, clutched her by the hair, and dragged her from her throne. After a brief struggle, she found herself over-powered. Nergal made ready to cut off her head, but she cried for mercy and said: "Do not kill me, my brother! Let me speak to thee."

This appeal indicated that she desired to ransom her life--like the hags in the European folk tales--so Nergal unloosed his hold.

Then Eresh-ki-gal continued: "Be thou my husband and I will be thy wife. On thee I confer sovereignty over the wide earth, giving thee the tablet of wisdom. Thou shalt be my lord and I will be thy lady."

Nergal accepted these terms by kissing the goddess. Affectionately drying her tears, he spoke, saying: "Thou shalt now have from me what thou hast demanded during these past months."

In other words, Nergal promises to honour her as she desired, after becoming her husband and equal.

In the "Descent of Ishtar" the Babylonian Underworld is called Cuthah. This city had a famous cemetery, like Abydos in Egypt, where many pious and orthodox worshippers sought sepulture. The local god was Nergal, who symbolized the destructive power of the sun and the sand storm; he was a gloomy, vengeful deity, attended by the spirits of tempest, weariness, pestilence, and disease, and was propitiated because he was dreaded.

In Nether Cuthah, as Ea-bani informed Gilgamesh, the worm devoured the dead amidst the dust and thick darkness.

It is evident that this Underworld was modelled on the grave. In early times men believed that the spirits of the dead hovered in or about the place of sepulture. They were therefore provided with "houses" to protect them, in the same manner as the living were protected in their houses above the ground.

The enemies of the human ghosts were the earth spirits. Weapons were laid beside the dead in their graves so that they might wage war against demons when necessary. The corpse was also charmed, against attack, by the magical and protecting ornaments which were worn by the living--necklaces, armlets, ear-rings, &c. Even face paint was provided, probably as a charm against the evil eye and other subtle influences.

So long as corpses were left in their graves, the spirits of the dead were, it would appear, believed to be safe. But they required food and refreshment. Food vessels and drinking urns were therefore included in the funerary furniture, and the dead were given food offerings at regular intervals. Once a year the living held feasts in the burial ground, and invited the ghosts to share in the repast. This custom was observed in Babylonia, and is not yet obsolete in Egypt; Moslems and Coptic Christians alike hold annual all-night feasts in their cemeteries.

The Japanese "Land of Yomi" is similarly an underworld, or great grave, where ghosts mingle with the demons of disease and destruction. Souls reach it by "the pass of Yomi". The Mikado, however, may be privileged to ascend to heaven and join the gods in the "Eternal Land".

Among the ancient Romans the primitive belief survived that the spirit of the dead "just sank into the earth where it rested, and returned from time to time to the upper world through certain openings in the ground (mundi), whose solemn uncovering was one of the regular observances of the festal calendar".1

According to Babylonian belief, the dead who were not properly buried roamed through the streets searching for food, eating refuse and drinking impure water.

Prior to the period of ceremonial burials, the dead were interred in the houses in which they had lived--a custom which has made it possible for present-day scientists to accumulate much valuable data regarding primitive races and their habits of life. The Pallithic cave-dwellers of Europe were buried in their caves. These were then deserted and became the haunts of wild animals. After a long interval a deserted cave was occupied by strangers. In certain characteristic caves the various layers containing human remains represent distinct periods of the vast Pleistocene Age.

When Mediterranean man moved northward through Europe, he utilized some of these caves, and constructed in them well-built graves for his dead, digging down through older layers. In thus making a "house" within a "house", he has provided us with a link between an old custom and a new. Apparently he was influenced by local practices and beliefs, for he met and mingled in certain localities with the men of the Late Pallithic Age.

The primitive house-burial rite is referred to in the Ethiopic version of the life of Alexander the Great. The "Two-horned", as the hero was called, conversed with Brahmans when he reached India. He spoke to one of them, "saying: 'Have ye no tombs wherein to bury any man among ye who may die?' And an interpreter made answer to him, saying: 'Man and woman and child grow up, and arrive at maturity, and become old, and when any one of them dieth we bury him in the place wherein he lived; thus our graves are our houses. And our God knoweth that we desire this more than the lust for food and meat which all men have: this is our life and manner of living in the darkness of our tombs.'" When Alexander desired to make a gift to these Brahmans, and asked them what they desired most, their answer was, "Give us immortality".1

In the Gilgamesh epic the only ray of hope which relieves the gloomy closing passages is Ea-bani's suggestion that the sufferings endured by the dead may be alleviated by the performance of strict burial rites. Commenting on this point Professor Jastrow says: "A proper burial with an affectionate care of the corpse ensures at least a quiet repose.
Such a one rests on a couch and drinks pure water;
But he whose shade has no rest in the earth, as I have seen and you will see,
His shade has no rest in the earth
Whose shade no one cares for . . .
What is left over in the pot, remains of rood
That are thrown in the street, he eats."2
Gilgamesh Epic.

By disseminating the belief that the dead must be buried with much ceremony, the priests secured great power over the people, and extracted large fees.

In Egypt, on the other hand, the teachers of the sun cult sold charms and received rewards to perform ceremonies so that chosen worshippers might enter the sun-barque of Ra; while the Osirian priests promised the just and righteous that they would reach an agricultural Paradise where they could live and work as on earth, but receive a greater return for their labour, the harvests of the Otherworld being of unequalled abundance.

In the sacred books of India a number of Paradises are referred to. No human beings, however, entered the Paradise of Varuna, who resembles the Sumerian Ea-Oannes. The souls of the dead found rest and enjoyment in the Paradise of Yama, while "those kings that yield up their lives, without turning their backs on the field of battle, attain", as the sage told a hero, "to the mansion of Indra", which recalls the Valhal of Odin. It will thus be seen that belief in immortality was a tenet of the Indian cults of Indra and Yama.

It is possible that the Gilgamesh epic in one of its forms concluded when the hero reached the island of Pir-napishtim, like the Indian Yama who "searched and spied the path for many". The Indian "Land of the Pitris" (Ancestors), over which Yama presided, may be compared to the Egyptian heaven of Osiris. It contains, we are told, "all kinds of enjoyable articles", and also "sweet, juicy, agreeable and delicious edibles . . . floral wreaths of the most delicious fragrance, and trees that yield fruits that are desired of them". Thither go "all sinners among human beings, as also (those) that have died during the winter solstice">1 --a suggestion that this Paradise was not unconnected with the Tammuz-like deity who took up his abode in the spirit land during the barren season.

The view may be urged that in the Gilgamesh epic we have a development of the Tammuz legend in its heroic form. Like Ishtar, when she descended to Hades, the King of Erech could not return to earth until he had been sprinkled by the water of life. No doubt, an incident of this character occurred also in the original Tammuz legend. The life of the god had to be renewed before he could return. Did he slumber, like one of the Seven Sleepers, in Ea's house, and not awake again until he arrived as a child in his crescent moon boat--"the sunken boat" of the hymns--like Scef, who came over the waves to the land of the Scyldings?

It seems remarkable that the doctrine of Eternal Bliss, which obtained in Egypt on the one hand and in India on the other, should never have been developed among the Babylonians. Of course, our knowledge in this connection is derived from the orthodox religious texts. Perhaps the great thinkers, whose influence can be traced in the tendencies towards monotheism which became marked at various periods, believed in a Heaven for the just and good. If they did, their teachings must have been suppressed by the mercenary priests. It was extremely profitable for these priests to perpetuate the belief that the spirits of the dead were consigned to a gloomy Hades, where the degree of suffering which they endured depended on the manner in which their bodies were disposed or upon earth. An orthodox funeral ceremony was costly at all times. This is made evident by the inscriptions which record the social reforms of Urukagina, the ill-fated patesi of Lagash. When he came to the throne he cut down the burial fees by more than a half. "In the case of an ordinary burial," writes Mr. King, "when a corpse was laid in a grave, it had been the custom for the presiding priest to demand as a fee for himself seven urns of wine or strong drink, four hundred and twenty loaves of bread, one hundred and twenty measures of corn, a garment, a kid, a bed, and a seat." The reformer reduced the perquisites to "three urns of wine, eighty loaves of bread, a bed, and a kid, while the fee of his (the priest's) assistant was cut down from sixty to thirty measures of corn".1

The conservative element in Babylonian religion is reflected by the burial customs. These did not change greatly after the Neolithic period. Prehistoric Sumerian graves resemble closely those of pre-Dynastic Egypt. The bodies of the dead were laid on their sides in crouching posture, with a "beaker", or "drinking cup" urn, beside the right hand. Other vessels were placed near the head. In this connection it may be noted that the magic food prepared for Gilgamesh by Pir-napishtim's wife, when he lay asleep, was also placed near his head.

The corpse was always decked with various ornaments, including rings, necklaces, and armlets. As has been indicated, these were worn by the living as charms, and, no doubt, they served the same purpose for the dead. This charm-wearing custom was condemned by the Hebrew teachers. On one occasion Jacob commanded his household to "put away the strange gods which were in their hand, and all the ear-rings which were in their ears; and Jacob buried them under the oak which was by Shechem".2 To Jacob, personal ornaments had quite evidently an idolatrous significance.

"A very typical class of grave furniture", writes Mr. King, "consisted of palettes, or colour dishes, made of alabaster, often of graceful shape, and sometimes standing on four feet. . . . There is no doubt as to their use, for colour still remains in many of them, generally black and yellow, but sometimes a light rose and light green." Palettes for face paint have also been found in many early Egyptian graves.

The gods had their faces painted like the living and the dead and were similarly adorned with charms. In the course of the daily service in the Egyptian temples an important ceremony was "dressing the god with white, green, bright-red, and dark-red sashes, and supplying two kinds of ointment and black and green eye paint".1 In the word-picture of the Aryo-Indian Varuna's heaven in the Mahhatathe deity is depicted "attired in celestial robes and decked with celestial ornaments and jewels". His attendants, the Adityas, appear "adorned with celestial garlands and perfumed with celestial scents and besmeared with paste of celestial fragrance".2 Apparently the "paste", like the face paint of the Babylonians and Egyptians, had protective qualities. The Picts of Scotland may have similarly painted themselves to charm their bodies against magical influences and the weapons of their enemies. A painted man was probably regarded as one who was likely to have good luck, being guarded against bad luck.

Weapons and implements were also laid in the Sumerian graves, indicating a belief that the spirits of the dead could not only protect themselves against their enemies but also provide themselves with food. The funerary gifts of fish-hooks suggests that spirits were expected to catch fish and thus obtain clean food, instead of returning to disturb the living as they searched for the remnants of the feast, like the Scottish Gunna,
perched alone
On a chilly old grey stone,
Nibbling, nibbling at a bone
That we'll maybe throw away.

Some bodies which were laid in Sumerian graves were wrapped up in reed matting, a custom which suggests that the reeds afforded protection or imparted magical powers. Magical ceremonies were performed in Babylonian reed huts. As we have seen, Ea revealed the "purpose" of the gods, when they resolved to send a flood, by addressing the reed hut in which Pir-napishtim lay asleep. Possibly it was believed that the dead might also have visions in their dreams which would reveal the "purpose" of demons who were preparing to attack them. In Syria it was customary to wrap the dead in a sheep skin.1 As priests and gods were clad in the skins of animals from which their powers were derived, it is probable that the dead were similarly supposed to receive inspiration in their skin coverings. The Highland seer was wrapped in a bull's skin and left all night beside a stream so as to obtain knowledge of the future. This was a form of the Taghairm ceremony, which is referred to by Scott in his "Lady of the Lake".2 The belief in the magical influence of sacred clothing gave origin to the priestly robes. When David desired to ascertain what Saul intended to do he said, "Bring hither the ephod".

Then he came to know that his enemy had resolved to attack Keilah.1 Elisha became a prophet when he received Elijah's mantle.2

Sometimes the bodies of the Sumerians were placed in sarcophagi of clay. The earlier type was of "bath-tub" shape, round and flat-bottomed, with a rounded lid, while the later was the "slipper-shaped coffin", which was ornamented with charms. There is a close resemblance between the "bath-tub" coffins of Sumeria and the Egyptian pottery coffins of oval shape found in Third and Fourth Dynasty tombs in rock chambers near Nuerat. Certain designs on wooden coffins, and tombs as early as the First Dynasty, have direct analogies in Babylonia.3

No great tombs were erected in Sumeria. The coffins were usually laid in brick vaults below dwellings, or below temples, or in trenches outside the city walls. On the "stele of victory", which belongs to the period of Eannatum, patesi of Lagash, the dead bodies on the battlefield are piled up in pairs quite naked, and earth is being heaped over them; this is a specimen of mound burial.

According to Herodotus the Babylonians "buried their dead in honey, and had funeral lamentations like the Egyptians".4 The custom of preserving the body in this manner does not appear to have been an ancient one, and may have resulted from cultural contact with the Nile valley during the late Assyrian period. So long as the bones were undisturbed, the spirit was supposed to be assured of rest in the Underworld. This archaic belief was widespread, and finds an echo in the quaint lines over Shakespeare's grave in Stratford church:

Good friend, for Jesus' sake forbeare
To dig the dust enclosed heare;
Blest be the man that spares these stones,
And curst be he that moves my bones.

SLIPPER-SHAPED COFFIN MADE OF GLAZED EARTHENWARE<br> (<i>British Museum</i>)<br> Photo. Mansell
click to enlarge

SLIPPER-SHAPED COFFIN MADE OF GLAZED EARTHENWARE
(British Museum)
Photo. Mansell

In Babylonia the return of the spirits of the dead was greatly dreaded. Ishtar once uttered the terrible threat: "I will cause the dead to rise; they will then eat and live. The dead will be more numerous than the living." When a foreign country was invaded, it was a common custom to break open the tombs and scatter the bones they contained. Probably it was believed, when such acts of vandalism were committed, that the offended spirits would plague their kinsfolk. Ghosts always haunted the homes they once lived in, and were as malignant as demons. It is significant to find in this connection that the bodies of enemies who were slain in battle were not given decent burial, but mutilated and left for birds and beasts of prey to devour.

The demons that plagued the dead might also attack the living. A fragmentary narrative, which used to be referred to as the "Cuthean Legend of Creation",1 and has been shown by Mr. L. W. King to have no connection with the struggle between Merodach and the dragon,2 deals with a war waged by an ancient king against a horde of evil spirits, led by "the lord of heights, lord of the Anunaki (earth spirits)". Some of the supernatural warriors had bodies like birds; others had "raven faces", and all had been "suckled by Tiamat".

For three years the king sent out great armies to attack the demons, but "none returned alive". Then he decided to go forth himself to save his country from destruction. So he prepared for the conflict, and took the precaution of performing elaborate and therefore costly religious rites so as to secure the co-operation of the gods. His expedition was successful, for he routed the supernatural army. On his return home, he recorded his great victory on tablets which were placed in the shrine of Nergal at Cuthah.

This myth may be an echo of Nergal's raid against Eresh-ki-gal. Or, being associated with Cuthah, it may have been composed to encourage burial in that city's sacred cemetery, which had been cleared by the famous old king of the evil demons which tormented the dead and made seasonal attacks against the living.

Footnotes

190:1 Ea addresses the hut in which his human favourite, Pir-napishtim, slept. His message was conveyed to this man in a dream.
191:1 The second sentence of Ea's speech is conjectural, as the lines are mutilated.
195:1 The Muses' Pageant, W. M. L. Hutchinson, pp. 5 et seq.
196:1 Indian Myth and Legend, pp. 107 et seq.
196:2 Vana Parvasection of the Mahhata(Roy's trans.), p. 425.
196:3 Indian Myth and Legend, p. 141.
196:4 Book of Leinster, and Keating's History of Ireland, p. 150 (1811 ed.).
197:1 Religion of the Ancient Egyptians, H. Wiedemann, pp. 58 et seq.
198:1 Pinches' The Religion of Babylonia and Assyria, p. 42.
199:1 The problems involved are discussed from different points of view by Mr. L. W. King in Babylonian Religion(Books on Egypt and Chald, vol. iv), Professor Pinches in The Old Testament in the Light of the Historical Records and Legends of Assyria and Babylonia, and other vols.
200:1 Primitive Constellations, vol. i, pp. 334-5.
200:2 Indian Myth and Legend, chap. iii.
200:3 Professor Macdonell's translation.
200:4 Indian Wisdom.
201:1 "Varuna, the deity bearing the noose as his weapon", Sabha Parvasection of the Mahhata(Roy's trans.), p. 29.
201:2 Indian Myth and Legend, pp. 38-42.
202:1 Early Religious Poetry of Persia, J. H. Moulton, pp. 41 et seq. and 154 et seq.
202:2 The Elder Edda, O. Bray, p. 55.
203:1 The Elder Edda, O. Bray, pp. 291 et seq.
203:2 Celtic Myth and Legend, pp. 133 et seq.
203:3 Tennyson's The Passing of Arthur.
203:4 Job, x, 1-22.
204:1 The Elder Edda, O. Bray, pp. 150-1.
204:2 Indian Myth and Legend, p. 326.
207:1 The Religion of Ancient Rome, Cyril Bailey, p. 50.
208:1 The Life and Exploits of Alexander the Great(Ethiopic version of the Pseudo Callisthenes), pp. 133-4. The conversation possibly never took place, but it is of interest in so far as it reflects beliefs which were familiar to the author of this ancient work. His Brahmans evidently believed that immortality was denied to ordinary men, and reserved only for the king, who was the representative of the deity, of course.
208:2 Aspects of Religious Belief and Practice in Babylonia and Assyria, Morris Jastrow, pp. 358-9.
209:1 The Mahhata(Sabha Parvasection), Roy 's translation, pp. 25-7.
211:1 A History of Sumer and Akkad, L. W. King, pp. 181-2.
211:2 Genesis, xxxv, 2-4.
212:1 The Religion of Ancient Egypt, W. M. Flinders Petrie, p. 72.
212:2 Sabha Parvasection of the Mahhata(Roy's trans.), p. 29.
213:1 Egyptian Myth and Legend, p. 214.
213:2 Canto iv:--Last eventide
Brian an augury hath tried. . . .
The Taghairm called; by which afar
Our sires foresaw the events of war.
Duncraggan's milk-white bull they slew. . .
214:1 1 Samuel, xxiii, 9-11.
214:2 1 Kings, xix, 19 and 2 Kings, ii, 13-15.
214:3 The Burial Customs of Ancient Egypt, John Garstang, pp. 28, 29 (London, 1907).
214:4 Herod., book i, 198.
215:1 Records of the Past(old series), xi, pp. 109 et seq., and (new series), vol. i, pp. 149 et seq.
215:2 L. W. King's The Seven Tablets of Creation.
Next: Chapter X. Buildings and Laws and Customs of Babylon

Myths of Babylon and Assyria: Chapter X. Buildings and Laws and Customs of Babylon

CHAPTER X

Buildings and Laws and Customs of Babylon

Decline and Fall of Sumerian Kingdoms--Elamites and Semites strive for Supremacy--Babylon's Walls, Gates, Streets, and Canals--The Hanging Gardens--Merodach's Great Temple--The Legal Code of Hammurabi--The Marriage Market--Position of Women--Marriage brought Freedom--Vestal Virgins--Breach of Promise and Divorce--Rights of Children--Female Publicans--The Land Laws--Doctors legislated out of Existence--Folk Cures--Spirits of Disease expelled by Magical Charms--The Legend of the Worm--"Touch Iron"--Curative Water--Magical Origin of Poetry and Music.

THE rise of Babylon inaugurated a new era in the history of Western Asia. Coincidentally the political power of the Sumerians came to an end. It had been paralysed by the Elamites, who, towards the close of the Dynasty of Isin, successfully overran the southern district and endeavoured to extend their sway over the whole valley. Two Elamite kings, Warad-Sin and his brother Rim-Sin, struggled with the rulers of Babylon for supremacy, and for a time it appeared as if the intruders from the East were to establish themselves permanently as a military aristocracy over Sumer and Akkad. But the Semites were strongly reinforced by new settlers of the same blended stock who swarmed from the land of the Arno-rites. Once again Arabia was pouring into Syria vast hordes of its surplus population, with the result that ethnic disturbances were constant and widespread. This migration is termed the Canaanitic or Amorite: it flowed into Mesopotamia and across Assyria, while it supplied the "driving power" which secured the ascendancy of the Hammurabi Dynasty at Babylon. Indeed, the ruling family which came into prominence there is believed to have been of Canaanitic origin.

Once Babylon became the metropolis it retained its pre-eminence until the end. Many political changes took place during its long and chequered history, but no rival city in the south ever attained to its splendour and greatness. Whether its throne was occupied by Amorite or Kassite, Assyrian or Chaldean, it was invariably found to be the most effective centre of administration for the lower Tigro-Euphrates valley. Some of the Kassite monarchs, however, showed a preference for Nippur.

Of its early history little is known. It was over-shadowed in turn by Kish and Umma, Lagash and Erech, and may have been little better than a great village when Akkad rose into prominence. Sargon I, the royal gardener, appears to have interested himself in its development, for it was recorded that he cleared its trenches and strengthened its fortifications. The city occupied a strategic position, and probably assumed importance on that account as well as a trading and industrial centre. Considerable wealth had accumulated at Babylon when the Dynasty of Ur reached the zenith of its power. It is recorded that King Dungi plundered its famous "Temple of the High Head", E-sagila, which some identify with the Tower of Babel, so as to secure treasure for Ea's temple at Eridu, which he specially favoured. His vandalistic raid, like that of the Gutium, or men of Kutu, was remembered for long centuries afterwards, and the city god was invoked at the time to cut short his days.

No doubt, Hammurabi's Babylon closely resembled the later city so vividly described by Greek writers, although it was probably not of such great dimensions.

According to Herodotus, it occupied an exact square on the broad plain, and had a circumference of sixty of our miles. "While such is its size," the historian wrote, "in magnificence there is no other city that approaches to it." Its walls were eighty-seven feet thick and three hundred and fifty feet high, and each side of the square was fifteen miles in length. The whole city was surrounded by a deep, broad canal or moat, and the river Euphrates ran through it.

"Here", continued Herodotus, "I may not omit to tell the use to which the mould dug out of the great moat was turned, nor the manner in which the wall was wrought. As fast as they dug the moat the soil which they got from the cutting was made into bricks, and when a sufficient number were completed they baked the bricks in kilns. Then they set to building, and began with bricking the borders of the moat, after which they proceeded to construct the wall itself; using throughout for their cement hot bitumen, and interposing a layer of wattled reeds at every thirtieth course of the bricks. On the top, along the edges of the wall, they constructed buildings of a single chamber facing one another, leaving between them room for a four-horse chariot to turn. In the circuit of the wall are a hundred gates, all of brass, with brazen lintels and side posts."1 These were the gates referred to by Isaiah when God called Cyrus:

I will loose the loins of kings, to open before him the two leaved gates; and the gates shall not be shut: I will go before thee, and make the crooked places straight; I will break in pieces the gates of brass, and cut in sunder the bars of iron.2

The outer wall was the main defence of the city, but there was also an inner wall less thick but not much inferior in strength. In addition, a fortress stood in each division of the city. The king's palace and the temple of Bel Merodach were surrounded by walls.

All the main streets were perfectly straight, and each crossed the city from gate to gate, a distance of fifteen miles, half of them being interrupted by the river, which had to be ferried. As there were twenty-five gates on each side of the outer wall, the great thoroughfares numbered fifty in all, and there were six hundred and seventy-six squares, each over two miles in circumference. From Herodotus we gather that the houses were three or four stories high, suggesting that the tenement system was not unknown, and according to Q. Curtius, nearly half of the area occupied by the city was taken up by gardens within the squares.

In Greek times Babylon was famous for the hanging or terraced gardens of the "new palace", which had been erected by Nebuchadnezzar II. These occupied a square which was more than a quarter of a mile in circumference. Great stone terraces, resting on arches, rose up like a giant stairway to a height of about three hundred and fifty feet, and the whole structure was strengthened by a surrounding wall over twenty feet in thickness. So deep were the layers of mould on each terrace that fruit trees were grown amidst the plants of luxuriant foliage and the brilliant Asian flowers. Water for irrigating the gardens was raised from the river by a mechanical contrivance to a great cistern situated on the highest terrace, and it was prevented from leaking out of the soil by layers of reeds and bitumen and sheets of lead. Spacious apartments, luxuriously furnished and decorated, were constructed in the spaces between the arches and were festooned by flowering creepers. A broad stairway ascended from terrace to terrace.

NEBUCHADNEZZAR IN THE HANGING GARDENS<br> <i>From the Painting by E. Wallcousins</i>.

NEBUCHADNEZZAR IN THE HANGING GARDENS
From the Painting by E. Wallcousins.

The old palace stood in a square nearly four miles in circumference, and was strongly protected by three walls, which were decorated by sculptures in low relief, representing battle scenes and scenes of the chase and royal ceremonies. Winged bulls with human heads guarded the main entrance.

Another architectural feature of the city was E-sagila, the temple of Bel Merodach, known to the Greeks as "Jupiter-Belus". The high wall which enclosed it had gates of solid brass. "In the middle of the precinct", wrote Herodotus, "there was a tower of solid masonry, a furlong in length and breadth, upon which was raised a second tower, and on that a third, and so on up to eight. The ascent to the top is on the outside, by a path which winds round all the towers. When one is about halfway up, one finds a resting-place and seats, where persons are wont to sit some time on their way to the summit. On the topmost tower there is a spacious temple, and inside the temple stands a couch of unusual size, richly adorned, with a golden table by its side. There is no statue of any kind set up in the place, nor is the chamber occupied of nights by anyone but a single native woman, who, as the Chaldns, the priests of this god, affirm, is chosen for himself by the deity out of all the women of the land."

A woman who was the "wife of Amon" also slept in that god's temple at Thebes in Egypt. A similar custom was observed in Lycia.

"Below, in the same precinct," continued Herodotus, "there is a second temple, in which is a sitting figure of Jupiter, all of gold. Before the figure stands a large golden table, and the throne whereon it sits, and the base on which the throne is placed, are likewise of pure gold. . . . Outside the temple are two altars, one of solid gold, on which it is only lawful to offer sucklings; the other, a common altar, but of great size, on which the full-grown animals are sacrificed. It is also on the great altar that the Chaldns burn the frankincense, which is offered to the amount of a thousand talents' weight, every year, at the festival of the god. In the time of Cyrus there was likewise in this temple a figure of a man, twelve cubits high, entirely of solid gold. . . . Besides the ornaments which I have mentioned, there are a large number of private offerings in this holy precinct."1

The city wall and river gates were closed every night, and when Babylon was besieged the people were able to feed themselves. The gardens and small farms were irrigated by canals, and canals also controlled the flow of the river Euphrates. A great dam had been formed above the town to store the surplus water during inundation and increase the supply when the river sank to its lowest.

In Hammurabi's time the river was crossed by ferry boats, but long ere the Greeks visited the city a great bridge had been constructed. So completely did the fierce Sennacherib destroy the city, that most of the existing ruins date from the period of Nebuchadnezzar II.2

Our knowledge of the social life of Babylon and the territory under its control is derived chiefly from the Hammurabi Code of laws, of which an almost complete copy was discovered at Susa, towards the end of 1901, by the De Morgan expedition. The laws were inscribed on a stele of black diorite 7 ft. 3 in. high, with a circumference at the base of 6 ft. 2 in. and at the top of 5 ft. 4 in.

STELE OF HAMMURABI, WITH ''CODE OF LAWS''<br> (<i>Louvre, Paris</i>)<br> Photo. Giraudon

STELE OF HAMMURABI, WITH ''CODE OF LAWS''
(Louvre, Paris)
Photo. Giraudon

This important relic of an ancient law-abiding people had been broken in three pieces, but when these were joined together it was found that the text was not much impaired. On one side are twenty-eight columns and on the other sixteen. Originally there were in all nearly 4000 lines of inscriptions, but five columns, comprising about 300 lines, had been erased to give space, it is conjectured, for the name of the invader who carried the stele away, but unfortunately the record was never made.

On the upper part of the stele, which is now one of the treasures of the Louvre, Paris, King Hammurabi salutes, with his right hand reverently upraised, the sun god Shamash, seated on his throne, at the summit of E-sagila, by whom he is being presented with the stylus with which to inscribe the legal code. Both figures are heavily bearded, but have shaven lips and chins. The god wears a conical headdress and a flounced robe suspended from his left shoulder, while the king has assumed a round dome-shaped hat and a flowing garment which almost sweeps the ground.

It is gathered from the Code that there were three chief social grades--the aristocracy, which included land-owners, high officials and administrators; the freemen, who might be wealthy merchants or small landholders; and the slaves. The fines imposed for a given offence upon wealthy men were much heavier than those imposed upon the poor. Lawsuits were heard in courts. Witnesses were required to tell the truth, "affirming before the god what they knew", and perjurers were severely dealt with; a man who gave false evidence in connection with a capital charge was put to death. A strict watch was also kept over the judges, and if one was found to have willingly convicted a prisoner on insufficient evidence he was fined and degraded.

Theft was regarded as a heinous crime, and was invariably punished by death. Thieves included those who made purchases from minors or slaves without the sanction of elders or trustees. Sometimes the accused was given the alternative of paying a fine, which might exceed by ten or even thirty fold the value of the article or animal he had appropriated. It was imperative that lost property should be restored. If the owner of an article of which he had been wrongfully deprived found it in possession of a man who declared that he had purchased it from another, evidence was taken in court. When it happened that the seller was proved to have been the thief, the capital penalty was imposed. On the other hand, the alleged purchaser was dealt with in like manner if he failed to prove his case. Compensation for property stolen by a brigand was paid by the temple, and the heirs of a man slain by a brigand within the city had to be compensated by the local authority.

Of special interest are the laws which relate to the position of women. In this connection reference may first he made to the marriage-by-auction custom, which Herodotus described as follows: "Once a year in each village the maidens of age to marry were collected all together into one place, while the men stood round them in a circle. Then a herald called up the damsels one by one, and offered them for sale. He began with the most beautiful. When she was sold for no small sum of money, he offered for sale the one who came next to her in beauty. All of them were sold to be wives. The richest of the Babylonians who wished to wed bid against each other for the loveliest maidens, while the humbler wife-seekers, who were indifferent about beauty, took the more homely damsels with marriage portions.

THE BABYLONIAN MARRIAGE MARKET<br> <i>From The Painting by Edwin Long, R.A., in the Royal Holloway College</i>.
click to enlarge

THE BABYLONIAN MARRIAGE MARKET
From The Painting by Edwin Long, R.A., in the Royal Holloway College.

For the custom was that when the herald had gone through the whole number of the beautiful damsels, he should then call up the ugliest--a cripple, if there chanced to be one--and offer her to the men, asking who would agree to take her with the smallest marriage portion. And the man who offered to take the smallest sum had her assigned to him. The marriage portions were furnished by the money paid for, the beautiful damsels, and thus the fairer maidens portioned out the uglier. No one was allowed to give his daughter in marriage to the man of his choice, nor might anyone carry away the damsel whom he had purchased without finding bail really and truly to make her his wife; if, however, it turned out that they did not agree, the money might be paid back. All who liked might come, even from distant villages, and bid for the women."1

This custom is mentioned by other writers, but it is impossible to ascertain at what period it became prevalent in Babylonia and by whom it was introduced. Herodotus understood that it obtained also in "the Illyrian tribe of the Eneti", which was reputed to have entered Italy with Antenor after the fall of Troy, and has been identified with the Venetians of later times. But the ethnic clue thus afforded is exceedingly vague. There is no direct reference to the custom in the Hammurabi Code, which reveals a curious blending of the principles of "Father right" and "Mother right". A girl was subject to her father's will; he could dispose of her as he thought best, and she always remained a member of his family; after marriage she was known as the daughter of so and so rather than the wife of so and so. But marriage brought her freedom and the rights of citizenship. The power vested in her father was never transferred to her husband.

A father had the right to select a suitable spouse for his daughter, and she could not marry without his consent. That this law did not prevent "love matches" is made evident by the fact that provision was made in the Code for the marriage of a free woman with a male slave, part of whose estate in the event of his wife's death could be claimed by his master.

When a betrothal was arranged, the father fixed the "bride price", which was paid over before the contract could be concluded, and he also provided a dowry. The amount of the "bride price" might, however, be refunded to the young couple to give them a start in life. If, during the interval between betrothal and marriage, the man "looked upon another woman", and said to his father-in-law, "I will not marry your daughter", he forfeited the "bride price" for breach of promise of marriage.

A girl might also obtain a limited degree of freedom by taking vows of celibacy and becoming one of the vestal virgins, or nuns, who were attached to the temple of the sun god. She did not, however, live a life of entire seclusion. If she received her due proportion of her father's estate, she could make business investments within certain limits. She was not, for instance, allowed to own a wineshop, and if she even entered one she was burned at the stake. Once she took these vows she had to observe them until the end of her days. If she married, as she might do to obtain the legal status of a married woman and enjoy the privileges of that position, she denied her husband conjugal rites, but provided him with a concubine who might bear him children, as Sarah did to Abraham. These nuns must not be confused with the unmoral women who were associated with the temples of Ishtar and other love goddesses of shady repute.

The freedom secured by a married woman had its legal limitations. If she became a widow, for instance, she could not remarry without the consent of a judge, to whom she was expected to show good cause for the step she proposed to take. Punishments for breaches of the marriage law were severe. Adultery was a capital crime; the guilty parties were bound together and thrown into the river. If it happened, however, that the wife of a prisoner went to reside with another man on account of poverty, she was acquitted and allowed to return to her husband after his release. In cases where no plea of poverty could be urged the erring women were drowned. The wife of a soldier who had been taken prisoner by an enemy was entitled to a third part of her husband's estate if her son was a minor, the remainder was held in trust. The husband could enter into possession of all his property again if he happened to return home.

Divorce was easily obtained. A husband might send his wife away either because she was childless or because he fell in love with another woman. Incompatibility of temperament was also recognized as sufficient reason for separation. A woman might hate her husband and wish to leave him. "If", the Code sets forth, "she is careful and is without blame, and is neglected by her husband who has deserted her", she can claim release from the marriage contract. But if she is found to have another lover, and is guilty of neglecting her duties, she is liable to be put to death.

A married woman possessed her own property. Indeed, the value of her marriage dowry was always vested in her. When, therefore, she divorced her husband, or was divorced by him, she was entitled to have her dowry refunded and to return to her father's house. Apparently she could claim maintenance from her father.

A woman could have only one husband, but a man could have more than one wife. He might marry a secondary wife, or concubine, because he was without offspring, but "the concubine", the Code lays down, "shall not rank with the wife". Another reason for second marriage recognized by law was a wife's state of health. In such circumstances a man could not divorce his sickly wife. He had to support her in his house as long as she lived.

Children were the heirs of their parents, but if a man during his lifetime gifted his property to his wife, and confirmed it on "a sealed tablet", the children could have no claim, and the widow was entitled to leave her estate to those of her children she preferred; but she could not will any portion of it to her brothers. In ordinary cases the children of a first marriage shared equally the estate of a father with those of a second marriage. If a slave bore children to her employer, their right to inheritance depended on whether or not the father had recognized them as his offspring during his lifetime. A father might legally disown his son if the young man was guilty of criminal practices.

The legal rights of a vestal virgin were set forth in detail. If she had received no dowry from her father when she took vows of celibacy, she could claim after his death one-third of the portion of a son. She could will her estate to anyone she favoured, but if she died intestate her brothers were her heirs. When, however, her estate consisted of fields or gardens allotted to her by her father, she could not disinherit her legal heirs. The fields or gardens might be worked during her lifetime by her brothers if they paid rent, or she might employ a manager on the "share system".

Vestal virgins and married women were protected against the slanderer. Any man who "pointed the finger" against them unjustifiably was charged with the offence before a judge, who could sentence him to have his forehead branded. It was not difficult, therefore, in ancient Babylonia to discover the men who made malicious and unfounded statements regarding an innocent woman. Assaults on women were punished according to the victim's rank; even slaves were protected.

Women appear to have monopolized the drink traffic. At any rate, there is no reference to male wine sellers. A female publican had to conduct her business honestly, and was bound to accept a legal tender. If she refused corn and demanded silver, when the value of the silver by "grand weight" was below the price of corn, she was prosecuted and punished by being thrown into the water. Perhaps she was simply ducked. As much may be inferred from the fact that when she was found guilty of allowing rebels to meet in her house, she was put to death.

The land laws were strict and exacting. A tenant could be penalized for not cultivating his holding properly. The rent paid was a proportion of the crop, but the proportion could be fixed according to the average yield of a district, so that a careless or inefficient tenant had to bear the brunt of his neglect or want of skill. The punishment for allowing a field to lie fallow was to make a man hoe and sow it and then hand it over to his landlord, and this applied even to a man who leased unreclaimed land which he had contracted to cultivate. Damage done to fields by floods after the rent was paid was borne by the cultivator; but if it occurred before the corn was reaped the landlord's share was calculated in proportion to the amount of the yield which was recovered. Allowance was also made for poor harvests, when the shortage was not due to the neglect of the tenant, but to other causes, and no interest was paid for borrowed money even if the farm suffered from the depredations of the tempest god; the moneylender had to share risks with borrowers. Tenants who neglected their dykes, however, were not exempted from their legal liabilities, and their whole estates could be sold to reimburse their creditors.

The industrious were protected against the careless. Men who were negligent about controlling the water supply, and caused floods by opening irrigation ditches which damaged the crops of their neighbours, had to pay for the losses sustained, the damages being estimated according to the average yield of a district. A tenant who allowed his sheep to stray on to a neighbour's pasture had to pay a heavy fine in corn at the harvest season, much in excess of the value of the grass cropped by his sheep. Gardeners were similarly subject to strict laws. All business contracts had to be conducted according to the provisions of the Code, and in every case it was necessary that a proper record should be made on clay tablets. As a rule a dishonest tenant or trader had to pay sixfold the value of the sum under dispute if the judge decided in court against his claim.

The law of an eye for an eye and a tooth for a tooth was strictly observed in Babylonia. A freeman who destroyed an eye of a freeman had one of his own destroyed; if he broke a bone, he had a bone broken. Fines were imposed, however, when a slave was injured. For striking a gentleman, a commoner received sixty lashes, and the son who smote his father had his hands cut off. A slave might have his ears cut off for assaulting his master's son.

Doctors must have found their profession an extremely risky one. No allowance was made for what is nowadays known as a "professional error". A doctor's hands were cut off if he opened a wound with a metal knife and his patient afterwards died, or if a man lost his eye as the result of an operation. A slave who died under a doctor's hands had to be replaced by a slave, and if a slave lost his eye, the doctor had to pay half the man's market value to the owner. Professional fees were fixed according to a patient's rank. Gentlemen had to pay five shekels of silver to a doctor who set a bone or restored diseased flesh, commoners three shekels, and masters for their slaves two shekels. There was also a scale of fees for treating domesticated animals, and it was not overgenerous. An unfortunate surgeon who undertook to treat an ox or ass suffering from a severe wound had to pay a quarter of its price to its owner if it happened to die. A shrewd farmer who was threatened with the loss of an animal must have been extremely anxious to engage the services of a surgeon.

It is not surprising, after reviewing this part of the Hammurabi Code, to find Herodotus stating bluntly that the Babylonians had no physicians. "When a man is ill", he wrote, "they lay him in the public square, and the passers-by come up to him, and if they have ever had his disease themselves, or have known anyone who has suffered from it, they give him advice, recommending him to do whatever they found good in their own case, or in the case known to them; and no one is allowed to pass the sick man in silence without asking him what his ailment is." One might imagine that Hammurabi had legislated the medical profession out of existence, were it not that letters have been found in the Assyrian library of Ashur-banipal which indicate that skilled physicians were held in high repute. It is improbable, however, that they were numerous. The risks they ran in Babylonia may account for their ultimate disappearance in that country.

No doubt patients received some benefit from exposure in the streets in the sunlight and fresh air, and perhaps, too, from some of the old wives' remedies which were gratuitously prescribed by passers-by. In Egypt, where certain of the folk cures were recorded on papyri, quite effective treatment was occasionally given, although the "medicines" were exceedingly repugnant as a rule; ammonia, for instance, was taken with the organic substances found in farmyards. Elsewhere some wonderful instances of excellent folk cures have come to light, especially among isolated peoples, who have received them interwoven in their immemorial traditions. A medical man who has investigated this interesting subject in the Scottish Highlands has shown that "the simple observation of the people was the starting-point of our fuller knowledge, however complete we may esteem it to be". For dropsy and heart troubles, foxglove, broom tops, and juniper berries, which have reputations "as old as the hills", are "the most reliable medicines in our scientific armoury at the present time". These discoveries of the ancient folks have been "merely elaborated in later days". Ancient cures for indigestion are still in use. "Tar water, which was a remedy for chest troubles, especially for those of a consumptive nature, has endless imitations in our day"; it was also "the favourite remedy for skin diseases". No doubt the present inhabitants of Babylonia, who utilize bitumen as a germicide, are perpetuating an ancient folk custom.

This medical man who is being quoted adds: "The whole matter may be summed up, that we owe infinitely more to the simple nature study of our people in the great affair of health than we owe to all the later science."1

Herodotus, commenting on the custom of patients taking a census of folk cures in the streets, said it was one of the wisest institutions of the Babylonian people. It is to be regretted that he did not enter into details regarding the remedies which were in greatest favour in his day. His data would have been useful for comparative purposes.

So far as can be gathered from the clay tablets, faith cures were not unknown, and there was a good deal of quackery. If surgery declined, as a result of the severe restrictions which hampered progress in an honourable profession, magic flourished like tropical fungi. Indeed, the worker of spells was held in high repute, and his operations were in most cases allowed free play. There are only two paragraphs in the Hammurabi Code which deal with magical practices. It is set forth that if one man cursed another and the curse could not be justified, the perpetrator of it must suffer the death penalty. Provision was also made for discovering whether a spell had been legally imposed or not. The victim was expected to plunge himself in a holy river. If the river carried him away it was held as proved that he deserved his punishment, and "the layer of the spell" was given possession of the victim's house. A man who could swim was deemed to be innocent; he claimed the residence of "the layer of the spell", who was promptly put to death. With this interesting glimpse of ancient superstition the famous Code opens, and then strikes a modern note by detailing the punishments for perjury and the unjust administration of law in the courts.

The poor sufferers who gathered at street corners in Babylon to make mute appeal for cures believed that they were possessed by evil spirits. Germs of disease were depicted by lively imaginations as invisible demons, who derived nourishment from the human body. When a patient was wasted with disease, growing thinner and weaker and more bloodless day by day, it was believed that a merciless vampire was sucking his veins and devouring his flesh. It had therefore to be expelled by performing a magical ceremony and repeating a magical formula. The demon was either driven or enticed away.

A magician had to decide in the first place what particular demon was working evil. He then compelled its attention and obedience by detailing its attributes and methods of attack, and perhaps by naming it. Thereafter he suggested how it should next act by releasing a raven, so that it might soar towards the clouds like that bird, or by offering up a sacrifice which it received for nourishment and as compensation. Another popular method was to fashion a waxen figure of the patient and prevail upon the disease demon to enter it. The figure was then carried away to be thrown in the river or burned in a fire.

Occasionally a quite effective cure was included in the ceremony. As much is suggested by the magical treatment of toothache. First of all the magician identified the toothache demon as "the worm". Then he recited its history, which is as follows: After Anu created the heavens, the heavens created the earth, the earth created the rivers, the rivers created the canals, the canals created the marshes, and last of all the marshes created "the worm".

This display of knowledge compelled the worm to listen, and no doubt the patient was able to indicate to what degree it gave evidence of its agitated mind. The magician continued:
Came the worm and wept before Shamash,
Before Ea came her tears:
"What wilt thou give me for my food,
What wilt thou give me to devour?"

One of the deities answered: "I will give thee dried bones and scented . . . wood"; but the hungry worm protested:
"Nay, what are these dried bones of thine to me?
Let me drink among the teeth;
And set me on the gums
That I may devour the blood of the teeth,
And of their gums destroy their strength--
Then shall I hold the bolt of the door."

The magician provided food for "the worm", and the following is his recipe: "Mix beer, the plant sa-kil-bir, and oil together; put it on the tooth and repeat Incantation." No doubt this mixture soothed the pain, and the sufferer must have smiled gladly when the magician finished his incantation by exclaiming:
"So must thou say this, O Worm!
May Ea smite thee with the might of his fist."1

Headaches were no doubt much relieved when damp cloths were wrapped round a patient's head and scented wood was burned beside him, while the magician, in whom so much faith was reposed, droned out a mystical incantation. The curative water was drawn from the confluence of two streams and was sprinkled with much ceremony. In like manner the evil-eye curers, who still operate in isolated districts in these islands, draw water from under bridges "over which the dead and the living pass",1 and mutter charms and lustrate victims.

Headaches were much dreaded by the Babylonians. They were usually the first symptoms of fevers, and the demons who caused them were supposed to be blood-thirsty and exceedingly awesome. According to the charms, these invisible enemies of man were of the brood of Nergal. No house could be protected against them. They entered through keyholes and chinks of doors and windows; they crept like serpents and stank like mice; they had lolling tongues like hungry dogs.

Magicians baffled the demons by providing a charm. If a patient "touched iron"--meteoric iron, which was the "metal of heaven"--relief could be obtained. Or, perhaps, the sacred water would dispel the evil one; as the drops trickled from the patient's face, so would the fever spirit trickle away. When a pig was offered up in sacrifice as a substitute for a patient, the wicked spirit was commanded to depart and allow a kindly spirit to take its place--an indication that the Babylonians, like the Germanic peoples, believed that they were guarded by spirits who brought good luck.

The numerous incantations which were inscribed on clay tablets and treasured in libraries, do not throw much light on the progress of medical knowledge, for the genuine folk cures were regarded as of secondary importance, and were not as a rule recorded. But these metrical compositions are of special interest, in so far as they indicate how poetry originated and achieved wide-spread popularity among ancient peoples. Like the religious dance, the earliest poems were used for magical purposes. They were composed in the first place by men and women who were supposed to be inspired in the literal sense; that is, possessed by spirits. Primitive man associated "spirit" with "breath", which was the "air of life", and identical with wind. The poetical magician drew in a "spirit", and thus received inspiration, as he stood on some sacred spot on the mountain summit, amidst forest solitudes, beside a whispering stream, or on the sounding shore. As Burns has sung:
The muse, nae poet ever fand her,
Till by himsel he learnd to wander,
Adown some trottin burn's meander,
An no think lang:
O sweet to stray, an' pensive ponder
A heart-felt sang!

Or, perhaps, the bard received inspiration by drinking magic water from the fountain called Hippocrene, or the skaldic mead which dripped from the moon.

The ancient poet did not sing for the mere love of singing: he knew nothing about "Art for Art's sake". His object in singing appears to have been intensely practical. The world was inhabited by countless hordes of spirits, which were believed to be ever exercising themselves to influence mankind. The spirits caused suffering; they slew victims; they brought misfortune; they were also the source of good or "luck". Man regarded spirits emotionally; he conjured them with emotion; he warded off their attacks with emotion; and his emotions were given rhythmical expression by means of metrical magical charms.

Poetic imagery had originally a magical significance; if the ocean was compared to a dragon, it was because it was supposed to be inhabited by a storm-causing dragon; the wind whispered because a spirit whispered in it.

Love lyrics were charms to compel the love god to wound or possess a maiden's heart--to fill it, as an Indian charm sets forth, with "the yearning of the Apsaras (fairies)"; satires conjured up evil spirits to injure a victim; and heroic narratives chanted at graves were statements made to the god of battle, so that he might award the mighty dead by transporting him to the Valhal of Odin or Swarga of Indra.

Similarly, music had magical origin as an imitation of the voices of spirits--of the piping birds who were "Fates", of the wind high and low, of the thunder roll, of the bellowing sea. So the god Pan piped on his reed bird-like notes, Indra blew his thunder horn, Thor used his hammer like a drumstick, Neptune imitated on his "wreathed horn" the voice of the deep, the Celtic oak god Dagda twanged his windy wooden harp, and Angus, the Celtic god of spring and love, came through budding forest ways with a silvern harp which had strings of gold, echoing the tuneful birds, the purling streams, the whispering winds, and the rustling of scented fir and blossoming thorn.

Modern-day poets and singers, who voice their moods and cast the spell of their moods over readers and audiences, are the representatives of ancient magicians who believed that moods were caused by the spirits which possessed them--the rhythmical wind spirits, those harpers of the forest and songsters of ocean.

The following quotations from Mr. R. C. Thompson's translations of Babylonian charms will serve to illustrate their poetic qualities:
Fever like frost hath come upon the land.

Fever hath blown upon the man as the wind blast,
It hath smitten the man and humbled his pride.
Headache lieth like the stars of heaven in the desert and hath no praise;
Pain in the head and shivering like a scudding cloud turn unto the form of man.

Headache whose course like the dread windstorm none knoweth.
Headache roareth over the desert, blowing like the wind,
Flashing like lightning, it is loosed above and below,
It cutteth off him, who feareth not his god, like a reed . . .
From amid mountains it hath descended upon the land.

Headache . . . a rushing hag-demon,
Granting no rest, nor giving kindly sleep . . .
Whose shape is as the whirlwind.
Its appearance is as the darkening heavens,
And its face as the deep shadow of the forest.

Sickness . . . breaking the fingers as a rope of wind . . .
Flashing like a heavenly star, it cometh like the dew.

These early poets had no canons of Art, and there were no critics to disturb their meditations. Many singers had to sing and die ere a critic could find much to say. In ancient times, therefore, poets had their Golden Age--they were a law unto themselves. Even the "minors" were influential members of society.

Footnotes

219:1 Herodotus, book i, 179 (Rawlinson's translation).
219:2 Isaiah, xlv, I, 2.
222:1 Herodotus, book i, 181-3 (Rawlinson's translation).
222:2 History of Sumer and Akkad, L. W. King, p. 37.
225:1 Herodotus, book i, 196 (Rawlinson's translation).
233:1 Home Life of the Highlanders(Dr. Cameron Gillies on Medical Knowledge), pp. 85 et seq. Glasgow, 1911.
235:1 Translations by R. C. Thompson in The Devils and Spirits of Babylon, vol. i, pp. lxiii et seq.
236:1 Bridges which lead to graveyards.
Next: Chapter XI. The Golden Age of Babylonia

Myths of Babylon and Assyria: Chapter VIII. Deified Heroes: Etana and Gilgamesh

CHAPTER VIII

Deified Heroes: Etana and Gilgamesh

God and Heroes and the "Seven Sleepers"--Quests of Etana, Gilgamesh, Hercules, &c.--The Plant of Birth--Eagle carries Etana to Heaven--Indian Parallel--Flights of Nimrod, Alexander the Great, and a Gaelic Hero--Eagle as a God--Indian Eagle identified with Gods of Creation, Fire, Fertility, and Death--Eagle carries Roman Emperor's Soul to Heaven--Fire and Agricultural Ceremonies--Nimrod of the Koran and John Barleycorn--Gilgamesh and the Eagle--Sargon-Tammuz Garden Myth--Ea-bani compared to Pan, Bast, and Nebuchadnezzar--Exploits of Gilgamesh and Ea-bani--Ishtar's Vengeance--Gilgamesh journeys to Otherworld--Song of Sea Maiden and "Lay of the Harper"--Babylonian Noah and the Plant of Life--Teutonic Parallels--Alexander the Great as Gilgamesh--Water of Life in the Koran--The Indian Gilgamesh and Hercules--The Mountain Tunnel in various Mythologies--Widespread Cultural Influences.

ONE of the oldest forms of folk stories relates to the wanderings of a hero in distant regions. He may set forth in search of a fair lady who has been taken captive, or to obtain a magic herb or stone to relieve a sufferer, to cure diseases, and to prolong life. Invariably he is a slayer of dragons and other monsters. A friendly spirit, or a group of spirits, may assist the hero, who acts according to the advice given him by a "wise woman", a magician, or a god. The spirits are usually wild beasts or birds--the "fates" of immemorial folk belief--and they may either carry the hero on their backs, instruct him from time to time, or come to his aid when called upon.

When a great national hero appealed by reason of his achievements to the imagination of a people, all the floating legends of antiquity were attached to his memory, and he became identified with gods and giants and knight-errants "old in story". In Scotland, for instance, the boulder-throwing giant of Eildon hills bears the name of Wallace, the Edinburgh giant of Arthur's Seat is called after an ancient Celtic king,1 and Thomas the Rhymer takes the place, in an Inverness fairy mound called Tom-na-hurich, of Finn (Fingal) as chief of the "Seven Sleepers". Similarly Napoleon sleeps in France and Skobeleff in Russia, as do also other heroes elsewhere. In Germany the myths of Thunor (Thor) were mingled with hazy traditions of Theodoric the Goth (Dietrich), while in Greece, Egypt, and Arabia, Alexander the Great absorbed a mass of legendary matter of great antiquity, and displaced in the memories of the people the heroes of other Ages, as those heroes had previously displaced the humanized spirits of fertility and growth who alternately battled fiercely against the demons of spring, made love, gorged and drank deep and went to sleep--the sleep of winter. Certain folk tales, and the folk beliefs on which they were based, seem to have been of hoary antiquity before the close of the Late Stone Age.

There are two great heroes of Babylonian fame who link with Perseus and Hercules, Sigurd and Siegfried, Dietrich and Finn-mac-Coul. These are Etana and Gilgamesh, two legendary kings who resemble Tammuz the Patriarch referred to by Berosus, a form of Tammuz the Sleeper of the Sumerian psalms. One journeys to the Nether World to obtain the Plant of Birth and the other to obtain the Plant of Life. The floating legends with which they were associated were utilized and developed by the priests, when engaged in the process of systematizing and symbolizing religious beliefs, with purpose to unfold the secrets of creation and the Otherworld.

Etana secures the assistance of a giant eagle who is an enemy of serpents like the Indian Garuda, half giant, half eagle. As Vishnu, the Indian god, rides on the back of Garuda, so does Etana ride on the back of the Babylonian Eagle. In one fragmentary legend which was preserved in the tablet-library of Ashur-banipal, the Assyrian monarch, Etana obtained the assistance of the Eagle to go in quest of the Plant of Birth. His wife was about to become a mother, and was accordingly in need of magical aid. A similar belief caused birth girdles of straw or serpent skins, and eagle stones found in eagles' nests, to be used in ancient Britain and elsewhere throughout Europe apparently from the earliest times.1

On this or another occasion Etana desired to ascend to highest heaven. He asked the Eagle to assist him, and the bird assented, saying: "Be glad, my friend. Let me bear thee to the highest heaven. Lay thy breast on mine and thine arms on my wings, and let my body be as thy body." Etana did as the great bird requested him, and together they ascended towards the firmament. After a flight which extended over two hours, the Eagle asked Etana to gaze downwards. He did so, and beheld the ocean surrounding the earth, and the earth seemed like a mountainous island. The Eagle resumed its flight, and when another two hours had elapsed, it again asked Etana to look downwards. Then the hero saw that the sea resembled a girdle which clasped the land. Two hours later Etana found that he had been raised to a height from which the sea appeared to be no larger than a pond. By this time he had reached the heaven of Anu, Bel, and Ea, and found there rest and shelter.

Here the text becomes fragmentary. Further on it is gathered from the narrative that Etana is being carried still higher by the Eagle towards the heaven of Ishtar, "Queen of Heaven", the supreme mother goddess. Three times, at intervals of two hours, the Eagle asks Etana to look downwards towards the shrinking earth. Then some disaster happens, for further onwards the broken tablet narrates that the Eagle is falling. Down and down eagle and man fall together until they strike the earth, and the Eagle's body is shattered.

The Indian Garuda eagle1 never met with such a fate, but on one occasion Vishnu overpowered it with his right arm, which was heavier than the whole universe, and caused many feathers to fall off. In the story of Rama's wanderings, however, as told in the Ryaand the Mahhata, there are interesting references in this connection to Garuda's two "sons". One was mortally wounded by Ravana, the demon king of Ceylon. The other bird related to Rama, who found it disabled: "Once upon a time we two (brothers), with the desire of out-stripping each other, flew towards the sun. My wings were burnt, but those of my brother were not. . . . I fell down on the top of this great mountain, where I still am."2

Another version of the Etana story survives among the Arabian Moslems. In the "Al Fatihat" chapter of the Koran it is related that a Babylonian king held a dispute with Abraham "concerning his Lord". Commentators identify the monarch with Nimrod, who afterwards caused the Hebrew patriarch to be cast into a fire from which he had miraculous deliverance. Nimrod then built a tower so as to ascend to heaven "to see Abraham's god", and make war against Him, but the tower was overthrown. He, however, persisted in his design. The narrative states that he was "carried to heaven in a chest borne by four monstrous birds; but after wandering for some time through the air, he fell down on a mountain with such a force that he made it shake". A reference in the Koran to "contrivances . . . which make mountains tremble" is believed to allude to Nimrod's vain attempt.1

Alexander the Great was also reputed to have ascended on the back of an eagle. Among the myths attached to his memory in the Ethiopic "history" is one which explains how "he knew and comprehended the length and breadth of the earth", and how he obtained knowledge regarding the seas and mountains he would have to cross. "He made himself small and flew through the air on an eagle, and he arrived in the heights of the heavens and he explored them." Another Alexandrian version of the Etana myth resembles the Arabic legend of Nimrod. "In the Country of Darkness" Alexander fed and tamed great birds which were larger than eagles. Then he ordered four of his soldiers to mount them. The men were carried to the "Country of the Living", and when they returned they told Alexander "all that had happened and all that they had seen".2

In a Gaelic story a hero is carried off by a Cromhineach, "a vast bird like an eagle". He tells that it "sprang to the clouds with me, and I was a while that I did not know which was heaven or earth for me". The hero died, but, curiously enough, remained conscious of what was happening. Apparently exhausted, the eagle flew to an island in the midst of the ocean. It laid the hero on the sunny side. The hero proceeds: "Sleep came upon herself (the eagle) and she slept. The sun was enlivening me pretty well though I was dead." Afterwards the eagle bathed in a healing well, and as it splashed in the water, drops fell on the hero and he came to life. "I grew stronger and more active", he adds, "than I had ever been before."1

The eagle figures in various mythologies, and appears to have been at one time worshipped as the god or goddess of fertility, and storm and lightning, as the bringer of children, and the deity who carried souls to Hades. It was also the symbol of royalty, because the earthly ruler represented the controlling deity. Nin-Girsu, the god of Lagash, who was identified with Tammuz, was depicted as a lion-headed eagle. Zeus, the Greek sky and air god, was attended by an eagle, and may, at one time, have been simply an eagle. In Egypt the place of the eagle is taken by Nekhebit, the vulture goddess whom the Greeks identified with "Eileithyia, the goddess of birth; she was usually represented as a vulture hovering over the king".2

The double-headed eagle of the Hittites, which figures in the royal arms of Germany and Russia, appears to have symbolized the deity of whom the king was an incarnation or son. In Indian mythology Garuda, the eagle giant, which destroyed serpents like the Babylonian Etana eagle, issued from its egg like a flame of fire; its eyes flashed the lightning and its voice was the thunder. This bird is identified in a hymn with Agni, god of fire, who has the attributes of Tammuz and Mithra, with Brahma, the creator, with Indra, god of thunder and fertility, and with Yama, god of the dead, who carries off souls to Hades. It is also called "the steed-necked incarnation of Vishnu", the "Preserver" of the Hindu trinity who rode on its back. The hymn referred to lauds Garuda as "the bird of life, the presiding spirit of the animate and inanimate universe . . . destroyer of all, creator of all". It burns all "as the sun in his anger burneth all creatures".1

Birds were not only fates, from whose movements in flight omens were drawn, but also spirits of fertility. When the childless Indian sage Mandapala of the Mahhatawas refused admittance to heaven until a son was born to him, he "pondered deeply" and "came to know that of all creatures birds alone were blest with fecundity"; so he became a bird.

It is of interest, therefore, to find the Etana eagle figuring as a symbol of royalty at Rome. The deified Roman Emperor's waxen image was burned on a pyre after his death, and an eagle was let loose from the great pile to carry his soul to heaven.2 This custom was probably a relic of seasonal fire worship, which may have been introduced into Northern and Western Syria and Asia Minor by the mysterious Mitanni rulers, if it was not an archaic Babylonian custom3 associated with fire-and-water magical ceremonies, represented in the British Isles by May-Day and Midsummer fire-and-water festivals. Sandan, the mythical founder of Tarsus, was honoured each year at that city by burning a great bonfire, and he was identified with Hercules. Probably he was a form of Moloch and Melkarth.1 Doves were burned to Adonis. The burning of straw figures, representing gods of fertility, on May-Day bonfires may have been a fertility rite, and perhaps explains the use of straw birth-girdles.

According to the commentators of the Koran, Nimrod, the Babylonian king, who cast victims in his annual bon-fires at Cuthah, died on the eighth day of the Tammuz month, which, according to the Syrian calendar, fell on 13th July.2 It is related that gnats entered Nimrod's brain, causing the membrane to grow larger. He suffered great pain, and to relieve it had his head beaten with a mallet. Although he lived for several hundred years, like other agricultural patriarchs, including the Tammuz of Berosus, it is possible that he was ultimately sacrificed and burned. The beating of Nimrod recalls the beating of the corn spirit of the agricultural legend utilized by Burns in his ballad of "John Barleycorn", which gives a jocular account of widespread ancient customs that are not yet quite extinct even in Scotland:3
They laid him down upon his back
And cudgelled him full sore;
They hung him up before a storm
And turned him o'er and o'er.

They fill up a darksome pit
With water to the brim,
They heav in John Barleycorn--
There let him sink or swim.

They wasted oer a scorching flame
The marrow of his bones,
But the miller used him worst of all,
For he crushed him between two stones.

Hercules, after performing many mythical exploits, had himself burned alive on the pyre which he built upon Mount ta, and was borne to Olympus amidst peals of thunder.

Gilgamesh, the Babylonian Hercules, who links with Etana, Nimrod, and Sandan, is associated with the eagle, which in India, as has been shown, was identified with the gods of fertility, fire, and death. According to a legend related by ian,1 "the guards of the citadel of Babylon threw down to the ground a child who had been conceived and brought forth in secret, and who afterwards became known as Gilgamos". This appears to be another version of the Sargon-Tammuz myth, and may also refer to the sacrifice of children to Melkarth and Moloch, who were burned or slain "in the valleys under the clifts of the rocks"2 to ensure fertility and feed the corn god. Gilgamesh, however, did not perish. "A keen-eyed eagle saw the child falling, and before it touched the ground the bird flew under it and received it on its back, and carried it away to a garden and laid it down gently." Here we have, it would appear, Tammuz among the flowers, and Sargon, the gardener, in the "Garden of Adonis". Mimic Adonis gardens were cultivated by women. Corn, &c., was forced in pots and baskets, and thrown, with an image of the god, into streams. "Ignorant people", writes Professor Frazer, "suppose that by mimicking the effect which they desire to produce they actually help to produce it: thus by sprinkling water they make rain, by lighting a fire they make sunshine, and so on."1 Evidently Gilgamesh was a heroic form of the god Tammuz, the slayer of the demons of winter and storm, who passed one part of the year in the world and another in Hades (Chapter VI ).

Like Hercules, Gilgamesh figured chiefly in legendary narrative as a mighty hero. He was apparently of great antiquity, so that it is impossible to identify him with any forerunner of Sargon of Akkad, or Alexander the Great. His exploits were depicted on cylinder seals of the Sumerian period, and he is shown wrestling with a lion as Hercules wrestled with the monstrous lion in the valley of Nemea. The story of his adventures was narrated on twelve clay tablets, which were preserved in the library of Ashur-banipal, the Assyrian emperor. In the first tablet, which is badly mutilated, Gilgamesh is referred to as the man who beheld the world, and had great wisdom because he peered into the mysteries. He travelled to distant places, and was informed regarding the flood and the primitive race which the gods destroyed; he also obtained the plant of life, which his enemy, the earth-lion, in the form of a serpent or well demon, afterwards carried away.

Gilgamesh was associated with Erech, where he reigned as "the lord". There Ishtar had a great temple, but her worldly wealth had decreased. The fortifications of the city were crumbling, and for three years the Elamites besieged it. The gods had turned to flies and the winged bulls had become like mice. Men wailed like wild beasts and maidens moaned like doves. Ultimately the people prayed to the goddess Aruru to create a liberator. Bel, Shamash, and Ishtar also came to their aid.

Aruru heard the cries of her worshippers. She dipped her hands in water and then formed a warrior with clay. He was named Ea-bani, which signifies "Ea is my creator". It is possible, therefore, that an ancient myth of Eridu forms the basis of the narrative.

Ea-bani is depicted on the cylinder seals as a hairy man-monster resembling the god Pan. He ate grass with the gazelles and drank water with wild beasts, and he is compared to the corn god, which suggests that he was an early form of Tammuz, and of character somewhat resembling the Egyptian Bast, the half-bestial god of fertility. A hunter was sent out from Erech to search for the man-monster, and found him beside a stream in a savage place drinking with his associates, the wild animals. The description of Ea-bani recalls that of Nebuchadnezzar when he was stricken with madness.

He was driven from men, and did eat grass as oxen, and his body was wet with the dew of heaven, till his hairs were grown like eagles' feathers, and his nails like birds' claws."1

The hunter had no desire to combat with Ea-bani, so he had him lured from the wilds by a beautiful woman. Love broke the spell which kept Ea-bani in his savage state, and the wild beasts fled from him. Then the temptress pleaded with him to go with her to Erech, where Anu and Ishtar had their temples, and the mighty Gilgamesh lived in his palace. Ea-bani, deserted by his bestial companions, felt lonely and desired human friend-ship. So he consented to accompany his bride. Having heard of Gilgamesh from the hunter, he proposed to test his strength in single combat, but Shamash, god of the sun, warned Ea-bani that he was the protector of Gilgamesh, who had been endowed with great knowledge by Bel and Anu and Ea. Gilgamesh was also counselled in a vision of night to receive Ea-bani as an ally.

Ea-bani was not attracted by city life and desired to return to the wilds, but Shamash prevailed upon him to remain as the friend of Gilgamesh, promising that he would be greatly honoured and exalted to high rank.

The two heroes became close friends, and when the narrative becomes clear again, they are found to be setting forth to wage war against Chumbaba,1 the King of Elam. Their journey was long and perilous. In time they entered a thick forest, and wondered greatly at the numerous and lofty cedars. They saw the great road which the king had caused to be made, the high mountain, and the temple of the god. Beautiful were the trees about the mountain, and there were many shady retreats that were fragrant and alluring.

At this point the narrative breaks off; for the tablet is mutilated. When it is resumed a reference is made to "the head of Chumbaba", who has apparently been slain by the heroes. Erech was thus freed from the oppression of its fierce enemy.

Gilgamesh and Ea-bani appear to have become prosperous and happy. But in the hour of triumph a shadow falls. Gilgamesh is robed in royal splendour and wears his dazzling crown. He is admired by all men, but suddenly it becomes known that the goddess Ishtar has been stricken with love for him. She "loved him with that love which was his doom". Those who are loved by celestials or demons become, in folk tales, melancholy wanderers and "night wailers". The "wretched wight" in Keats' "La Belle Dame Sans Merci" is a typical example.
O what can ail thee, knight-at-arms,
Alone and palely loitering?
The sedge is withered from the lake
And no birds sing.

.....

I met a lady in the meads,
Full beautiful--a faery's child;
Her hair was long, her foot was light,
And her eyes were wild.

.....

She found me roots of relish sweet,
And honey wild and manna dew;
And sure in language strange she said,
"I love thee true".

Having kissed her lover to sleep, the fairy woman vanished. The "knight" then saw in a dream the ghosts of knights and warriors, her previous victims, who warned him of his fate.
I saw their starved lips in the gloam,
With horrid warning gap wide;
And I awoke and found me here
On the cold hill's side.

The goddess Ishtar appeared as "La Belle Dame Sans Merci" before Gilgamesh and addressed him tenderly, saying: "Come, O Gilgamesh, and be my consort. Gift thy strength unto me. Be thou my husband and I will be thy bride. Thou shalt have a chariot of gold and lapis lazuli with golden wheels and gem-adorned. Thy steeds shall be fair and white and powerful. Into my dwelling thou shalt come amidst the fragrant cedars. Every king and every prince will bow down before thee, O Gilgamesh, to kiss thy feet, and all people will become subject unto thee."

Gilgamesh feared the fate which would attend him as the lover of Ishtar, and made answer saying: "To what husband hast thou ever remained faithful? Each year Tammuz, the lover of thy youth, is caused by thee to weep. Thou didst love the Allala bird and then broke his wings, and he moans in the woods crying, 'O my wings!' Thou didst love the lion and then snared him. Thou didst love the horse, and then laid harness on him and made him gallop half a hundred miles so that he suffered great distress, and thou didst oppress his mother Silili. Thou didst love a shepherd who sacrificed kids unto thee, and then thou didst smite him so that he became a jackal (or leopard); his own herd boy drove him away and his dogs rent him in pieces. Thou didst love Ishullanu, the gardener of Anu, who made offerings unto thee, and then smote him so that he was unable to move. Alas! if thou wouldst love me, my fate would be like unto the fates of those on whom thou hast laid affliction."

Ishtar's heart was filled with wrath when she heard the words which Gilgamesh had spoken, and she prevailed upon her father Anu to create a fierce bull which she sent against the lord of Erech.

This monster, however, was slain by Gilgamesh1 and Ea-bani, but their triumph was shortlived. Ishtar cursed Gilgamesh. Ea-bani then defied her and threatened to deal with her as he had dealt with the bull, with the result that he was cursed by the goddess also.

Gilgamesh dedicated the horns of the bull to Shamash and returned with his friend to Erech, where they were received with great rejoicings. A festival was held, and afterwards the heroes lay down to sleep.

THE SLAYING OF THE BULL OF ISHTAR<br> <i>From the Painting by E. Wallcousins</i>.

THE SLAYING OF THE BULL OF ISHTAR
From the Painting by E. Wallcousins.

Then Ea-bani dreamt a dream of ill omen. He met his death soon afterwards, apparently in a battle, and Gilgamesh lamented over him. From the surviving fragments of the narrative it would appear that Gilgamesh resolved to undertake a journey, for he had been stricken by disease. He wept and cried out, "Oh! let me not die like Ea-bani, for death is fearful. I will seek the aid of mine ancestor, Pir-napishtim"--the Babylonian Noah, who was believed to be dwelling on an island which corresponds to the Greek "Island of the Blessed". The Babylonian island lay in the ocean of the Nether World.

It seems that Gilgamesh not only hoped to obtain the Water of Life and the Plant of Life to cure his own disease, but also to restore to life his dead friend, Ea-bani, whom he loved.

Gilgamesh set out on his journey and in time reached a mountain chasm. Gazing on the rugged heights, he beheld fierce lions and his heart trembled. Then he cried upon the moon god, who took pity upon him, and under divine protection the hero pressed onward. He crossed the rocky range and then found himself confronted by the tremendous mountain of Mashi--"Sunset hill", which divided the land of the living from the western land of the dead. The mountain peak rose to heaven, and its foundations were in Aralu, the Underworld.1 A dark tunnel pierced it and could be entered through a door, but the door was shut and on either side were two monsters of horrible aspect--the gigantic "scorpion man" and his wife, whose heads reached to the clouds. When Gilgamesh beheld them he swooned with terror. But they did him no harm, perceiving that he was a son of a god and had a body like a god.

When Gilgamesh revived, he realized that the monsters regarded him with eyes of sympathy. Addressing the scorpion giant, he told that he desired to visit his ancestor, Pir-napishtim, who sat in the council of the gods and had divine attributes. The giant warned him of the dangers which he would encounter, saying that the mountain passage was twelve miles long and beamless and black. Gilgamesh, however, resolved to encounter any peril, for he was no longer afraid, and he was allowed to go forward. So he entered through the monster-guarded mountain door and plunged into thick unbroken darkness. For twice twelve hours he groped blindly onward, until he saw a ray of light. Quickening his steps, he then escaped from the dreadful tunnel and once more rejoiced in the rays of the sun. He found himself in an enchanted garden, and in the midst of it he saw a divine and beautiful tree towards which he hastened. On its gleaming branches hung clusters of precious stones and its leaves were of lapis lazuli. His eyes were dazzled, but he did not linger there. Passing many other wonderful trees, he came to a shoreland, and he knew that he was drawing nigh to the Sea of Death. The country which he entered was ruled over by the sea lady whose name was Sabitu. When she saw the pilgrim drawing nigh, she entered her palace and shut the door.

Gilgamesh called out requesting that he should be allowed to enter, and mingled his entreaties with threats to break open the door. In the end Sabitu appeared and spoke, saying:
Gilgamesh, whither hurriest thou?
The life that thou seekest thou wilt not find.
When the gods created man
They fixed death for mankind.
Life they took in their own hand.
Thou, O Gilgamesh, let thy belly be filled!
Day and night be merry,
Daily celebrate a feast,
Day and night dance and make merry!
Clean be thy clothes,
Thy head be washed, bathe in water!
Look joyfully on the child that grasps thy hand,
Be happy with the wife in thine arms!1

This is the philosophy of the Egyptian "Lay of the Harper". The following quotations are from two separate versions:
How rests this just prince!
The goodly destiny befalls,
The bodies pass away
Since the time of the god,
And generations come into their places.

......

(Make) it pleasant for thee to follow thy desire
While thou livest.
Put myrrh upon thy head,
And garments on thee of fine linen. . . .
Celebrate the glad day,
Be not weary therein. . . .
Thy sister (wife) who dwells in thy heart.
She sits at thy side.
Put song and music before thee,
Behind thee all evil things,
And remember thou (only) joy.2

Jastrow contrasts the Babylonian poem with the following quotation from Ecclesiastes:--

Go thy way, eat thy bread with joy, and drink thy wine with a merry heart. . . . Let thy garments be always white; and let thy head lack no ointment. Live joyfully with the wife whom thou lovest all the days of the life of thy vanity, which he [God] hath given thee under the sun, all the days of thy vanity: for that is thy portion in this life, and in thy labour which thou takest under the sun.1

"The pious Hebrew mind", Jastrow adds, "found the corrective to this view of life in the conception of a stern but just God, acting according to self-imposed standards of right and wrong, whose rule extends beyond the grave." The final words of the Preacher are, "Fear God and keep his commandments".2

Gilgamesh did not accept the counsel of the fatalistic sea lady. He asked her how he could reach Pir-napishtim, his ancestor, saying he was prepared to cross the Sea of Death: if he could not cross it he would die of grief.

Sabitu answered him, saying: "O Gilgamesh, no mortal is ferried over this great sea. Who can pass over it save Shamash alone? The way is full of peril. O Gilgamesh, how canst thou battle against the billows of death?"

At length, however, the sea lady revealed to the pilgrim that he might obtain the aid of the sailor, Arad Ea, who served his ancestor Pir-napishtim.

Gilgamesh soon found where Arad Ea dwelt, and after a time prevailed upon him to act as ferryman. Arad Ea required a helm for his boat, and Gilgamesh hastened to fashion one from a tree. When it was fixed on, the boat was launched and the voyage began. Terrible experiences were passed through as they crossed the Sea of Death, but at length they drew nigh to the "Island of the Blessed" on which dwelt Pir-napishtim and his wife. Wearied by his exertions and wasted by disease, Gilgamesh sat resting in the boat. He did not go ashore.

Pir-napishtim had perceived the vessel crossing the Sea of Death and marvelled greatly.

The story is unfortunately interrupted again, but it appears that Gilgamesh poured into the ears of his ancestor the tale of his sufferings, adding that he feared death and desired to escape his fate.

Pir-napishtim made answer, reminding the pilgrim that all men must die. Men built houses, sealed contracts, disputed one with another, and sowed seeds in the earth, but as long as they did so and the rivers rose in flood, so long would their fate endure. Nor could any man tell when his hour would come. The god of destiny measured out the span of life: he fixed the day of death, but never revealed his secrets.

Gilgamesh then asked Pir-napishtim how it chanced that he was still alive. "Thou hast suffered no change," he said, "thou art even as I am. Harden not thy heart against me, but reveal how thou hast obtained divine life in the company of the gods."

Pir-napishtim thereupon related to his descendant the story of the deluge, which is dealt with fully in the next chapter. The gods had resolved to destroy the world, and Ea in a dream revealed unto Pir-napishtim how he could escape. He built a ship which was tossed about on the waters, and when the world had been destroyed, Bel discovered him and transported him to that island in the midst of the Sea of Death.

Gilgamesh sat in the boat listening to the words of his ancestor. When the narrative was ended, Pir-napishtim spoke sympathetically and said: "Who among the gods will restore thee to health, O Gilgamesh? Thou hast knowledge of my life, and thou shalt be given the life thou dost strive after. Take heed, therefore, to what I say unto thee. For six days and seven nights thou shalt not lie down, but remain sitting like one in the midst of grief." 1

Gilgamesh sat in the ship, and sleep enveloped him like to a black storm cloud.

Pir-napishtim spoke to his wife and said: "Behold the hero who desireth to have life. Sleep envelops him like to a black storm cloud."

To that lone man his wife made answer: "Lay thine hand upon him so that he may have perfect health and be enabled to return to his own land. Give him power to pass through the mighty door by which he entered."

Then Pir-napishtim addressed his wife, saying: "His sufferings make me sad. Prepare thou for him the magic food, and place it near his head."

On the day when Gilgamesh lay down, the food was prepared by seven magic processes, and the woman ad-ministered it while yet he slept. Then Pir-napishtim touched him, and he awoke full of life.

Gilgamesh spake unto Pir-napishtim and said: "I was suddenly overcome by sleep. . . . But thou didst awaken me by touching me, even thou. . . . Lo! I am bewitched. What hast thou done unto thy servant?"

Then Pir-napishtim told Gilgamesh that he had been given to eat of the magic food. Afterwards he caused Arad Ea to carry Gilgamesh to a fountain of healing, where his disease-stricken body was cleansed. The blemished skin fell from him, and he was made whole.

Thereafter Gilgamesh prepared to return to his own land. Ere he bade farewell, however, Pir-napishtim revealed unto him the secret of a magic plant which had power to renew life and give youth and strength unto those who were old.

Arad Ea conducted the hero to the island where the plant grew, and when Gilgamesh found it he rejoiced, and said that he would carry it to Erech, his own city, where he would partake of it and restore his youth.

So Gilgamesh and Arad Ea went on their way together, nor paused until they came to a well of pure water. The hero stooped down to draw water.1 But while he was thus engaged that demon, the Earth Lion, crept forth as a serpent, and, seizing the magic plant of life, carried it away. Stricken with terror, Gilgamesh uttered a curse. Then he sat down and wept bitterly, and the tears streamed over his face. To Arad Ea he spake, saying: "Why has my health been restored to me? Why should I rejoice because that I live? The benefit which I should have derived for myself has now fallen to the Earth Lion."

The two travellers then resumed their journey, performing religious acts from time to time; chanting dirges and holding feasts for the dead, and at length Gilgamesh returned to Erech. He found that the city walls were crumbling, and he spake regarding the ceremonies which had been performed while yet he was in a far-distant country.

During the days which followed Gilgamesh sorrowed for his lost friend Ea-bani, whose spirit was in the Underworld, the captive of the spirits of death. "Thou canst not draw thy bow now," he cried, "nor raise the battle shout. Thou canst not kiss the woman thou hast loved; thou canst not kiss the child thou hast loved, nor canst thou smite those whom thou hast hated."

In vain Gilgamesh appealed to his mother goddess to restore Ea-bani to him. Then he turned to the gods, and Ea heard him. Thereafter Nergal, god of death, caused the grave to yawn, and the spirit of Ea-bani arose like a wind gust.

Gilgamesh, still dreading death, spoke to the ghost of his friend, saying: "Tell me, my friend, O tell me regarding the land in which thou dost dwell."

Ea-bani made answer sorrowfully: "Alas! I cannot tell thee, my friend. If I were to tell thee all, thou wouldst sit down and weep."

Said Gilgamesh: "Let me sit down and weep, but tell me regarding the land of spirits."

The text is mutilated here, but it can be gathered that Ea-bani described the land where ill-doers were punished, where the young were like the old, where the worm devoured, and dust covered all. But the state of the warrior who had been given burial was better than that of the man who had not been buried, and had no one to lament or care for him. "He who hath been slain in battle," the ghost said, "reposeth on a couch drinking pure water--one slain in battle as thou hast seen and I have seen. His head is supported by his parents: beside him sits his wife. His spirit doth not haunt the earth. But the spirit of that man whose corpse has been left unburied and uncared for, rests not, but prowls through the streets eating scraps of food, the leavings of the feast, and drinking the dregs of vessels."

So ends the story of Gilgamesh in the form which survives to us.

The journey of Gilgamesh to the Island of the Blessed recalls the journeys made by Odin, Hermod, Svipdag, Hotherus and others to the Germanic Hela. When Hermod went to search for Balder, as the Prose Edda relates, he rode through thick darkness for nine days and nine nights ere he crossed the mountains. As Gilgamesh met Sabitu, Hermod met Modgudur, "the maiden who kept the bridge "over the river Gjl. Svipdag, according to a Norse poem, was guided like the Babylonian hero by the moon god, Gevar, who instructed him what way he should take to find the irresistible sword. Saxo's Hother, who is instructed by "King Gewar", crosses dismal mountains "beset with extraordinary cold".1 Thorkill crosses a stormy ocean to the region of perpetual darkness, where the ghosts of the dead are confined in loathsome and dusty caves. At the main entrance "the door posts were begrimed with the soot of ages".2 In the Elder Edda Svipdag is charmed against the perils he will be confronted by as he fares "oer seas mightier than men do know", or is overtaken by night "wandering on the misty way".3 When Odin "downward rode into Misty Hel" he sang spells at a "witch's grave", and the ghost rose up to answer his questions regarding Balder. "Tell me tidings of Hel", he addressed her, as Gilgamesh addressed the ghost of Ea-bani.

In the mythical histories of Alexander the Great, the hero searches for the Water of Life, and is confronted by a great mountain called Musas (Mashti). A demon stops him and says: "O king, thou art not able to march through this mountain, for in it dwelleth a mighty god who is like unto a monster serpent, and he preventeth everyone who would go unto him." In another part of the narrative Alexander and his army arrive at a place of darkness "where the blackness is not like the darkness of night, but is like unto the mists and clouds which descend at the break of day". A servant uses a shining jewel stone, which Adam had brought from Paradise, to guide him, and found the well. He drank of the "waters of life" and bathed in them, with the result that he was strengthened and felt neither hunger nor thirst. When he came out of the well "all the flesh of his body became bluish-green and his garments likewise bluish-green". Apparently he assumed the colour of supernatural beings. Rama of India was blue, and certain of his monkey allies were green, like the fairies of England and Scotland. This fortunate man kept his secret. His name was Matun, but he was afterwards nicknamed "'El-Khidr', that is to say, 'Green'". What explanation he offered for his sudden change of appearance has not been recorded.1 It is related that when Matun reached the Well of Life a dried fish which he dipped in the water was restored to life and swam away. In the Koran a similar story is told regarding Moses and Joshua, who travelled "for a long space of time" to a place where two seas met. "They forgot their fish which they had taken with them, and the fish took its way freely to the sea." The Arabian commentators explain that Moses once agreed to the suggestion that he was the wisest of men. In a dream he was directed to visit Al Khedr, who was "more knowing than he", and to take a fish with him in a basket. On the seashore Moses fell asleep, and the fish, which had been roasted, leapt out of the basket into the sea. Another version sets forth that Joshua, "making the ablution at the fountain of life", some of the water happened to be sprinkled on the fish, which immediately leapt up.2

The Well of Life is found in Fingalian legends. When Diarmid was mortally wounded by the boar, he called upon Finn to carry water to him from the well:
Give me a draught from thy palms, O Finn,
Son of my king for my succour,
For my life and my dwelling.
Campbell's West Highland Tales, vol. iii, 80.

The quest of the plant, flower, or fruit of life is referred to in many folk tales. In the Mahhata, Bhima, the Indian Gilgamesh or Hercules, journeys to north-eastern Celestial regions to find the lake of the god Kuvera (Kubera), on which grow the "most beautiful and unearthly lotuses", which restore health and give strength to the weary. As Gilgamesh meets with Pir-napishtim, who relates the story of the Deluge which destroyed the "elder race", Bhima meets with Hanuman, who informs him regarding the Ages of the Universe and the races which were periodically destroyed by deluges. When Bhima reaches the lotus lake he fights with demons. To heal his wounds and recover strength he plunges into the lake. "As he drank of the waters, like unto nectar, his energy and strength were again fully restored."1

Hercules similarly sets out to search for the golden apples which grow in
those Hesperian gardens famed of old,
Fortunate fields, and groves and flowery vales.

As Bhima slew Yakshas which guarded the lotuses, Hercules slew Ladon, the guardian of the apples. Other heroes kill treasure-protecting dragons of various kinds.

There is a remarkable resemblance between the Babylonian account of Gilgamesh's journey through the mountain tunnel to the garden and seashore, and the Indian story of the demigod Hanuman passing through the long cavern to the shoreland palace of the female ascetic, when he was engaged searching for Sita, the wife of Rama, who had been carried away by Ravana, the demon king of Ceylon. In the version of the latter narrative which is given in the Mahhata, Hanuman says: "I bring thee good news, O Rama; for Janaka's daughter hath been seen by me. Having searched the southern region with all its hills, forests, and mines for some time, we became very weary. At length we beheld a great cavern. And having beheld it, we entered that cavern which extended over many yojanas. It was dark and deep, and overgrown with trees and infested by worms. And having gone a great way through it, we came upon sunshine and beheld a beautiful palace. It was the abode of the Daitya (sea demon) Maya. And there we beheld a female ascetic named Parbhati engaged in ascetic austerities. And she gave us food and drink of various kinds. And having refreshed ourselves therewith and regained our strength, we proceeded along the way shown by her. At last we came out of the cavern and beheld the briny sea, and on its shores, the Sahya, the Malaya, and the great Darduramountains. And ascending the mountains of Malaya, we beheld before us the vast ocean (or, "the abode of Varuna"). And beholding it, we felt sorely grieved in mind. . . . We despaired of returning with our lives. . . . We then sat together, resolved to die there of starvation."

Hanuman and his friends, having had, so far, experiences similar to those of Gilgamesh, next discovered the eagle giant which had burned its wings when endeavouring to soar to the sun. This great bird, which resembles the Etana eagle, expressed the opinion that Sita was in Lanka (Ceylon), whither she must have been carried by Ravana. But no one dared to cross the dangerous ocean. Hanuman at length, however, obtained the assistance of Vayu, the wind god, his divine father, and leapt over the sea, slaying monsters as he went. He discovered where the fair lady was concealed by the king of demons.1

The dark tunnel is met with in many British stories of daring heroes who set out to explore it, but never return. In the Scottish versions the adventurers are invariably pipers who are accompanied by dogs. The sound of the pipes is heard for a time; then the music ceases suddenly, and shortly afterwards the dog returns without a hair upon its body. It has evidently been in conflict with demons.

The tunnel may run from a castle to the seashore, from a cave on one side of a hill to a cave on the other, or from a seashore cave to a distant island.

It is possible that these widespread tunnel stories had origin among the cave dwellers of the Pallithic Age, who believed that deep caverns were the doors of the underground retreats of dragons and giants and other supernatural enemies of mankind.

In Babylonia, as elsewhere, the priests utilized the floating material from which all mythologies were framed, and impressed upon it the stamp of their doctrines. The symbolized stories were afterwards distributed far and wide, as were those attached to the memory of Alexander the Great at a later period. Thus in many countries may be found at the present day different versions of immemorial folk tales, which represent various stages of culture, and direct and indirect contact at different periods with civilizations that have stirred the ocean of human thought, and sent their ideas rippling in widening circles to far-distant shores.

Footnotes

164:1 It is suggested that Arthur is derived from the Celtic word for "bear". If so, the bear may have been the "totem" of the Arthur tribe represented by the Scottish clan of MacArthurs.
165:1 See "Lady in the Straw" beliefs in Brand's Popular Antiquities, vol. ii, 66 et seq. (1899 ed.).
166:1 Like the Etana "mother eagle" Garuda was a slayer of serpents (Chapter III ).
166:2 Yana Parvasection of the Mahhata(Roy's trans.), p. 818 et seq., and Indian Myth and Legend, p. 413.
167:1 The Koran(with notes from approved commentators), trans. by George Sale, p. 246, n.
167:2 The Life and Exploits of Alexander the Great, E. Wallis Budge (London, 1896), pp. 277-8, 474-5.
168:1 Campbell's West Highland Tales, vol. iii, pp. 251-4 (1892 ed.).
168:2 Religion of the Ancient Egyptians, A. Wiedemann, p. 14.
169:1 Adi Parvasection of the Mahhata(Hymn to Garuda), Roy's trans., p. 88, 89.
169:2 Herodian, iv, 2.
169:3 The image made by Nebuchadnezzar is of interest in this connection. He decreed that "whoso falleth not down and worshippeth" should be burned in the "fiery furnace". The Hebrews, Shadrach, Meshach, and Abednego, were accordingly thrown into the fire, but were delivered by God. Daniel, iii, 1-30.
170:1 The Assyrian and Phnician Hercules is discussed by Raoul Rochette in Moires de lAcadie des Inscriptions et Belles Lettres(Paris, 1848), pp. 178 et seq.
170:2 G. Sale's Koran, p. 246, n.
170:3 In the Eddic poem "Lokasenna" the god Byggvir (Barley) is addressed by Loki, "Silence, Barleycorn!" The Elder Edda, translation by Olive Bray, pp. 262, 263.
171:1 De Nat. Animal., xii, 21, ed. Didot, p. 210, quoted by Professor Budge in The Life and Exploits of Alexander the Great, p. 278, n.
171:2 Isaiah, lvii, 4 and 5.
172:1 The Golden Bough(Adonis, Attis, Osirisvol.), "The Gardens of Adonis", pp. 194 et seq. (3rd ed.).
173:1 Daniel, iv, 33. It is possible that Nebuchadnezzar, as the human representative of the god of corn and fertility, imitated the god by living a time in the wilds like Ea-bani.
174:1 Pronounce chguttural.
176:1 On a cylinder seal the heroes each wrestle with a bull.
177:1 Alexander the Great in the course of his mythical travels reached a mountain at the world-end. "Its peak reached to the first heaven and its base to the seventh earth."--Budge.
179:1 Jastrow's trans., Aspects of Religious Belief and Practice in Babylonia and Assyria, p. 374.
179:2 Development of Religion and Thought in Ancient Egypt(1912), J. H. Breasted, pp. 183-5.
180:1 Ecclesiastes, ix, 7-9.
180:2 Ibid., xii, 13.
182:1 Perhaps brooding and undergoing penance like an Indian Rishi with purpose to obtain spiritual power.
183:1 Probably to perform the ceremony or pouring out a libation.
185:1 Saxo, iii, 71.
185:2 Ibid., viii, 291.
185:3 The Elder Edda, O. Bray, pp. 157 et seq. See also Teutonic Myth and Legend.
186:1 The Life and Exploits of Alexander the Great, E. Wallis Budge, pp. xl et seq., 167 et seq.
186:2 The Koran, trans. by G. Sale, pp. 222, 223 (chap. xviii).
187:1 Yana Parvasection of the Mahhata(Roy's trans.), pp. 435-60, and Indian Myth and Legend, pp. 105-9.
189:1 Yana Parva section of the Mahhata(Roy's translation), pp. 832, 833.
Next: Chapter IX. Deluge Legend, the Island of the Blessed, and Hades

Myths of Babylon and Assyria: Chapter VII. Creation Legend: Merodach the Dragon Slayer

CHAPTER VII

Creation Legend: Merodach the Dragon Slayer

Elder Spirits of the Primordial Deep--Apsu and the Tiamat Dragon--Plot to Destroy the Beneficent Gods--Ea overcomes Apsu and Mummu--The Vengeful Preparations of the Dragon--Anshar's Appeal to Merodach--The Festival of the High Gods--Merodach exalted as Ruler of the Universe--Dragon slain and Host taken captive--Merodach rearranges the Pantheon-. Creation of Man--Merodach as Asari--The Babylonian Osiris--The Chief Purpose of Mankind--Tiamat as Source of Good and Evil--The Dragon as the Serpent or Worm--Folk Tale aspect of Creation Myth--British Neolithic Legends--German and Egyptian Contracts--Biblical references to Dragons--The Father and Son theme--Merodach and Tammuz--Monotheistic Tendency--Bi-sexual Deities.

IN the beginning the whole universe was a sea. Heaven on high had not been named, nor the earth beneath. Their begetter was Apsu, the father of the primordial Deep, and their mother was Tiamat, the spirit of Chaos. No plain was yet formed, no marsh could be seen; the gods had no existence, nor had their fates been determined. Then there was a movement in the waters, and the deities issued forth. The first who had being were the god Lachmu and the goddess Lachamu. Long ages went past. Then were created the god Anshar and the goddess Kishar. When the days of these deities had increased and extended, they were followed by Anu, god of the sky, whose consort was Anatu; and Ea, most wise and all-powerful, who was without an equal.

''THE SEVEN TABLETS OF CREATION''<br> <i>From the Library of Ashur-bani-pal at Kouyunjik (Nineveh): now in the British Museum</i>.

''THE SEVEN TABLETS OF CREATION''
From the Library of Ashur-bani-pal at Kouyunjik (Nineveh): now in the British Museum.

Now Ea, god of the deep, was also Enki, "lord of earth", and his eternal spouse, Damkina, was Gashan-ki, "lady of earth". The son of Ea and Damkina was Bel, the lord, who in time created mankind.1 Thus were the high gods established in power and in glory.

Now Apsu and Tiamat remained amidst confusion in the deeps of chaos. They were troubled because their offspring, the high gods, aspired to control the universe and set it in order.2 Apsu was still powerful and fierce, and Tiamat snarled and raised tempests, smiting herself. Their purpose was to work evil amidst eternal confusion.

Then Apsu called upon Mummu, his counsellor, the son who shared his desires, and said, "O Mummu, thou who art pleasing unto me, let us go forth together unto Tiamat and speak with her."

So the two went forth and prostrated themselves before the Chaos Mother to consult with her as to what should be done to prevent the accomplishment of the purpose of the high gods.

Apsu opened his mouth and spake, saying, "O Tiamat, thou gleaming one, the purpose of the gods troubles me. I cannot rest by day nor can I repose by night. I will thwart them and destroy their purpose. I will bring sorrow and mourning so that we may lie down undisturbed by them."

Tiamat heard these words and snarled. She raised angry and roaring tempests; in her furious grief she uttered a curse, and then spake to Apsu, saying, "What shall we do so that their purpose may be thwarted and we may lie down undisturbed again?"

Mummu, the counsellor, addressing Apsu, made answer, and said, "Although the gods are powerful, thou canst overcome them; although their purpose is strong, thou canst thwart it. Then thou shalt have rest by day and peace by night to lie down."

The face of Apsu grew bright when he heard these words spoken by Mummu, yet he trembled to think of the purpose of the high gods, to whom he was hostile. With Tiamat he lamented because the gods had changed all things; the plans of the gods filled their hearts with dread; they sorrowed and spake with Mummu, plotting evil.

Then Ea, who knoweth all, drew near; he beheld the evil ones conspiring and muttering together. He uttered a pure incantation and accomplished the downfall of Apsu and Mummu, who were taken captive.1

Kingu, who shared the desires of Tiamat, spake unto her words of counsel, saying, "Apsu and Mummu have been overcome and we cannot repose. Thou shalt be their Avenger, O Tempestuous One."

Tiamat heard the words of this bright and evil god, and made answer, saying, "On my strength thou canst trust. So let war be waged."

Then were the hosts of chaos and the deep gathered together. By day and by night they plotted against the high gods, raging furiously, making ready for battle, fuming and storming and taking no rest.

Mother Chuber,2 the creator of all, provided irresistible weapons. She also brought into being eleven kinds of fierce monsters--giant serpents, sharp of tooth with unsparing fangs, whose bodies were filled with poison instead of blood; snarling dragons, clad with terror, and of such lofty stature that whoever saw them was overwhelmed with fear, nor could any escape their attack when they lifted themselves up; vipers and pythons, and the Lachamu, hurricane monsters, raging hounds, scorpion men, tempest furies, fish men, and mountain rams. These she armed with fierce weapons and they had no fear of war.

Then Tiamat, whose commands are unchangeable and mighty, exalted Kingu, who had come to her aid, above all the evil gods; she made him the leader to direct the army in battle, to go in front, to open the attack. Robing Kingu in splendour, she seated him on high and spoke, saying:

"I have established thy command over all the gods. Thou shalt rule over them. Be mighty, thou my chosen husband, and let thy name be exalted over all the spirits of heaven and spirits of earth."

Unto Kingu did Tiamat deliver the tablets of fate; she laid them in his bosom, and said, "Thy commands cannot be changed; thy words shall remain firm."

Thus was Kingu exalted; he was vested with the divine power of Anu to decree the fate of the gods, saying, "Let thy mouth open to thwart the fire god; be mighty in battle nor brook resistance."

Then had Ea knowledge of Tiamat's doings, how she had gathered her forces together, and how she had prepared to work evil against the high gods with purpose to avenge Apsu. The wise god was stricken with grief, and he moaned for many days. Thereafter he went and stood before his father, Anshar, and spake, saying, "Our mother, Tiamat, hath turned against us in her wrath. She hath gathered the gods about her, and those thou didst create are with her also."

When Anshar heard all that Ea revealed regarding the preparations made by Tiamat, he smote his loins and clenched his teeth, and was ill at ease. In sorrow and anger he spoke and said, "Thou didst go forth aforetime to battle; thou didst bind Mummu and smite Apsu. Now Kingu is exalted, and there is none who can oppose Tiamat."1

Anshar called his son, Anu, before him, and spoke, saying: "O mighty one without fear, whose attack is irresistible, go now before Tiamat and speak so that her anger may subside and her heart be made merciful. But if she will not hearken unto thee, speak thou for me, so that she may be reconciled."

Anu was obedient to the commands of Anshar. He departed, and descended by the path of Tiamat until he beheld her fuming and snarling, but he feared to approach her, and turned back.

Then Ea was sent forth, but he was stricken with terror and turned back also.2

Anshar then called upon Merodach, son of Ea, and addressed him, saying, "My son, who softeneth my heart, thou shalt go forth to battle and none shall stand against thee."

The heart of Merodach was made glad at these words. He stood before Anshar, who kissed him, because that he banished fear. Merodach spake, saying: "O lord of the gods, withdraw not thy words; let me go forth to do as is thy desire. What man hath challenged thee to battle?"

Anshar made answer and said: "No man hath challenged me. It is Tiamat, the woman, who hath resolved to wage war against us. But fear not and make merry, for thou shalt bruise the head of Tiamat. O wise god, thou shalt overcome her with thy pure incantation. Tarry not but hasten forth; she cannot wound thee; thou shalt come back again."

The words of Anshar delighted the heart of Merodach, who spake, saying: "O lord of the gods, O fate of the high gods, if I, the avenger, am to subdue Tiamat and save all, then proclaim my greatness among the gods. Let all the high gods gather together joyfully in Upshukinaku (the Council Hall), so that my words like thine may remain unchanged, and what I do may never be altered. Instead of thee I will decree the fates of the gods."

Then Anshar called unto his counsellor, Gaga, and addressing him, said: "O thou who dost share my desires, thou who dost understand the purpose of my heart, go unto Lachmu and Lachamu and summon all the high gods to come before me to eat bread and drink wine. Repeat to them all I tell you of Tiamat's preparations for war, of my commands to Anu and Ea, who turned back, fearing the dragon, of my choice of Merodach to be our avenger, and his desire to be equipped with my power to decree fate, so that he may be made strong to combat against our enemy."

As Anshar commanded so did Gaga do. He went unto Lachmu and Lachamu and prostrated himself humbly before them. Then he rose and delivered the message of Anshar, their son, adding: "Hasten and speedily decide for Merodach your fate. Permit him to depart to meet your powerful foe."

When Lachmu and Lachamu heard all that Gaga revealed unto them they uttered lamentations, while the Igigi (heavenly spirits) sorrowed bitterly, and said: "What change hath happened that Tiamat hath become hostile to her own offspring? We cannot understand her deeds."

All the high gods then arose and went unto Anshar. They filled his council chamber and kissed one another.

Then they sat down to eat bread and drink sesame wine. And when they were made drunk and were merry and at their ease, they decreed the fate for Merodach.

In the chamber of Anshar they honoured the Avenger. He was exalted as a prince over them all, and they said: "Among the high gods thou art the highest; thy command is the command of Anu. Henceforth thou wilt have power to raise up and to cast down. None of the gods will dispute thy authority. O Merodach, our avenger, we give thee sovereignty over the entire Universe. Thy weapon will ever be irresistible. Smite down the gods who have raised revolt, but spare the lives of those who repose their trust in thee."

Then the gods laid down a garment before Merodach, saying: "Open thy mouth and speak words of command, so that the garment may be destroyed; speak again and it will be brought back."

Merodach spake with his mouth and the garment vanished; he spake again and the garment was reproduced.

All the gods rejoiced, and they prostrated themselves and cried out, "Merodach is King!"

Thereafter they gave him the sceptre and the throne and the insignia of royalty, and also an irresistible weapon1 with which to overcome his enemies, saying: "Now, O Merodach, hasten and slay Tiamat. Let the winds carry her blood to hidden places."

So was the fate of Merodach decreed by the gods; so was a path of prosperity and peace prepared for him. He made ready for battle; he strung his bow and hung his quiver; he slung a dart over his shoulder, and he grasped a club in his right hand; before him he set lightning, and with flaming fire he filled his body.

MERODACH SETS FORTH TO ATTACK TIAMAT<br> <i>From the Painting by E. Wallcousins</i>.

MERODACH SETS FORTH TO ATTACK TIAMAT
From the Painting by E. Wallcousins.

Anu gave unto him a great net with which to snare his enemies and prevent their escape. Then Merodach created seven winds--the wind of evil, the uncontrollable wind, the sandstorm, and the whirlwind, the fourfold wind, the sevenfold wind, and the wind that has no equal--and they went after him. Next he seized his mighty weapon, the thunderstone, and leapt into his storm chariot, to which were yoked four rushing and destructive steeds of rapid flight, with foam-flecked mouths and teeth full of venom, trained for battle, to overthrow enemies and trample them underfoot. A light burned on the head of Merodach, and he was clad in a robe of terror. He drove forth, and the gods, his fathers, followed after him: the high gods clustered around and followed him, hastening to battle.

Merodach drove on, and at length he drew nigh to the secret lair of Tiamat, and he beheld her muttering with Kingu, her consort. For a moment he faltered, and when the gods who followed him beheld this, their eyes were troubled.

Tiamat snarled nor turned her head. She uttered curses, and said: "O Merodach, I fear not thy advance as chief of the gods. My allies are assembled here, and are more powerful than thou art."

Merodach uplifted his arm, grasping the dreaded thunderstone, and spake unto Tiamat, the rebellious one, saying: "Thou hast exalted thyself, and with wrathful heart hath prepared for war against the high gods and their fathers, whom thou dost hate in thy heart of evil. Unto Kingu thou hast given the power of Anu to decree fate, because thou art hostile to what is good and loveth what is sinful. Gather thy forces together, and arm thyself and come forth to battle."

When Tiamat heard these mighty words she raved and cried aloud like one who is possessed; all her limbs shook, and she muttered a spell. The gods seized their weapons.

Tiamat and Merodach advanced to combat against one another. They made ready for battle. The lord of the high gods spread out the net which Anu had given him. He snared the dragon and she could not escape. Tiamat opened her mouth which was seven miles wide, and Merodach called upon the evil wind to smite her; he caused the wind to keep her mouth agape so that she could not close it. All the tempests and the hurricanes entered in, filling her body, and her heart grew weak; she gasped, overpowered. Then the lord of the high gods seized his dart and cast it through the lower part of her body; it tore her inward parts and severed her heart. So was Tiamat slain.

Merodach overturned the body of the dead dragon and stood upon it. All the evil gods who had followed her were stricken with terror and broke into flight. But they were unable to escape. Merodach caught them in his great net, and they stumbled and fell uttering cries of distress, and the whole world resounded with their wailing and lamentations. The lord of the high gods broke the weapons of the evil gods and put them in bondage. Then he fell upon the monsters which Tiamat had created; he subdued them, divested them of their powers, and trampled them under his feet. Kingu he seized with the others. From this god great Merodach took the tablets of fate, and impressing upon them his own seal, placed them in his bosom.

So were the enemies of the high gods overthrown by the Avenger. Ansar's commands were fulfilled and the desires of Ea fully accomplished.

Merodach strengthened the bonds which he had laid upon the evil gods and then returned to Tiamat. He leapt upon the dragon's body; he clove her skull with his great club; he opened the channels of her blood which streamed forth, and caused the north to carry her blood to hidden places. The high gods, his fathers, clustered around; they raised shouts of triumph and made merry. Then they brought gifts and offerings to the great Avenger.

Merodach rested a while, gazing upon the dead body of the dragon. He divided the flesh of Ku-pu,1 and devised a cunning plan.

Then the lord of the high gods split the body of the dragon like that of a mashde fish into two halves. With one half he enveloped the firmament; he fixed it there and set a watchman to prevent the waters falling down.2 With the other half he made the earth.3 Then he made the abode of Ea in the deep, and the abode of Anu in high heaven. The abode of Enlil was in the air.

Merodach set all the great gods in their several stations. He also created their images, the stars of the Zodiac, and fixed them all. He measured the year and divided it into months; for twelve months he made three stars each. After he had given starry images of the gods separate control of each day of the year, he founded the station of Nibiru (Jupiter), his own star, to determine the limits of all stars, so that none might err or go astray. He placed beside his own the stations of Enlil and Ea, and on each side he opened mighty gates, fixing bolts on the left and on the right. He set the zenith in the centre.

Merodach decreed that the moon god should rule the night and measure the days, and each month he was given a crown. Its various phases the great lord determined, and he commanded that on the evening of its fullest brilliancy it should stand opposite the sun.1

He placed his bow in heaven (as a constellation) and his net also.

We have now reached the sixth tablet, which begins with a reference to words spoken to Merodach by the gods. Apparently Ea had conceived in his heart that mankind should be created. The lord of the gods read his thoughts and said: "I will shed my blood and fashion bone . . . I will create man to dwell on the earth so that the gods may be worshipped and shrines erected for them. I will change the pathways of the gods . . .".

The rest of the text is fragmentary, and many lines are missing. Berosus states, however, that Belus (Bel Merodach) severed his head from his shoulders. His blood flowed forth, and the gods mixed it with earth and formed the first man and various animals.

In another version of the creation of man, it is related that Merodach "laid a reed upon the face of the waters; he formed dust, and poured it out beside the reed. . . . That he might cause the gods to dwell in the habitation of their heart's desire, he formed mankind." The goddess Aruru, a deity of Sippar, and one of the forms of "the lady of the gods", is associated with Merodach as the creatrix of the seed of mankind. "The beasts of the field and living creatures in the field he formed."

He also created the Tigris and Euphrates rivers, grass, reeds, herbs and trees, lands, marshes and swamps, cows, goats,1

In the seventh tablet Merodach is praised by the gods--the Igigi (spirits of heaven). As he has absorbed all their attributes, he is addressed by his fifty-one names; henceforth each deity is a form of Merodach. Bel Enlil, for instance, is Merodach of lordship and domination; Sin, the moon god, is Merodach as ruler of night; Shamash is Merodach as god of law and holiness; Nergal is Merodach of war; and so on. The tendency to monotheism appears to have been most marked among the priestly theorists of Babylon.

Merodach is hailed to begin with as Asari, the introducer of agriculture and horticulture, the creator of grain and plants. He also directs the decrees of Anu, Bel, and Ea; but having rescued the gods from destruction at the hands of Kingu and Tiamat, he was greater than his "fathers", the elder gods. He set the Universe in order, and created all things anew. He is therefore Tutu, "the creator", a merciful and beneficent god. The following are renderings of lines 25 to 32:
Tutu: Aga-azaga (the glorious crown) may he make the crowns glorious--
The lord of the glorious incantation bringing the dead to life;
He who had mercy on the gods who had been overpowered;
Made heavy the yoke which he had laid on the gods who were his enemies,
(And) to redeem(?) them created mankind.
"The merciful one", "he with whom is salvation",
May his word be established, and not forgotten,
In the mouth of the black-headed ones whom his hands have made.
Pinches' Translation.2

Tutu as Aga-azag may mankind fourthly magnify!
"The Lord of the Pure Incantation", "the Quickener of the Dead",
"Who had mercy upon the captive gods",
"Who removed the yoke from upon the gods his enemies",
"For their forgiveness did he create mankind",
"The Merciful One, with whom it is to bestow life!"
May his deeds endure, may they never be forgotten
In the mouth of mankind whom his hands have made.
King's Translation.1

Apparently the Babylonian doctrine set forth that mankind was created not only to worship the gods, but also to bring about the redemption of the fallen gods who followed Tiamat.
Those rebel angels (ili, gods) He prohibited return;
He stopped their service; He removed them unto the gods (ili) who were His enemies.
In their room he created mankind.2

Tiamat, the chaos dragon, is the Great Mother. She has a dual character. As the origin of good she is the creatrix of the gods. Her beneficent form survived as the Sumerian goddess Bau, who was obviously identical with the Phnician Baau, mother of the first man. Another name of Bau was Ma, and Nintu, "a form of the goddess Ma", was half a woman and half a serpent, and was depicted with "a babe suckling her breast" (Chapter IV ). The Egyptian goddesses Neheb-kau and Uazit were serpents, and the goddesses Isis and Nepthys had also serpent forms. The serpent was a symbol of fertility, and as a mother was a protector. Vishnu, the Preserver of the Hindu Trinity, sleeps on the world-serpent's body. Serpent charms are protective and fertility charms.

As the origin of evil Tiamat personified the deep and tempests. In this character she was the enemy of order and good, and strove to destroy the world.
I have seen
The ambitious ocean swell and rage and foam
To be exalted with the threatening clouds.1

Tiamat was the dragon of the sea, and therefore the serpent or leviathan. The word "dragon" is derived from the Greek "drakon", the serpent known as "the seeing one" or "looking one", whose glance was the lightning. The Anglo-Saxon "fire drake" ("draca", Latin "draco") is identical with the "flying dragon".

In various countries the serpent or worm is a destroyer which swallows the dead. "The worm shall eat them like wool", exclaimed Isaiah in symbolic language.2 It lies in the ocean which surrounds the world in Egyptian, Babylonian, Greek, Teutonic, Indian, and other mythologies. The Irish call it "morch", and give it a mermaid form like the Babylonian Nintu. In a Scottish Gaelic poem Tiamat figures as "The Yellow Muilearteach", who is slain by Finn-mac-Coul, assisted by his warrior band.
There was seen coming on the top of the waves
The crooked, clamouring, shivering brave . . .
Her face was blue black of the lustre of coal,
And her bone-tufted tooth was like rusted bone.3

The serpent figures in folk tales. When Alexander the Great, according to Ethiopic legend, was lowered in a glass cage to the depths of the ocean, he saw a great monster going past, and sat for two days "watching for its tail and hinder parts to appear".4 An Argyllshire Highlander had a similar experience. He went to fish one morning on a rock. "He was not long there when he saw the head of an eel pass. He continued fishing for an hour and the eel was still passing. He went home, worked in the field all day, and having returned to the same rock in the evening, the eel was still passing, and about dusk he saw her tail disappearing."1 Tiamat's sea-brood is referred to in the Anglo-Saxon epic Beowulfas "pickers". The hero "slew by night sea monsters on the waves" (line 422).

The well dragon--the French "draco"--also recalls the Babylonian water monsters. There was a "dragon well" near Jerusalem.2 From China to Ireland rivers are dragons, or goddesses who flee from the well dragons. The demon of the Rhone is called the "drac". Floods are also referred to as dragons, and the Hydra, or water serpent, slain by Hercules, belongs to this category. Water was the source of evil as well as good. To the Sumerians, the ocean especially was the abode of monsters. They looked upon it as did Shakespeare's Ferdinand, when, leaping into the sea, he cried: "Hell is empty and all the devils are here".3

There can be little doubt but that in this Babylonian story of Creation we have a glorified variation of the wide-spread Dragon myth. Unfortunately, however, no trace can be obtained of the pre-existing Sumerian oral version which the theorizing priests infused with such sublime symbolism. No doubt it enjoyed as great popularity as the immemorial legend of Perseus and Andromeda, which the sages of Greece attempted to rationalize, and parts of which the poets made use of and developed as these appealed to their imaginations.

The lost Sumerian story may be summarized as follows: There existed in the savage wilds, or the ocean, a family of monsters antagonistic to a group of warriors represented in the Creation legend by the gods. Ea, the heroic king, sets forth to combat with the enemies of man, and slays the monster father, Apsu, and his son, Mummu. But the most powerful demon remains to be dealt with. This is the mother Tiamat, who burns to avenge the deaths of her kindred. To wage war against her the hero makes elaborate preparations, and equips himself with special weapons. The queen of monsters cannot be overcome by ordinary means, for she has great cunning, and is less vulnerable than were her husband and son. Although Ea may work spells against her, she is able to thwart him by working counter spells. Only a hand-to-hand combat can decide the fray. Being strongly protected by her scaly hide, she must be wounded either on the under part of her body or through her mouth by a weapon which will pierce her liver, the seat of life. It will be noted in this connection that Merodach achieved success by causing the winds which followed him to distend the monster's jaws, so that he might be able to inflict the fatal blow and prevent her at the same time from uttering spells to weaken him.

This type of story, in which the mother monster is greater and more powerful than her husband or son, is exceedingly common in Scottish folklore. In the legend which relates the adventures of "Finn in the Kingdom of Big Men", the hero goes forth at night to protect his allies against the attacks of devastating sea monsters. Standing on the beach, "he saw the sea advancing in fiery kilns and as a darting serpent. . . . A huge monster came up, and looking down below where he (Finn) was, exclaimed, 'What little speck do I see here?'

Finn, aided by his fairy dog, slew the water monster. On the following night a bigger monster, "the father", came ashore, and he also was slain. But the most powerful enemy had yet to be dealt with. "The next night a Big Hag came ashore, and the tooth in the front of her mouth would make a distaff. 'You killed my husband and son,' she said." Finn acknowledged that he did, and they began to fight. After a prolonged struggle, in which Finn was almost overcome, the Hag fell and her head was cut off.1

The story of "Finlay the Changeling" has similar features. The hero slew first a giant and then the giant's father. Thereafter the Hag came against him and exclaimed, "Although with cunning and deceitfulness you killed my husband last night and my son on the night before last, I shall certainly kill you to-night." A fierce wrestling match ensued on the bare rock. The Hag was ultimately thrown down. She then offered various treasures to ransom her life, including "a gold sword in my cave", regarding which she says, "never was it drawn to man or to beast whom it did not overcome".2 In other Scottish stories of like character the hero climbs a tree, and says something to induce the hag to open her mouth, so that he may plunge his weapon down her throat.

The Grendel story in Beowulf,3 the Anglo-Saxon epic, is of like character. A male water monster preys nightly upon the warriors who sleep in the great hall of King Hrothgar. Beowulf comes over the sea, as did Finn to the "Kingdom of Big Men", to slay Grendel. He wrestles with this man-eater and mortally wounds him. Great rejoicings ensue, but they have to be brought to an abrupt conclusion, because the mother of Grendel has meanwhile resolved "to go a sorry journey and avenge the death of her son".

The narrative sets forth that she enters the Hall in the darkness of night. "Quickly she grasped one of the nobles tight, and then she went towards the fen", towards her submarine cave. Beowulf follows in due course, and, fully armoured, dives through the waters and ultimately enters the monster's lair. In the combat the "water wife" proves to be a more terrible opponent than was her son. Indeed, Beowulf was unable to slay her until he possessed himself of a gigantic sword, "adorned with treasure", which was hanging in the cave. With this magic weapon he slays the mother monster, whose poisonous blood afterwards melts the "damasked blade". Like Finn, he subsequently returns with the head of one of the monsters.

An interesting point about this story is that it does not appear in any form in the North German cycle of Romance. Indeed, the poet who included in his epic the fiery dragon story, which links the hero Beowulf with Sigurd and Siegfried, appears to be doubtful about the mother monster's greatness, as if dealing with unfamiliar material, for he says: "The terror (caused by Grendel's mother) was less by just so much as woman's strength, woman's war terror, is (measured) by fighting men".1 Yet, in the narrative which follows the Amazon is proved to be the stronger monster of the two. Traces of the mother monster survive in English folklore, especially in the traditions about the mythical "Long Meg of Westminster", referred to by Ben Jonson in his masque of the "Fortunate Isles":
Westminster Meg,
With her long leg,
As long as a crane;
And feet like a plane,
With a pair of heels
As broad as two wheels.

Meg has various graves. One is supposed to be marked by a huge stone in the south side of the cloisters of Westminster Abbey; it probably marks the trench in which some plague victims--regarded, perhaps, as victims of Meg--were interred. Meg was also reputed to have been petrified, like certain Greek and Irish giants and giantesses. At Little Salkeld, near Penrith, a stone circle is referred to as "Long Meg and her Daughters". Like "Long Tom", the famous giant, "Mons Meg" gave her name to big guns in early times, all hags and giants having been famous in floating folk tales as throwers of granite boulders, balls of hard clay, quoits, and other gigantic missiles.

The stories about Grendel's mother and Long Meg are similar to those still repeated in the Scottish Highlands. These contrast sharply with characteristic Germanic legends, in which the giant is greater than the giantess, and the dragon is a male, like Fafner, who is slain by Sigurd, and Regin whom Siegfried overcomes. It is probable, therefore, that the British stories of female monsters who were more powerful than their husbands and sons, are of Neolithic and Iberian origin--immemorial relics of the intellectual life of the western branch of the Mediterranean race.

In Egypt the dragon survives in the highly developed mythology of the sun cult of Heliopolis, and, as sun worship is believed to have been imported, and the sun deity is a male, it is not surprising to find that the night demon, Apep, was a personification of Set. This god, who is identical with Sutekh, a Syrian and Asia Minor deity, was apparently worshipped by a tribe which was overcome in the course of early tribal struggles in pre-dynastic times. Being an old and discredited god, he became by a familiar process the demon of the conquerors. In the eighteenth dynasty, however, his ancient glory was revived, for the Sutekh of Rameses II figures as the "dragon slayer".1 It is in accordance with Mediterranean modes of thought, however, to find that in Egypt there is a great celestial battle heroine. This is the goddess Hathor-Sekhet, the "Eye of Ra".2 Similarly in India, the post-Vedic goddess Kali is a destroyer, while as Durga she is a guardian of heroes.3 Kali, Durga, and Hathor-Sekhet link with the classical goddesses of war, and also with the Babylonian Ishtar, who, as has been shown, retained the outstanding characteristics of Tiamat, the fierce old "Great Mother" of primitive Sumerian folk religion.

It is possible that in the Babylonian dragon myth the original hero was Ea. As much may be inferred from the symbolic references in the Bible to Jah's victory over the monster of the deep: "Art thou not it that hath cut Rahab and wounded the dragon?"4 "Thou brakest the heads of the dragons in the waters; thou brakest the heads of leviathan in pieces, and gayest him to be meat to the people inhabiting the wilderness";5 "He divideth the sea with his power, and by his understanding he smiteth through the proud (Rahab). By his spirit he hath garnished the heavens: his hand hath formed (or pierced) the crooked serpent";6 "Thou hast broken Rahab in pieces as one that is slain: thou hast scattered thine enemies with thy strong arm";7 "In that day the Lord with his sore and great and strong sword shall punish leviathan the piercing (or stiff) serpent, even leviathan that crooked serpent; and he shall slay the dragon that is in the sea".1

In the Babylonian Creation legend Ea is supplanted as dragon slayer by his son Merodach. Similarly Ninip took the place of his father, Enlil, as the champion of the gods. "In other words," writes Dr. Langdon, "later theology evolved the notion of the son of the earth god, who acquires the attributes of the father, and becomes the god of war. It is he who stood forth against the rebellious monsters of darkness, who would wrest the dominion of the world from the gods who held their conclave on the mountain. The gods offer him the Tablets of Fate; the right to utter decrees is given unto him." This development is "of extreme importance for studying the growth of the idea of father and son, as creative and active principles of the world".2 In Indian mythology Indra similarly takes the place of his bolt-throwing father Dyaus, the sky god, who so closely resembles Zeus. Andrew Lang has shown that this myth is of widespread character.3 Were the Babylonian theorists guided by the folk-lore clue?

Now Merodach, as the son of Ea whom he consulted and received spells from, was a brother of "Tammuz of the Abyss". It seems that in the great god of Babylon we should recognize one of the many forms of the primeval corn spirit and patriarch--the shepherd youth who was beloved by Ishtar. As the deity of the spring sun, Tammuz slew the winter demons of rain and tempest, so that he was an appropriate spouse for the goddess of harvest and war. Merodach may have been a development of Tammuz in his character as a demon slayer.

When he was raised to the position of Bel, "the Lord", by the Babylonian conquerors, Merodach supplanted the older Bel--Enlil of Nippur. Now Enlil, who had absorbed all the attributes of rival deities, and become a world god, was the
Lord of the harvest lands . . . lord of the grain fields,

being "lord of the anunnaki", or "earth spirits". As agriculturists in early times went to war so as to secure prisoners who could be sacrificed to feed the corn spirit, Enlil was a god of war and was adored as such:
The haughty, the hostile land thou dost humiliate . . . .
With thee who ventureth to make war?

He was also "the bull of goring horns . . . Enlil the bull", the god of fertility as well as of battle.1

Asari, one of Merodach's names, links him with Osiris, the Egyptian Tammuz, who was supplanted by his son Horus. As the dragon slayer, he recalls, among others, Perseus, the Grecian hero, of whom it was prophesied that he would slay his grandfather. Perseus, like Tammuz and Osiris, was enclosed in a chest which was cast into the sea, to be rescued, however, by a fisher-man on the island of Seriphos. This hero afterwards slew Medusa, one of the three terrible sisters, the Gorgons--a demon group which links with Tiamat. In time, Perseus returned home, and while an athletic contest was in progress, he killed his grandfather with a quoit. There is no evidence, however, to show that the displacement of Enlil by Merodach had any legendary sanction of like character. The god of Babylon absorbed all other deities, apparently for political purposes, and in accordance with the tendency of the thought of the times, when raised to supreme rank in the national pantheon; and he was depicted fighting the winged dragon, flapping his own storm wings, and carrying the thunder weapon associated with Ramman.

Merodach's spouse Zer-panitumwas significantly called "the lady of the Abyss", a title which connects her with Damkina, the mother, and Belit-sheri, the sister of Tammuz. Damkina was also a sky goddess like Ishtar.

Zer-panitumwas no pale reflection of her Celestial husband, but a goddess of sharply defined character with independent powers. Apparently she was identical with Aruru, creatrix of the seed of mankind, who was associated with Merodach when the first man and the first woman were brought into being. Originally she was one of the mothers in the primitive spirit group, and so identical with Ishtar and the other prominent goddesses.

As all goddesses became forms of Ishtar, so did all gods become forms of Merodach. Sin was "Merodach as illuminator of night", Nergal was Merodach of war", Addu (Ramman) was "Merodach of rain", and so on. A colophon which contains a text in which these identifications are detailed, appears to be "a copy", says Professor Pinches, "of an old inscription", which, he thinks, "may go back as far as 2000 B.C. This is the period at which the name Yaum-ilu, 'Jah is god', is found, together with references to iluas the name for the one great god, and is also, roughly, the date of Abraham, who, it may be noted, was a Babylonian of Ur of the Chaldees."1

In one of the hymns Merodach is addressed as follows:
Who shall escape from before thy power?
Thy will is an eternal mystery!
Thou makest it plain in heaven
And in the earth.
Command the sea
And the sea obeyeth thee.
Command the tempest
And the tempest becometh a calm.
Command the winding course
Of the Euphrates,
And the will of Merodach
Shall arrest the floods.
Lord, thou art holy!
Who is like unto thee?
Merodach thou art honoured
Among the gods that bear a name.

The monotheistic tendency, which was a marked feature of Merodach worship, had previously become pronounced in the worship of Bel Enlil of Nippur. Although it did not affect the religion of the masses, it serves to show that among the ancient scholars and thinkers of Babylonia religious thought had, at an early period, risen far above the crude polytheism of those who bargained with their deities and propitiated them with offerings and extravagant flattery, or exercised over them a magical influence by the performance of seasonal ceremonies, like the backsliders in Jerusalem, censured so severely by Jeremiah, who baked cakes to reward the Queen of Heaven for an abundant harvest, and wept with her for the slain Tammuz when he departed to Hades.

Perhaps it was due to the monotheistic tendency, if not to the fusion of father-worshipping and mother-worshipping peoples, that bi-sexual deities were conceived of. Nannar, the moon god, was sometimes addressed as father and mother in one, and Ishtar as a god as well as a goddess. In Egypt Isis is referred to in a temple chant as "the woman who was made a male by her father Osiris", and the Nile god Hapi was depicted as a man with female breasts.

Footnotes

139:1 The elder Bel was Enlil of Nippur and the younger Merodach of Babylon. According to Damascius the elder Bel came into existence before Ea, who as Enki shared his attributes.
139:2 This is the inference drawn from fragmentary texts.
140:1 A large portion of the narrative is awanting here.
140:2 A title of Tiamat; pron. chguttural,
142:1 There is another gap here which interrupts the narrative.
142:2 This may refer to Ea's first visit when he overcame Kingu, but did not attack Tiamat.
144:1 The lightning trident or thunderstone.
147:1 The authorities are not agreed as to the meaning of "Ku-pu". Jensen suggests "trunk, body". In European dragon stories the heroes of the Siegfried order roast and eat the dragon's heart. Then they are inspired with the dragon's wisdom and cunning. Sigurd and Siegfried immediately acquire the language of birds. The birds are the "Fates", and direct the heroes what next they should do. Apparently Merodach's "cunning plan" was inspired after he had eaten a part of the body of Tiamat.
147:2 The waters above the firmament.
147:3 According to Berosus.
148:1 This portion is fragmentary and seems to indicate that the Babylonians had made considerable progress in the science of astronomy. It is suggested that they knew that the moon derived its light from the sun.
149:1 The Seven Tablets of Creation, L. W. King, pp. 134, 135.
149:2 The Religion of Babylonia and Assyria, T. G. Pinches, p. 43.
150:1 The Seven Tablets of Creation, L. W. King, vol. i, pp. 98, 99.
150:2 Trans. Soc. Bib. Arch., iv, 251-2.
151:1 Shakespeare's Julius Car, i, 3, 8.
151:2 Isaiah, li, 8.
151:3 Campbell's West Highland Tales, pp. 136 et seq.
151:4 The Life and Exploits of Alexander the Great, E. A. Wallis Budge, pp. 284, 285.
152:1 Campbell's West Highland Tales.
152:2 Nehemiah, ii, 13.
152:3 The Tempest, i, 2, 212,
154:1 Waifs and Strays of Celtic Tradition, vol. iv, p. 176 et seq.
154:2 From unpublished folk tale.
154:3 Beowulf, translated by Clark Hall, London, 1911, p. 18 et seq.
155:1 Beowulf; translated by Clark Hall, London, 1911, p. 69, lines 1280-1287.
157:1 Egyptian Myth and Legend, pp. 260, 261.
157:2 Egyptian Myth and Legend, pp. 8, 9.
157:3 Indian Myth and Legend, pp. xli, 149, 150.
157:4 Isaiah, li, 9.
157:5 Psalms, lxxiv, 13, 14. It will be noted that the Semitic dragon, like the Egyptian, is a male.
157:6 Job, xxvi, 12, 13.
157:7 Psalms, lxxxix, 10.
158:1 Isaiah, xxvii, 1.
158:2 Sumerian and Babylonian Psalms, p. 204.
158:3 Custom and Myth, pp. 45 et seq.
159:1 Translation by Dr. Langdon, pp. 199 et seq.
160:1 The Religion of Babylonia and Assyria, T. G. Pinches, pp. 118, 119.
Next: Chapter VIII. Deified Heroes: Etana and Gilgamesh

Myths of Babylon and Assyria: Chapter VI. Wars of the City States of Sumer and Akkad

CHAPTER VI

Wars of the City States of Sumer and Akkad

Civilization well advanced--The Patesi--Prominent City States--Surroundings of Babylonia--The Elamites--Biblical References to Susa--The Sumerian Temperament--Fragmentary Records--City States of Kish and Opis--A Shopkeeper who became a Queen--Goddess Worship--Tammuz as Nin-Girsu--Great Dynasty of Lagash--Ur-Nina and his Descendants--A Napoleonic Conqueror--Golden Age of Sumerian Art--The First Reformer in History--His Rise and Fall--The Dynasty of Erech--Sargon of Akkad--The Royal Gardener--Sargon Myth in India--A Great Empire--The King who Purchased Land--Naram Sin the Conqueror--Disastrous Foreign Raid--Lagash again Prominent--Gudea the Temple Builder--Dynasty of Ur--Dynasty of Isin--Another Gardener becomes King--Rise of Babylon--Humanized Deities--Why Sumerian Gods wore Beards.

WHEN the curtain rises to reveal the drama of Babylonian civilization we find that we have missed the first act and its many fascinating scenes. Sumerians and Akkadians come and go, but it is not always possible to distinguish between them. Although most Semites are recognizable by their flowing beards, prominent noses, and long robes, some have so closely imitated the Sumerians as to suffer almost complete loss of identity. It is noticeable that in the north the Akkadians are more Semitic than their contemporaries in the south, but it is difficult at times to say whether a city is controlled by the descendants of the indigenous people or those of later settlers. Dynasties rise and fall, and, as in Egypt at times, the progress of the fragmentary narrative is interrupted by a sudden change of scene ere we have properly grasped a situation and realized its significance.

What we know for certain is that civilization is well advanced. Both in the north and the south there are many organized and independent city states, and not unfrequently these wage war one against another. Occasionally ambitious rulers tower among their fellows, conduct vigorous military campaigns, and become overlords of wide districts. As a rule, a subjugated monarch who has perforce to acknowledge the suzerainty of a powerful king is allowed to remain in a state of semi-independence on condition that he pays a heavy annual tribute of grain. His own laws continue in force, and the city deities remain supreme, although recognition may also be given to the deities of his conqueror. He styles himself a Patesi--a "priest king", or more literally, "servant of the chief deity". But as an independent monarch may also be a pious Patesi, it does not always follow when a ruler is referred to by that title he is necessarily less powerful than his neighbours.

When the historical narrative begins Akkad included the cities of Babylon, Cutha, Kish, Akkad, and Sippar, and north of Babylonia proper is Semitic Opis. Among the cities of Sumer were Eridu, Ur, Lagash, Larsa, Erech, Shuruppak, and probably Nippur, which was situated on the "border". On the north Assyria was yet "in the making", and shrouded in obscurity. A vague but vast area above Hit on the Euphrates, and extending to the Syrian coast, was known as the "land of the Amorites". The fish-shaped Babylonian valley lying between the rivers, where walled towns were surrounded by green fields and numerous canals flashed in the sunshine, was bounded on the west by the bleak wastes of the Arabian desert, where during the dry season "the rocks branded the body" and occasional sandstorms swept in blinding folds towards the "plain of Shinar" (Sumer) like demon hosts who sought to destroy the world. To the east the skyline was fretted by the Persian Highlands, and amidst the southern mountains dwelt the fierce Elamites, the hereditary enemies of the Sumerians, although a people apparently of the same origin. Like the Nubians and the Libyans, who kept watchful eyes on Egypt, the Elamites seemed ever to be hovering on the eastern frontier of Sumeria, longing for an opportunity to raid and plunder.

The capital of the Elamites was the city of Susa, where excavations have revealed traces of an independent civilization which reaches back to an early period in the Late Stone Age. Susa is referred to in the Old Testament--"The words of Nehemiah . . . I was in Shushan the palace".1 An Assyrian plan of the city shows it occupying a strategic position at a bend of the Shawur river, which afforded protection against Sumerian attacks from the west, while a canal curved round its northern and eastern sides, so that Susa was completely surrounded by water. Fortifications had been erected on the river and canal banks, and between these and the high city walls were thick clumps of trees. That the kings of Elam imitated the splendours of Babylonian courts in the later days of Esther and Haman and Mordecai, is made evident by the Biblical references to the gorgeous palace, which had "white, green, and blue hangings, fastened with cords of fine linen and purple to silver rings and pillars of marble; the beds were of gold and silver, upon a pavement of red, and blue, and white, and black marble".2 Beyond Elam were the plains, plateaus, and grassy steppes occupied by the Medes and other peoples of Aryan speech. Cultural influences came and went like spring winds between the various ancient communities.

For ten long centuries Sumer and Akkad flourished and prospered ere we meet with the great Hammurabi, whose name has now become almost as familiar as that of Julius Car. But our knowledge of the leading historical events of this vast period is exceedingly fragmentary. The Sumerians were not like the later Assyrians or their Egyptian contemporaries--a people with a passion for history. When inscriptions were composed and cut on stone, or impressed upon clay tablets and bricks, the kings selected as a general rule to record pious deeds rather than to celebrate their victories and conquests. Indeed, the average monarch had a temperament resembling that of Keats, who declared:
The silver flow
Of Hero's tears, the swoon of Imogen,
Fair Pastorella in the bandits' den,
Are things to brood on with more ardency
Than the death day of empires.

The Sumerian king was emotionally religious as the great English poet was emotionally poetical. The tears of Ishtar for Tammuz, and the afflictions endured by the goddess imprisoned in Hades, to which she had descended for love of her slain husband, seemed to have concerned the royal recorder to a greater degree than the memories of political upheavals and the social changes which passed over the land, like the seasons which alternately brought greenness and gold, barrenness and flood.

City chronicles, as a rule, are but indices of obscure events, to which meagre references were sometimes also made on mace heads, vases, tablets, stel and sculptured monoliths. Consequently, present-day excavators and students have often reason to be grateful that the habit likewise obtained of inscribing on bricks in buildings and the stone sockets of doors the names of kings and others. These records render obscure periods faintly articulate, and are indispensable for comparative purposes. Historical clues are also obtained from lists of year names. Each city king named a year in celebration of a great event--his own succession to the throne, the erection of a new temple or of a city wall, or, mayhap, the defeat of an invading army from a rival state. Sometimes, too, a monarch gave the name of his father in an official inscription, or happily mentioned several ancestors. Another may be found to have made an illuminating statement regarding a predecessor, who centuries previously erected the particular temple that he himself has piously restored. A reckoning of this kind, however, cannot always be regarded as absolutely correct. It must be compared with and tested by other records, for in these ancient days calculations were not unfrequently based on doubtful inscriptions, or mere oral traditions, perhaps. Nor can implicit trust be placed on every reference to historical events, for the memoried deeds of great rulers were not always unassociated with persistent and cumulative myths. It must be recognized, therefore, that even portions of the data which had of late been sifted and systematized by Oriental scholars in Europe, may yet have to be subjected to revision. Many interesting and important discoveries, which will throw fresh light on this fascinating early period, remain to be made in that ancient and deserted land, which still lies under the curse of the Hebrew prophet, who exclaimed: "Babylon, the glory of kingdoms, the beauty of the Chaldees' excellency, shall be as when God overthrew Sodom and Gomorrah. It shall never be inhabited; neither shall the Arabian pitch tent there; neither shall the shepherds make their fold there. But wild beasts of the desert shall lie there; and their houses shall be full of doleful creatures; and owls shall dwell there, and satyrs shall dance there. And the wild beasts of the islands shall cry in their desolate houses and dragons in their pleasant palaces."1

The curtain rises, as has been indicated, after civilization had been well advanced. To begin with, our interests abide with Akkad, and during a period dated approximately between 3000 B.C. and 2800 B.C., when Egypt was already a united kingdom, and the Cretans were at the dawn of the first early Minoan period, and beginning to use bronze. In Kish Sumerian and Akkadian elements had apparently blended, and the city was the centre of a powerful and independent government. After years have fluttered past dimly, and with them the shadow-shapes of vigorous rulers, it is found that Kish came under the sway of the pronouncedly Semitic city of Opis, which was situated "farthest north" and on the western bank of the river Tigris. A century elapsed ere Kish again threw off the oppressor's yoke and renewed the strength of its youth.

The city of Kish was one of the many ancient centres of goddess worship. The Great Mother appears to have been the Sumerian Bau, whose chief seat was at Lagash. If tradition is to be relied upon, Kish owed its existence to that notable lady, Queen Azag-Bau. Although floating legends gathered round her memory as they have often gathered round the memories of famous men, like Sargon of Akkad, Alexander the Great, and Theodoric the Goth, who became Emperor of Rome, it is probable that the queen was a prominent historical personage. She was reputed to have been of humble origin, and to have first achieved popularity and influence as the keeper of a wine shop. Although no reference survives to indicate that she was believed to be of miraculous birth, the Chronicle of Kish gravely credits her with a prolonged and apparently prosperous reign of a hundred years. Her son, who succeeded her, sat on the throne for a quarter of a century. These calculations are certainly remarkable. If the Queen Azag-Bau founded Kish when she was only twenty, and gave birth to the future ruler in her fiftieth year, he must have been an elderly gentleman of seventy when he began to reign. When it is found, further, that the dynasty in which mother and son flourished was supposed to have lasted for 586 years, divided between eight rulers, one of whom reigned for only three years, two for six, and two for eleven, it becomes evident that the historian of Kish cannot be absolutely relied upon in detail. It seems evident that the memory of this lady of forceful character, who flourished about thirteen hundred years before the rise of Queen Hatshepsut of Egypt, has overshadowed the doubtful annals of ancient Kish at a period when Sumerian and Semite were striving in the various states to achieve political ascendancy.

Meanwhile the purely Sumerian city of Lagash had similarly grown powerful and aggressive. For a time it acknowledged the suzerainty of Kish, but ultimately it threw off the oppressor's yoke and asserted its independence. The cumulative efforts of a succession of energetic rulers elevated Lagash to the position of a metropolis in Ancient Babylonia.

The goddess Bau, "the mother of Lagash", was worshipped in conjunction with other deities, including the god Nin-Girsu, an agricultural deity, and therefore a deity of war, who had solar attributes. One of the titles of Nin-Girsu was En-Mersi, which, according to Assyrian evidence, was another name of Tammuz, the spring god who slew the storm and winter demons, and made the land fertile so that man might have food. Nin-Girsu was, it would seem, a developed form of Tammuz, like the Scandinavian Frey, god of harvest, or Heimdal, the celestial warrior. Bau was one of the several goddesses whose attributes were absorbed by the Semitic Ishtar. She was a "Great Mother", a creatrix, the source of all human and bestial life, and, of course, a harvest goddess. She was identified with Gula, "the great one", who cured diseases and prolonged life. Evidently the religion of Lagash was based on the popular worship of the "Queen of Heaven", and her son, the dying god who became "husband of his mother".

The first great and outstanding ruler of Lagash was Ur-Nina, who appears to have owed his power to the successful military operations of his predecessors. It is uncertain whether or not he himself engaged in any great war. His records are silent in that connection, but, judging from what we know of him, it may be taken for granted that he was able and fully prepared to give a good account of himself in battle. He certainly took steps to make secure his position, for he caused a strong wall to be erected round Lagash. His inscriptions are eloquent of his piety, which took practical shape, for he repaired and built temples, dedicated offerings to deities, and increased the wealth of religious bodies and the prosperity of the State by cutting canals and developing agriculture. In addition to serving local deities, he also gave practical recognition to Ea at Eridu and Enlil at Nippur. He, however, overlooked Anu at Erech, a fact which suggests that he held sway over Eridu and Nippur, but had to recognize Erech as an independent city state.

PLAQUE OF UR-NINA<br> <i>In Limestone. From the original in the Louvre, Paris</i>.

PLAQUE OF UR-NINA
In Limestone. From the original in the Louvre, Paris.

Among the deities of Lagash, Ur-Nina favoured most the goddess Nina, whose name he bore. As she was a water deity, and perhaps identical with Belit-sheri, sister of "Tammuz of the Abyss" and daughter of Ea, one of the canals was dedicated to her. She was also honoured with a new temple, in which was probably placed her great statue, constructed by special order of her royal worshipper. Like the Egyptian goddess, the "Mother of Mendes", Nina received offerings of fish, not only as a patroness of fishermen, but also as a corn spirit and a goddess of maternity. She was in time identified with Ishtar.

A famous limestone plaque, which is preserved in the Louvre, Paris, depicts on its upper half the pious King Ur-Nina engaged in the ceremony of laying the foundations of a temple dedicated either to the goddess Nina or to the god Nin-Girsu. His face and scalp are clean shaven, and he has a prominent nose and firm mouth, eloquent of decision. The folds of neck and jaw suggest Bismarckian traits. He is bare to the waist, and wears a pleated kilt, with three flounces, which reaches almost to his ankles. On his long head he has poised deftly a woven basket containing the clay with which he is to make the first brick. In front of him stand five figures. The foremost is honoured by being sculptured larger than the others, except the prominent monarch. Apparently this is a royal princess, for her head is unshaven, and her shoulder dress or long hair drops over one of her arms. Her name is Lida, and the conspicuous part she took in the ceremony suggests that she was the representative of the goddess Nina. She is accompanied by her brothers, and at least one official, Anita, the cup-bearer, or high priest. The concluding part of this ceremony, or another ceremonial act, is illustrated on the lower part of the plaque. Ur-Nina is seated on his throne, not, as would seem at first sight, raising the wine cup to his lips and toasting to the success of the work, but pouring out a libation upon the ground. The princess is not present; the place of honour next to the king is taken by the crown prince. Possibly in this case it is the god Nin-Girsu who is being honoured. Three male figures, perhaps royal sons, accompany the prominent crown prince. The cup-bearer is in attendance behind the throne.

The inscription on this plaque, which is pierced in the centre so as to be nailed to a sacred shrine, refers to the temples erected by Ur-Nina, including those of Nina and Nin-Girsu.

After Ur-Nina's prosperous reign came to a close, his son Akurgal ascended the throne. He had trouble with Umma, a powerful city, which lay to the north-west of Lagash, between the Shatt-el-Kai and Shatt-el-Hai canals. An army of raiders invaded his territory and had to be driven back.

The next king, whose name was Eannatum, had Napoleonic characteristics. He was a military genius with great ambitions, and was successful in establishing by conquest a small but brilliant empire. Like his grandfather, he strengthened the fortifications of Lagash; then he engaged in a series of successful campaigns. Umma had been causing anxiety in Lagash, but Eannatum stormed and captured that rival city, appropriated one of its fertile plains, and imposed an annual tribute to be paid in kind. An army of Elamites swept down from the hills, but Ur-Nina's grandson inflicted upon these bold foreigners a crushing defeat and pursued them over the frontier. Several cities were afterwards forced to come under the sway of triumphant Lagash, including Erech and Ur, and as his suzerainty was already acknowledged at Eridu, Eannatum's power in Sumeria became as supreme as it was firmly established.

Evidently Zuzu, king of the northern city of Opis, considered that the occasion was opportune to overcome the powerful Sumerian conqueror, and at the same time establish Semitic rule over the subdued and war-wasted cities. He marched south with a large army, but the tireless and ever-watchful Eannatum hastened to the fray, scattered the forces of Opis, and captured the foolhardy Zuzu.

Eannatum's activities, however, were not confined to battlefields. At Lagash he carried out great improvements in the interests of agriculture; he constructed a large reservoir and developed the canal system. He also extended and repaired existing temples in his native city and at Erech. Being a patron of the arts, he encouraged sculpture work, and the finest Sumerian examples belong to his reign.

Eannatum was succeeded by his brother, Enannatum I. Apparently the new monarch did not share the military qualities of his royal predecessor, for there were signs of unrest in the loose confederacy of states. Indeed, Umma revolted. From that city an army marched forth and took forcible possession of the plain which Eannatum had appropriated, removing and breaking the landmarks, and otherwise challenging the supremacy of the sovran state. A Lagash force defeated the men of Umma, but appears to have done little more than hold in check their aggressive tendencies.

No sooner had Entemena, the next king, ascended the throne than the flame of revolt burst forth again. The Patesi of Umma, was evidently determined to free, once and for all, his native state from the yoke of Lagash. But he had gravely miscalculated the strength of the vigorous young ruler. Entemena inflicted upon the rebels a crushing defeat, and following up his success, entered the walled city and captured and slew the patesi. Then he took steps to stamp out the embers of revolt in Umma by appointing as its governor one of his own officials, named Ili, who was duly installed with great ceremony. Other military successes followed, including the sacking of Opis and Kish, which assured the supremacy of Lagash for many years. Entemena, with characteristic vigour, engaged himself during periods of peace in strengthening his city fortifications and in continuing the work of improving and developing the irrigation system. He lived in the golden age of Sumerian art, and to his reign belongs the exquisite silver vase of Lagash, which was taken from the Tello mound, and is now in the Louvre. This votive offering was placed by the king in the temple of Nin-Girsu. It is exquisitely shaped, and has a base of copper. The symbolic decorations include the lion-headed eagle, which was probably a form of the spring god of war and fertility, the lion, beloved by the Mother goddess, and deer and ibexes, which recall the mountain herds of Astarte. In the dedicatory inscription the king is referred to as a patesi, and the fact that the name of the high priest, Dudu, is given may be taken as an indication of the growing power of an aggressive priesthood. After a brilliant reign of twenty-nine years the king died, and was succeeded by his son, Enannatum II, who was the last ruler of Ur-Nina's line. An obscure period ensued. Apparently there had been a city revolt, which may have given the enemies of Lagash the desired opportunity to gather strength for the coming conflict. There is a reference to an Elamite raid which, although repulsed, may be regarded as proof of disturbed political conditions.

SILVER VASE DEDICATED TO THE GOD NIN-GIRSU BY ENTEMENA

SILVER VASE DEDICATED TO THE GOD NIN-GIRSU BY ENTEMENA
The finest example extant of Sumerian metal work.
Reproduced by permission from "Douvertes en Chald" (E. Leroux, Paris)

One or two priests sat on the throne of Lagash in brief succession, and then arose to power the famous Urukagina, the first reformer in history. He began to rule as patesi, but afterwards styled himself king. What appears certain is that he was the leader of a great social upheaval, which received the support of a section of the priesthood, for he recorded that his elevation was due to the intercession of the god Nin-Girsu. Other deities, who were sons and daughters of Nin-Girsu and Nina, had been given recognition by his predecessors, and it is possible that the orthodox section of Lagash, and especially the agricultural classes, supported the new ruler in sweeping away innovations to which they were hostile.

Like Khufu and his descendants, the Pyramid kings of Egypt's fourth dynasty, the vigorous and efficient monarchs of the Ur-Nina dynasty of Lagash were apparently remembered and execrated as tyrants and oppressors of the people. To maintain many endowed temples and a standing army the traders and agriculturists had been heavily taxed. Each successive monarch who undertook public works on a large scale for the purpose of extending and developing the area under cultivation, appears to have done so mainly to increase the revenue of the exchequer, so as to conserve the strength of the city and secure its pre-eminence as a metropolis. A leisured class had come into existence, with the result that culture was fostered and civilization advanced. Lagash seems to have been intensely modern in character prior to 2800 B.C., but with the passing of the old order of things there arose grave social problems which never appear to have been seriously dealt with. All indications of social unrest were, it would appear, severely repressed by the iron-gloved monarchs of Ur-Nina's dynasty.

The people as a whole groaned under an ever-increasing burden of taxation. Sumeria was overrun by an army of officials who were notoriously corrupt; they do not appear to have been held in check, as in Egypt, by royal auditors. "In the domain of Nin-Girsu", one of Urukagina's tablets sets forth, "there were tax gatherers down to the sea." They not only attended to the needs of the exchequer, but enriched themselves by sheer robbery, while the priests followed their example by doubling their fees and appropriating temple offerings to their own use. The splendid organization of Lagash was crippled by the dishonesty of those who should have been its main support.

Reforms were necessary and perhaps overdue, but, unfortunately for Lagash, Urukagina's zeal for the people's cause amounted to fanaticism. Instead of gradually re-adjusting the machinery of government so as to secure equality of treatment without impairing its efficiency as a defensive force in these perilous times, he inaugurated sweeping and revolutionary social changes of far-reaching character regardless of consequences. Taxes and temple fees were cut down, and the number of officials reduced to a minimum. Society was thoroughly disorganized. The army, which was recruited mainly from the leisured and official classes, went practically out of existence, so that traders and agriculturists obtained relief from taxation at the expense of their material security.

Urukagina's motives were undoubtedly above reproach, and he showed an example to all who occupied positions of trust by living an upright life and denying himself luxuries. He was disinterestedly pious, and built and restored templed and acted as the steward of his god with desire to promote the welfare and comfort of all true worshippers. His laws were similar to those which over two centuries afterwards were codified by Hammurabi, and like that monarch he was professedly the guardian of the weak and the helper of the needy; he sought to establish justice and liberty in the kingdom. But his social Arcadia vanished like a dream because he failed to recognize that Right must be supported by Might.

In bringing about his sudden social revolution, Urukagina had at the same time unwittingly let loose the forces of disorder. Discontented and unemployed officials, and many representatives of the despoiled leisured and military classes of Lagash, no doubt sought refuge elsewhere, and fostered the spirit of revolt which ever smouldered in subject states. At any rate, Umma, remembering the oppressions of other days, was not slow to recognize that the iron hand of Lagash had become unnerved. The zealous and iconoclastic reformer had reigned but seven years when he was called upon to defend his people against the invader. He appears to have been utterly unprepared to do so. The victorious forces of Umma swept against the stately city of Lagash and shattered its power in a single day. Echoes of the great disaster which ensued rise from a pious tablet inscription left by a priest, who was convinced that the conquerors would be called to account for the sins they had committed against the great god Nin-Girsu. He lamented the butchery and robbery which had taken place. We gather from his composition that blood was shed by the raiders of Umma even in the sacred precincts of temples, that statues were shattered, that silver and precious stones were carried away, that granaries were plundered and standing crops destroyed, and that many buildings were set on fire. Amidst these horrors of savagery and vengeance, the now tragic figure of the great reformer suddenly vanishes from before our eyes. Perhaps he perished in a burning temple; perhaps he found a nameless grave with the thousands of his subjects whose bodies had lain scattered about the blood-stained streets. With Urukagina the glory of Lagash departed. Although the city was rebuilt in time, and was even made more stately than before, it never again became the metropolis of Sumeria.

The vengeful destroyer of Lagash was Lugal-zaggisi, Patesi of Umma, a masterful figure in early Sumerian history. We gather from the tablet of the unknown scribe, who regarded him as a sinner against the god Nin-Girsu, that his city goddess was named Nidaba. He appears also to have been a worshipper of Enlil of Nippur, to whose influence he credited his military successes. But Enlil was not his highest god, he was the interceder who carried the prayers of Lugal-zaggisi to the beloved father, Anu, god of the sky. No doubt Nin-Girsu represented a school of theology which was associated with unpleasant memories in Umma. The sacking and burning of the temples of Lagash suggests as much.

Having broken the power of Lagash, Lugal-zaggisi directed his attention to the rival city of Kish, where Semitic influence was predominating. When Nanizak, the last monarch of the line of the famous Queen Azag-Bau, had sat upon the throne for but three years, he perished by the sword of the Umma conqueror. Nippur likewise came under his sway, and he also subdued the southern cities.

Lugal-zaggisi chose for his capital ancient Erech, the city of Anu, and of his daughter, the goddess Nana, who afterwards was identified with Ishtar. Anu's spouse was Anatu, and the pair subsequently became abstract deities, like Anshar and Kishar, their parents, who figure in the Babylonian Creation story. Nana was worshipped as the goddess of vegetation, and her relation to Anu was similar to that of Belit-sheri to Ea at Eridu. Anu and Ea were originally identical, but it would appear that the one was differentiated as the god of the waters above the heaven and the other as god of the waters beneath the earth, both being forms of Anshar. Elsewhere the chief god of the spring sun or the moon, the lover of the goddess, became pre-eminent, displacing the elder god, like Nin-Girsu at Lagash. At Sippar the sun god, Babbar, whose Semitic name was Shamash, was exalted as the chief deity, while the moon god remained supreme at Ur. This specializing process, which was due to local theorizing and the influence of alien settlers, has been dealt with in a previous chapter.

In referring to himself as the favoured ruler of various city deities, Lugal-zaggisi appears as a ruler of all Sumeria. How far his empire extended it is impossible to determine with certainty. He appears to have overrun Akkad, and even penetrated to the Syrian coast, for in one inscription it is stated that he "made straight his path from the Lower Sea (the Persian Gulf) over the Euphrates and Tigris to the Upper Sea (the Mediterranean)". The allegiance of certain states, however, depended on the strength of the central power. One of his successors found it necessary to attack Kish, which was ever waiting for an opportunity to regain its independence.

According to the Chronicle of Kish, the next ruler of Sumer and Akkad after Lugal-zaggisi was the famous Sargon I. It would appear that he was an adventurer or usurper, and that he owed his throne indirectly to Lugal-zaggisi, who had dethroned the ruler of Akkad. Later traditions, which have been partly confirmed by contemporary inscriptions, agree that Sargon was of humble birth. In the previous chapter reference was made to the Tammuz-like myth attached to his memory. His mother was a vestal virgin dedicated to the sun god, Shamash, and his father an unknown stranger from the mountains--a suggestion of immediate Semitic affinities. Perhaps Sargon owed his rise to power to the assistance received by bands of settlers from the land of the Amorites, which Lugal-zaggisi had invaded.

According to the legend, Sargon's birth was concealed. He was placed in a vessel which was committed to the river. Brought up by a commoner, he lived in obscurity until the Semitic goddess, Ishtar, gave him her aid.

A similar myth was attached in India to the memory of Karna, the Hector of that great Sanskrit epic the Mahhata. Karna's mother, the Princess Pritha, who afterwards became a queen, was loved by the sun god, Surya. When in secret she gave birth to her son she placed him in an ark of wickerwork, which was set adrift on a stream. Ultimately it reached the Ganges, and it was borne by that river to the country of Anga, where the child was rescued by a woman and afterwards reared by her and her husband, a charioteer. In time Karna became a great warrior, and was crowned King of Anga by the Kaurava warriors.1

Before he became king, Sargon of Akkad, the Sharrukin of the texts, was, according to tradition, a gardener and watchman attached to the temple of the war god Zamama of Kish. This deity was subsequently identified with Merodach, son of Ea; Ninip, son of Enlil; and Nin-Girsu of Lagash. He was therefore one of the many developed forms of Tammuz--a solar, corn, and military deity, and an interceder for mankind. The goddess of Kish appears to have been a form of Bau, as is testified by the name of Queen Azag-Bau, the legendary founder of the city.

Unfortunately our knowledge of Sargon's reign is of meagre character. It is undoubted that he was a distinguished general and able ruler. He built up an empire which included Sumer and Akkad, and also Amurru, "the western land", or "land of the Amorites". The Elamites gave him an opportunity to extend his conquests eastward. They appear to have attacked Opis, but he drove them back, and on more than one occasion penetrated their country, over the western part of which, known as Anshan, he ultimately imposed his rule. Thither went many Semitic settlers who had absorbed the culture of Sumeria.

During Sargon's reign Akkad attained to a splendour which surpassed that of Babylon. In an omen text the monarch is lauded as the "highly exalted one without a peer". Tradition relates that when he was an old man all the Babylonian states rose in revolt against him and besieged Akkad. But the old warrior led forth his army against the combined forces and achieved a shattering victory.

Manishtusu, who succeeded Sargon I, had similarly to subdue a great confederacy of thirty-two city states, and must therefore have been a distinguished general. But he is best known as the monarch who purchased several large estates adjoining subject cities, his aim having been probably to settle on these Semitic allies who would be less liable to rebel against him than the workers they displaced. For the latter, however, he found employment elsewhere. These transactions, which were recorded on a monument subsequently carried off with other spoils by the Elamites and discovered at Susa, show that at this early period (about 2600 B.C.) even a conquering monarch considered it advisable to observe existing land laws. Urumush,1 the next ruler, also achieved successes in Elam and elsewhere, but his life was cut short by a palace revolution.

The prominent figure of Naram Sin, a later king of Akkad, bulks largely in history and tradition. According to the Chronicle of Kish, he was a son of Sargon. Whether he was or not, it is certain that he inherited the military and administrative genius of that famous ex-gardener. The arts flourished during his reign. One of the memorable products of the period was an exquisitely sculptured monument celebrating one of Naram Sin's victories, which was discovered at Susa. It is one of the most wonderful examples of Babylonian stone work which has come to light.

A successful campaign had been waged against a mountain people. The stele shows the warrior king leading his army up a steep incline and round the base of a great peak surmounted by stars. His enemies flee in confusion before him. One lies on the ground clutching a spear which has penetrated his throat, two are falling over a cliff, while others apparently sue for mercy. Trees have been depicted to show that part of the conquered territory is wooded. Naram Sin is armed with battleaxe and bow, and his helmet is decorated with horns. The whole composition is spirited and finely grouped; and the military bearing of the disciplined troops contrasts sharply with the despairing attitudes of the fleeing remnants of the defending army.

During this period the Semitized mountaineers to the north-east of Babylonia became the most aggressive opponents of the city states. The two most prominent were the Gutium, or men of Kutu, and the Lulubu.

STELE OF NARAM SIN<br> (<i>Louvre, Paris</i>)

STELE OF NARAM SIN
(Louvre, Paris)

Naram Sin's great empire included the whole of Sumer and Akkad, Amurru and northern Palestine, and part of Elam, and the district to the north. He also penetrated Arabia, probably by way of the Persian Gulf, and caused diorite to be quarried there. One of his steles, which is now in the Imperial Ottoman Museum at Constantinople, depicts him as a fully bearded man with Semitic characteristics. During his lifetime he was deified--a clear indication of the introduction of foreign ideas, for the Sumerians were not worshippers of kings and ancestors.

Naram Sin was the last great king of his line. Soon after his death the power of Akkad went to pieces, and the Sumerian city of Erech again became the centre of empire. Its triumph, however, was shortlived. After a quarter of a century had elapsed, Akkad and Sumer were overswept by the fierce Gutium from the north-eastern mountains. They sacked and burned many cities, including Babylon, where the memory of the horrors perpetrated by these invaders endured until the Grecian Age. An obscure period, like the Egyptian Hyksos Age, ensued, but it was of comparatively brief duration.

When the mists cleared away, the city Lagash once more came to the front, having evidently successfully withstood the onslaughts of the Gutium, but it never recovered the place of eminence it occupied under the brilliant Ur-Nina dynasty. It is manifest that it must have enjoyed under the various overlords, during the interval, a considerable degree of independence, for its individuality remained unimpaired. Of all its energetic and capable patesis, the most celebrated was Gudea, who reigned sometime before 2400 B.C. In contrast to the Semitic Naram Sin, he was beardless and pronouncedly Sumerian in aspect. His favoured deity, the city god Nin-Girsu, again became prominent, having triumphed over his jealous rivals after remaining in obscurity for three or four centuries. Trade flourished, and the arts were fostered. Gudea had himself depicted, in one of the most characteristic sculptures of his age, as an architect, seated reverently with folded hands with a temple plan lying on his knees, and his head uplifted as if watching the builders engaged in materializing the dream of his life. The temple in which his interests were centred was erected in honour of Nin-Girsu. Its ruins suggest that it was of elaborate structure and great beauty. Like Solomon in later days, Gudea procured material for his temple from many distant parts--cedar from Lebanon, marble from Amurru, diorite from Arabia, copper from Elam, and so forth. Apparently the King of Lagash was strong enough or wealthy enough to command respect over a wide area.

Another city which also rose into prominence, amidst the shattered Sumerian states, was Ur, the centre of moon worship. After Gudea's death, its kings exercised sway over Lagash and Nippur, and, farther south, over Erech and Larsa as well. This dynasty endured for nearly a hundred and twenty years, during which Ur flourished like Thebes in Egypt. Its monarchs styled themselves as "Kings of the Four Regions". The worship of Nannar (Sin) became officially recognized at Nippur, the seat of Enlil, during the reign of King Dungi of Ur; while at Erech, the high priest of Anu, the sky god, became the high priest of the moon god. Apparently matriarchal ideas, associated with lunar worship, again came into prominence, for the king appointed two of his daughters to be rulers of conquered states in Elam and Syria. In the latter half of his reign, Dungi, the conqueror, was installed as high priest at Eridu.

STATUE OF GUDEA<br> (<i>Louvre, Paris</i>)<br> Photo. Mansell

STATUE OF GUDEA
(Louvre, Paris)
Photo. Mansell

It would thus appear that there was a renascence of early Sumerian religious ideas. Ea, the god of the deep, had long been overshadowed, but a few years before Dungi's death a temple was erected to him at Nippur, where he was worshipped as Dagan. Until the very close of his reign, which lasted for fifty-eight years, this great monarch of tireless activity waged wars of conquest, built temples and palaces, and developed the natural resources of Sumer and Akkad. Among his many reforms was the introduction of standards of weights, which received divine sanction from the moon god, who, as in Egypt, was the measurer and regulator of human transactions and human life.

To this age also belongs many of the Sumerian business and legal records, which were ultimately carried off to Susa, where they have been recovered by French excavators.

About half a century after Dungi's death the Dynasty of Ur came to an end, its last king having been captured by an Elamite force.

At some time subsequent to this period, Abraham migrated from Ur to the northern city of Harran, where the moon god was also the chief city deity--the Baal, or "lord". It is believed by certain Egyptologists that Abraham sojourned in Egypt during its Twelfth Dynasty, which, according to the Berlin system of minimum dating, extended from about 2000 B.C. till 1780 B.C. The Hebrew patriarch may therefore have been a contemporary of Hammurabi's, who is identified with Amraphel, king of Shinar (Sumer) in the Bible.1

But after the decline of Ur's ascendancy, and long before Babylon's great monarch came to the throne, the centre of power in Sumeria was shifted to Isin, where sixteen kings flourished for two and a quarter centuries. Among the royal names, recognition was given to Ea and Dagan, Sin, Enlil, and Ishtar, indicating that Sumerian religion in its Semitized corm was receiving general recognition. The sun god was identical with Ninip and Nin-Girsu, a god of fertility, harvest, and war, but now more fully developed and resembling Babbar, "the shining one", the solar deity of Akkadian Sippar, whose Semitic name was Shamash. As Shamash was ultimately developed as the god of justice and righteousness, it would appear that his ascendancy occurred during the period when well-governed communities systematized their religious beliefs to reflect social conditions.

The first great monarch of the Isin dynasty was Ishbi-Urra, who reigned for thirty-two years. Like his successors, he called himself "King of Sumer and Akkad", and it appears that his sway extended to the city of Sippar, where solar worship prevailed. Traces of him have also been found at Eridu, Ur, Erech, and Nippur, so that he must have given recognition to Ea, Sin, Anu, and Enlil. In this period the early national pantheon may have taken shape, Bel Enlil being the chief deity. Enlil was afterwards displaced by Merodach of Babylon.

Before 2200 B.C. there occurred a break in the supremacy of Isin. Gungunu, King of Ur, combined with Larsa, whose sun temple he restored, and declared himself ruler of Sumer and Akkad. But Isin again gathered strength under Ur-Ninip, who was not related to his predecessor. Perhaps he came from Nippur, where the god Ninip was worshipped as the son of Bel Enlil.

According to a Babylonian document, a royal grand-son of Ur-Ninip's, having no direct heir, selected as his successor his gardener, Enlil-bani. He placed the crown on the head of this obscure individual, abdicated in his favour, and then died a mysterious death within his palace.

It is highly probable that Enlil-bani, whose name signifies "Enlil is my creator", was a usurper like Sargon of Akkad, and he may have similarly circulated a myth regarding his miraculous origin to justify his sudden rise to power. The truth appears to be that he came to the throne as the leader of a palace revolution at a time of great unrest. But he was not allowed to remain in undisputed possession. A rival named Sin-ikisha, evidently a moon worshipper and perhaps connected with Ur, displaced the usurper, and proclaimed himself king. After a brief reign of six months he was overthrown, however, by Enlil-bani, who piously credited his triumph over his enemy to the chief god of Nippur, whose name he bore. Although he took steps to secure his position by strengthening the fortifications of Isin, and reigned for about a quarter of a century, he was not succeeded by his heir, if he had one. King Zambia, who was no relation, followed him, but his reign lasted for only three years. The names of the next two kings are unknown. Then came Sin-magir, who was succeeded by Damik-ilishu, the last King of Isin.

Towards the close of Damik-ilishu's reign of twenty-four years he came under the suzerainty of Larsa, whose ruler was Rim Sin. Then Isin was captured by Sin-muballit, King of Babylon, the father of the great Hammurabi. Rim Sin was an Elamite.

Afterwards the old order of things passed away. Babylon became the metropolis, the names of Sumer and Akkad dropped out of use, and the whole country between the rivers was called Babylonia.1 The various systems of law which obtained in the different states were then codified by Hammurabi, who appointed governors in all the cities which came under his sway to displace the patesis and kings. A new national pantheon of representative character was also formed, over which Merodach (Marduk), the city god of Babylon, presided. How this younger deity was supposed to rise to power is related in the Babylonian legend of Creation, which is dealt with in the next chapter .1 In framing this myth from the fragments of older myths, divine sanction was given to the supremacy achieved by Merodach's city. The allegiance of future generations was thus secured, not only by the strong arm of the law, but also by the combined influence of the reorganized priesthoods at the various centres of administration.

An interesting problem, which should be referred to here, arises in connection with the sculptured representations of deities before and after the rise of Akkad as a great Power. It is found, although the Sumerians shaved their scalps and faces at the dawn of the historical age, that they worshipped gods who had long hair and also beards, which were sometimes square and sometimes pointed.

At what period the Sumerian deities were given human shape it is impossible to determine. As has been shown (Chapters II and III ) all the chief gods and goddesses had animal forms and composite monster forms before they became anthropomorphic deities. Ea had evidently a fish shape ere he was clad in the skin of a fish, as an Egyptian god was simply a bull before he was depicted in human shape wearing a bull's skin. The archaic Sumerian animal and composite monster gods of animistic and totemic origin survived after the anthropomorphic period as mythical figures, which were used for decorative or magical purposes and as symbols. A form of divine headdress was a cap enclosed in horns, between which appeared the soaring lion-headed eagle, which symbolized Nin-Girsu. This god had also lion and antelope forms, which probably figured in lost myths--perhaps they were like the animals loved by Ishtar and referred to in the Gilgamesh epic. Similarly the winged bull was associated with the moon god Nannar, or Sin, of Ur, who was "a horned steer". On various cylinder seals appear groups of composite monsters and rearing wild beasts, which were evidently representations of gods and demons in conflict.

Suggestive data for comparative study is afforded in this connection by ancient Egypt. Sokar, the primitive Memphite deity, retained until the end his animal and composite monster forms. Other gods were depicted with human bodies and the heads of birds, serpents, and crocodiles, thus forming links between the archaic demoniac and the later anthropomorphic deities. A Sumerian example is the deified Ea-bani, who, like Pan, has the legs and hoofs of a goat.

The earliest representations of Sumerian humanized deities appear on reliefs from Tello, the site of Lagash. These examples of archaic gods, however, are not bearded in Semitic fashion. On the contrary, their lips and cheeks are shaved, while an exaggerated chin tuft is retained. The explanation suggested is that the Sumerians gave their deities human shape before they themselves were clean shaven, and that the retention of the characteristic facial hair growth of the Mediterranean Race is another example of the conservatism of the religious instinct. In Egypt the clean-shaven Pharaohs, who represented gods, wore false chin-tuft beards; even Queen Hatshepsut considered it necessary to assume a beard on state occasions. Ptah-Osiris retained his archaic beard until the Ptolemaic period.

It seems highly probable that in similarly depicting their gods with beards, the early Sumerians were not influenced by the practices of any alien people or peoples. Not until the period of Gudea, the Patesi of Lagash, did they give their gods heavy moustaches, side whiskers, and flowing beards of Semitic type. It may be, however, that by then they had completely forgotten the significance of an ancient custom. Possibly, too, the sculptors of Lagash were working under the influence of the Akkadian school of art, which had produced the exquisite stele of victory for Naram-Sin, and consequently adopted the conventional Semitic treatment of bearded figures. At any rate, they were more likely to study and follow the artistic triumphs of Akkad than the crude productions of the archaic period. Besides, they lived in an age when Semitic kings were deified and the Semitic overlords had attained to great distinction and influence.

The Semitic folks were not so highly thought of in the early Sumerian period. It is not likely that the agricultural people regarded as models of gods the plunderers who descended from the hills, and, after achieving successes, returned home with their spoils. More probably they regarded them as "foreign devils". Other Semites, however, who came as traders, bringing wood, stone, and especially copper, and formed communities in cities, may well have influenced Sumerian religious thought. The god Ramman, for instance, who was given recognition all through Babylonia, was a god of hill folks as far north as Asia Minor and throughout Syria. He may have been introduced by settlers who adopted Sumerian habits of life and shaved scalp and face. But although the old cities could never have existed in a complete state of isolation from the outer world, it is unlikely that their inhabitants modelled their deities on those worshipped by groups of aliens. A severe strain is imposed on our credulity if we are expected to believe that it was due to the teachings and example of uncultured nomads that the highly civilized Sumerians developed their gods from composite monsters to anthropomorphic deities. Such a supposition, at any rate, is not supported by the evidence of Ancient Egypt.

Footnotes

111:1 Nehemiah, i, 1
111:2 Esther, i, 6.
114:1 Isaiah, iii, 19-22.
126:1 Indian Myth and Legend, pp. 173-175 and 192-194.
128:1 Or Rimush.
131:1 Genesis, xiv.
133:1 That is, the equivalent of Babylonia. During the Kassite period the name was Karduniash.
134:1 The narrative follows The Seven Tablets of Creationand other fragments, while the account given by Berosus is also drawn upon.
Next: Chapter VII. Creation Legend: Merodach the Dragon Slayer

Myths of Babylon and Assyria: Chapter V. Myths of Tammuz and Ishtar

CHAPTER V

Myths of Tammuz and Ishtar

Forms of Tammuz--The Weeping Ceremony--Tammuz the Patriarch and the Dying God--Common Origin of Tammuz and other Deities from an Archaic God--The Mediterranean Racial Myth--Animal Forms of Gods of Fertility--Two Legends of the Death of Tammuz--Attis, Adonis, and Diarmid Slain by a Boar--Laments for Tammuz--His Soul in Underworld and the Deep--Myth of the Child God of Ocean--Sargon Myth Version--The Germanic Scyld of the Sheaf--Tammuz Links with Frey, Heimdal, Agni, &c.--Assyrian Legend of "Descent of Ishtar"--Sumerian Version--The Sister Belit-sheri and the Mother Ishtar--The Egyptian Isis and Nepthys--Goddesses as Mothers, Sisters, and Wives--Great Mothers of Babylonia--Immortal Goddesses and Dying Gods--The Various Indras--Celtic Goddess with Seven Periods of Youth--Lovers of Germanic and Classic Goddesses--The Lovers of Ishtar--Racial Significance of Goddess Cult--The Great Fathers and their Worshippers--Process of Racial and Religious Fusion--Ishtar and Tiamat--Mother Worship in Palestine--Women among Goddess Worshippers.

AMONG the gods of Babylonia none achieved wider and more enduring fame than Tammuz, who was loved by Ishtar, the amorous Queen of Heaven--the beautiful youth who died and was mourned for and came to life again. He does not figure by his popular name in any of the city pantheons, but from the earliest times of which we have knowledge until the passing of Babylonian civilization, he played a prominent part in the religious life of the people

Tammuz, like Osiris of Egypt, was an agricultural deity, and as the Babylonian harvest was the gift of the rivers, it is probable that one of his several forms was Dumu-zi-abzu, "Tammuz of the Abyss". He was also "the child", "the heroic lord", "the sentinel", "the healer", and the patriarch who reigned over the early Babylonians for a considerable period. "Tammuz of the Abyss" was one of the members of the family of Ea, god of the Deep, whose other sons, in addition to Merodach, were Nira, an obscure deity; Ki-gulla, "world destroyer", Burnunta-sa, "broad ear", and Bara and Baragulla, probably "revealers" or "oracles". In addition there was a daughter, Khi-dimme-azaga, "child of the renowned spirit". She may have been identical with Belit-sheri, who is referred to in the Sumerian hymns as the sister of Tammuz. This family group was probably formed by symbolizing the attributes of Ea and his spouse Damkina. Tammuz, in his character as a patriarch, may have been regarded as a hostage from the gods: the human form of Ea, who instructed mankind, like King Osiris, how to grow corn and cultivate fruit trees. As the youth who perished annually, he was the corn spirit. He is referred to in the Bible by his Babylonian name.

When Ezekiel detailed the various idolatrous practices of the Israelites, which included the worship of the sun and "every form of creeping things and abominable beasts"--a suggestion of the composite monsters of Babylonia--he was brought "to the door of the gate of the Lord's house, which was towards the north; and, behold, there sat women weeping for Tammuz".1

The weeping ceremony was connected with agricultural rites. Corn deities were weeping deities, they shed fertilizing tears; and the sowers simulated the sorrow of divine mourners when they cast seed in the soil "to die", so that it might spring up as corn. This ancient custom, like many others, contributed to the poetic imagery of the Bible. "They that sow in tears", David sang, "shall reap in joy. He that goeth forth and weepeth, bearing precious seed, shall doubtless come again with rejoicing, bringing his sheaves with him."1 In Egypt the priestesses who acted the parts of Isis and Nepthys, mourned for the slain corn god Osiris.
Gods and men before the face of the gods are weeping for thee at the same time, when they behold me! . . .
All thy sister goddesses are at thy side and behind thy couch,
Calling upon thee with weeping--yet thou are prostrate upon thy bed! . . .
Live before us, desiring to behold thee.>2

It was believed to be essential that human beings should share the universal sorrow caused by the death of a god. If they remained unsympathetic, the deities would punish them as enemies. Worshippers of nature gods, therefore, based their ceremonial practices on natural phenomena. "The dread of the worshippers that the neglect of the usual ritual would be followed by disaster, is particularly intelligible", writes Professor Robertson Smith, "if they regarded the necessary operations of agriculture as involving the violent extinction of a particle of divine life."3 By observing their ritual, the worshippers won the sympathy and co-operation of deities, or exercised a magical control over nature.

The Babylonian myth of Tammuz, the dying god, bears a close resemblance to the Greek myth of Adonis. It also links with the myth of Osiris. According to Professor Sayce, Tammuz is identical with "Daonus or Daos, the shepherd of Pantibibla", referred to by Berosus as the ruler of one of the mythical ages of Babylonia. We have therefore to deal with Tammuz in his twofold character as a patriarch and a god of fertility.

The Adonis version of the myth may be summarized briefly. Ere the god was born, his mother, who was pursued by her angry sire, as the river goddesses of the folk tales are pursued by the well demons, transformed herself into a tree. Adonis sprang from the trunk of this tree, and Aphrodite, having placed the child in a chest, committed him to the care of Persephone, queen of Hades, who resembles the Babylonian Eresh-ki-gal. Persephone desired to retain the young god, and Aphrodite (Ishtar) appealed to Zeus (Anu), who decreed that Adonis should spend part of the year with one goddess and part of the year with the other.

It is suggested that the myth of Adonis was derived in post-Homeric times by the Greeks indirectly from Babylonia through the Western Semites, the Semitic title "Adon", meaning "lord", having been mistaken for a proper name. This theory, however, cannot be accepted without qualifications. It does not explain the existence of either the Phrygian myth of Attis, which was developed differently from the Tammuz myth, or the Celtic story of "Diarmid and the boar", which belongs to the archlogical "Hunting Period". There are traces in Greek mythology of pre-Hellenic myths about dying harvest deities, like Hyakinthos and Erigone, for instance, who appear to have been mourned for. There is every possibility, therefore, that the Tammuz ritual may have been attached to a harvest god of the pre-Hellenic Greeks, who received at the same time the new name of Adonis. Osiris of Egypt resembles Tammuz, but his Mesopotamian origin has not been proved. It would appear probable that Tammuz, Attis, Osiris, and the deities represented by Adonis and Diarmid were all developed from an archaic god of fertility and vegetation, the central figure of a myth which was not only as ancient as the knowledge and practice of agriculture, but had existence even in the "Hunting Period". Traces of the Tammuz-Osiris story in various forms are found all over the area occupied by the Mediterranean or Brown race from Sumeria to the British Isles. Apparently the original myth was connected with tree and water worship and the worship of animals. Adonis sprang from a tree; the body of Osiris was concealed in a tree which grew round the sea-drifted chest in which he was concealed. Diarmid concealed himself in a tree when pursued by Finn. The blood of Tammuz, Osiris, and Adonis reddened the swollen rivers which fertilized the soil. Various animals were associated with the harvest god, who appears to have been manifested from time to time in different forms, for his spirit pervaded all nature. In Egypt the soul of Osiris entered the Apis bull or the ram of Mendes.

Tammuz in the hymns is called "the pre-eminent steer of heaven", and a popular sacrifice was "a white kid of the god Tammuz", which, however, might be substituted by a sucking pig. Osiris had also associations with swine, and the Egyptians, according to Herodotus, sacrificed a pig to him annually. When Set at full moon hunted the boar in the Delta marshes, he probably hunted the boar form of Osiris, whose human body had been recovered from the sacred tree by Isis. As the soul of Bata, the hero of the Egyptian folk tale,1 migrated from the blossom to the bull, and the bull to the tree, so apparently did the soul of Osiris pass from incarnation to incarnation. Set, the demon slayer of the harvest god, had also a boar form; he was the black pig who devoured the waning moon and blinded the Eye of Ra. In his character as a long-lived patriarch, Tammuz the King Daonus or Daos of Berosus, reigned in Babylonia for 36,000 years. When he died, he departed to Hades or the Abyss. Osiris, after reigning over the Egyptians, became Judge of the Dead.

Tammuz of the Sumerian hymns, however, is the Adonis-like god who lived on earth for a part of the year as the shepherd and agriculturist so dearly beloved by the goddess Ishtar. Then he died so that he might depart to the realm of Eresh-ki-gal (Persephone), queen of Hades. According to one account, his death was caused by the fickle Ishtar. When that goddess wooed Gilgamesh, the Babylonian Hercules, he upbraided her, saying:
On Tammuz, the spouse of thy youth,
Thou didst lay affliction every year.
King's Translation.

References in the Sumerian hymns suggest that there also existed a form of the legend which gave an account of the slaying of the young god by someone else than Ishtar. The slayer may have been a Set-like demon--perhaps Nin-shach, who appears to have symbolized the destroying influence of the sun. He was a war deity, and his name, Professor Pinches says, "is conjectured to mean 'lord of the wild boar'". There is no direct evidence, however, to connect Tammuz's slayer with the boar which killed Adonis. Ishtar's innocence is emphasized by the fact that she mourned for her youthful lover, crying:
Oh hero, my lord, ah me! I will say;
Food I eat not . . . water I drink not . . .
Because of the exalted one of the nether world, him of the radiant face, yea radiant,
Of the exalted one of the nether world, him of the dove-like voice, yea dove-like.1

The Phrygian Attis met his death, according to one legend, by self-mutilation under a sacred tree. Another account sets forth, however, that he was slain by a boar. The Greek Adonis was similarly killed by a boar. This animal was a form of Ares (Mars), god of war and tempest, who also loved Aphrodite (Ishtar). The Celtic Diarmid, in his character as a love god, with lunar attributes, was slain by "the green boar", which appears to have been one of the animals of a ferocious Hag, an earth and air "mother" with various names. In one of the many Fingalian stories the animal is Diarmid had eloped with the wife of Finn-mac-Coul (Fingal), who, like Ares, plotted to bring about his rival's death, and accordingly set the young hero to hunt the boar. As a thunder god Finn carried a hammer with which he smote his shield; the blows were heard in Lochlann (Scandinavia). Diarmid, like Tammuz, the "god of the tender voice and shining eyes", had much beauty. When he expired, Finn cried:
. . . That venomous boar, and he so fierce,
That Grey Eyebrows had with her herd of swine.1

No maiden will raise her eye
Since the mould has gone over thy visage fair . . .
Blue without rashness in thine eye!
Passion and beauty behind thy curls! . . .
Oh, yesternight it was green the hillock,
Red is it this day with Diarmid's blood.2

Tammuz died with the dying vegetation, and Diarmid expired when the hills apparently were assuming their purple tints.3 The month of Tammuz wailings was from 20th June till 20th July, when the heat and dryness brought forth the demons of pestilence. The mourners chanted:
He has gone, he has gone to the bosom of the earth,
And the dead are numerous in the land . . .
Men are filled with sorrow: they stagger by day in gloom .
In the month of thy year which brings not peace hast thou gone.
Thou hast gone on a journey that makes an end of thy people.

The following extract contains a reference to the slaying of the god:
The holy one of Ishtar, in the middle of the year the fields languish . . .
The shepherd, the wise one, the man of sorrows, why have they slain? . . .
In his temple, in his inhabited domain,
The child, lord of knowledge, abides no more . . .
In the meadows, verily, verily, the soul of life perishes.

There is wailing for Tammuz "at the sacred cedar, where the mother bore thee", a reference which connects the god, like Adonis and Osiris, with tree worship:
The wailing is for the herbs: the first lament is, "they are not produced".
The wailing is for the grain, ears are not produced.
The wailing is for the habitations, for the flocks which bring forth no more.
The wailing is for the perishing wedded ones; for the perishing children; the dark-headed people create no more.

The wailing is also for the shrunken river, the parched meadows, the fishpools, the cane brakes, the forests, the plains, the gardens, and the palace, which all suffer because the god of fertility has departed. The mourner cries:
How long shall the springing of verdure be restrained?
How long shall the putting forth of leaves be held back?

Whither went Tammuz? His destination has already been referred to as "the bosom of the earth", and in the Assyrian version of the "Descent of Ishtar" he dwells in "the house of darkness" among the dead, "where dust is their nourishment and their food mud", and "the light is never seen"--the gloomy Babylonian Hades. In one of the Sumerian hymns, however, it is stated that Tammuz "upon the flood was cast out". The reference may be to the submarine "house of Ea", or the Blessed Island to which the Babylonian Noah was carried. In this Hades bloomed the nether "garden of Adonis".

The following extract refers to the garden of Damu (Tammuz)1 :--
Damu his youth therein slumbers .
Among the garden flowers he slumbers; among the garden flowers he is cast away .
Among the tamarisks he slumbers, with woe he causes us to be satiated.

Although Tammuz of the hymns was slain, he returned again from Hades. Apparently he came back as a child. He is wailed for as "child, Lord Gishzida", as well as "my hero Damu". In his lunar character the Egyptian Osiris appeared each month as "the child surpassingly beautiful"; the Osiris bull was also a child of the moon; "it was begotten", says Plutarch, "by a ray of generative light falling from the moon". When the bull of Attis was sacrificed his worshippers were drenched with its blood, and were afterwards ceremonially fed with milk, as they were supposed to have "renewed their youth" and become children. The ancient Greek god Eros (Cupid) was represented as a wanton boy or handsome youth. Another god of fertility, the Irish Angus, who resembles Eros, is called "the ever young"; he slumbers like Tammuz and awakes in the Spring.

Apparently it was believed that the child god, Tammuz, returned from the earlier Sumerian Paradise of the Deep, and grew into full manhood in a comparatively brief period, like Vyasa and other super-men of Indian mythology. A couplet from a Tammuz hymn says tersely:
In his infancy in a sunken boat he lay.
In his manhood in the submerged grain he lay.1

The "boat" may be the "chest" in which Adonis was concealed by Aphrodite when she confided him to the care of Persephone, queen of Hades, who desired to retain the young god, but was compelled by Zeus to send him back to the goddess of love and vegetation. The fact that Ishtar descended to Hades in quest of Tammuz may perhaps explain the symbolic references in hymns to mother goddesses being in sunken boats also when their powers were in abeyance, as were those of the god for part of each year. It is possible, too, that the boat had a lunar and a solar significance. Khonsu, the Egyptian moon god, for instance, was associated with the Spring sun, being a deity of fertility and therefore a corn spirit; he was a form of Osiris, the Patriarch, who sojourned on earth to teach mankind how to grow corn and cultivate fruit trees. In the Egyptian legend Osiris received the corn seeds from Isis, which suggests that among Great-Mother-worshipping peoples, it was believed that agricultural civilization had a female origin. The same myths may have been attached to corn gods and corn goddesses, associated with water, sun, moon, and stars.

That there existed in Babylonia at an extremely remote period an agricultural myth regarding a Patriarch of divine origin who was rescued from a boat in his childhood, is suggested by the legend which was attached to the memory, of the usurper King Sargon of Akkad. It runs as follows:

"I am Sargon, the mighty King of Akkad. My mother was a vestal (priestess), my father an alien, whose brother inhabited the mountain. . . . When my mother had conceived me, she bare me in a hidden place. She laid me in a vessel of rushes, stopped the door thereof with pitch, and cast me adrift on the river. . . . The river floated me to Akki, the water drawer, who, in drawing water, drew me forth. Akki, the water drawer, educated me as his son, and made me his gardener. As a gardener, I was beloved by the goddess Ishtar."

It is unlikely that this story was invented by Sargon. Like the many variants of it found in other countries, it was probably founded on a form of the Tammuz-Adonis myth. Indeed, a new myth would not have suited Sargon's purpose so well as the adaptation of an old one, which was more likely to make popular appeal when connected with his name. The references to the goddess Ishtar, and Sargon's early life as a gardener, suggest that the king desired to be remembered as an agricultural Patriarch, if not of divine, at any rate of semi-divine origin.

What appears to be an early form of the widespread Tammuz myth is the Teutonic legend regarding the mysterious child who came over the sea to inaugurate a new era of civilization and instruct the people how to grow corn and become great warriors. The Northern peoples, as archlogical evidence suggests, derived their knowledge of agriculture, and therefore their agricultural myths, from the Neolithic representatives of the Mediterranean race with whom they came into contact. There can be no doubt but that the Teutonic legend refers to the introduction of agriculture. The child is called "Scef" or "Sceaf", which signifies "Sheaf", or "Scyld, the son of Sceaf". Scyld is the patriarch of the Scyldings, the Danes, a people of mixed origin. In the Anglo-Saxon Beowulfpoem, the reference is to "Scyld", but Ethelweard, William of Malmesbury, and others adhered to "Sceaf" as the name of the Patriarch of the Western Saxons.

The legend runs that one day a boat was seen approaching the shore; it was not propelled by oars or sail. In it lay a child fast asleep, his head pillowed upon a sheaf of grain. He was surrounded by armour, treasure, and various implements, including the fire-borer. The child was reared by the people who found him, and he became a great instructor and warrior and ruled over the tribe as king. In BeowulfScyld is the father of the elder Beowulf, whose grandson Hrothgar built the famous Hall. The poem opens with a reference to the patriarch "Scyld of the Sheaf". When he died, his body, according to the request he had made, was laid in a ship which was set adrift:

Upon his breast lay many treasures which were to travel with him into the power of the flood. Certainly they (the mourners) furnished him with no less of gifts, of tribal treasures, than those had done who, in his early days, started him over the sea alone, child as he was. Moreover, they set besides a gold-embroidered standard high above his head, and let the flood bear him--gave him to the sea. Their soul was sad, their spirit sorrowful. Whoreceived that load, men, chiefs of council, heroes under heaven, cannot for certain tell.1

Sceaf or Scyld is identical with Yngve, the patriarch of the Ynglings; with Frey, the harvest and boar god, son of Njord,2 the sea god; and with Hermod, referred to as follows in the Eddic "Lay of Hyndla":
To some grants he wealth, to his children war fame,
Word skill to many and wisdom to men,
Fair winds to sea-farers, song craft to skalds,
And might of manhood to many a warrior.

Tammuz is similarly "the heroic lord of the land", the "wise one", the "lord of knowledge", and "the sovereign, lord of invocation".

Heimdal, watchman of the Teutonic gods, also dwelt for a time among men as "Rig", and had human offspring, his son Thrall being the ancestor of the Thralls, his son Churl of churls, and Jarl of noblemen.

Tammuz, like Heimdal, is also a guardian. He watches the flocks and herds, whom he apparently guards against the Gallu demons as Heimdal guards the world and the heavens against attacks by giants and monsters. The flocks of Tammuz, Professor Pinches suggests, "recall the flocks of the Greek sun god Helios. These were the clouds illuminated by the sun, which were likened to sheep--indeed, one of the early Sumerian expressions for 'fleece' was 'sheep of the sky'. The name of Tammuz in Sumerian is Dumu-zi, or in its rare fullest form, Dumu-zida, meaning 'true or faithful son'. There is probably some legend attached to this which is at present unknown."3

So the Sumerian hymn-chanters lamented:
Like an herdsman the sentinel place of sheep and cattle he (Tammuz) has forsaken . . .
From his home, from his inhabited domain, the son, he of wisdom, pre-eminent steer of heaven,
The hero unto the nether herding place has taken his way.1

Agni, the Aryo-Indian god, who, as the sky sentinel, has points of resemblance to Heimdal, also links with Tammuz, especially in his Mitra character:
Agni has been established among the tribes of men, the son of the waters, Mitra acting in the right way. Rigveda, iii, 5, 3.

Agni, who has been looked and longed for in Heaven, who has been looked for on earth--he who has been looked for has entered all herbs. Rigveda, i, 98.2

Tammuz, like the Egyptian lunar and solar god Khonsu, is "the healer", and Agni "drives away all disease". Tammuz is the god "of sonorous voice"; Agni "roars like a bull"; and Heimdal blows a horn when the giants and demons threaten to attack the citadel of the gods. As the spring sun god, Tammuz is "a youthful warrior", says Jastrow, "triumphing over the storms of winter".3 The storms, of course, were symbolized as demons. Tammuz, "the heroic lord", was therefore a demon slayer like Heimdal and Agni. Each of these gods appear to have been developed in isolation from an archaic spring god of fertility and corn whose attributes were symbolized. In Teutonic mythology, for instance, Heimdal was the warrior form of the patriarch Scef, while Frey was the deified agriculturist who came over the deep as a child. In Saxo's mythical history of Denmark, Frey as Frode is taken prisoner by a storm giant, Beli, "the howler", and is loved by his hag sister in the Teutonic Hades, as Tammuz is loved by Eresh-ki-gal, spouse of the storm god Nergal, in the Babylonian Hades. Frode returns to earth, like Tammuz, in due season.

It is evident that there were various versions of the Tammuz myth in Ancient Babylonia. In one the goddess Ishtar visited Hades to search for the lover of her youth. A part of this form of the legend survives in the famous Assyrian hymn known as "The Descent of Ishtar". It was first translated by the late Mr. George Smith, of the British Museum. A box containing inscribed tablets had been sent from Assyria to London, and Mr. Smith, with characteristic patience and skill, arranged and deciphered them, giving to the world a fragment of ancient literature infused with much sublimity and imaginative power. Ishtar is depicted descending to dismal Hades, where the souls of the dead exist in bird forms:
I spread like a bird my hands.
I descend, I descend to the house of darkness, the dwelling of the god Irkalla:
To the house out of which there is no exit,
To the road from which there is no return:
To the house from whose entrance the light is taken,
The place where dust is their nourishment and their food mud.
Its chiefs also are like birds covered with feathers;
The light is never seen, in darkness they dwell. . . .

When the goddess reaches the gate of Hades she cries to the porter:
Keeper of the waters, open thy gate,
Open thy gate that I may enter.
If thou openest not the gate that I may enter
I will strike the door, the bolts I will shatter, p. 96
I will strike the threshold and will pass through the doors;
I will raise up the dead to devour the living,
Above the living the dead shall exceed in numbers.

The porter answers that he must first consult the Queen of Hades, here called Allatu, to whom he accordingly announces the arrival of the Queen of Heaven. Allatu's heart is filled with anger, and makes reference to those whom Ishtar caused to perish:
Let me weep over the strong who have left their wives,
Let me weep over the handmaidens who have lost the embraces of their husbands,
Over the only son let me mourn, who ere his days are come is taken away.

Then she issues abruptly the stern decree:
Go, keeper, open the gate to her,
Bewitch her according to the ancient rules;

that is, "Deal with her as you deal with others who come here".

As Ishtar enters through the various gates she is stripped of her ornaments and clothing. At the first gate her crown was taken off, at the second her ear-rings, at the third her necklace of precious stones, at the fourth the ornaments of her breast, at the fifth her gemmed waist-girdle,1 at the sixth the bracelets of her hands and feet, and at the seventh the covering robe of her body. Ishtar asks at each gate why she is thus dealt with, and the porter answers, "Such is the command of Allatu."

After descending for a prolonged period the Queen of Heaven at length stands naked before the Queen of Hades. Ishtar is proud and arrogant, and Allatu, desiring to punish her rival whom she cannot humble, commands the plague demon, Namtar, to strike her with disease in all parts of her body. The effect of Ishtar's fate was disastrous upon earth: growth and fertility came to an end.

ISHTAR IN HADES<br> <i>From the Painting by E. Wallcousins</i>.

ISHTAR IN HADES
From the Painting by E. Wallcousins.

Meanwhile Pap-sukal, messenger of the gods, hastened to Shamash, the sun deity, to relate what had occurred. The sun god immediately consulted his lunar father, Sin, and Ea, god of the deep. Ea then created a man lion, named Nadushu-namir, to rescue Ishtar, giving him power to pass through the seven gates of Hades. When this being delivered his message
Allatu . . . struck her breast; she bit her thumb,
She turned again: a request she asked not.

In her anger she cursed the rescuer of the Queen of Heaven.
May I imprison thee in the great prison,
May the garbage of the foundations of the city be thy food,
May the drains of the city be thy drink,
May the darkness of the dungeon be thy dwelling,
May the stake be thy seat,
May hunger and thirst strike thy offspring.

She was compelled, however, to obey the high gods, and addressed Namtar, saying:
Unto Ishtar give the waters of life and bring her before me.

Thereafter the Queen of Heaven was conducted through the various gates, and at each she received her robe and the ornaments which were taken from her on entering. Namtar says:
Since thou hast not paid a ransom for thy deliverance to her (Allatu), so to her again turn back,
For Tammuz the husband of thy youth.
The glistening waters (of life) pour over him .
In splendid clothing dress him, with a ring of crystal adorn him.

Ishtar mourns for "the wound of Tammuz", smiting her breast, and she did not ask for "the precious eye-stones, her amulets", which were apparently to ransom Tammuz. The poem concludes with Ishtar's wail:
O my only brother (Tammuz) thou dost not lament for me.
In the day that Tammuz adorned me, with a ring of crystal,
With a bracelet of emeralds, together with himself, he adorned me,1
With himself he adorned me; may men mourners and women mourners
On a bier place him, and assemble the wake.2

A Sumerian hymn to Tammuz throws light on this narrative. It sets forth that Ishtar descended to Hades to entreat him to be glad and to resume care of his flocks, but Tammuz refused or was unable to return.
His spouse unto her abode he sent back.

She then instituted the wailing ceremony:

The amorous Queen of Heaven sits as one in darkness.3

Mr. Langdon also translates a hymn (Tammuz III) which appears to contain the narrative on which the Assyrian version was founded. The goddess who descends to Hades, however, is not Ishtar, but the "sister", Belit-sheri. She is accompanied by various demons--the "gallu-demon", the "slayer", &c.--and holds a conversation with Tammuz which, however, is "unintelligible and badly broken". Apparently, however, he promises to return to earth.
. . . I will go up, as for me I will depart with thee . . .
. . . I will return, unto my mother let us go back.

Probably two goddesses originally lamented for Tammuz, as the Egyptian sisters, Isis and Nepthys, lamented for Osiris, their brother. Ishtar is referred to as "my mother". Isis figures alternately in the Egyptian chants as mother, wife, sister, and daughter of Osiris. She cries, "Come thou to thy wife in peace; her heart fluttereth for thy love", . . . "I am thy wife, made as thou art, the elder sister, soul of her brother". . . . "Come thou to us as a babe". . . . "Lo, thou art as the Bull of the two goddesses--come thou, child growing in peace, our lord!" . . "Lo! the Bull, begotten of the two cows, Isis and Nepthys". . . . "Come thou to the two widowed goddesses". . . . "Oh child, lord, first maker of the body". . . . "Father Osiris."1

As Ishtar and Belit-sheri weep for Tammuz, so do Isis and Nepthys weep for Osiris.
Calling upon thee with weeping--yet thou art prostrate upon thy bed!
Gods and men . . . are weeping for thee at the same time, when they behold me (Isis).
Lo! I invoke thee with wailing that reacheth high as heaven.

Isis is also identified with Hathor (Ishtar) the Cow. . . . "The cow weepeth for thee with her voice."2

There is another phase, however, to the character of the mother goddess which explains the references to the desertion and slaying of Tammuz by Ishtar. "She is", says Jastrow, "the goddess of the human instinct, or passion which accompanies human love. Gilgamesh . . . reproaches her with abandoning the objects of her passion after a brief period of union." At Ishtar's temple "public maidens accepted temporary partners, assigned to them by Ishtar".1 The worship of all mother goddesses in ancient times was accompanied by revolting unmoral rites which are referred to in condemnatory terms in various passages in the Old Testament, especially in connection with the worship of Ashtoreth, who was identical with Ishtar and the Egyptian Hathor.

Ishtar in the process of time overshadowed all the other female deities of Babylonia, as did Isis in Egypt. Her name, indeed, which is Semitic, became in the plural, Ishtare, a designation for goddesses in general. But although she was referred to as the daughter of the sky, Anu, or the daughter of the moon, Sin or Nannar, she still retained traces of her ancient character. Originally she was a great mother goddess, who was worshipped by those who believed that life and the universe had a female origin in contrast to those who believed in the theory of male origin. Ishtar is identical with Nina, the fish goddess, a creature who gave her name to the Sumerian city of Nina and the Assyrian city of Nineveh. Other forms of the Creatrix included Mama, or Mami, or Ama, "mother", Aruru, Bau, Gula, and Zer-panitum. These were all "Preservers" and healers. At the same time they were "Destroyers", like Nin-sun and the Queen of Hades, Eresh-ki-gal or Allatu. They were accompanied by shadowy male forms ere they became wives of strongly individualized gods, or by child gods, their sons, who might be regarded as "brothers" or "husbands of their mothers", to use the paradoxical Egyptian term. Similarly Great Father deities had vaguely defined wives. The "Semitic" Baal, "the lord", was accompanied by a female reflection of himself--Beltu, "the lady". Shamash, the sun god, had for wife the shadowy Aa.

WINGED HUMAN-HEADED COW (?)<br> <i>From Kouyunjik (Nineveh): now in the British Museum</i>.<br> Photo. Mansell.

WINGED HUMAN-HEADED COW (?)
From Kouyunjik (Nineveh): now in the British Museum.
Photo. Mansell.

As has been shown, Ishtar is referred to in a Tammuz hymn as the mother of the child god of fertility. In an Egyptian hymn the sky goddess Nut, "the mother" of Osiris, is stated to have "built up life from her own body."1 Sri or Lakshmi, the Indian goddess, who became the wife of Vishnu, as the mother goddess Saraswati, a tribal deity, became the wife of Brahma, was, according to a Purana commentator, "the mother of the world . . . eternal and undecaying".2

The gods, on the other hand, might die annually: the goddesses alone were immortal. Indra was supposed to perish of old age, but his wife, Indrani, remained ever young. There were fourteen Indras in every "day of Brahma", a reference apparently to the ancient conception of Indra among the Great-Mother-worshipping sections of the Aryo-Indians.3 In the Mahhatathe god Shiva, as Mahadeva, commands Indra on "one of the peaks of Himavat", where they met, to lift up a stone and join the Indras who had been before him. "And Indra on removing that stone beheld a cave on the breast of that king of mountains in which were four others resembling himself." Indra exclaimed in his grief, "Shall I be even like these?" These five Indras, like the "Seven Sleepers", awaited the time when they would be called forth. They were ultimately reborn as the five Pandava warriors.4

The ferocious, black-faced Scottish mother goddess, Cailleach Bheur, who appears to be identical with Mala Lith, "Grey Eyebrows" of Fingalian story, and the English "Black Annis", figures in Irish song and legend as "The Old Woman of Beare". This "old woman" (Cailleach) "had", says Professor Kuno Meyer, "seven periods of youth one after another, so that every man who had lived with her came to die of old age, and her grandsons and great-grandsons were tribes and races". When old age at length came upon her she sang her "swan song", from which the following lines are extracted:
Ebb tide to me as of the sea!
Old age causes me reproach . . .
It is riches
Ye love, it is not men:
In the time when we lived
It was men we loved . . .
My arms when they are seen
Are bony and thin:
Once they would fondle,
They would be round glorious kings . . .
I must take my garment even in the sun:
The time is at hand that shall renew me.1

Freyja, the Germanic mother goddess, whose car was drawn by cats, had similarly many lovers. In the Icelandic poem "Lokasenna", Loki taunts her, saying:
Silence, Freyja! Full well I know thee,
And faultless art thou not found;
Of the gods and elves who here are gathered
Each one hast thou made thy mate.

Idun, the keeper of the apples of immortal youth, which prevent the gods growing old, is similarly addressed:
Silence, Idun! I swear, of all women
Thou the most wanton art;
Who couldst fling those fair-washed arms of thine
About thy brother's slayer.

Frigg, wife of Odin, is satirized as well:
Silence, Frigg! Earth's spouse for a husband,
And hast ever yearned after men!1

The goddesses of classic mythology had similar reputations. Aphrodite (Venus) had many divine and mortal lovers. She links closely with Astarte and Ashtoreth (Ishtar), and reference has already been made to her relations with Adonis (Tammuz). These love deities were all as cruel as they were wayward. When Ishtar wooed the Babylonian hero, Gilgamesh, he spurned her advances, as has been indicated, saying:
On Tammuz, the spouse of thy youth,
Thou didst lay affliction every year.
Thou didst love the brilliant Allalu bird
But thou didst smite him and break his wing;
He stands in the woods and cries "O my wing".

He likewise charged her with deceiving the lion and the horse, making reference to obscure myths:
Thou didst also love a shepherd of the flock,
Who continually poured out for thee the libation,
And daily slaughtered kids for thee;
But thou didst smite him and didst change him into a leopard,
So that his own sheep boy hunted him,
And his own hounds tore him to pieces.2

These goddesses were ever prone to afflict human beings who might offend them or of whom they wearied. Demeter (Ceres) changed Ascalaphus into an owl and Stellio into a lizard. Rhea (Ops) resembled the wanton who loved Attis (Adonis).
The towred Cybele,
Mother of a hundred gods,

Artemis (Diana) slew her lover Orion, changed Actn into a stag, which was torn to pieces by his own dogs, and caused numerous deaths by sending a boar to ravage the fields of neus, king of Calydon. Human sacrifices were frequently offered to the bloodthirsty "mothers". The most famous victim of Artemis was the daughter of Agamemnon, "divinely tall and most divinely fair".1 Agamemnon had slain a sacred stag, and the goddess punished him by sending a calm when the war fleet was about to sail for Troy, with the result that his daughter had to be sacrificed. Artemis thus sold breezes like the northern wind hags and witches.

It used to be customary to account for the similarities manifested by the various mother goddesses by assuming that there was constant cultural contact between separate nationalities, and, as a result, a not inconsiderable amount of "religious borrowing". Greece was supposed to have received its great goddesses from the western Semites, who had come under the spell of Babylonian religion. Archlogical evidence, however, tends to disprove this theory. "The most recent researches into Mesopotamian history", writes Dr. Farnell, "establish with certainty the conclusion that there was no direct political contact possible between the powers in the valley of the Euphrates and the western shores of the ean in the second millennium B.C. In fact, between the nascent Hellas and the great world of Mesopotamia there were powerful and possibly independent strata of cultures interposing."2

The real connection appears to be the racial one. Among the Mediterranean Neolithic tribes of Sumeria, Arabia, and Europe, the goddess cult appears to have been influential. Mother worship was the predominant characteristic of their religious systems, so that the Greek goddesses were probably of pre-Hellenic origin, the Celtic of Iberian, the Egyptian of proto-Egyptian, and the Babylonian of Sumerian. The northern hillmen, on the other hand, who may be identified with the "Aryans" of the philologists, were father worshippers. The Vedic Aryo-Indians worshipped father gods,1 as did also the Germanic peoples and certain tribes in the "Hittite confederacy". Earth spirits were males, like the Teutonic elves, the Aryo-Indian Ribhus, and the Burkans, "masters", of the present-day Buriats, a Mongolian people. When the father-worshipping peoples invaded the dominions of the mother-worshipping peoples, they introduced their strongly individualized gods, but they did not displace the mother goddesses. "The Aryan Hellenes", says Dr. Farnell, "were able to plant their Zeus and Poseidon on the high hill of Athens, but not to overthrow the supremacy of Athena in the central shrine and in the aboriginal soul of the Athenian people."2 As in Egypt, the beliefs of the father worshippers, represented by the self-created Ptah, were fused with the beliefs of the mother worshippers, who adored Isis, Mut, Neith, and others. In Babylonia this process of racial and religious fusion was well advanced before the dawn of history. Ea, who had already assumed manifold forms, may have originally been the son or child lover of Damkina, "Lady of the Deep", as was Tammuz of Ishtar. As the fish, Ea was the offspring of the mother river.

The mother worshippers recognized male as well as female deities, but regarded the great goddess as the First Cause. Although the primeval spirits were grouped in four pairs in Egypt, and apparently in Babylonia also, the female in the first pair was more strongly individualized than the male. The Egyptian Nu is vaguer than his consort Nut, and the Babylonian Apsu than his consort Tiamat. Indeed, in the narrative of the Creation Tablets of Babylon, which will receive full treatment in a later chapter, Tiamat, the great mother, is the controlling spirit. She is more powerful and ferocious than Apsu, and lives longer. After Apsu's death she elevates one of her brood, named Kingu, to be her consort, a fact which suggests that in the Ishtar-Tammuz myth survives the influence of exceedingly ancient modes of thought. Like Tiamat, Ishtar is also a great battle heroine, and in this capacity she was addressed as "the lady of majestic rank exalted over all gods". This was no idle flattery on the part of worshippers, but a memory of her ancient supremacy.

Reference has been made to the introduction of Tammuz worship into Jerusalem. Ishtar, as Queen of Heaven, was also adored by the backsliding Israelites as a deity of battle and harvest. When Jeremiah censured the people for burning incense and serving gods "whom they knew not", he said, "neither they, ye, nor your fathers", they made answer: "Since we left off to burn incense to the queen of heaven, and to pour out drink offerings unto her, we have wanted all things, and have been consumed by the sword and the famine". The women took a leading part in these practices, but refused to accept all the blame, saying, "When we burned incense to the queen of heaven, and poured out drink offerings unto her, did we make our cakes and pour out drink offerings unto her without our men?"1 That the husbands, and the children even, assisted at the ceremony is made evident in another reference to goddess worship: "The children gather wood, and the fathers kindle the fire, and the women knead the dough, to make cakes to the queen of heaven".1

Female figure in adoration before a goddess

Female figure in adoration before a goddess

The winged Ishtar above the rising sun god, the river god, and other deities

The winged Ishtar above the rising sun god, the river god, and other deities

Gilgamesh in conflict with bulls

Gilgamesh in conflict with bulls

CYLINDER-SEAL IMPRESSIONS
(British Museum)

Jastrow suggests that the women of Israel wept for Tammuz, offered cakes to the mother goddess, &c., because "in all religious bodies . . . women represent the conservative element; among them religious customs continue in practice after they have been abandoned by men".2 The evidence of Jeremiah, however, shows that the men certainly co-operated at the archaic ceremonials. In lighting the fires with the "vital spark", they apparently acted in imitation of the god of fertility. The women, on the other hand, represented the reproductive harvest goddess in providing the food supply. In recognition of her gift, they rewarded the goddess by offering her the cakes prepared from the newly ground wheat and barley--the "first fruits of the harvest". As the corn god came as a child, the children began the ceremony by gathering the wood for the sacred fire. When the women mourned for Tammuz, they did so evidently because the death of the god was lamented by the goddess Ishtar. It would appear, therefore, that the suggestion regarding the "conservative element" should really apply to the immemorial practices of folk religion. These differed from the refined ceremonies of the official cult in Babylonia, where there were suitable temples and organized bands of priests and priestesses. But the official cult received no recognition in Palestine; the cakes intended for a goddess were not offered up in the temple of Abraham's God, but "in the streets of Jerusalem" and those of other cities.3

The obvious deduction seems to be that in ancient times women everywhere played a prominent part in the ceremonial folk worship of the Great Mother goddess, while the men took the lesser part of the god whom she had brought into being and afterwards received as "husband of his mother". This may account for the high social status of women among goddess worshippers, like the representatives of the Mediterranean race, whose early religion was not confined to temples, but closely associated with the acts of everyday life.

Footnotes

82:1 Ezekiel, viii.
83:1 Psalms, cxxvi.
83:2 The Burden of Isis, J. T. Dennis (Wisdom of the Eastseries), pp. 21, 22.
83:3 Religion of the Semites, pp. 412, 414.
85:1 Egyptian Myth and Legend, pp. 45 et seq.
86:1 Langdon's Sumerian and Babylonian Psalms, pp. 319-321.
87:1 Campbell's West Highland Tales, vol. iii, p. 74..
87:2 West Highland Tales, vol. iii, pp. 85, 86.
87:3 If Finn and his band were really militiamen--the original Fenians--as is believed in Ireland, they may have had attached to their memories the legends of archaic Iberian p. 88 deities who differed from the Celtic Danann deities. Theodoric the Goth, as Dietrich von Bern, was identified, for instance, with Donar or Thunor (Thor), the thunder god, In Scotland Finn and his followers are all giants. Diarmid is the patriarch of the Campbell clan, the MacDiarmids being "sons of Diarmid".
89:1 Isaiah condemns a magical custom connected with the worship of Tammuz in the garden, Isaiah, xvii, g, II. This "Garden of Adonis" is dealt with in the next chapter .
90:1 Quotations are from Sumerian and Babylonian Psalms, translated by Stephen Langdon, Ph.D. (Paris and London, 1909), pp. 299-341.
93:1 Beowulf, translated by J. R. Clark Hall (London, 1911), pp. 9-11.
93:2 For Frey's connection with the Ynglings see Morris and Magnusson's Heimskringla(Saga Library, vol. iii), pp. 23-71.
93:3 The Religion of Babylonia and Assyria, p. 72.
94:1 Langdon's Sumerian and Babylonian Psalms, pp. 325, 339.
94:2 Professor Oldenberg's translation.
94:3 Osiris is also invoked to "remove storms and rain and give fecundity in the night-time". As a spring sun god he slays demons; as a lunar god he brings fertility.
96:1 Like the love-compelling girdle of Aphrodite.
98:1 A wedding bracelet of crystal is worn by Hindu women; they break it when the husband dies.
98:2 Quotations from the translation in The Chaldean Account of Genesis, by George Smith.
98:3 Langdon's Sumerian and Babylonian Psalms, p. 32q et seq.
99:1 The Burden of Isis, translated by J. T. Dennis (Wisdom of the Eastseries), pp. 24, 31, 32, 39, 45, 46, 49.
99:2 The Burden of Isis, pp. 22, 46.
100:1 Aspects of Religious Belief and Practice in Babylonia and Assyria, p. 137, and Herodotus, book i, 199.
101:1 The Burden of Isis, p. 47.
101:2 Original Sanskrit Texts, J. Muir, London, 1890, vol. i, p. 67.
101:3 Original Sanskrit Texts, vol. i, p. 44.
101:4 Adi Parvasection of Mahhata(Roy's translation), pp. 553, 555.
102:1 Ancient Irish Poetry, Kuno Meyer (London, 1911), pp. 88-90.
103:1 Translations from The Elder Edda, by O. Bray (part i), London, 1908.
103:2 Babylonian Religion, L. W. King, pp. 160, 161.
104:1 Tennyson's A Dream of Fair Women.
104:2 Greece and Babylon, L. R. Farnell (Edinburgh, 1911), p. 35.
105:1 The goddesses did not become prominent until the "late invasion" of the post-Vedic Aryans.
105:2 Greece and Babylon, p. 96.
106:1 Jeremiah, xliv.
107:1 Jeremiah, vii, 18.
107:2 Aspects of Religious Belief and Practice in Babylonia and Assyria, pp. 348, 349.
107:3 Jeremiah, vii, 17.
Next: Chapter VI. Wars of the City States of Sumer and Akkad

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