BULFINCH'S MYTHOLOGY
THE AGE OF FABLE
OR STORIES OF GODS AND HEROES
by Thomas Bulfinch
[1855]
CHAPTER XXXIV
PYTHAGORAS - EGYPTIAN DEITIES - ORACLES
PYTHAGORAS
THE teachings of Anchises to Aeneas, respecting the nature of the
human soul, were in conformity with the doctrines of the Pythagoreans.
Pythagoras (born five hundred and forty years B.C.) was a native of
the island of Samos, but passed the chief portion of his life at
Crotona in Italy. He is therefore sometimes called "the Samian," and
sometimes "the philosopher of Crotona." When young he travelled
extensively, and it is said visited Egypt, where he was instructed
by the priests in all their learning, and afterwards journeyed to
the East, and visited the Persian and Chaldean Magi, and the
Brahmins of India.
At Crotona, where he finally established himself, his
extraordinary qualities collected round him a great number of
disciples. The inhabitants were notorious for luxury and
licentiousness, but the good effects of his influence were soon
visible. Sobriety and temperance succeeded. Six hundred of the
inhabitants became his disciples and enrolled themselves in a
society to aid each other in the pursuit of wisdom, uniting their
property in one common stock for the benefit of the whole. They were
required to practise the greatest purity and simplicity of manners.
The first lesson they learned was silence; for a time they were
required to be only hearers. "He [Pythagoras] said so" (Ipse dixit),
was to be held by them as sufficient, without any proof. It was only
the advanced pupils, after years of patient submission, who were
allowed to ask questions and to state objections.
Pythagoras considered numbers as the essence and principle of all
things, and attributed to them a real and distinct existence; so that,
in his view, they were the elements out of which the universe was
constructed. How he conceived this process has never been
satisfactorily explained. He traced the various forms and phenomena of
the world to numbers as their basis and essence. The "Monad" or unit
he regarded as the source of all numbers. The number Two was
imperfect, and the cause of increase and division. Three was called
the number of the whole because it had a beginning, middle, and end.
Four, representing the square, is in the highest degree perfect; and
Ten, as it contains the sum of the four prime numbers, comprehends all
musical and arithmetical proportions, and denotes the system of the
world.
As the numbers proceed from the monad, so he regarded the pure and
simple essence of the Deity as the source of all the forms of
nature. Gods, demons, and heroes are emanations of the Supreme, and
there is a fourth emanation, the human soul. This is immortal, and
when freed from the fetters of the body passes to the habitation of
the dead, where it remains till it returns to the world, to dwell in
some other human or animal body, and at last, when sufficiently
purified, it returns to the source from which it proceeded. This
doctrine of the transmigration of souls (metempsychosis), which was
originally Egyptian and connected with the doctrine of reward and
punishment of human actions, was the chief cause why the
Pythagoreans killed no animals. Ovid represents Pythagoras
addressing his disciples in these words: "Souls never die, but
always on quitting one abode pass to another. I myself can remember
that in the time of the Trojan war I was Euphorbus, the son of
Panthus, and fell by the spear of Menelaus. Lately being in the temple
of Juno, at Argos, I recognized my shield hung up there among the
trophies. All things change, nothing perishes. The soul passes
hither and thither, occupying now this body, now that, passing from
the body of a beast into that of a man, and thence to a beast's again.
As wax is stamped with certain figures, then melted, then stamped anew
with others, yet is always the same wax, so the soul, being always the
same, yet wears, at different times, different forms. Therefore, if
the love of kindred is not extinct in your bosoms, forbear, I
entreat you, to violate the life of those who may haply be your own
relatives."
Shakespeare, in the "Merchant of Venice," makes Gratiano allude to
the metempsychosis, where he says to Shylock:
"Thou almost mak'st me waver in my faith,
To hold opinion with Pythagoras,
That souls of animals infuse themselves
Into the trunks of men; thy currish spirit
Governed a wolf, who, hanged for human slaughter,
Infused his soul in thee; for thy desires
Are wolfish, bloody, starved and ravenous."
The relation of the notes of the musical scale to numbers, whereby
harmony results from vibrations in equal times, and discord from the
reverse, led Pythagoras to apply the word "harmony" to the visible
creation, meaning by it the just adaptation of parts to each other.
This is the idea which Dryden expresses in the beginning of his
"Song for St. Cecilia's Day":
"From harmony, from heavenly harmony
This everlasting frame began;
From harmony to harmony
Through all the compass of the notes it ran,
The Diapason closing full in Man."
In the centre of the universe (he taught) there was a central
fire, the principle of life. The central fire was surrounded by the
earth, the moon, the sun, and the five planets. The distances of the
various heavenly bodies from one another were conceived to
correspond to the proportions of the musical scale. The heavenly
bodies, with the gods who inhabited them, were supposed to perform a
choral dance round the central fire, "not without song." It is this
doctrine which Shakespeare alludes to when he makes Lorenzo teach
astronomy to Jessica in this fashion:
"Look, Jessica, see how the floor of heaven
Is thick inlaid with patines of bright gold!
There's not the smallest orb that thou behold'st
But in his motion like an angel sings,
Still quiring to the young-eyed cherubim;
Such harmony is in immortal souls!
But whilst this muddy vesture of decay
Doth grossly close it in we cannot hear it."
Merchant of Venice.
The spheres were conceived to be crystalline or glassy fabrics
arranged over one another like a nest of bowls reversed. In the
substance of each sphere one or more of the heavenly bodies was
supposed to be fixed, so as to move with it. As the spheres are
transparent we look through them and see the heavenly bodies which
they contain and carry round with them. But as these spheres cannot
move on one another without friction, a sound is thereby produced
which is of exquisite harmony, too fine for mortal ears to
recognize. Milton, in his "Hymn on the Nativity," thus alludes to
the music of the spheres:
"Ring out, ye crystal spheres!
Once bless our human ears
(If ye have power to charm our senses so);
And let your silver chime
Move in melodious time;
And let the bass of Heaven's deep organ blow;
And with your ninefold harmony
Make up full concert to the angelic symphony."
Pythagoras is said to have invented the lyre. Our own poet
Longfellow, in "Verses to a Child," thus relates the story:
"As great Pythagoras of yore,
Standing beside the blacksmith's door,
And hearing the hammers as they smote
The anvils with a different note,
Stole from the varying tones that hung
Vibrant on every iron tongue,
The secret of the sounding wire,
And formed the seven-chorded lyre."
See also the same poet's "Occultation of Orion"-
"The Samian's great AEolian lyre."
SYBARIS AND CROTONA
Sybaris, a neighbouring city to Crotona, was as celebrated for
luxury and effeminacy as Crotona for the reverse. The name has
become proverbial. J. R. Lowell uses it in this sense in his
charming little poem "To the Dandelion":
"Not in mid June the golden-cuirassed bee
Feels a more summer-like, warm ravishment
In the white lily's breezy tent
(His conquered Sybaris) than I when first
From the dark green thy yellow circles burst."
A war arose between the two cities, and Sybaris was conquered and
destroyed. Milo, the celebrated athlete, led the army of Crotona. Many
stories are told of Milo's vast strength, such as his carrying a
heifer of four years old upon his shoulders and afterwards eating
the whole of it in a single day. The mode of his death is thus
related: As he was passing through a forest he saw the trunk of a tree
which had been partially split open by wood-cutters, and attempted
to rend it further; but the wood closed upon his hands and held him
fast, in which state he was attacked and devoured by wolves.
Byron, in his "Ode to Napoleon Bonaparte," alludes to the story of
Milo:
"He who of old would rend the oak
Deemed not of the rebound;
Chained by the trunk he vainly broke,
Alone, how looked he round!"
EGYPTIAN DEITIES
The Egyptians acknowledged as the highest deity Amun, afterwards
called Zeus, or Jupiter Ammon. Amun manifested himself in his word
or will, which created Kneph and Athor, of different sexes. From Kneph
and Athor proceeded Osiris and Isis. Osiris was worshipped as the
god of the sun, the source of warmth, life, and fruitfulness, in
addition to which he was also regarded as the god of the Nile, who
annually visited his wife, Isis (the Earth), by means of an
inundation. Serapis or Hermes is sometimes represented as identical
with Osiris, and sometimes as a distinct divinity, the ruler of
Tartarus and god of medicine. Anubis is the guardian god,
represented with a dog's head, emblematic of his character of fidelity
and watchfulness. Horus or Harpocrates was the son of Osiris. He is
represented seated on a Lotus flower, with his finger on his lips,
as the god of Silence.
In one of Moore's "Irish Melodies" is an allusion to Harpocrates:
"Thyself shall, under some rosy bower,
Sit mute, with thy finger on thy lip;
Like him, the boy, who born among
The flowers that on the Nile-stream blush,
Sits ever thus,- his only song
To Earth and Heaven, 'Hush all, hush!"
MYTH OF OSIRIS AND ISIS
Osiris and Isis were at one time induced to descend to the earth
to bestow gifts and blessings on its inhabitants. Isis showed them
first the use of wheat and barley, and Osiris made the instruments
of agriculture and taught men the use of them, as well as how to
harness the ox to the plough. He then gave men laws, the institution
of marriage, a civil organization, and taught them how to worship
the gods. After he had thus made the valley of the Nile a happy
country, he assembled a host with which he went to bestow his
blessings upon the rest of the world. He conquered the nations
everywhere, but not with weapons, only with music and eloquence. His
brother, Typhon saw this, and filled with envy and malice sought
during his absence to usurp his throne. But Isis, who held the reins
of government, frustrated his plans. Still more embittered, he now
resolved to kill his brother. This he did in the following manner:
Having organized a conspiracy of seventy-two members, he went with
them to the feast which was celebrated in honour of the king's return.
He then caused a box or chest to be brought in, which had been made to
fit exactly the size of Osiris, and declared that he would give that
chest of precious wood to whomsoever could get into it. The rest tried
in vain, but no sooner was Osiris in it than Typhon and his companions
closed the lid and flung the chest into the Nile. When Isis heard of
the cruel murder she wept and mourned, and then with her hair shorn,
clothed in black and beating her breast, she sought diligently for the
body of her husband. In this search she was materially assisted by
Anubis, the son of Osiris and Nephthys. They sought in vain for some
time; for when the chest, carried by the waves to the shores of
Byblos, had become entangled in the reeds that grew at the edge of the
water, the divine power that dwelt in the body of Osiris imparted such
strength to the shrub that it grew into a mighty tree, enclosing in
its trunk the coffin of the god. This tree with its sacred deposit was
shortly after felled, and erected as a column in the palace of the
king of Phoenicia. But at length by the aid of Anubis and the sacred
birds, Isis ascertained these facts, and then went to the royal
city. There she offered herself at the palace as a servant, and
being admitted, threw off her disguise and appeared as the goddess,
surrounded with thunder and lightning. Striking the column with her
wand she caused it to split open and give up the sacred coffin. This
she seized and returned with it, and concealed it in the depth of a
forest, but Typhon discovered it, and cutting the body into fourteen
pieces scattered them hither and thither. After a tedious search, Isis
found thirteen pieces, the fishes of the Nile having eaten the
other. This she replaced by an imitation of sycamore wood, and
buried the body at Philoe, which became ever after the great burying
place of the nation, and the spot to which pilgrimages were made
from all parts of the country. A temple of surpassing magnificence was
also erected there in honour of the god, and at every place where
one of his limbs had been found minor temples and tombs were built
to commemorate the event. Osiris became after that the tutelar deity
of the Egyptians. His soul was supposed always to inhabit the body
of the bull Apis, and at his death to transfer itself to his
successor.
Apis, the Bull of Memphis, was worshipped with the greatest
reverence by the Egyptians. The individual animal who was held to be
Apis was recognized by certain signs. It was requisite that he
should be quite black, have a white square mark on the forehead,
another, in the form of an eagle, on his back, and under his tongue
a lump somewhat in the shape of a scarabaeus or beetle. As soon as a
bull thus marked was found by those sent in search of him, he was
placed in a building facing the east, and was fed with milk for four
months. At the expiration of this term the priests repaired at new
moon, with great pomp, to his habitation and saluted him Apis. He
was placed in a vessel magnificently decorated and conveyed down the
Nile to Memphis, where a temple, with two chapels and a court for
exercise, was assigned to him. Sacrifices were made to him, and once
every year, about the time when the Nile began to rise, a golden cup
was thrown into the river, and a grand festival was held to
celebrate his birthday. The people believed that during this
festival the crocodiles forgot their natural ferocity and became
harmless. There was, however, one drawback to his happy lot: he was
not permitted to live beyond a certain period, and if, when he had
attained the age of twenty-five years, he still survived, the
priests drowned him in the sacred cistern and then buried him in the
temple of Serapis. On the death of this bull, whether it occurred in
the course of nature or by violence, the whole land was filled with
sorrow and lamentations, which lasted until his successor was found.
We find the following item in one of the newspapers of the day:
"The Tomb of Apis.- The excavations going on at Memphis bid fair
to make that buried city as interesting as Pompeii. The monster tomb
of Apis is now open, after having lain unknown for centuries."
Milton, in his "Hymn on the Nativity," alludes to the Egyptian
deities, not as imaginary beings, but as real demons, put to flight by
the coming of Christ.
"The brutish gods of Nile as fast,
Isis and Horus and the dog Anubis haste.
Nor is Osiris seen
In Memphian grove or green
Trampling the unshowered* grass with lowings loud;
Nor can he be at rest
Within his sacred chest;
Nought but profoundest hell can be his shroud.
In vain with timbrel'd anthems dark
The sable-stoled sorcerers bear his worshipped ark."
* There being no rain in Egypt, the grass is "unshowered," and the
country depends for its fertility upon the overflowings of the Nile.
The ark alluded to in the last line is shown by pictures still
remaining on the walk of the Egyptian temple to have been borne by the
priests in their religious processions. It probable represented the
chest in which Osiris was placed.
Isis was represented in statuary with the head veiled, a symbol of
mystery. It is this which Tennyson alludes to in "Maud," IV. 8:
"For the drift of the Maker is dark, an Isis hid by the veil," etc.
ORACLES
Oracle was the name used to denote the place where answers were
supposed to be given by any of the divinities to those who consulted
them respecting the future. The word was also used to signify the
response which was given.
The most ancient Grecian oracle was that of Jupiter at Dodona.
According to one account, it was established in the following
manner: Two black doves took their flight from Thebes in Egypt. One
flew to Dodona in Epirus, and alighting in a grove of oaks, it
proclaimed in human language to the inhabitants of the district that
they must establish there an oracle of Jupiter. The other dove flew to
the temple of Jupiter Ammon in the Libyan Oasis, and delivered a
similar command there. Another account is, that they were not doves,
but priestesses, who were carried off from Thebes in Egypt by the
Phoenicians, and set up oracles at the Oasis and Dodona. The responses
of the oracle were given from the trees, by the branches rustling in
the wind, the sounds being interpreted by the priests.
But the most celebrated of the Grecian oracles was that of Apollo at
Delphi, a city built on the slopes of Parnassus in Phocis.
It had been observed at a very early period that the goats feeding
on Parnassus were thrown into convulsions when they approached a
certain long deep cleft in the side of the mountain. This was owing to
a peculiar vapour arising out of the cavern, and one of the
goatherds was induced to try its effects upon himself. Inhaling the
intoxicating air, he was affected in the same manner as the cattle had
been, and the inhabitants of the surrounding country, unable to
explain the circumstance, imputed the convulsive ravings to which he
gave utterance while under the power of the exhalations to a divine
inspiration. The fact was speedily circulated widely, and a temple was
erected on the spot. The prophetic influence was at first variously
attributed to the goddess Earth, to Neptune, Themis, and others, but
it was at length assigned to Apollo, and to him alone. A priestess was
appointed whose office it was to inhale the hallowed air, and who
was named the Pythia. She was prepared for this duty by previous
ablution at the fountain of Castalia, and being crowned with laurel
was seated upon a tripod similarly adorned, which was placed over
the chasm whence the divine afflatus proceeded. Her inspired words
while thus situated were interpreted by the priests.
ORACLE OF TROPHONIUS
Besides the oracles of Jupiter and Apollo, at Dodona and Delphi,
that of Trophonius in Boeotia was held in high estimation.
Trophonius and Agamedes were brothers. They were distinguished
architects, and built the temple of Apollo at Delphi, and a treasury
for King Hyrieus. In the wall of the treasury they placed a stone,
in such a manner that it could be taken out; and by this means, from
time to time, purloined the treasure. This amazed Hyrieus, for his
locks and seals were untouched, and yet his wealth continually
diminished. At length he set a trap for the thief and Agamedes was
caught.
Trophonius, unable to extricate him, and fearing that when found
he would be compelled by torture to discover his accomplice, cut off
his head. Trophonius himself is said to have been shortly afterwards
swallowed up by the earth.
The oracle of Trophonius was at Lebadea in Boeotia. During a great
drought the Boeotians, it is said, were directed by the god at
Delphi to seek aid of Trophonius at Lebadea. They came thither, but
could find no oracle. One of them, however, happening to see a swarm
of bees, followed them to a chasm in the earth, which proved to be the
place sought.
Peculiar ceremonies were to be performed by the person who came to
consult the oracle. After these preliminaries, he descended into the
cave by a narrow passage. This place could be entered only in the
night. The person returned from the cave by the same narrow passage,
but walking backwards. He appeared melancholy and dejected; and
hence the proverb which was applied to a person low-spirited and
gloomy, "He has been consulting the oracle of Trophonius."
ORACLE OF AESCULAPIUS
There were numerous oracles of AEsculapius, but the most
celebrated one was at Epidaurus. Here the sick sought responses and
the recovery of their health by sleeping in the temple. It has been
inferred from the accounts that have come down to us that the
treatment of the sick resembled what is now called Animal Magnetism or
Mesmerism.
Serpents were sacred to AEsculapius, probably because of a
superstition that those animals have a faculty of renewing their youth
by a change of skin.
The worship of AEsculapius was introduced into Rome in a time of
great sickness, and an embassy sent to the temple of Epidaurus to
entreat the aid of the god. AEsculapius was propitious and on the
return of the ship accompanied it in the form of a serpent. Arriving
in the river Tiber, the serpent glided from the vessel and took
possession of an island in the river, and a temple was there erected
to his honour.
ORACLE OF APIS
At Memphis the sacred bull Apis gave answer to those who consulted
him by the manner in which he received or rejected what was
presented to him. If the bull refused food from the hand of the
inquirer it was considered an unfavourable sign, and the contrary when
he received it.
It has been a question whether oracular responses ought to be
ascribed to mere human contrivance or to the agency of evil spirits.
The latter opinion has been most general in past ages. A third
theory has been advanced since the phenomena of Mesmerism have
attracted attention, that something like the mesmeric trance was
induced in the Pythoness, and the faculty of clairvoyance really
called into action.
Another question is as to the time when the Pagan oracles ceased
to give responses. Ancient Christian writers assert that they became
silent at the birth of Christ, and were heard no more after that date.
Milton adopts this view in his "Hymn on the Nativity," and in lines of
solemn and elevated beauty pictures the consternation of the heathen
idols at the advent of the Saviour:
"The oracles are dumb;
No voice or hideous hum
Rings through the arched roof in words deceiving.
Apollo from his shrine
Can no more divine,
With hollow shriek the steep of Delphos leaving.
No nightly trance or breathed spell
Inspires the pale-eyed priest from the prophetic cell."
In Cowper's poem of "Yardley Oak" there are some beautiful
mythological allusions. The former of the two following is to the
fable of Castor and Pollux; the latter is more appropriate to our
present subject. Addressing the acorn he says,
"Thou fell'st mature; and in the loamy clod,
Swelling with vegetative force instinct,
Didst burst thine egg, as theirs the fabled Twins
Now stars; two lobes protruding, paired exact;
A leaf succeeded and another leaf,
And, all the elements thy puny growth
Fostering propitious, thou becam'st a twig.
Who lived when thou wast such? O, couldst thou speak,
As in Dodona once thy kindred trees
Oracular, I would not curious ask
The future, best unknown, but at thy mouth
Inquisitive, the less ambiguous past."
Tennyson, in his "Talking Oak," alludes to the oaks of Dodona in
these lines:
"And I will work in prose and rhyme,
And praise thee more in both
Than bard has honored beech or lime,
Or that Thessalian growth
In which the swarthy ring-dove sat
And mystic sentence spoke;" etc.
Byron alludes to the oracle of Delphi where, speaking of Rousseau,
whose writings he conceives did much to bring on the French
revolution, he says,
"For then he was inspired, and from him came,
As from the Pythian's mystic cave of yore,
Those oracles which set the world in flame,
Nor ceased to burn till kingdoms were no more."